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592 records
Proofs x
Some of the Best Harts in the Forest
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: 1868
Medium: Etching and engraving on chine collé; proof before letters
Accession Number: 47.30.17
The Shower
Félix Vallotton
(Swiss, Lausanne 1865–1925 Paris)
Date: 1894
Medium: Woodcut; trial proof on Japan paper, possibly posthumous
Accession Number: 1984.1071.1
Mediaeval Court from the Great Exhibition of 1851
Joseph Nash
(British, Buckinghamshire 1809–1878 Kensington)
Date: 1851
Medium: Lithograph; proof impression
Accession Number: 41.123.3(5)
The Conflict Between Satan and Death (Paradise Lost of Milton, Book 2, line 727)
Designed and engraved by John Martin
(British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: 1824–25
Medium: Mezzotint; proof
Accession Number: 54.578.3
Gems of the Great Exhibition, No. 7: The Veiled Vestal
George Baxter
(British, Lewes 1804–1867 London)
Date: 1852
Medium: Baxter process: aquatint key plate proof
Accession Number: 63.604.12
Cartouche Crowned by Helmet and Leopards
Etched by Stefano della Bella
(Italian, Florence 1610–1664 Florence)
Date: 1647
Medium: Etching, touched proof of state i with hand-written title
Accession Number: 68.747.1
Mabel
Jim Dine
(American, born Cincinnati, Ohio, 1935)
Date: 1976
Medium: Etchings with soft ground, trial proof
Accession Number: 1977.655.2
The White King Learning to Enclose a Camp with Wagons, from Der Weisskunig
Hans Burgkmair
(German, Augsburg 1473–1531 Augsburg)
Date: 1514–16
Medium: Woodcut; proof (Hollstein)
Accession Number: 17.72.40
Paradise – With the Approach of the Archangel Raphael (Paradise Lost of Milton, Book 5, line 308)
Designed and engraved by John Martin
(British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: 1825
Medium: Mezzotint with touches of drypoint; proof before letters
Accession Number: 17.3.3120
The Witch and the Mandrake
Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: ca. 1812
Medium: Soft-ground etching; proof state before letters
Accession Number: 53.535.25
Tattoed Man (from Side Show)
Peter Blake
(British, born Dartford, Kent, 1932)
Date: 1974–78
Medium: Wood engraving; working proof
Accession Number: 2011.220.4
Plate 6: Micah, from The Prophets
Raffaello Schiaminossi
(Italian, 1572–1622)
Date: 1609
Medium: Etching; proof before letters
Accession Number: 55.565.4(7)
The Lost Piece of Silver (The Parables of Our Lord and Saviour Jesus Christ)
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1864
Medium: Wood engraving; proof on India paper
Accession Number: 21.68.4(15)
The White King's Skill in Conducting Masquerades, from Der Weisskunig
Hans Burgkmair
(German, Augsburg 1473–1531 Augsburg)
Date: 1514–16
Medium: Woodcut; proof (Hollstein)
Accession Number: 43.3.3
Fools' (or Little Bulls') Folly (Disparate de tontos (or toritos), from the Disparates, plate D
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, aquatint, and drypoint (?); posthumous proof on China paper, before 1877
Accession Number: 22.63.145
Skyscrapers from a Harbour
Albert E. Flanagan
(American, Newark, New Jersey 1884–1969 New York)
Date: mid 20th century
Medium: Drypoint, trial proof
Accession Number: 69.623.34
Plate 5: Jonah, from The Prophets
Raffaello Schiaminossi
(Italian, 1572–1622)
Date: 1609
Medium: Etching; proof before letters
Accession Number: 55.565.4(6)
Illustration for "The Major's Daughter"
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1862
Medium: Wood engraving; proof
Accession Number: 22.112.3
The Siege of Sebastopol
George Baxter
(British, Lewes 1804–1867 London)
Date: ca. 1855
Medium: Baxter process: aquatint key plate proof
Accession Number: 63.604.10
Tilla Durieux
Emil Orlik
(Austro-Hungarian, Prague 1870–1932 Berlin)
Date:
Medium: Lithograph, proof
Accession Number: 24.12.1
Dom Garcie de Navarre ou le prince Jaloux, from Gravures de Boucher pour les Oeuvres de Molière [Figures de Boucher pour Molière]
Laurent Cars
(French, Lyons 1699–1771 Paris)
Date: mid–18th century
Medium: Etching; proof before letters
Accession Number: 42.24(20)
In the Harbor, New York
Drawn on stone by Charles Richard Parsons
(American, Brooklyn, New York 1844–1918 St. Ives, Cornwall)
Date: 1877–94
Medium: Lithograph, proof
Accession Number: 54.90.796
Untitled
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Medium: Wood engraving; proof impression
Accession Number: 53.552.10
Hope
Frank Short
(British, Stourbridge, West Midlands 1857–1945 Ditchling, East Sussex)
Date: 1901
Medium: Mezzotint; third working state, first proof
Accession Number: 1975.501.3
Mr. de Pourceaugnac, from Gravures de Boucher pour les Oeuvres de Molière [Figures de Boucher pour Molière]
Laurent Cars
(French, Lyons 1699–1771 Paris)
Date: mid–18th century
Medium: Etching; proof before letters
Accession Number: 42.24(61)
Seated Ecclesiastic
Etched by Stefano della Bella
(Italian, Florence 1610–1664 Florence)
Date: ca. 1662
Medium: Etching, touched proof
Accession Number: 68.741.5
Small Farm on the Banks of the Oise, after Théodore Rousseau
Félix Bracquemond
