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413 records
Goya (Francisco de Goya y Lucientes) x
Picador Caught by a Bull (Bravo toro), from the "Bulls of Bordeaux"
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1825
Medium: Lithograph
Accession Number: 20.60.2
Plate 68 'Los Caprichos': Pretty teacher! (Linda maestra!)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and drypoint on laid paper
Accession Number: 18.64(68)
Se defiende bien
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, drypoint, burin and burnisher on wove paper
Accession Number: 22.60.25(78)
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, aquatint, lavis, drypoint, burin and burnishing
Accession Number: 24.30.13
Even Worse (Tanto y mas), from The Disasters of War (Los Desastres de la Guerra), plate 22
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810
Medium: Etching and burin on laid paper
Accession Number: 32.62.9
Balthasar Carlos, Prince of Spain and Son of Philip IV (D. Baltasar Carlos Principe de España. Hijo del Rey D. Felipe IV), from Etchings after Velazquez
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1778
Medium: Etching and drypoint printed in black ink
Accession Number: 1986.1180.899
They Make Use of Them (Se aprovechan), from The Disasters of War (Los Desastres de la Guerra), plate 16
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Medium: Etching and drypoint on laid paper
Accession Number: 32.62.13
He Wakes Up Kicking
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1801–3
Medium: Brush and gray wash on laid paper
Accession Number: 35.103.26
Another way of hunting on foot, plate 2 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, drypoint, and burin
Accession Number: 21.19.2
Plate 5 from 'The Disasters of War' (Los Desastres de la Guerra): And they are like wild beasts (Y son fieras)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint and drypoint
Accession Number: 22.60.25(5)
De qué sirve una taza?
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint and lavis on wove paper
Accession Number: 22.60.25(59)
Plate 49 from 'Los Caprichos': Hobgoblins (Duendecitos.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and aquatint
Accession Number: 18.64(49)
Plate 33 from 'Los Caprichos':To the Count Palatine (Al Conde Palatino.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint, drypoint and burin
Accession Number: 18.64(33)
Plate1 from 'The Disasters of War' (Los Desastres de la Guerra): Sad foreboding of what is going to happen (Tristes presentimientos de lo que ha de acontecer.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burin, drypoint and burnisher
Accession Number: 22.60.25(1)
Plate 65 from ' Los Caprichos':Where is mother going? (Donde vá mamá?)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and drypoint
Accession Number: 18.64(65)
Beggar with a Staff in His Left Hand, from Images of Spain Album (F), 70
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Medium: Brush and brown wash on laid paper
Accession Number: 35.103.40
Plate 38 from 'Los Caprichos': Bravo! (Brabisimo!)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: etching, burnished aquatint & drypoint
Accession Number: 18.64(38)
Lovers Sitting on a Rock
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Medium: Brush and gray wash on laid Netherlandish paper
Accession Number: 35.103.6
Plate 34 from 'Los Caprichos': Sleep overcomes them (Las rinde el Sueño.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(34)
Barbarians! (Bárbaros!), from The Disasters of War (Los Desastres de la Guerra), plate 38
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published in 1863
Medium: Etching, burnished aquatint, burin and burnisher on wove paper
Accession Number: 22.60.25(38)
Portrait of a Young Man
Formerly attributed to Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1820
Medium: Lithograph
Accession Number: 1993.1046
Plate 9 from 'The Disasters of War' (Los Desastres de la Guerra):They don't like it (No quieren.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint, drypoint, burin and burnisher
Accession Number: 22.60.25(9)
Plate 2 from 'Los Caprichos' : They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(2)
The Disasters of War, plates 1-80 (Los Desastres de la Guerra)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, aquatint, lavis, drypoint, burin, and burnishing on wove paper
Accession Number: 51.530.2(1-80)
Plate 47 from 'Los Caprichos':A gift for the master (Obsequio á el maestro)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and burin
Accession Number: 18.64(47)
Disparate Desordenada (Disorderly Folly), from the series, Disparates, or Los Proverbios (The Follies)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching and aquatint from the posthumous first edition of 1864
Accession Number: 24.30.8
Bullfight in a Divided Ring
Attributed to Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date:
Medium: Oil on canvas
Accession Number: 22.181
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, aquatint, lavis, drypoint, burin and burnishing
Accession Number: 36.20(10)
Plate 41 from 'Los Caprichos': Neither more nor less (Ni mas ni menos.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint, drypoint and burin
Accession Number: 18.64(41)
The garroted man (El agarrotado)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1778–80
Medium: Etching
Accession Number: 20.22
Picador Caught by a Bull (Bravo toro), from the "Bulls of Bordeaux"
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1825
Accession Number: 20.60.2
Plate 68 'Los Caprichos': Pretty teacher! (Linda maestra!)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(68)
Se defiende bien
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(78)
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 24.30.13
Even Worse (Tanto y mas), from The Disasters of War (Los Desastres de la Guerra), plate 22
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810
Accession Number: 32.62.9
Balthasar Carlos, Prince of Spain and Son of Philip IV (D. Baltasar Carlos Principe de España. Hijo del Rey D. Felipe IV), from Etchings after Velazquez
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1778
Accession Number: 1986.1180.899
They Make Use of Them (Se aprovechan), from The Disasters of War (Los Desastres de la Guerra), plate 16
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Accession Number: 32.62.13
He Wakes Up Kicking
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1801–3
Accession Number: 35.103.26
Another way of hunting on foot, plate 2 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.2
Plate 5 from 'The Disasters of War' (Los Desastres de la Guerra): And they are like wild beasts (Y son fieras)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(5)
De qué sirve una taza?
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(59)
Plate 49 from 'Los Caprichos': Hobgoblins (Duendecitos.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(49)
Plate 33 from 'Los Caprichos':To the Count Palatine (Al Conde Palatino.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(33)
Plate1 from 'The Disasters of War' (Los Desastres de la Guerra): Sad foreboding of what is going to happen (Tristes presentimientos de lo que ha de acontecer.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(1)
Plate 65 from ' Los Caprichos':Where is mother going? (Donde vá mamá?)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(65)
Beggar with a Staff in His Left Hand, from Images of Spain Album (F), 70
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Accession Number: 35.103.40
Plate 38 from 'Los Caprichos': Bravo! (Brabisimo!)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(38)
Lovers Sitting on a Rock
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Accession Number: 35.103.6
Plate 34 from 'Los Caprichos': Sleep overcomes them (Las rinde el Sueño.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(34)
Barbarians! (Bárbaros!), from The Disasters of War (Los Desastres de la Guerra), plate 38
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published in 1863
Accession Number: 22.60.25(38)
Portrait of a Young Man
Formerly attributed to Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1820
Accession Number: 1993.1046
Plate 9 from 'The Disasters of War' (Los Desastres de la Guerra):They don't like it (No quieren.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(9)
Plate 2 from 'Los Caprichos' : They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(2)
The Disasters of War, plates 1-80 (Los Desastres de la Guerra)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 51.530.2(1-80)
Plate 47 from 'Los Caprichos':A gift for the master (Obsequio á el maestro)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(47)
Disparate Desordenada (Disorderly Folly), from the series, Disparates, or Los Proverbios (The Follies)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 24.30.8
Bullfight in a Divided Ring
Attributed to Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date:
Accession Number: 22.181
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 36.20(10)
Plate 41 from 'Los Caprichos': Neither more nor less (Ni mas ni menos.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(41)
The garroted man (El agarrotado)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1778–80
Accession Number: 20.22
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