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829 records
Proofs x
The Widow
Robert Charles Bell
(British, Edinburgh, Scotland 1806–1872 Edinburgh)
Date: ca. 1850
Medium: Mixed method engraving; early proof
Accession Number: 55.660.18
Portrait Bust of Mademoiselle Marcelle Lender
Henri de Toulouse-Lautrec
(French, Albi 1864–1901 Saint-André-du-Bois)
Date: 1895
Medium: Crayon, brush, and spatter lithograph printed in eight colors; fourth state of four (rare trial proof for Pan edition)
Accession Number: 49.55.183
Shere Mill Pond, No. II (Large Plate)
Sir Francis Seymour Haden
(British, London 1818–1910 Bramdean)
Date: 1860
Medium: Etching with drypoint; after trial proof a (Harrington); after first state of nine (Schneiderman)
Accession Number: 17.3.2047
Weymouth Bay
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1830
Medium: Mezzotint touched with graphite and white chalk; proof before published state
Accession Number: 27.4.26
Hooded Male Head (from Sketches on The Coast Survey Plate)
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1854–55
Medium: Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of "Sketches on the Coast Survey Plate" (Kennedy no. 1) by Whistler and mounted on a board with six other related fragments. Cited by Glasgow as the earliest known impression.
Accession Number: 1970.121.15
Portrait of David Hume
David Martin (British
(born Scotland), Anstruther, Fife 1736–1798 Edinburgh)
Date: 1767
Medium: Mezzotint; scratched proof, first state of two
Accession Number: 2010.5
L'Amour Médecin, from Gravures de Boucher pour les Oeuvres de Molière [Figures de Boucher pour Molière]
Laurent Cars
(French, Lyons 1699–1771 Paris)
Date: mid-18th century
Medium: Etching; proof before letters
Accession Number: 42.24(40)
Mediaeval Court from the Great Exhibition of 1851
Joseph Nash
(British, Buckinghamshire 1809–1878 Kensington)
Date: 1851
Medium: Lithograph; proof impression
Accession Number: 41.123.3(5)
Adler (Eagle)
Georg Baselitz
(German, born Deutschbaselitz, Saxony, 1938)
Date: 1980
Medium: Linoleum cut; unique proof
Accession Number: 2009.475.1
Plate 7: Hosea, from 'The Prophets'
Raffaello Schiaminossi (Italian, Borgo San Sepolcro (Sansepolcro) 1572–1622 Borgo San Sepolcro
(Sansepolcro))
Date: 1606
Medium: Etching; proof
Accession Number: 55.565.4(8)
Untitled
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Medium: Wood engraving; proof impression
Accession Number: 53.552.9
Donkeys of Selva (Majorca)
Robert Sargent Austin
(British, Leicester 1895–1973 Staithe, Norfolk)
Date: 1927
Medium: Engraving; first state of two; trial proof
Accession Number: 1986.1180.1112
Self-portrait
Stanley Arthur Charles Anderson
(British, Bristol 1884–1966 Buckinghamshire)
Date: 1933
Medium: Engraving; proof of fourth state
Accession Number: 36.63.2bis
Portrait of a man, seated, wearing glasses
Abraham Walkowitz (American
(born Russia), Tyumen 1878–1965 Brooklyn, New York)
Date: 1900
Medium: Etching; proof
Accession Number: 1983.1225.1
Toledo
Sir Francis Seymour Haden
(British, London 1818–1910 Bramdean)
Date: 1877
Medium: Etching (counterproof); trial proof a (Harrington); second state of two (Schneiderman)
Accession Number: 17.3.2075
Old Man with Beard and Flat Cap, after Rembrandt
Captain William E. Baillie
(Irish, County Kilbride 1723–1810 London)
Date: 1765
Medium: Etching and drypoint; proof before letters
Accession Number: 2011.521.5
Spring
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1829
Medium: Mezzotint; proof before published state
Accession Number: 39.68.9
Mary, Queen of Scots and Lord Darnley
Robert Dunkarton
(British, 1744–1811)
Date: ca. 1816
Medium: Mezzotint; proof
Accession Number: 58.549.120
The blind guitarist (El ciego de la guitarra
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1778
Medium: Etching; working proof touched with graphite
Accession Number: 22.63.29
Calais Pier, after Turner
Sir Francis Seymour Haden
(British, London 1818–1910 Bramdean)
Date: 1870
Medium: Etching with drypoint and mezzotint; trial proof b (Harrington); second state of twelve (Schneiderman)
Accession Number: 83.1.39-
Le Bal Paré
Antoine Jean Duclos
(French, Paris 1742–1795 Paris)
Date: 1774
Medium: Etched proof; first state of four (Bocher)
Accession Number: 40.34.1
The Herd
Sir Francis Seymour Haden
(British, London 1818–1910 Bramdean)
Date: 1868
Medium: Etching; trial proof b (Harrington); second state of three (Schneiderman)
Accession Number: 83.1.50-
Margarite Brooke, Lady Denham
Charles Turner
(British, Woodstock, Oxfordshire 1774–1857 London)
Date: 1811
Medium: Hand-colored mezzotint; proof before published state
Accession Number: 17.3.756-1948
Summer Evening
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1829
Medium: Mezzotint; proof before published state
Accession Number: 38.23.4
Tavern
Calvin Burnett
(American, born 1921)
Date: 1942
Medium: Linocut, artist's proof
