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Goya (Francisco de Goya y Lucientes) x
Madre Infeliz!
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint and drypoint on wove paper
Accession Number: 22.60.25(50)
Plate 27 from 'Los Caprichos':Which of them is the more overcome? (Quien mas rendido?)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and drypoint
Accession Number: 18.64(27)
Plate 55 from 'Los Caprichos': Until death' (Hasta la muerte.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and drypoint
Accession Number: 18.64(55)
Punctual Folly (Disparate puntual), from the Disparates, plate B
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1877
Medium: Etching, aquatint, and drypoint (?); posthumous proof on China paper
Accession Number: 19.64
The Dogs Let Loose on the Bull; Tauromaquia, plate C
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816
Medium: Etching, aquatint, drypoint, burin, and burnishing; posthumous fourth edition, 1905
Accession Number: 1986.1180.898
No llegan á tiempo
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis, drypoint and burin on wove paper
Accession Number: 22.60.25(52)
Sebastián Martínez y Pérez (1747–1800)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1792
Medium: Oil on canvas
Accession Number: 06.289
Plate 43 from 'Los Caprichos': The sleep of reason produces monsters (El sueño de la razon produce monstruos)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799, published 1908–12
Medium: Etching and aquatint on wove paper
Accession Number: 1986.1180.895
Plate 2 from 'The Disasters of War' (Los Desastres de la Guerra): 'Rightly or wrongly' (Con razon ó sin ella.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis, drypoint, burin, and burnisher
Accession Number: 22.60.25(2)
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, aquatint, lavis, drypoint, burin and burnishing
Accession Number: 36.20(6)
Plate 39 from 'Los Caprichos': And so was his grandfather. (Asta su Abuelo.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Aquatint
Accession Number: 18.64(39)
A Man Drinking from a Wine Skin; Images of Spain Album, 63
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1812–20
Medium: Brush and brown wash on laid paper
Accession Number: 35.103.36
Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and drypoint
Accession Number: 18.64(16)
Construction in Progress (Images of Spain Album, 46)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Medium: Brush with gray-brown and irongall washes, with scraping on laid paper
Accession Number: 35.103.31
Plate 12 from 'Los Caprichos': Out hunting for teeth (A caza des dientes.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and burin
Accession Number: 16.4.7
The Blind Guitarist (El ciego de la guitarra)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1778
Medium: Etching; working proof
Accession Number: 22.63.29
Plate 7 from 'Los Caprichos' : Even thus he cannot make her out (Ni asi la distingue.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and drypoint
Accession Number: 18.64(7)
Esta no lo es menos
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint, drypoint, burin and burnisher on wove paper
Accession Number: 22.60.25(67)
They Can Still Be of Use (Aun podrán servir), from The Disasters of War (Los Desastres de la Guerra), plate 24
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–23
Medium: Etching and burnisher on laid paper
Accession Number: 32.62.10
Plate 1 from 'Los Caprichos': Self-portrait of Goya ( Franco. Goya e Lucientes, Pintor)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint, drypoint and burin
Accession Number: 18.64(1)
Nothing Is Known of This
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1801–3
Medium: Brush with black and gray wash on laid paper
Accession Number: 35.103.24
Plate 14 from "The Disasters of War' (Los Desastres de la Guerra):It's a hard step! (Duro es el paso!)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished lavis, drypoint and burin
Accession Number: 22.60.25(14)
El buitre carnívoro
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, drypoint(?), burin and burnisher on wove paper
Accession Number: 22.60.25(76)
Plate 51 from 'Los Caprichos': They spruce themselves up (Se repulen.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and burin
Accession Number: 18.64(51)
Another madness of his in the same ring, plate 19 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, drypoint and burin
Accession Number: 21.19.19
A Moor caught by the bull in the ring, plate 8 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, and drypoint
Accession Number: 21.19.8
Plate 15 from "The Disasters of War' (Los Desastres de la Guerra):And there is nothing to be done (Y no hai remedio)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, drypoint, burin and burnisher
Accession Number: 51.530.2(15)
Allegory with a radiant figure beset by dark spirits (Images of Spain Album, 45)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Medium: Brush and irongall wash on laid paper
Accession Number: 35.103.30
Pepe Illo making the pass of the 'recorte', plate 29 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, drypoint and burin
Accession Number: 21.19.29
The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls, plate 17 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, drypoint and burin
Accession Number: 21.19.17
Madre Infeliz!
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(50)
Plate 27 from 'Los Caprichos':Which of them is the more overcome? (Quien mas rendido?)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(27)
Plate 55 from 'Los Caprichos': Until death' (Hasta la muerte.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(55)
Punctual Folly (Disparate puntual), from the Disparates, plate B
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1877
Accession Number: 19.64
The Dogs Let Loose on the Bull; Tauromaquia, plate C
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816
Accession Number: 1986.1180.898
No llegan á tiempo
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(52)
Sebastián Martínez y Pérez (1747–1800)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1792
Accession Number: 06.289
Plate 43 from 'Los Caprichos': The sleep of reason produces monsters (El sueño de la razon produce monstruos)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799, published 1908–12
Accession Number: 1986.1180.895
Plate 2 from 'The Disasters of War' (Los Desastres de la Guerra): 'Rightly or wrongly' (Con razon ó sin ella.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(2)
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 36.20(6)
Plate 39 from 'Los Caprichos': And so was his grandfather. (Asta su Abuelo.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(39)
A Man Drinking from a Wine Skin; Images of Spain Album, 63
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1812–20
Accession Number: 35.103.36
Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(16)
Construction in Progress (Images of Spain Album, 46)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Accession Number: 35.103.31
Plate 12 from 'Los Caprichos': Out hunting for teeth (A caza des dientes.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 16.4.7
The Blind Guitarist (El ciego de la guitarra)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1778
Accession Number: 22.63.29
Plate 7 from 'Los Caprichos' : Even thus he cannot make her out (Ni asi la distingue.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(7)
Esta no lo es menos
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(67)
They Can Still Be of Use (Aun podrán servir), from The Disasters of War (Los Desastres de la Guerra), plate 24
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–23
Accession Number: 32.62.10
Plate 1 from 'Los Caprichos': Self-portrait of Goya ( Franco. Goya e Lucientes, Pintor)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(1)
Nothing Is Known of This
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1801–3
Accession Number: 35.103.24
Plate 14 from "The Disasters of War' (Los Desastres de la Guerra):It's a hard step! (Duro es el paso!)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(14)
El buitre carnívoro
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(76)
Plate 51 from 'Los Caprichos': They spruce themselves up (Se repulen.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(51)
Another madness of his in the same ring, plate 19 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.19
A Moor caught by the bull in the ring, plate 8 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.8
Plate 15 from "The Disasters of War' (Los Desastres de la Guerra):And there is nothing to be done (Y no hai remedio)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 51.530.2(15)
Allegory with a radiant figure beset by dark spirits (Images of Spain Album, 45)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Accession Number: 35.103.30
Pepe Illo making the pass of the 'recorte', plate 29 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.29
The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls, plate 17 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.17
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