Quantcast
The Collection Online / 402,595 records
602 records
Proofs x
Two Studies of Madonna and Child, from Prove di Vari Rami Inediti [...]
Francesco Rosaspina
(Italian, Montescudo 1762–1841 Bologna)
Date: 19th century
Medium: Etching; proof
Accession Number: 41.97.286(38b)
St. Andrew Bearing the Cross, from Prove di Vari Rami Inediti [...]
Francesco Rosaspina
(Italian, Montescudo 1762–1841 Bologna)
Date: 19th century
Medium: Etching; proof
Accession Number: 41.97.286(21c)
The Pool of Bethesda (St. John, Chapter V)
After William Hogarth
(British, London 1697–1764 London)
Date: ca. 1772
Medium: Etching and engraving; early unfinished state, proof
Accession Number: 32.35(53)
The Marriage Feast (The Parables of Our Lord and Saviour Jesus Christ)
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1864
Medium: Wood engraving; proof on India paper
Accession Number: 21.68.4(13)
Four Views: New York from Governor's Island, Broadway, City Hall, and the Capitol, Washington D.C.
Anonymous, American, 19th century
Date: 1836 (?)
Medium: Etching, proof
Accession Number: 54.90.1151
The Isle of the Monkeys (L'Île des Singes)
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: mid 19th century
Medium: Wood engraving; proof
Accession Number: 63.625.168
Highland Interior (from Royal Gallery of British Art)
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: 1839
Medium: Mixed method engraving on chine collé; proof before letters
Accession Number: 49.49.51
Mr. de Pourceaugnac, from Gravures de Boucher pour les Oeuvres de Molière [Figures de Boucher pour Molière]
Laurent Cars
(French, Lyons 1699–1771 Paris)
Date: mid–18th century
Medium: Etching; proof before letters
Accession Number: 42.24(61)
Self-Portrait
Jean Étienne Liotard
(Swiss, Geneva 1702–1789 Geneva)
Date: ca. 1778–80
Medium: Roulette, engraving, over mezzotint; proof before letters
Accession Number: 49.98.1
Illustration for "Count Burckhardt"
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1862
Medium: Wood engraving; proof
Accession Number: 22.112.5
The Wicked Husbandman (The Parables of Our Lord and Saviour Jesus Christ)
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1864
Medium: Wood engraving; proof on India paper
Accession Number: 21.68.4(8)
St. Jerome in the wilderness, from Prove di Vari Rami Inediti [...]
Francesco Rosaspina
(Italian, Montescudo 1762–1841 Bologna)
Date: 19th century
Medium: Etching; proof
Accession Number: 41.97.286(16a)
Psiche Curieuse
Giovanni David
(Italian, Cabella Ligure 1743–1790 Genoa)
Date: mid-1770s
Medium: Etching and aquatint, corrected proof with notations in brown ink in margin
Accession Number: 1976.629
Cartouche with Skeletons
Etched by Stefano della Bella
(Italian, Florence 1610–1664 Florence)
Date: 1647
Medium: Etching, touched proof with blue-gray wash in the shroud
Accession Number: 68.747.3
The Cooper Vignettes
Written by James Fenimore Cooper
(American, Burlington, New Jersey 1789–1851)
Date: 1862
Medium: Engravings, india proofs
Accession Number: 64.667
The Fatal Duel
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: 1863
Medium: Mixed method engraving on chine collé; proof before letters
Accession Number: 47.30.28
Last Light
Pierre Bonnard
(French, Fontenay-aux-Roses 1867–1947 Le Cannet)
Date: ca. 1927–28
Medium: Lithograph, trial proof on off-white machine laid paper (one of five known impressions made before the stone was destroyed in the 1945 bombing of Publisher Frapier's house in Rovan)
Accession Number: 1985.1096.2
Midget (from Side Show)
Peter Blake
(British, born Dartford, Kent, 1932)
Date: 1974–78
Medium: Wood engraving; working proofs
Accession Number: 2011.220.1
Long Island Surf
Childe Hassam
(American, Dorchester, Massachusetts 1859–1935 East Hampton, New York)
Date: 1912
Medium: Etching; proof from cancelled plate
Accession Number: 2009.527.5
The Little Piano
Childe Hassam
(American, Dorchester, Massachusetts 1859–1935 East Hampton, New York)
Date: 1915
Medium: Etching; proof from cancelled plate
Accession Number: 2009.527.12
Mabel
Jim Dine
(American, born Cincinnati, Ohio, 1935)
Date: 1976
Medium: Etchings with soft ground, trial proof
Accession Number: 1977.655.10
Untitled
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Medium: Wood engraving; proof impression
Accession Number: 53.552.12
Giant
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: by 1818
Medium: Burnished aquatint; working proof of first state; one of six impressions known
Accession Number: 35.42
Société des Eclectiques, 1872–1873
Aglaüs Bouvenne
(French, Paris 1829–1903 Levallois-Perret)
Date: 1872–74
Medium: Etching, drypoint, pencil sketches, proofs, facsimilie reproduction of handwriting
Accession Number: 69.671.3(1-2)
Robbins Reef, New York Harbor
Robert Hinshelwood
(American, Edinburgh 1812–after 1875 New York)
Date: ca. 1850
Medium: Etching on chine collé; proof
Accession Number: 54.90.1439
Two men, one of whom holds an urn over his shoulder, from Prove di Vari Rami Inediti [...]