(French, Paris 1833–1914 Sèvres)
Date: 1850–1914
Medium: Etching; touched artist's proof before first described state
Accession Number: 57.581.106
View of New York (from the Atlantic Neptune)
Joseph Frederick Wallet Des Barres
(British (probably born Switzerland). 1722–1824)
Date: 1777
Medium: Aquatint; proof before letters
Accession Number: 38.165.55
Giant
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: by 1818
Medium: Burnished aquatint; working proof of first state; one of six impressions known
Accession Number: 35.42
Proof half sovereign of George III
Medalist: Benedetto Pistrucci
(Italian, 1783–1855, active England)
Date: 1817
Medium: Gold
Accession Number: 2003.212.5
Some of the Best Harts in the Forest
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: 1868
Accession Number: 47.30.17
The Shower
Félix Vallotton
(Swiss, Lausanne 1865–1925 Paris)
Date: 1894
Accession Number: 1984.1071.1
Mediaeval Court from the Great Exhibition of 1851
Joseph Nash
(British, Buckinghamshire 1809–1878 Kensington)
Date: 1851
Accession Number: 41.123.3(5)
The Conflict Between Satan and Death (Paradise Lost of Milton, Book 2, line 727)
Designed and engraved by John Martin
(British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: 1824–25
Accession Number: 54.578.3
Gems of the Great Exhibition, No. 7: The Veiled Vestal
George Baxter
(British, Lewes 1804–1867 London)
Date: 1852
Accession Number: 63.604.12
Cartouche Crowned by Helmet and Leopards
Etched by Stefano della Bella
(Italian, Florence 1610–1664 Florence)
Date: 1647
Accession Number: 68.747.1
Mabel
Jim Dine
(American, born Cincinnati, Ohio, 1935)
Date: 1976
Accession Number: 1977.655.2
The White King Learning to Enclose a Camp with Wagons, from Der Weisskunig
Hans Burgkmair
(German, Augsburg 1473–1531 Augsburg)
Date: 1514–16
Accession Number: 17.72.40
Paradise – With the Approach of the Archangel Raphael (Paradise Lost of Milton, Book 5, line 308)
Designed and engraved by John Martin
(British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: 1825
Accession Number: 17.3.3120
The Witch and the Mandrake
Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: ca. 1812
Accession Number: 53.535.25
Tattoed Man (from Side Show)
Peter Blake
(British, born Dartford, Kent, 1932)
Date: 1974–78
Accession Number: 2011.220.4
Plate 6: Micah, from The Prophets
Raffaello Schiaminossi
(Italian, 1572–1622)
Date: 1609
Accession Number: 55.565.4(7)
The Lost Piece of Silver (The Parables of Our Lord and Saviour Jesus Christ)
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1864
Accession Number: 21.68.4(15)
The White King's Skill in Conducting Masquerades, from Der Weisskunig
Hans Burgkmair
(German, Augsburg 1473–1531 Augsburg)
Date: 1514–16
Accession Number: 43.3.3
Fools' (or Little Bulls') Folly (Disparate de tontos (or toritos), from the Disparates, plate D
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 22.63.145
Skyscrapers from a Harbour
Albert E. Flanagan
(American, Newark, New Jersey 1884–1969 New York)
Date: mid 20th century
Accession Number: 69.623.34
Plate 5: Jonah, from The Prophets
Raffaello Schiaminossi
(Italian, 1572–1622)
Date: 1609
Accession Number: 55.565.4(6)
Illustration for "The Major's Daughter"
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1862
Accession Number: 22.112.3
The Siege of Sebastopol
George Baxter
(British, Lewes 1804–1867 London)
Date: ca. 1855
Accession Number: 63.604.10
Tilla Durieux
Emil Orlik
(Austro-Hungarian, Prague 1870–1932 Berlin)
Date:
Accession Number: 24.12.1
Dom Garcie de Navarre ou le prince Jaloux, from Gravures de Boucher pour les Oeuvres de Molière [Figures de Boucher pour Molière]
Laurent Cars
(French, Lyons 1699–1771 Paris)
Date: mid–18th century
Accession Number: 42.24(20)
In the Harbor, New York
Drawn on stone by Charles Richard Parsons
(American, Brooklyn, New York 1844–1918 St. Ives, Cornwall)
Date: 1877–94
Accession Number: 54.90.796
Untitled
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Accession Number: 53.552.10
Hope
Frank Short
(British, Stourbridge, West Midlands 1857–1945 Ditchling, East Sussex)
Date: 1901
Accession Number: 1975.501.3
Mr. de Pourceaugnac, from Gravures de Boucher pour les Oeuvres de Molière [Figures de Boucher pour Molière]
Laurent Cars
(French, Lyons 1699–1771 Paris)
Date: mid–18th century
Accession Number: 42.24(61)
Seated Ecclesiastic
Etched by Stefano della Bella
(Italian, Florence 1610–1664 Florence)
Date: ca. 1662
Accession Number: 68.741.5
Small Farm on the Banks of the Oise, after Théodore Rousseau
Félix Bracquemond
(French, Paris 1833–1914 Sèvres)
Date: 1850–1914
Accession Number: 57.581.106
View of New York (from the Atlantic Neptune)
Joseph Frederick Wallet Des Barres
(British (probably born Switzerland). 1722–1824)
Date: 1777
Accession Number: 38.165.55
Giant
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: by 1818
Accession Number: 35.42
Proof half sovereign of George III
Medalist: Benedetto Pistrucci
(Italian, 1783–1855, active England)
Date: 1817
Accession Number: 2003.212.5
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