Accession Number: 1999.529.22
A Sea Beach
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1830
Medium: Mezzotint; proof before published state
Accession Number: 38.23.10
A Lock on the Stour
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1830
Medium: Mezzotint touched with black ink, white chalk, and graphite; proof before published state
Accession Number: 27.4.14
Illustration to "Count Burckhardt" (Once a Week)
After James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1862
Medium: Wood engraving; proof
Accession Number: 17.3.258
Kidwelly Town
Sir Francis Seymour Haden
(British, London 1818–1910 Bramdean)
Date: 1859
Medium: Etching; trial proof b (Harrington); second state of three (Schneiderman)
Accession Number: 17.3.285
Christ Church, New York
Engraved by John Francis Eugene Prud'Homme
(American, 1800–1892)
Date: ca. 1844
Medium: Engraving on chine collé; early state before letters, proof
Accession Number: 24.90.1215
The Widow
Robert Charles Bell
(British, Edinburgh, Scotland 1806–1872 Edinburgh)
Date: ca. 1850
Accession Number: 55.660.18
Portrait Bust of Mademoiselle Marcelle Lender
Henri de Toulouse-Lautrec
(French, Albi 1864–1901 Saint-André-du-Bois)
Date: 1895
Accession Number: 49.55.183
Shere Mill Pond, No. II (Large Plate)
Sir Francis Seymour Haden
(British, London 1818–1910 Bramdean)
Date: 1860
Accession Number: 17.3.2047
Weymouth Bay
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1830
Accession Number: 27.4.26
Hooded Male Head (from Sketches on The Coast Survey Plate)
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1854–55
Accession Number: 1970.121.15
Portrait of David Hume
David Martin (British
(born Scotland), Anstruther, Fife 1736–1798 Edinburgh)
Date: 1767
Accession Number: 2010.5
L'Amour Médecin, from Gravures de Boucher pour les Oeuvres de Molière [Figures de Boucher pour Molière]
Laurent Cars
(French, Lyons 1699–1771 Paris)
Date: mid-18th century
Accession Number: 42.24(40)
Mediaeval Court from the Great Exhibition of 1851
Joseph Nash
(British, Buckinghamshire 1809–1878 Kensington)
Date: 1851
Accession Number: 41.123.3(5)
Adler (Eagle)
Georg Baselitz
(German, born Deutschbaselitz, Saxony, 1938)
Date: 1980
Accession Number: 2009.475.1
Plate 7: Hosea, from 'The Prophets'
Raffaello Schiaminossi (Italian, Borgo San Sepolcro (Sansepolcro) 1572–1622 Borgo San Sepolcro
(Sansepolcro))
Date: 1606
Accession Number: 55.565.4(8)
Untitled
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Accession Number: 53.552.9
Donkeys of Selva (Majorca)
Robert Sargent Austin
(British, Leicester 1895–1973 Staithe, Norfolk)
Date: 1927
Accession Number: 1986.1180.1112
Self-portrait
Stanley Arthur Charles Anderson
(British, Bristol 1884–1966 Buckinghamshire)
Date: 1933
Accession Number: 36.63.2bis
Portrait of a man, seated, wearing glasses
Abraham Walkowitz (American
(born Russia), Tyumen 1878–1965 Brooklyn, New York)
Date: 1900
Accession Number: 1983.1225.1
Toledo
Sir Francis Seymour Haden
(British, London 1818–1910 Bramdean)
Date: 1877
Accession Number: 17.3.2075
Old Man with Beard and Flat Cap, after Rembrandt
Captain William E. Baillie
(Irish, County Kilbride 1723–1810 London)
Date: 1765
Accession Number: 2011.521.5
Spring
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1829
Accession Number: 39.68.9
Mary, Queen of Scots and Lord Darnley
Robert Dunkarton
(British, 1744–1811)
Date: ca. 1816
Accession Number: 58.549.120
The blind guitarist (El ciego de la guitarra
Goya (Francisco de Goya y Lucientes)
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1778
Accession Number: 22.63.29
Calais Pier, after Turner
Sir Francis Seymour Haden
(British, London 1818–1910 Bramdean)
Date: 1870
Accession Number: 83.1.39-
Le Bal Paré
Antoine Jean Duclos
(French, Paris 1742–1795 Paris)
Date: 1774
Accession Number: 40.34.1
The Herd
Sir Francis Seymour Haden
(British, London 1818–1910 Bramdean)
Date: 1868
Accession Number: 83.1.50-
Margarite Brooke, Lady Denham
Charles Turner
(British, Woodstock, Oxfordshire 1774–1857 London)
Date: 1811
Accession Number: 17.3.756-1948
Summer Evening
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1829
Accession Number: 38.23.4
Tavern
Calvin Burnett
(American, born 1921)
Date: 1942
Accession Number: 1999.529.22
A Sea Beach
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1830
Accession Number: 38.23.10
A Lock on the Stour
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1830
Accession Number: 27.4.14
Illustration to "Count Burckhardt" (Once a Week)
After James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1862
Accession Number: 17.3.258
Kidwelly Town
Sir Francis Seymour Haden
(British, London 1818–1910 Bramdean)
Date: 1859
Accession Number: 17.3.285
Christ Church, New York
Engraved by John Francis Eugene Prud'Homme
(American, 1800–1892)
Date: ca. 1844
Accession Number: 24.90.1215
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