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Christ on the Globe
Sebald Beham
(German, Nuremberg 1500–1550 Frankfurt)
Date: 1546
Medium: Engraving
Accession Number: 41.1.79
Dejanira being abducted by the centaur Nessos, a man with bow and arrow at right, after Reni
Engraved by A. Lovison
Date: 1800–1840
Medium: Engraving
Accession Number: 47.100.349
Cisterns, from Chippendale Drawings, Vol. II
Thomas Chippendale
(British, baptised Otley, West Yorkshire 1718–1779 London)
Date: ca. 1753–54
Medium: Black ink, brown wash
Accession Number: 20.40.2(47)
Les Canards l'ont bien passé
Félix Bracquemond
(French, Paris 1833–1914 Sèvres)
Date: 1850–1914
Medium: Etching; third and final state
Accession Number: 63.625.206
Perspective of the Garden Front, Nork, the Seat of Lord Arden, near Epsom
Designed by Owen Carter
(British, 1806–1859)
Date: 1836
Medium: Watercolor
Accession Number: 43.13(12)
Rubbing from a Brass Monument to Nicholas Toke, and His Three Children, 1680
Date: ca. 1900
Medium: Wax crayon, paper
Accession Number: 06.1224.31
Plate 9: The Pulley: a man and a woman conversing to right, a lantern hung on a post to left, from 'Les soirées de Rome'
Hubert Robert
(French, Paris 1733–1808 Paris)
Date: ca. 1763–64
Medium: Etching
Accession Number: 2012.136.41.9
Chamber candlestick (one of a pair)
Robert Garrard II
(active 1818–after 1847)
Date: mid-19th century
Medium: Silver
Accession Number: 2006.470.39a–c
Actress Charlotte Desmares playing the role of a pilgrim, shown from behind with her head turned toward the right, she holds a walking stick, scallop shells adorn her cape
Louis Desplaces
(French, Paris 1682–1739 Paris)
Date: ca. 1710-–39
Medium: Etching with engraving
Accession Number: 2012.136.247
A French Ordinary
Thomas Rowlandson
(British, London 1757–1827 London)
Date: July 20, 1802
Medium: Hand-colored etching
Accession Number: 1970.541.44
Ribbon
Date: mid-18th century
Medium: Silk and metal thread
Accession Number: 07.62.68
Bed jacket
Date: 1923–28
Medium: silk, cotton
Accession Number: 1977.63.3
Bust portrait of Raphael half turned to the right
Giulio Bonasone
(Italian, active Rome and Bologna, 1531–after 1576)
Date: 1531–76
Medium: Engraving
Accession Number: 27.82.3
Vignette on page 1, from Les Graces "Simplex munditis. Horac." A Paris. chez Laurent Prault, Libraire Quai des Augustins; au coin de la rue Git-le-coeur, à source des Sciences
Jean Massard
(French, Bellême, Orne 1740–1822 Paris)
Date: 1768
Medium: Etching and engraving; first state of two (Bocher)
Accession Number: 17.3.1757
Sampler
Date: 1849
Medium: Silk and wool on canvas
Accession Number: 57.122.1
Plate A from the 'Disparates':Well-Known Folly
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23 (published before 1877)
Medium: Etching and burnished aquatint
Accession Number: 22.63.146
Rape of Proserpine
Date: ca. 1509
Medium: Fresco, transferred to canvas and attached to wood panels
Accession Number: 14.114.5
Strip
Date: 17th century
Medium: Cutwork
Accession Number: 09.50.3161
Design drawing
Christopher Dresser
(British, Glasgow, Scotland 1834–1904 Mulhouse)
Date: ca. 1883, based on earlier design
Medium: Graphite, ink, and gouache
Accession Number: 1992.1046.7
Border
Date: 19th century
Medium: Needle lace
Accession Number: 40.19.1a
Base Fragment
Date: ca. 1130–40
Medium: Stone
Accession Number: X.421.17
Christ on the Cross with the Virgin and Saint John
Formerly attributed to Albrecht Dürer
(German, Nuremberg 1471–1528 Nuremberg)
Date: n.d.
Medium: Woodcut
Accession Number: 31.57.3
Jacket
Date: 1890–1900
Medium: Wool
Accession Number: 2009.300.7550
Design for a Stage Set at the Opéra, Paris
Eugène Cicéri
(French, Paris 1813–1890 Fontainebleau)
Date: 1830–90
Medium: Graphite
Accession Number: 53.668.148
The British Printer, Stationary & Fancy Trades Gazette, Vol. II
Date: 1889
Medium: Commercial reproductive process
Accession Number: 47.98.4
Emil Gauguin (1874–1955), the artist's son
Paul Gauguin
(French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands )
Date: ca. 1877–78
Medium: Marble
Accession Number: 63.113
Horses in the Meadow
Edgar Degas
(French, Paris 1834–1917 Paris)
Date: 1891–92
Medium: Softground etching, aquatint, and drypoint on laid paper; second state of three (unique impression)
Accession Number: 50.536
Bronze statuette of a youth dancing
Date: late 4th century B.C.
