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26,797 records
Italy x
Edging
Date: 16th–17th century
Medium: Bobbin lace
Accession Number: 20.186.258
Bottle
Date: 17th century
Medium: Glass
Accession Number: 91.1.1478
Korseke
Date: ca. 1520
Medium: Steel, wood (ash)
Accession Number: 14.25.38
Angel
Attributed to Giuseppe Gori
(active ca. 1770–1810)
Date: second half 18th century
Medium: Polychromed terracotta head; wooden limbs and wings; body of wire wrapped in tow; various fabrics
Accession Number: 64.164.51a–c
Band
Date: first half 16th century
Medium: Silk, linen and metal thread
Accession Number: 46.156.97
Dish (coppa): Saint Margaret
workshop of Maestro Giorgio Andreoli
(Italian (Gubbio), active first half of 16th century)
Date: 1527
Medium: Maiolica (tin-glazed earthenware)
Accession Number: 1975.1.1098
Potiphar's wife falsely accusing Joseph
Raffaello Schiaminossi
(Italian, Borgo San Sepolcro (Sansepolcro) 1572–1622 Borgo San Sepolcro (Sansepolcro))
Date: 1600–10
Medium: Etching
Accession Number: 17.50.17-19
Capital with Pegasus and Fame
Master G.A.
(Italian, active ca. 1535)
Date: ca. 1535
Medium: Engraving
Accession Number: 17.3.3035
Saint Francis of Assisi
After Francesco Villamena
(Italian, Assisi ca. 1565–1624 Rome)
Date: ca. 1610–15
Medium: Engraving
Accession Number: 51.501.2522
Four Figures Studies, One of a Standing Archer
attributed to Francesco Allegrini
(Italian, Cantiano (?) 1615/20–after 1679 Gubbio (?))
Date: 1624–63
Medium: Pen and brown ink. Framing lines in pen and brown ink on mount
Accession Number: 80.3.287
Halberd
Date: 17th century
Medium: Steel, wood
Accession Number: 14.25.427
The Crusaders Reach Jerusalem (from a set of Scenes from Gerusalemme Liberata)
Designed by Domenico Paradisi
(Italian, active 1689–1721)
Date: designed ca. 1689–93, woven 1732–39
Medium: Wool, silk (16-18 warps per inch, 7 per cm.)
Accession Number: 92.1.15
Sword Pommel
Date: 16th century
Medium: Iron, silver
Accession Number: 14.25.1251
Man Leaning against a Horse
Giovanni Battista Tiepolo
(Italian, Venice 1696–1770 Madrid)
Date: 1757
Medium: Pen and brown ink, brown wash, over black chalk
Accession Number: 1975.1.430
Armchair
Date: late 16th century
Medium: Carved and gilded walnut, leather
Accession Number: 32.126
Fragment
Date: early 17th century
Medium: Bobbin lace
Accession Number: 09.50.86
Galatea escaping Polyphemus; he is seated on a rock holding a staff and pipes and looking towards Galatea at right riding a shell pulled by two dolphins, Cupid flying above
Anonymous, Italian, 16th to early 17th century
Date: ca. 1515–1600
Medium: Engraving
Accession Number: 59.570.296
The Annunciation, with the archangel Gabriel at left appearing to the Virgin at right, who gestures towards Gabriel with her right hand, and God the Father appearing in the upper left
Giovanni Jacopo Caraglio
(Italian, Parma or Verona ca. 1500/1505–1565 Krakow (?))
Date: ca. 1520–39
Medium: Engraving
Accession Number: 17.50.16-16
Oil lamp in the form of a sphinx
Probably workshop of Andrea Briosco, called Riccio
(Italian, Trent 1470–1532 Padua)
Date: ca. 1510–30
Medium: Bronze
Accession Number: 11.38.2
Miquelet Lock
Date: 1725
Medium: Steel
Accession Number: 45.160.4
Paris about to present the apple to Venus, from Classical Statues in Rome
Francesco Piranesi
(Italian, Rome 1758–1810 Paris)
Date: 1781
Medium: Etching
Accession Number: 41.71.1.18(6)
Jug
Accession Number: 75.4.16
Date:
Medium: Terracotta
Accession Number: 75.4.16
The Expulsion of Adam and Eve from Paradise (recto); Studies for the Same Composition (verso)
attributed to Francesco Allegrini
(Italian, Cantiano (?) 1615/20–after 1679 Gubbio (?))
Date: 1624–63
Medium: Pen and brown ink, over red chalk
Accession Number: 80.3.138
Varii Modioni Del Sig. Domenico Santi Cavaglieri
Domenico Santi
(Bologna 1621–1694)
Date: 1683
Medium: Etching
Accession Number: 46.149.4c(1)
Mandolin
Antonius Vinaccia
(Italian, Naples active 1754–1781 Naples)
Date: 1781
Medium: Spruce, tortoiseshell, mother-of-pearl, gold alloy, ivory, various other materials
Accession Number: 89.4.2140
Speculum Romanae Magnificentiae: Composite capital
Attributed to Master G.A.
