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413 records
Goya (Francisco de Goya y Lucientes) x
Plate 4 from 'Los Caprichos': Nanny's boy (El de la rollona.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint, drypoint
Accession Number: 18.64(4)
Barbarous Entertainment (Barbara dibersion)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1800–1804
Medium: Etching, aquatint and drypoint printed in black ink on medium weight, laid paper
Accession Number: 18.42.2
Punctual Folly (Disparate puntual), from the Disparates, plate B
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1877
Medium: Etching, aquatint, and drypoint (?); posthumous proof on China paper
Accession Number: 19.64
The Agility and Audacity of Juanito Apiñani in the [Ring] at Madrid (Ligereza y atrevimiento de Juanito Apiñani en la [plaza] de Madrid)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching
Accession Number: 21.19.20
Nada. Ello dirá
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint, lavis, drypoint and burin on wove paper
Accession Number: 51.530.2(69)
Madre Infeliz!
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint and drypoint on wove paper
Accession Number: 22.60.25(50)
Plate 28 from 'Los Caprichos': Hush (Chiton.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and burin
Accession Number: 18.64(28)
De qué sirve una taza?
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint and lavis on wove paper
Accession Number: 22.60.25(59)
Nightmare; Witches and Old Women; Album (D), page 20
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1819–23
Medium: Brush, black ink, and wash on Netherlandish laid paper
Accession Number: 19.27
Narcisa Barañana de Goicoechea
Attributed to Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date:
Medium: Oil on canvas
Accession Number: 29.100.180
Late Caprichos of Goya
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1824–28
Medium: Etching, aquatint, drypoint, and burin
Accession Number: 1972.507.1-6
Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse (Mariano Ceballos, alias el Indio, mata el toro desde su caballo)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching
Accession Number: 21.19.23
Plate 33 from 'Los Caprichos':To the Count Palatine (Al Conde Palatino.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint, drypoint and burin
Accession Number: 18.64(33)
A Moor Caught by the Bull in the Ring (Cogida de un moro estando en la plaza); La Tauromaquia, plate 8
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816
Medium: Etching, burnished aquatint and drypoint; posthumous seventh edition, 1937
Accession Number: 1986.1180.896
Plate 55 from 'Los Caprichos': Until death' (Hasta la muerte.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and drypoint
Accession Number: 18.64(55)
Pllate 60 from 'Los Caprichos': Trials (Ensayos.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and burin
Accession Number: 18.64(60)
Plate 43 from 'Los Caprichos': The sleep of reason produces monsters (El sueño de la razon produce monstruos)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint, drypoint, and burin
Accession Number: 18.64(43)
Hanged Man
Style of Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: n.d.
Medium: Pen with brown ink and brown wash on laid paper
Accession Number: 1972.118.9
The Disasters of War (Los Desastres de la Guerra); individual plates are numbered 51.530.2(1-80)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, aquatint, lavis, drypoint, burin, and burnishing
Accession Number: 51.530.2
Animal Folly (Disparate de bestia), from the Disparates, plate C
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1877
Medium: Etching, aquatint, and drypoint; posthumous proof on China paper
Accession Number: 22.63.147
Generosity versus Greed
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Medium: Brush and gray wash on laid Netherlandish paper
Accession Number: 35.103.12
Lovers Sitting on a Rock
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Medium: Brush and gray wash on laid Netherlandish paper
Accession Number: 35.103.6
Plate 22 from 'The Disasters of War' (Los Desastres de la Guerra): 'Even worse.' (Tanto y mas)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810
Medium: Etching and burin
Accession Number: 32.62.9
Poor Folly, plate 11 from Disparates
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, burnished aquatint, drypoint and burin
Accession Number: 36.20(11)
Muertos Recogidos
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching and burnished aquatint on wove paper
Accession Number: 22.60.25(63)
Plate18 from 'The Disasters of War' (Los Desastres de la Guerra): 'Bury them and keep quiet.' (Enterrar y callar.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished lavis, drypoint and burin
Accession Number: 51.530.2(18)
Se defiende bien
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, drypoint, burin and burnisher on wove paper
Accession Number: 22.60.25(78)
He Wakes Up Kicking
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1801–3
Medium: Brush and gray wash on laid paper
Accession Number: 35.103.26
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, aquatint, lavis, drypoint, burin and burnishing
Accession Number: 24.30.1
The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid, plate 28 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint and burin
Accession Number: 21.19.28
Plate 4 from 'Los Caprichos': Nanny's boy (El de la rollona.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(4)
Barbarous Entertainment (Barbara dibersion)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1800–1804
Accession Number: 18.42.2
Punctual Folly (Disparate puntual), from the Disparates, plate B
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1877
Accession Number: 19.64
The Agility and Audacity of Juanito Apiñani in the [Ring] at Madrid (Ligereza y atrevimiento de Juanito Apiñani en la [plaza] de Madrid)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.20
Nada. Ello dirá
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 51.530.2(69)
Madre Infeliz!
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(50)
Plate 28 from 'Los Caprichos': Hush (Chiton.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(28)
De qué sirve una taza?
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(59)
Nightmare; Witches and Old Women; Album (D), page 20
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1819–23
Accession Number: 19.27
Narcisa Barañana de Goicoechea
Attributed to Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date:
Accession Number: 29.100.180
Late Caprichos of Goya
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1824–28
Accession Number: 1972.507.1-6
Mariano Ceballos, Alias the Indian, Kills the Bull from His Horse (Mariano Ceballos, alias el Indio, mata el toro desde su caballo)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.23
Plate 33 from 'Los Caprichos':To the Count Palatine (Al Conde Palatino.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(33)
A Moor Caught by the Bull in the Ring (Cogida de un moro estando en la plaza); La Tauromaquia, plate 8
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816
Accession Number: 1986.1180.896
Plate 55 from 'Los Caprichos': Until death' (Hasta la muerte.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(55)
Pllate 60 from 'Los Caprichos': Trials (Ensayos.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(60)
Plate 43 from 'Los Caprichos': The sleep of reason produces monsters (El sueño de la razon produce monstruos)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(43)
Hanged Man
Style of Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: n.d.
Accession Number: 1972.118.9
The Disasters of War (Los Desastres de la Guerra); individual plates are numbered 51.530.2(1-80)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 51.530.2
Animal Folly (Disparate de bestia), from the Disparates, plate C
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1877
Accession Number: 22.63.147
Generosity versus Greed
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Accession Number: 35.103.12
Lovers Sitting on a Rock
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Accession Number: 35.103.6
Plate 22 from 'The Disasters of War' (Los Desastres de la Guerra): 'Even worse.' (Tanto y mas)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810
Accession Number: 32.62.9
Poor Folly, plate 11 from Disparates
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 36.20(11)
Muertos Recogidos
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(63)
Plate18 from 'The Disasters of War' (Los Desastres de la Guerra): 'Bury them and keep quiet.' (Enterrar y callar.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 51.530.2(18)
Se defiende bien
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(78)
He Wakes Up Kicking
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1801–3
Accession Number: 35.103.26
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 24.30.1
The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid, plate 28 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.28
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