Medium: Bronze
Accession Number: 1972.118.94
Virgin and Child
Date: ca. 1200
Medium: Copper: formed, repoussé, engraved, chased, scraped, and gilt; hands cast; champlevé enamel: dark, medium, and light blue; turquoise, green, yellow, red, and white; glass cabochons; wood core
Accession Number: 17.190.125a, b
Holy Family with Saint John the Baptist
Annibale Carracci
(Italian, Bologna 1560–1609 Rome)
Date: 1590
Medium: Etching and Engraving
Accession Number: 51.501.3507
Christ on the Globe
Sebald Beham
(German, Nuremberg 1500–1550 Frankfurt)
Date: 1546
Accession Number: 41.1.79
Dejanira being abducted by the centaur Nessos, a man with bow and arrow at right, after Reni
Engraved by A. Lovison
Date: 1800–1840
Accession Number: 47.100.349
Cisterns, from Chippendale Drawings, Vol. II
Thomas Chippendale
(British, baptised Otley, West Yorkshire 1718–1779 London)
Date: ca. 1753–54
Accession Number: 20.40.2(47)
Les Canards l'ont bien passé
Félix Bracquemond
(French, Paris 1833–1914 Sèvres)
Date: 1850–1914
Accession Number: 63.625.206
Perspective of the Garden Front, Nork, the Seat of Lord Arden, near Epsom
Designed by Owen Carter
(British, 1806–1859)
Date: 1836
Accession Number: 43.13(12)
Plate 9: The Pulley: a man and a woman conversing to right, a lantern hung on a post to left, from 'Les soirées de Rome'
Hubert Robert
(French, Paris 1733–1808 Paris)
Date: ca. 1763–64
Accession Number: 2012.136.41.9
Chamber candlestick (one of a pair)
Robert Garrard II
(active 1818–after 1847)
Date: mid-19th century
Accession Number: 2006.470.39a–c
A French Ordinary
Thomas Rowlandson
(British, London 1757–1827 London)
Date: July 20, 1802
Accession Number: 1970.541.44
Ribbon
Date: mid-18th century
Accession Number: 07.62.68
Bed jacket
Date: 1923–28
Accession Number: 1977.63.3
Bust portrait of Raphael half turned to the right
Giulio Bonasone
(Italian, active Rome and Bologna, 1531–after 1576)
Date: 1531–76
Accession Number: 27.82.3
Sampler
Date: 1849
Accession Number: 57.122.1
Plate A from the 'Disparates':Well-Known Folly
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23 (published before 1877)
Accession Number: 22.63.146
Rape of Proserpine
Date: ca. 1509
Accession Number: 14.114.5
Strip
Date: 17th century
Accession Number: 09.50.3161
Design drawing
Christopher Dresser
(British, Glasgow, Scotland 1834–1904 Mulhouse)
Date: ca. 1883, based on earlier design
Accession Number: 1992.1046.7
Border
Date: 19th century
Accession Number: 40.19.1a
Base Fragment
Date: ca. 1130–40
Accession Number: X.421.17
Christ on the Cross with the Virgin and Saint John
Formerly attributed to Albrecht Dürer
(German, Nuremberg 1471–1528 Nuremberg)
Date: n.d.
Accession Number: 31.57.3
Jacket
Date: 1890–1900
Accession Number: 2009.300.7550
Design for a Stage Set at the Opéra, Paris
Eugène Cicéri
(French, Paris 1813–1890 Fontainebleau)
Date: 1830–90
Accession Number: 53.668.148
Emil Gauguin (1874–1955), the artist's son
Paul Gauguin
(French, Paris 1848–1903 Atuona, Hiva Oa, Marquesas Islands )
Date: ca. 1877–78
Accession Number: 63.113
Horses in the Meadow
Edgar Degas
(French, Paris 1834–1917 Paris)
Date: 1891–92
Accession Number: 50.536
Bronze statuette of a youth dancing
Date: late 4th century B.C.
Accession Number: 1972.118.94
Virgin and Child
Date: ca. 1200
Accession Number: 17.190.125a, b
Holy Family with Saint John the Baptist
Annibale Carracci
(Italian, Bologna 1560–1609 Rome)
Date: 1590
Accession Number: 51.501.3507
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