(Italian, active ca. 1535)
Date: 16th century
Medium: Engraving
Accession Number: 41.72(2.25)
Costume Plate: Woman from Tartary
Reverse copy after Enea Vico
(Italian, Parma 1523–1567 Ferrara)
Date: ca. 1558–70
Medium: Engraving
Accession Number: 53.600.822
Fragment
Date: early 18th century
Medium: Needle lace
Accession Number: 88.1.30
Stylet with Sheath
Date: 1600
Medium: Daggers
Accession Number: 04.3.147a, b
Edging
Date: 16th–17th century
Accession Number: 20.186.258
Bottle
Date: 17th century
Accession Number: 91.1.1478
Korseke
Date: ca. 1520
Accession Number: 14.25.38
Angel
Attributed to Giuseppe Gori
(active ca. 1770–1810)
Date: second half 18th century
Accession Number: 64.164.51a–c
Band
Date: first half 16th century
Accession Number: 46.156.97
Dish (coppa): Saint Margaret
workshop of Maestro Giorgio Andreoli
(Italian (Gubbio), active first half of 16th century)
Date: 1527
Accession Number: 1975.1.1098
Potiphar's wife falsely accusing Joseph
Raffaello Schiaminossi
(Italian, Borgo San Sepolcro (Sansepolcro) 1572–1622 Borgo San Sepolcro (Sansepolcro))
Date: 1600–10
Accession Number: 17.50.17-19
Capital with Pegasus and Fame
Master G.A.
(Italian, active ca. 1535)
Date: ca. 1535
Accession Number: 17.3.3035
Saint Francis of Assisi
After Francesco Villamena
(Italian, Assisi ca. 1565–1624 Rome)
Date: ca. 1610–15
Accession Number: 51.501.2522
Four Figures Studies, One of a Standing Archer
attributed to Francesco Allegrini
(Italian, Cantiano (?) 1615/20–after 1679 Gubbio (?))
Date: 1624–63
Accession Number: 80.3.287
Halberd
Date: 17th century
Accession Number: 14.25.427
The Crusaders Reach Jerusalem (from a set of Scenes from Gerusalemme Liberata)
Designed by Domenico Paradisi
(Italian, active 1689–1721)
Date: designed ca. 1689–93, woven 1732–39
Accession Number: 92.1.15
Sword Pommel
Date: 16th century
Accession Number: 14.25.1251
Man Leaning against a Horse
Giovanni Battista Tiepolo
(Italian, Venice 1696–1770 Madrid)
Date: 1757
Accession Number: 1975.1.430
Armchair
Date: late 16th century
Accession Number: 32.126
Fragment
Date: early 17th century
Accession Number: 09.50.86
The Annunciation, with the archangel Gabriel at left appearing to the Virgin at right, who gestures towards Gabriel with her right hand, and God the Father appearing in the upper left
Giovanni Jacopo Caraglio
(Italian, Parma or Verona ca. 1500/1505–1565 Krakow (?))
Date: ca. 1520–39
Accession Number: 17.50.16-16
Oil lamp in the form of a sphinx
Probably workshop of Andrea Briosco, called Riccio
(Italian, Trent 1470–1532 Padua)
Date: ca. 1510–30
Accession Number: 11.38.2
Miquelet Lock
Date: 1725
Accession Number: 45.160.4
Paris about to present the apple to Venus, from Classical Statues in Rome
Francesco Piranesi
(Italian, Rome 1758–1810 Paris)
Date: 1781
Accession Number: 41.71.1.18(6)
Jug
Accession Number: 75.4.16
Date:
Accession Number: 75.4.16
The Expulsion of Adam and Eve from Paradise (recto); Studies for the Same Composition (verso)
attributed to Francesco Allegrini
(Italian, Cantiano (?) 1615/20–after 1679 Gubbio (?))
Date: 1624–63
Accession Number: 80.3.138
Varii Modioni Del Sig. Domenico Santi Cavaglieri
Domenico Santi
(Bologna 1621–1694)
Date: 1683
Accession Number: 46.149.4c(1)
Mandolin
Antonius Vinaccia
(Italian, Naples active 1754–1781 Naples)
Date: 1781
Accession Number: 89.4.2140
Speculum Romanae Magnificentiae: Composite capital
Attributed to Master G.A.
(Italian, active ca. 1535)
Date: 16th century
Accession Number: 41.72(2.25)
Costume Plate: Woman from Tartary
Reverse copy after Enea Vico
(Italian, Parma 1523–1567 Ferrara)
Date: ca. 1558–70
Accession Number: 53.600.822
Fragment
Date: early 18th century
Accession Number: 88.1.30
Stylet with Sheath
Date: 1600
Accession Number: 04.3.147a, b
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