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603 records
Proofs x
St. Andrew Bearing the Cross, from Prove di Vari Rami Inediti [...]
Francesco Rosaspina
(Italian, Montescudo 1762–1841 Bologna)
Date: 19th century
Medium: Etching; proof
Accession Number: 41.97.286(23d)
View of New York (from the Atlantic Neptune)
Joseph Frederick Wallet Des Barres
(British (probably born Switzerland). 1722–1824)
Date: 1777
Medium: Aquatint; proof before letters
Accession Number: 38.165.55
None
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Medium: Wood engraving; proof impression
Accession Number: 53.552.17
Highland Nurses
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: June 1, 1858
Medium: Mixed method engraving on chine collé; proof before letters
Accession Number: 47.30.32
Old Dutch Church, Fishkill Village
Childe Hassam
(American, Dorchester, Massachusetts 1859–1935 East Hampton, New York)
Date: 1915
Medium: Etching; proof from cancelled plate
Accession Number: 2009.527.20
Studies of Figures Bending Down and Falling, from Prove di Vari Rami Inediti [...]
Francesco Rosaspina
(Italian, Montescudo 1762–1841 Bologna)
Date: 19th century
Medium: Etching; proof
Accession Number: 41.97.286(26b)
The Landing of Her Majesty at the Cove (now Queenstown), Ireland, 1849 (The Queen Landing in Ireland)
George Baxter
(British, Lewes 1804–1867 London)
Date: 1850
Medium: Baxter process: aquatint key plate proof
Accession Number: 63.604.8
Under the Elevated
Ronald Joseph
(American, 1910–1992)
Date: ca. 1934–36
Medium: Lithograph, artist's proof
Accession Number: 1999.529.109
Two Female Heads and Standing Figure (from Sketches on the Coast Survey Plate)
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1854–55
Medium: Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of "Sketches on the Coast Survey Plate" (Kennedy no. 1) by Whistler and mounted on a board with six other related fragments. Cited by Glasgow as the earliest known impression.
Accession Number: 1970.121.14
The Foolish Virgins (The Parables of Our Lord and Saviour Jesus Christ)
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1864
Medium: Wood engraving; proof on India paper
Accession Number: 21.68.4(10)
Tilla Durieux
Emil Orlik
(Austro-Hungarian, Prague 1870–1932 Berlin)
Date: n.d.
Medium: Etching and drypoint, proof
Accession Number: 24.12.3
The Three Little Girls
Childe Hassam
(American, Dorchester, Massachusetts 1859–1935 East Hampton, New York)
Date: 1916
Medium: Etching; proof from cancelled plate
Accession Number: 2009.527.3
Print
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Medium: Wood engraving; proof impression
Accession Number: 53.552.29
Cottage Garden
Stanley Roy Badmin
(British, Syndenham 1906–1989)
Date: 1938
Medium: Etching; 12/18 proof
Accession Number: 1981.1143.2
The Parable of the [Ten] Virgins (he Parables of Our Lord and Saviour Jesus Christ)
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1864
Medium: Wood engraving; proof on India paper
Accession Number: 21.68.4(9)
Waiting for the Countess
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: 1850
Medium: Mixed method engraving on chine collé; proof before letters
Accession Number: 47.30.63
Dover
James Tibbits Willmore
(British, Handsworth 1800–1863 London)
Date: 1851
Medium: Engraving; proof impression
Accession Number: X.772
Tilla Durieux
Emil Orlik
(Austro-Hungarian, Prague 1870–1932 Berlin)
Date: n.d.
Medium: Etching and drypoint, proof
Accession Number: 24.12.6
Seated Ecclesiastic
Etched by Stefano della Bella
(Italian, Florence 1610–1664 Florence)
Date: ca. 1662
Medium: Etching, touched proof
Accession Number: 68.741.5
Plate 8: Isaiah, from The Prophets
Raffaello Schiaminossi
(Italian, Borgo San Sepolcro (Sansepolcro) 1572–1622 Borgo San Sepolcro (Sansepolcro))
Date: 1609
Medium: Etching; proof before letters
Accession Number: 55.565.4(9)
Plate 6: Micah, from The Prophets
Raffaello Schiaminossi
(Italian, Borgo San Sepolcro (Sansepolcro) 1572–1622 Borgo San Sepolcro (Sansepolcro))
Date: 1609
Medium: Etching; proof before letters
Accession Number: 55.565.4(7)
Proof sovereign of William IV
William Wyon
(British, Birmingham 1795–1851 Brighton)
Date: 1831
Medium: Gold
Accession Number: 2002.205.5
A giant seated in landscape
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: by 1818
Medium: Burnished aquatint; working proof of first state; one of six impressions known
Accession Number: 35.42
Golden Thoughts
Frederick Girsch
(American, near Darmstadt, Germany, 1821–1895 Mount Vernon, New York)
Date: 1885
Medium: Engraving on chine collé; proof before letters
Accession Number: 63.648.36
The Watch Tower
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: December 1, 1868
Medium: Etching and engraving; proof on chine collé
Accession Number: 47.30.41b
St. Andrew Bearing the Cross, from Prove di Vari Rami Inediti [...]
