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Goya (Francisco de Goya y Lucientes) x
Plate 26 from ' Los Caprichos':They've already got a seat (Ya tienen asiento.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(26)
Plate 11 from "The Disasters of War' (Los Desastres de la Guerra):Neither do these (Ni por esas)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis, drypoint and burin
Accession Number: 22.60.25(11)
Esta no lo es menos
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint, drypoint, burin and burnisher on wove paper
Accession Number: 22.60.25(67)
A Spanish knight kills the bull after having lost his horse, plate 9 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint and burin
Accession Number: 21.19.9
The same man throws a bull in the ring at Madrid, plate 16 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, drypoint and burin
Accession Number: 21.19.16
Plate 16 from 'The Disasters of War' (Los Desastres de La Guerra):' They make use of them.' (Se aprovechan.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis, drypoint, burin and burnisher
Accession Number: 51.530.2(16)
Old Man Confronting Phantoms, from the Disparates (Follies), or Los Proverbios, plate 18
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1848–63
Medium: Etching, burnished aquatint and burin; posthumous proof, dryly inked, 1848-63
Accession Number: 31.79.2
The garroted man (El agarrotado)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1778–80
Medium: Etching
Accession Number: 20.22
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, aquatint, lavis, drypoint, burin and burnishing
Accession Number: 36.20(6)
Plate 74 from 'Los Caprichos': Don't scream, stupid (No grites, tonta)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(74)
Plate 7 from 'Los Caprichos': Even thus he cannot make her out (Ni asi la distingue.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint, and drypoint
Accession Number: 16.4.11
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, aquatint, lavis, drypoint, burin and burnishing
Accession Number: 24.30.16
Plate 40 from 'The Disasters of War' (Los Desastres de La Guerra):'He gets something out of It (Algun partido saca)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, drypoint and burin
Accession Number: 22.60.25(40)
Plate 31 from 'Los Caprichos': She prays for her (Ruega por ella.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint, drypoint and burin
Accession Number: 18.64(31)
Hunting Lice; Images of Spain Album (F), page 40
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1812–20
Medium: Brush and brown wash on laid paper
Accession Number: 35.103.27
Plate 28 from 'Los Caprichos': Hush (Chiton.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and burin
Accession Number: 18.64(28)
Plate 52 from 'Los Caprichos': What a tailor can do! (Lo que puede un Sastre!)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint, drypoint and burin
Accession Number: 18.64(52)
Plate 43 from 'Los Caprichos': The sleep of reason produces monsters (El sueño de la razon produce monstruos)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint, drypoint, and burin
Accession Number: 18.64(43)
A Maja standing against a light background (Maja)
Copy after
(?) Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date:
Medium: Etching and drypoint, printed in black ink
Accession Number: 24.97.2
Plate 7 from 'Los Caprichos' : Even thus he cannot make her out (Ni asi la distingue.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and drypoint
Accession Number: 18.64(7)
Plate 34 from 'Los Caprichos': Sleep overcomes them (Las rinde el Sueño.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(34)
Plate 45 from 'Los Caprichos: There is Plenty to Suck (Mucho hay que chupar.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(45)
Soldiers Frightened by a Phantom, from the series, Disparates(Follies), or Proverbios, plate 2
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23, ca. 1848
Medium: Etching, burnished aquatint, and drypoint; posthumous proof, before scratch and before obscuring of the hills and the tree in the distance; ca. 1848
Accession Number: 21.54.2
Bullfight in a Divided Ring, from the Bulls of Bordeaux
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1825
Medium: Lithograph
Accession Number: 20.60.4
Plate 33 from 'Los Caprichos':To the Count Palatine (Al Conde Palatino.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint, drypoint and burin
Accession Number: 18.64(33)
Plate 13 from "The Disasters of War' (Los Desastres de la Guerra):Bitter to be Present (Amarga presencia)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis, drypoint, burin and burnisher
Accession Number: 22.60.25(13)
Loyalty, plate 17 from Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching and burnished aquatint
Accession Number: 24.30.19
Plate 12 from 'Los Caprichos': Tantalus (Tantalo.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 30.54.42
Well-Known Folly (Disparate conocido), from the Disparates, plate A
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1877
Medium: Etching and burnished aquatint; posthumous proof on China paper, before 1877
Accession Number: 62.635.798
The Tantrum
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Medium: Brush and gray wash (Indian ink) on laid Netherlandish paper
Accession Number: 35.103.16
Plate 26 from ' Los Caprichos':They've already got a seat (Ya tienen asiento.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(26)
Plate 11 from "The Disasters of War' (Los Desastres de la Guerra):Neither do these (Ni por esas)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(11)
Esta no lo es menos
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(67)
A Spanish knight kills the bull after having lost his horse, plate 9 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.9
The same man throws a bull in the ring at Madrid, plate 16 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.16
Plate 16 from 'The Disasters of War' (Los Desastres de La Guerra):' They make use of them.' (Se aprovechan.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 51.530.2(16)
Old Man Confronting Phantoms, from the Disparates (Follies), or Los Proverbios, plate 18
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1848–63
Accession Number: 31.79.2
The garroted man (El agarrotado)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1778–80
Accession Number: 20.22
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 36.20(6)
Plate 74 from 'Los Caprichos': Don't scream, stupid (No grites, tonta)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(74)
Plate 7 from 'Los Caprichos': Even thus he cannot make her out (Ni asi la distingue.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 16.4.11
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 24.30.16
Plate 40 from 'The Disasters of War' (Los Desastres de La Guerra):'He gets something out of It (Algun partido saca)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(40)
Plate 31 from 'Los Caprichos': She prays for her (Ruega por ella.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(31)
Hunting Lice; Images of Spain Album (F), page 40
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1812–20
Accession Number: 35.103.27
Plate 28 from 'Los Caprichos': Hush (Chiton.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(28)
Plate 52 from 'Los Caprichos': What a tailor can do! (Lo que puede un Sastre!)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(52)
Plate 43 from 'Los Caprichos': The sleep of reason produces monsters (El sueño de la razon produce monstruos)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(43)
A Maja standing against a light background (Maja)
Copy after
(?) Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date:
Accession Number: 24.97.2
Plate 7 from 'Los Caprichos' : Even thus he cannot make her out (Ni asi la distingue.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(7)
Plate 34 from 'Los Caprichos': Sleep overcomes them (Las rinde el Sueño.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(34)
Plate 45 from 'Los Caprichos: There is Plenty to Suck (Mucho hay que chupar.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(45)
Soldiers Frightened by a Phantom, from the series, Disparates(Follies), or Proverbios, plate 2
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23, ca. 1848
Accession Number: 21.54.2
Bullfight in a Divided Ring, from the Bulls of Bordeaux
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1825
Accession Number: 20.60.4
Plate 33 from 'Los Caprichos':To the Count Palatine (Al Conde Palatino.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(33)
Plate 13 from "The Disasters of War' (Los Desastres de la Guerra):Bitter to be Present (Amarga presencia)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(13)
Loyalty, plate 17 from Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 24.30.19
Plate 12 from 'Los Caprichos': Tantalus (Tantalo.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 30.54.42
Well-Known Folly (Disparate conocido), from the Disparates, plate A
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1877
Accession Number: 62.635.798
The Tantrum
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Accession Number: 35.103.16
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