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526 records
Stipple engravings x
Lady Ratcliffe
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: March 1, 1793
Medium: Etching and stipple engraving, printed in color on pink paper; second state
Accession Number: 42.66.58
Evening, or the Post Boy's Return
Daniel Orme
(British, Manchester 1766–1837 Buxton, Derbyshire)
Date: 1796
Medium: Stipple engraving and etching, printed in color
Accession Number: 53.600.1862
Industry
After George Morland
(British, London 1763–1804 London)
Date: 1788
Medium: Stipple engraving, printed in color
Accession Number: 53.600.1851
Mary, Queen of Scots
Published by Thomas Crabb
(British, active London, early 19th century)
Date: October 10, 1815
Medium: Stipple engraving
Accession Number: 58.549.459
The Internment of Mary, Queen of Scots (from L'Execution de Marie Stuart, reine d'Ecosse, en sept estampes)
Antonio Zecchin
(Italian, Bassano ca. 1780–after 1807)
Date: December 30, 1794
Medium: Stipple engraving
Accession Number: 58.549.25
Mary, Queen of Scots
Robert Cooper
(British, active London, by 1795–died 1836)
Date: February 1809
Medium: Stipple engraving
Accession Number: 58.549.165
History
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: November 20, 1786
Medium: Etching and stipple engraving
Accession Number: 17.3.453
Margaret Giggs
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: April 10, 1797
Medium: Etching and stipple engraving, printed in color
Accession Number: 42.66.43
Portrait of George Campbell
Caroline Watson
(British, London 1760/61–1814 London)
Date: 1760–1814
Medium: Stipple engraving in sepia ink
Accession Number: 17.3.756-2028
Children Relieving a Beggar Boy
After Sir William Beechey
(British, Burford, Oxfordshire 1753–1839 Hampstead)
Date: 1796
Medium: Etching and stipple engraving
Accession Number: 62.600.465
Mary, Queen of Scots
Robert Cooper
(British, active London, by 1795–died 1836)
Date: early 19th century
Medium: Stipple engraving
Accession Number: 58.549.390
Charlotte, Queen of Great Britain
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: January 1, 1799
Medium: Etching and stipple engraving
Accession Number: 42.119.87
Lady Audley
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: October 1, 1793
Medium: Etching and stipple engraving, printed in color on pink paper; third state
Accession Number: 42.66.15
George Richmond – Self-portrait
After George Richmond
(British, Brompton 1809–1896 London)
Date: 1850–70
Medium: Stipple engraving
Accession Number: 2013.84
Portrait of Regnier
Elizabeth G. Herhan
(French, Fl. 1797–1803)
Date: 1797–1803
Medium: Stipple engraving
Accession Number: 28.57.60
Mary, Queen of Scots (identified as Mary of Guise) (from The Scottish Gallery; or, Portraits of Eminent Persons of Scotland)
Edward Harding
(British, Stafford 1755–1840 London)
Date: November 1, 1797
Medium: Stipple engraving
Accession Number: 58.549.37
The Fair Penitent – Laetitia in penitence finds relief and protection from her Parents
Attributed to Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: after 1811
Medium: Stipple engraving, printed in color
Accession Number: 53.600.1890(6)
Sir Nicholas Poines (son)
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: April 6, 1795
Medium: Etching and stipple engraving, printed in color on pink paper; second state
Accession Number: 42.66.56
The Weary Sportsman
William Bond
(British, active 1772–1828)
Date: 1803
Medium: Stipple engraving, printed in color and hand colored
Accession Number: 53.600.1870
The Platform Before the Palace of Elsinore - Hamlet, Horatio, Marcellus and the Ghost (Shakespeare's Hamlet Prince of Denmark, Act I, Scene IV)
Robert Thew
(British, Patrington 1758–1802 Stevenage)
Date: September 29, 1796
Medium: Stipple engraving
Accession Number: 42.119.545
Sir Thomas Elyot
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: January 1, 1794
Medium: Etching and stipple engraving, printed in color on pink paper; third state
Accession Number: 42.66.32
Mary, Queen of Scots
Charles Picart
(British, active ca. 1780–1837)
Date: 1818
Medium: Stipple engraving; artist's proof
Accession Number: 58.549.186
Jenny Cameron
Supposedly after a painting by William Hogarth
(British, London 1697–1764 London)
Date: February 8, 1788
Medium: Stipple engraving, printed in brown ink
Accession Number: 32.35(193)
Mary, Queen of Scots
Portrait of Mary, Queen of Scots
(Linlithgow 1542–1587 Fotheringhay, England)
Date: 19th century
Medium: Stipple engraving
Accession Number: 58.549.462
Jupiter Didonaeus
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: December 1, 1788
Medium: Etching and stipple engraving
Accession Number: 17.3.2673
Venus Surrounded by Cupids
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: August 12, 1788