Francesco Rosaspina
(Italian, Montescudo 1762–1841 Bologna)
Date: 19th century
Medium: Etching; proof
Accession Number: 41.97.286(23e)
L'Étourdi, from Gravures de Boucher pour les Oeuvres de Molière [Figures de Boucher pour Molière]
Laurent Cars
(French, Lyons 1699–1771 Paris)
Date: mid–18th century
Medium: Etching; proof before letters
Accession Number: 42.24(12)
Les Etrangers a Paris: Une légère promenade en omnibus
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: 1844
Medium: Lithograph on wove paper; Proof with captions added by hand for the print published in Le Charivari on July 7, 1844
Accession Number: 22.61.37
La Comtesse Descarbagnas, from Gravures de Boucher pour les Oeuvres de Molière [Figures de Boucher pour Molière]
Laurent Cars
(French, Lyons 1699–1771 Paris)
Date: mid–18th century
Medium: Etching; proof before letters
Accession Number: 42.24(73)
The Rocky Mountains, Lander's Peak
After Albert Bierstadt
(American, Solingen 1830–1902 New York)
Date: ca. 1869
Medium: Chromolithograph; proof with printer's color notes
Accession Number: 49.40.260
St. Andrew Bearing the Cross, from Prove di Vari Rami Inediti [...]
Francesco Rosaspina
(Italian, Montescudo 1762–1841 Bologna)
Date: 19th century
Accession Number: 41.97.286(23d)
View of New York (from the Atlantic Neptune)
Joseph Frederick Wallet Des Barres
(British (probably born Switzerland). 1722–1824)
Date: 1777
Accession Number: 38.165.55
None
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Accession Number: 53.552.17
Highland Nurses
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: June 1, 1858
Accession Number: 47.30.32
Old Dutch Church, Fishkill Village
Childe Hassam
(American, Dorchester, Massachusetts 1859–1935 East Hampton, New York)
Date: 1915
Accession Number: 2009.527.20
Studies of Figures Bending Down and Falling, from Prove di Vari Rami Inediti [...]
Francesco Rosaspina
(Italian, Montescudo 1762–1841 Bologna)
Date: 19th century
Accession Number: 41.97.286(26b)
The Landing of Her Majesty at the Cove (now Queenstown), Ireland, 1849 (The Queen Landing in Ireland)
George Baxter
(British, Lewes 1804–1867 London)
Date: 1850
Accession Number: 63.604.8
Under the Elevated
Ronald Joseph
(American, 1910–1992)
Date: ca. 1934–36
Accession Number: 1999.529.109
Two Female Heads and Standing Figure (from Sketches on the Coast Survey Plate)
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1854–55
Accession Number: 1970.121.14
The Foolish Virgins (The Parables of Our Lord and Saviour Jesus Christ)
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1864
Accession Number: 21.68.4(10)
Tilla Durieux
Emil Orlik
(Austro-Hungarian, Prague 1870–1932 Berlin)
Date: n.d.
Accession Number: 24.12.3
The Three Little Girls
Childe Hassam
(American, Dorchester, Massachusetts 1859–1935 East Hampton, New York)
Date: 1916
Accession Number: 2009.527.3
Print
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Accession Number: 53.552.29
Cottage Garden
Stanley Roy Badmin
(British, Syndenham 1906–1989)
Date: 1938
Accession Number: 1981.1143.2
The Parable of the [Ten] Virgins (he Parables of Our Lord and Saviour Jesus Christ)
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1864
Accession Number: 21.68.4(9)
Waiting for the Countess
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: 1850
Accession Number: 47.30.63
Dover
James Tibbits Willmore
(British, Handsworth 1800–1863 London)
Date: 1851
Accession Number: X.772
Tilla Durieux
Emil Orlik
(Austro-Hungarian, Prague 1870–1932 Berlin)
Date: n.d.
Accession Number: 24.12.6
Seated Ecclesiastic
Etched by Stefano della Bella
(Italian, Florence 1610–1664 Florence)
Date: ca. 1662
Accession Number: 68.741.5
Plate 8: Isaiah, from The Prophets
Raffaello Schiaminossi
(Italian, Borgo San Sepolcro (Sansepolcro) 1572–1622 Borgo San Sepolcro (Sansepolcro))
Date: 1609
Accession Number: 55.565.4(9)
Plate 6: Micah, from The Prophets
Raffaello Schiaminossi
(Italian, Borgo San Sepolcro (Sansepolcro) 1572–1622 Borgo San Sepolcro (Sansepolcro))
Date: 1609
Accession Number: 55.565.4(7)
Proof sovereign of William IV
William Wyon
(British, Birmingham 1795–1851 Brighton)
Date: 1831
Accession Number: 2002.205.5
A giant seated in landscape
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: by 1818
Accession Number: 35.42
Golden Thoughts
Frederick Girsch
(American, near Darmstadt, Germany, 1821–1895 Mount Vernon, New York)
Date: 1885
Accession Number: 63.648.36
The Watch Tower
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: December 1, 1868
Accession Number: 47.30.41b
St. Andrew Bearing the Cross, from Prove di Vari Rami Inediti [...]
Francesco Rosaspina
(Italian, Montescudo 1762–1841 Bologna)
Date: 19th century
Accession Number: 41.97.286(23e)
L'Étourdi, from Gravures de Boucher pour les Oeuvres de Molière [Figures de Boucher pour Molière]
Laurent Cars
(French, Lyons 1699–1771 Paris)
Date: mid–18th century
Accession Number: 42.24(12)
Les Etrangers a Paris: Une légère promenade en omnibus
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: 1844
Accession Number: 22.61.37
La Comtesse Descarbagnas, from Gravures de Boucher pour les Oeuvres de Molière [Figures de Boucher pour Molière]
Laurent Cars
(French, Lyons 1699–1771 Paris)
Date: mid–18th century
Accession Number: 42.24(73)
The Rocky Mountains, Lander's Peak
After Albert Bierstadt
(American, Solingen 1830–1902 New York)
Date: ca. 1869
Accession Number: 49.40.260
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