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Spain x
Saint Anne with the Virgin and Child
Date: 1473 or 1483
Medium: Oil and gold on wood (pine?)
Accession Number: 38.141a-o
Reliquary
Date: 16th century
Medium: Gold, rock crystal, enamel
Accession Number: 17.190.887
Procesion de la Semana Santa
Jose Noguerra
(Spanish, 19th century)
Date: 19th century
Medium: Woodcut
Accession Number: 1978.643.23(6)
Bowl
Date: 1430–1460
Medium: Tin-glazed earthenware
Accession Number: 56.171.156
Opium Smoker with Woman in Slippers on her Bed and a Little Dog, from 347 Suite
Pablo Picasso
(Spanish, Malaga 1881–1973 Mougins, France )
Date: 1968
Medium: Etching
Accession Number: 1984.1205.21
Fragment
Date: ca. 1130–40
Medium: Marble
Accession Number: 25.120.605
Capital
Date: ca. 1130–40
Medium: Marble
Accession Number: 25.120.580
A Spanish knight kills the bull after having lost his horse, plate 9 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint and burin
Accession Number: 21.19.9
Column Base
Date: ca. 1130–40
Medium: Marble
Accession Number: 25.120.1003
Horn
Date: 18th century
Medium: Glass
Accession Number: 83.7.190
Plate 27 from 'Los Caprichos':Which of them is the more overcome? (Quien mas rendido?)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and drypoint
Accession Number: 18.64(27)
Piece
Date: late 18th century
Medium: Silk and metal thread
Accession Number: 07.62.127
Pendant for Horse Trappings
Date: 15th century
Medium: Copper alloy, enameled and gilt
Accession Number: 04.3.384
Patio from the Castle of Vélez Blanco
Date: 1506–15
Medium: Marble of Macael (Sierra de Filabres)
Accession Number: 41.190.482
Fragment
Date: 15th century
Medium: Earthenware; glazed
Accession Number: 08.256.284
Plate 52 from 'Los Caprichos': What a tailor can do! (Lo que puede un Sastre!)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint, drypoint and burin
Accession Number: 18.64(52)
Plate
Date: 16th century
Medium: Tin-enameled earthenware, lustered
Accession Number: 94.4.377
Las resultas
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching on wove paper
Accession Number: 22.60.25(72)
A Funeral with Honors ("Valientes exequias")
Leonardo Alenza y Nieto
(Spanish, Madrid 1807–1845 Madrid)
Date: 1807–45
Medium: Pen and dark brown ink on off-white wove paper. Composition outlined with pen and dark brown ink on all sides
Accession Number: 39.29.10
Carpet
Date: first half 15th century
Medium: Wool
Accession Number: 53.79
Laure de Sade, Comtesse Adhéaume de Chevigné
Federico de Madrazo y de Ochoa
(Spanish, Paris 1875–1934)
Date:
Medium: Oil on canvas
Accession Number: 1983.498
Plate 37 from 'The Disasters of War' (Los Desastres de La Guerra):'This is worse' (Esto es peor.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis and drypoint
Accession Number: 22.60.25(37)
Column Base
Date: ca. 1130–40
Medium: Marble
Accession Number: 25.120.1076
[Fortress of Sevilla. Interior of the Alcove of the Sultan]
Rafael Garzón
(Spanish)
Date: 1880s–90s
Medium: Albumen silver print from glass negative
Accession Number: 1983.1191.23
Badge (probably for Horse's Harness)
Date: late 14th century
Medium: Copper gilt, emanel
Accession Number: 04.3.387
Beaker
Date: 18th century
Medium: Glass
Accession Number: 91.1.1490
Column Base
Date: ca. 1130–40
Medium: Marble
Accession Number: 25.120.1071
Pendant with the Virgin and Child
Date: probably first half 17th century
Medium: Enameled gold set with diamonds and a ruby
Accession Number: 1982.60.383
Plate 75 from 'Los Caprichos': Is there no one to untie us? (¿No hay quien nos desate?)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and aquatint
Accession Number: 18.64(75)
Badge (probably from a Horse Harness)
Date: ca. 1400
Medium: Copper, gold, enamel
Accession Number: 04.3.306
Saint Anne with the Virgin and Child
Date: 1473 or 1483
Accession Number: 38.141a-o
Reliquary
Date: 16th century
Accession Number: 17.190.887
Procesion de la Semana Santa
Jose Noguerra
(Spanish, 19th century)
Date: 19th century
Accession Number: 1978.643.23(6)
Bowl
Date: 1430–1460
Accession Number: 56.171.156
Opium Smoker with Woman in Slippers on her Bed and a Little Dog, from 347 Suite
Pablo Picasso
(Spanish, Malaga 1881–1973 Mougins, France )
Date: 1968
Accession Number: 1984.1205.21
Fragment
Date: ca. 1130–40
Accession Number: 25.120.605
Capital
Date: ca. 1130–40
Accession Number: 25.120.580
A Spanish knight kills the bull after having lost his horse, plate 9 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.9
Column Base
Date: ca. 1130–40
Accession Number: 25.120.1003
Horn
Date: 18th century
Accession Number: 83.7.190
Plate 27 from 'Los Caprichos':Which of them is the more overcome? (Quien mas rendido?)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(27)
Piece
Date: late 18th century
Accession Number: 07.62.127
Pendant for Horse Trappings
Date: 15th century
Accession Number: 04.3.384
Patio from the Castle of Vélez Blanco
Date: 1506–15
Accession Number: 41.190.482
Fragment
Date: 15th century
Accession Number: 08.256.284
Plate 52 from 'Los Caprichos': What a tailor can do! (Lo que puede un Sastre!)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(52)
Plate
Date: 16th century
Accession Number: 94.4.377
Las resultas
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(72)
A Funeral with Honors ("Valientes exequias")
Leonardo Alenza y Nieto
(Spanish, Madrid 1807–1845 Madrid)
Date: 1807–45
Accession Number: 39.29.10
Carpet
Date: first half 15th century
Accession Number: 53.79
Laure de Sade, Comtesse Adhéaume de Chevigné
Federico de Madrazo y de Ochoa
(Spanish, Paris 1875–1934)
Date:
Accession Number: 1983.498
Plate 37 from 'The Disasters of War' (Los Desastres de La Guerra):'This is worse' (Esto es peor.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(37)
Column Base
Date: ca. 1130–40
Accession Number: 25.120.1076
[Fortress of Sevilla. Interior of the Alcove of the Sultan]
Rafael Garzón
(Spanish)
Date: 1880s–90s
Accession Number: 1983.1191.23
Badge (probably for Horse's Harness)
Date: late 14th century
Accession Number: 04.3.387
Beaker
Date: 18th century
Accession Number: 91.1.1490
Column Base
Date: ca. 1130–40
Accession Number: 25.120.1071
Pendant with the Virgin and Child
Date: probably first half 17th century
Accession Number: 1982.60.383
Plate 75 from 'Los Caprichos': Is there no one to untie us? (¿No hay quien nos desate?)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(75)
Badge (probably from a Horse Harness)
Date: ca. 1400
Accession Number: 04.3.306
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