Medium: Etching and stipple engraving, printed in color; third state of three
Accession Number: 17.3.2625
Affection
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: April 2, 1802
Medium: Stipple engraving; second state of two
Accession Number: 17.3.887-65
Mary, Queen of Scots
Attributed to Robert Cooper
(British, active London, by 1795–died 1836)
Date: early 19th century
Medium: Stipple engraving
Accession Number: 58.549.9
Mary, Queen of Scots
E. Bocquet
(British, active London 1812–46)
Date: February 1, 1807
Medium: Stipple engraving
Accession Number: 58.549.1
Monsieur Le Marquis de Lafayette
Anonymous, French, 18th century
Date: ca. 1789
Medium: Stipple engraving, hand colored
Accession Number: 06.x
Lady Ratcliffe
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: March 1, 1793
Accession Number: 42.66.58
Evening, or the Post Boy's Return
Daniel Orme
(British, Manchester 1766–1837 Buxton, Derbyshire)
Date: 1796
Accession Number: 53.600.1862
Industry
After George Morland
(British, London 1763–1804 London)
Date: 1788
Accession Number: 53.600.1851
Mary, Queen of Scots
Published by Thomas Crabb
(British, active London, early 19th century)
Date: October 10, 1815
Accession Number: 58.549.459
The Internment of Mary, Queen of Scots (from L'Execution de Marie Stuart, reine d'Ecosse, en sept estampes)
Antonio Zecchin
(Italian, Bassano ca. 1780–after 1807)
Date: December 30, 1794
Accession Number: 58.549.25
Mary, Queen of Scots
Robert Cooper
(British, active London, by 1795–died 1836)
Date: February 1809
Accession Number: 58.549.165
History
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: November 20, 1786
Accession Number: 17.3.453
Margaret Giggs
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: April 10, 1797
Accession Number: 42.66.43
Portrait of George Campbell
Caroline Watson
(British, London 1760/61–1814 London)
Date: 1760–1814
Accession Number: 17.3.756-2028
Children Relieving a Beggar Boy
After Sir William Beechey
(British, Burford, Oxfordshire 1753–1839 Hampstead)
Date: 1796
Accession Number: 62.600.465
Mary, Queen of Scots
Robert Cooper
(British, active London, by 1795–died 1836)
Date: early 19th century
Accession Number: 58.549.390
Charlotte, Queen of Great Britain
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: January 1, 1799
Accession Number: 42.119.87
Lady Audley
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: October 1, 1793
Accession Number: 42.66.15
George Richmond – Self-portrait
After George Richmond
(British, Brompton 1809–1896 London)
Date: 1850–70
Accession Number: 2013.84
Portrait of Regnier
Elizabeth G. Herhan
(French, Fl. 1797–1803)
Date: 1797–1803
Accession Number: 28.57.60
Mary, Queen of Scots (identified as Mary of Guise) (from The Scottish Gallery; or, Portraits of Eminent Persons of Scotland)
Edward Harding
(British, Stafford 1755–1840 London)
Date: November 1, 1797
Accession Number: 58.549.37
The Fair Penitent – Laetitia in penitence finds relief and protection from her Parents
Attributed to Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: after 1811
Accession Number: 53.600.1890(6)
Sir Nicholas Poines (son)
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: April 6, 1795
Accession Number: 42.66.56
The Weary Sportsman
William Bond
(British, active 1772–1828)
Date: 1803
Accession Number: 53.600.1870
The Platform Before the Palace of Elsinore - Hamlet, Horatio, Marcellus and the Ghost (Shakespeare's Hamlet Prince of Denmark, Act I, Scene IV)
Robert Thew
(British, Patrington 1758–1802 Stevenage)
Date: September 29, 1796
Accession Number: 42.119.545
Sir Thomas Elyot
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: January 1, 1794
Accession Number: 42.66.32
Mary, Queen of Scots
Charles Picart
(British, active ca. 1780–1837)
Date: 1818
Accession Number: 58.549.186
Jenny Cameron
Supposedly after a painting by William Hogarth
(British, London 1697–1764 London)
Date: February 8, 1788
Accession Number: 32.35(193)
Mary, Queen of Scots
Portrait of Mary, Queen of Scots
(Linlithgow 1542–1587 Fotheringhay, England)
Date: 19th century
Accession Number: 58.549.462
Jupiter Didonaeus
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: December 1, 1788
Accession Number: 17.3.2673
Venus Surrounded by Cupids
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: August 12, 1788
Accession Number: 17.3.2625
Affection
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: April 2, 1802
Accession Number: 17.3.887-65
Mary, Queen of Scots
Attributed to Robert Cooper
(British, active London, by 1795–died 1836)
Date: early 19th century
Accession Number: 58.549.9
Mary, Queen of Scots
E. Bocquet
(British, active London 1812–46)
Date: February 1, 1807
Accession Number: 58.549.1
Monsieur Le Marquis de Lafayette
Anonymous, French, 18th century
Date: ca. 1789
Accession Number: 06.x
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