Francesco Rosaspina
(Italian, Montescudo 1762–1841 Bologna)
Date: 19th century
Medium: Etching; proof
Accession Number: 41.97.286(11c)
Self-Portrait
Richard Hamilton
(British, London 1922–2011 Oxfordshire)
Date: 1967
Medium: Silkscreen, artist proof
Accession Number: 1997.458.6
The Duke of Wellington, Surrounded by his Generals, is Crowned by Victory and Tramples Tyranny
Engraved by Ebenezer Landells
(British, Newcastle-upon-Tyne 1808–1860 West Brompton)
Date: after 1842, probably 1852
Medium: Wood engraving; proof
Accession Number: 2007.439.1
Well-Known Folly (Disparate conocido), from the Disparates, plate A
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1877
Medium: Etching and burnished aquatint; posthumous proof on China paper, before 1877
Accession Number: 62.635.798
The Prodigal Son (The Parables of Our Lord and Saviour Jesus Christ)
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1864
Medium: Wood engraving; proof on India paper
Accession Number: 21.68.4(16)
Two Studies of Madonna and Child, from Prove di Vari Rami Inediti [...]
Francesco Rosaspina
(Italian, Montescudo 1762–1841 Bologna)
Date: 19th century
Accession Number: 41.97.286(38b)
St. Andrew Bearing the Cross, from Prove di Vari Rami Inediti [...]
Francesco Rosaspina
(Italian, Montescudo 1762–1841 Bologna)
Date: 19th century
Accession Number: 41.97.286(21c)
The Pool of Bethesda (St. John, Chapter V)
After William Hogarth
(British, London 1697–1764 London)
Date: ca. 1772
Accession Number: 32.35(53)
The Marriage Feast (The Parables of Our Lord and Saviour Jesus Christ)
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1864
Accession Number: 21.68.4(13)
Four Views: New York from Governor's Island, Broadway, City Hall, and the Capitol, Washington D.C.
Anonymous, American, 19th century
Date: 1836 (?)
Accession Number: 54.90.1151
The Isle of the Monkeys (L'Île des Singes)
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: mid 19th century
Accession Number: 63.625.168
Highland Interior (from Royal Gallery of British Art)
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: 1839
Accession Number: 49.49.51
Mr. de Pourceaugnac, from Gravures de Boucher pour les Oeuvres de Molière [Figures de Boucher pour Molière]
Laurent Cars
(French, Lyons 1699–1771 Paris)
Date: mid–18th century
Accession Number: 42.24(61)
Self-Portrait
Jean Étienne Liotard
(Swiss, Geneva 1702–1789 Geneva)
Date: ca. 1778–80
Accession Number: 49.98.1
Illustration for "Count Burckhardt"
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1862
Accession Number: 22.112.5
The Wicked Husbandman (The Parables of Our Lord and Saviour Jesus Christ)
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1864
Accession Number: 21.68.4(8)
St. Jerome in the wilderness, from Prove di Vari Rami Inediti [...]
Francesco Rosaspina
(Italian, Montescudo 1762–1841 Bologna)
Date: 19th century
Accession Number: 41.97.286(16a)
Psiche Curieuse
Giovanni David
(Italian, Cabella Ligure 1743–1790 Genoa)
Date: mid-1770s
Accession Number: 1976.629
Cartouche with Skeletons
Etched by Stefano della Bella
(Italian, Florence 1610–1664 Florence)
Date: 1647
Accession Number: 68.747.3
The Cooper Vignettes
Written by James Fenimore Cooper
(American, Burlington, New Jersey 1789–1851)
Date: 1862
Accession Number: 64.667
The Fatal Duel
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: 1863
Accession Number: 47.30.28
Last Light
Pierre Bonnard
(French, Fontenay-aux-Roses 1867–1947 Le Cannet)
Date: ca. 1927–28
Accession Number: 1985.1096.2
Midget (from Side Show)
Peter Blake
(British, born Dartford, Kent, 1932)
Date: 1974–78
Accession Number: 2011.220.1
Long Island Surf
Childe Hassam
(American, Dorchester, Massachusetts 1859–1935 East Hampton, New York)
Date: 1912
Accession Number: 2009.527.5
The Little Piano
Childe Hassam
(American, Dorchester, Massachusetts 1859–1935 East Hampton, New York)
Date: 1915
Accession Number: 2009.527.12
Mabel
Jim Dine
(American, born Cincinnati, Ohio, 1935)
Date: 1976
Accession Number: 1977.655.10
Untitled
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Accession Number: 53.552.12
Giant
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: by 1818
Accession Number: 35.42
Société des Eclectiques, 1872–1873
Aglaüs Bouvenne
(French, Paris 1829–1903 Levallois-Perret)
Date: 1872–74
Accession Number: 69.671.3(1-2)
Robbins Reef, New York Harbor
Robert Hinshelwood
(American, Edinburgh 1812–after 1875 New York)
Date: ca. 1850
Accession Number: 54.90.1439
Two men, one of whom holds an urn over his shoulder, from Prove di Vari Rami Inediti [...]
Francesco Rosaspina
(Italian, Montescudo 1762–1841 Bologna)
Date: 19th century
Accession Number: 41.97.286(11c)
Self-Portrait
Richard Hamilton
(British, London 1922–2011 Oxfordshire)
Date: 1967
Accession Number: 1997.458.6
The Duke of Wellington, Surrounded by his Generals, is Crowned by Victory and Tramples Tyranny
Engraved by Ebenezer Landells
(British, Newcastle-upon-Tyne 1808–1860 West Brompton)
Date: after 1842, probably 1852
Accession Number: 2007.439.1
Well-Known Folly (Disparate conocido), from the Disparates, plate A
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1877
Accession Number: 62.635.798
The Prodigal Son (The Parables of Our Lord and Saviour Jesus Christ)
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1864
Accession Number: 21.68.4(16)
  • Results per page:
  • 30
  • 60
  • 90

Close