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Goya (Francisco de Goya y Lucientes) x
Weeping Woman and Three Men
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Medium: Brush and gray wash on laid Netherlandish paper
Accession Number: 35.103.4
A Disheveled Woman with a Group, from Images of Spain Album, 76
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Medium: Brush and brown wash over black chalk on laid paper
Accession Number: 35.103.42
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, aquatint, lavis, drypoint, burin and burnishing
Accession Number: 24.30.11
El Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, and burin; first edition
Accession Number: 21.19.11
The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid, plate 28 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint and burin
Accession Number: 21.19.28
If he is guilty, let him die quickly (Si es delinquente qe. muera presto)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14, printed 1859
Medium: Etching, printed in black ink with platetone
Accession Number: 18.45.2
They Do Not Agree (No se convienen), from The Disasters of War (Los Desastres de la Guerra), plate 17
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, drypoint, burin and burnisher on wove paper
Accession Number: 22.60.25(17)
Unholy Union
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1801–3 or ca. 1813–19
Medium: Brush with Indian ink and wash and traces of pen and ink on laid paper
Accession Number: 1975.1.975
Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and drypoint
Accession Number: 18.64(16)
The same man throws a bull in the ring at Madrid, plate 16 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, drypoint and burin
Accession Number: 21.19.16
This is what you were born for (Para eso habeis nacido), from The Disasters of War (Los Desastres de la Guerra), plate 12
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis, drypoint and burin on wove paper
Accession Number: 22.60.25(12)
The garroted man (El agarrotado)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1778–80
Medium: Etching
Accession Number: 20.22
A 'Maja' standing against a dark background (Maja)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date:
Medium: Etching, aquatint and burnishing, printed in black ink, with platetone
Accession Number: 23.37.6
Plate 78 from' Los Caprichos': Be quick, they are waking up (Despacha, que dispiértan.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(78)
The Famous American, Mariano Ceballos, from the "Bulls of Bordeaux"
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1825
Medium: Lithograph
Accession Number: 46.103
Exotic Flower
Édouard Manet
(French, Paris 1832–1883 Paris)
Date: 1868
Medium: Etching and aquatint on laid paper, final state (of two)
Accession Number: 64.649.1
Farándula de Charlatanes
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, aquatint or lavis, drypoint and burin on wove paper
Accession Number: 22.60.25(75)
Provincial Dance, from Images of Spain Album (F), 89
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Medium: Brush and brown wash on laid paper
Accession Number: 35.103.47
Plate 11 from 'Los Caprichos': Lads Making Ready (Muchachos al Avío)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and burin
Accession Number: 18.64(11)
Even Worse (Tanto y mas), from The Disasters of War (Los Desastres de la Guerra), plate 22
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810
Medium: Etching and burin on laid paper
Accession Number: 32.62.9
The Same Elsewhere (Lo mismo en otras partes), from The Disasters of War (Los Desastres de la Guerra), plate 23
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Medium: Etching, drypoint and burin on laid paper
Accession Number: 32.62.3
The way in which the ancient Spaniards hunted bulls on horseback in the open country, plate 1 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquating, and drypoint
Accession Number: 21.19.1
Pepe Illo making the pass of the 'recorte', plate 29 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, drypoint and burin
Accession Number: 21.19.29
A Spanish mounted knight in the ring breaking short spears without the help of assistants, plate 13 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, drypoint and burin
Accession Number: 21.19.13
The Follies (Disparates [Los Proverbios])
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816–23
Medium: Etching, aquatint, lavis, drypoint, burin and burnishing
Accession Number: 24.30
The Dancing Giant (Bobalicón), from the Disparates (Follies) or Los Proverbios, plate 4
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1848–63
Medium: Etching, burnished aquatint, burin, and drypoint; posthumous proof, before number; 1848-63
Accession Number: 21.54.1
Old Man Confronting Phantoms, from the Disparates (Follies), or Los Proverbios, plate 18
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1848–63
Medium: Etching, burnished aquatint and burin; posthumous proof, dryly inked, 1848-63
Accession Number: 31.79.2
Bury Them and Keep Quiet (Enterrar y callar), from The Disasters of War (Los Desastres de la Guerra), plate 18
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished lavis, drypoint and burin on wove paper
Accession Number: 51.530.2(18)
He Gets Something Out of It (Algun partido saca), from The Disasters of War (Los Desastres de la Guerra), plate 40
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, drypoint and burin on wove paper
Accession Number: 22.60.25(40)
Esta no lo es menos
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint, drypoint, burin and burnisher on wove paper
Accession Number: 22.60.25(67)
Weeping Woman and Three Men
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Accession Number: 35.103.4
A Disheveled Woman with a Group, from Images of Spain Album, 76
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Accession Number: 35.103.42
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 24.30.11
El Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.11
The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid, plate 28 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.28
If he is guilty, let him die quickly (Si es delinquente qe. muera presto)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14, printed 1859
Accession Number: 18.45.2
They Do Not Agree (No se convienen), from The Disasters of War (Los Desastres de la Guerra), plate 17
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(17)
Unholy Union
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1801–3 or ca. 1813–19
Accession Number: 1975.1.975
Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(16)
The same man throws a bull in the ring at Madrid, plate 16 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.16
This is what you were born for (Para eso habeis nacido), from The Disasters of War (Los Desastres de la Guerra), plate 12
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(12)
The garroted man (El agarrotado)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1778–80
Accession Number: 20.22
A 'Maja' standing against a dark background (Maja)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date:
Accession Number: 23.37.6
Plate 78 from' Los Caprichos': Be quick, they are waking up (Despacha, que dispiértan.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(78)
The Famous American, Mariano Ceballos, from the "Bulls of Bordeaux"
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1825
Accession Number: 46.103
Exotic Flower
Édouard Manet
(French, Paris 1832–1883 Paris)
Date: 1868
Accession Number: 64.649.1
Farándula de Charlatanes
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(75)
Provincial Dance, from Images of Spain Album (F), 89
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Accession Number: 35.103.47
Plate 11 from 'Los Caprichos': Lads Making Ready (Muchachos al Avío)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(11)
Even Worse (Tanto y mas), from The Disasters of War (Los Desastres de la Guerra), plate 22
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810
Accession Number: 32.62.9
The Same Elsewhere (Lo mismo en otras partes), from The Disasters of War (Los Desastres de la Guerra), plate 23
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Accession Number: 32.62.3
The way in which the ancient Spaniards hunted bulls on horseback in the open country, plate 1 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.1
Pepe Illo making the pass of the 'recorte', plate 29 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.29
A Spanish mounted knight in the ring breaking short spears without the help of assistants, plate 13 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.13
The Follies (Disparates [Los Proverbios])
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816–23
Accession Number: 24.30
The Dancing Giant (Bobalicón), from the Disparates (Follies) or Los Proverbios, plate 4
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1848–63
Accession Number: 21.54.1
Old Man Confronting Phantoms, from the Disparates (Follies), or Los Proverbios, plate 18
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1848–63
Accession Number: 31.79.2
Bury Them and Keep Quiet (Enterrar y callar), from The Disasters of War (Los Desastres de la Guerra), plate 18
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 51.530.2(18)
He Gets Something Out of It (Algun partido saca), from The Disasters of War (Los Desastres de la Guerra), plate 40
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(40)
Esta no lo es menos
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(67)
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