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606 records
Proofs x
Plate 12: Amos, from The Prophets
Raffaello Schiaminossi
(Italian, Borgo San Sepolcro (Sansepolcro) 1572–1622 Borgo San Sepolcro (Sansepolcro))
Date: 1609
Medium: Etching; proof before letters
Accession Number: 55.565.4(12)
Scene of Destruction
After
(?) John Martin (British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: ca. 1870
Medium: Mezzotint and etching, proof
Accession Number: 63.648.33
View of New York from the North, 1679
George Hayward
(American (born England), ca. 1800–ca. 1872)
Date: 1867
Medium: Lithograph with tint stones; proof before letters
Accession Number: 54.90.642
Two Men Fighting from Jean de LaFontaine's Fables
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Medium: Wood engraving; proof impression
Accession Number: 53.552.33
Mary, Queen of Scots
Charles Picart
(British, active ca. 1780–1837)
Date: 1818
Medium: Stipple engraving; artist's proof
Accession Number: 58.549.186
Landscape
Timothy West
(American, Santa Fe, New Mexico 1937–2012 Fayetteville, Arizona)
Date:
Medium: Etching with pen and ink; trial proof
Accession Number: 1985.1013
Sketch of a Boat
Charles Adams Platt
(American, New York 1861–1933)
Date: 1881
Medium: Etching; trial proof
Accession Number: 19.13.11
The Farriers
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1888
Medium: Transfer lithograph drawn on medium-grained transfer paper; only state (Chicago); printed in black ink on cream wove proof paper
Accession Number: 17.22.23
Prologue de Psiché, from Gravures de Boucher pour les Oeuvres de Molière [Figures de Boucher pour Molière]
Laurent Cars
(French, Lyons 1699–1771 Paris)
Date: mid–18th century
Medium: Etching; proof before letters
Accession Number: 42.24(67)
Bowl with cover
Magnus Stephensen
(Danish, Copenhagen 1903–1984 Copenhagen)
Date: 1957
Medium: Oven-proof porcelain
Accession Number: 61.7.50ab
Wolves Attacking Sheep from Jean de LaFontaine's Fables
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Medium: Wood engraving; proof impression
Accession Number: 53.552.26
Fritz Kreisler
Emil Orlik
(Austro-Hungarian, Prague 1870–1932 Berlin)
Date: n.d.
Medium: Drypoint, proof
Accession Number: 24.12.11
Cartouche with Duck and Nymphs
Etched by Stefano della Bella
(Italian, Florence 1610–1664 Florence)
Date: 1647
Medium: Etching, state i counter-proof
Accession Number: 68.747.2
Suspicion!
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: December 1, 1868
Medium: Etching and engraving; proof on chine collé
Accession Number: 47.30.42b
The Pool of Bethesda (St. John, Chapter 5)
After William Hogarth
(British, London 1697–1764 London)
Date: ca. 1772
Medium: Etching and engraving; early unfinished state, proof
Accession Number: 32.35(53)
The Old Revenue Office, Whitehall (from Scenes of Old New York)
Henry Farrer
(American, London 1844–1903 New York)
Date: 1870
Medium: Etching, trial proof
Accession Number: 54.90.925
Le Bal Paré
Antoine Jean Duclos
(French, Paris 1742–1795 Paris)
Date: 1774
Medium: Etched proof; first state of four (Bocher)
Accession Number: 40.34.1
In the Harbor, New York
Drawn on stone by Charles Richard Parsons
(American, Brooklyn, New York 1844–1918 St. Ives, Cornwall)
Date: 1877–94
Medium: Lithograph, proof
Accession Number: 54.90.796
Untitled
Reuben Kadish
(American, Chicago, Illinois 1913–1992 New York)
Date: ca. 1945
Medium: Etching and aquatint: final state and two related working proofs
Accession Number: 2011.569.1–.3
Madison Square
Charles Frederick Mielatz
(American (born Germany), Breddin 1864–1919 New York)
Date: 1890–99
Medium: Etching, printed in brown ink, trial proof
Accession Number: 54.90.912
Print
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Medium: Wood engraving; proof impression
Accession Number: 53.552.25
Untitled
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Medium: Wood engraving; proof impression
Accession Number: 53.552.9
Fools' (or Little Bulls') Folly (Disparate de tontos (or toritos), from the Disparates, plate D
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, aquatint, and drypoint (?); posthumous proof on China paper, before 1877
Accession Number: 22.63.145
The Stonebreaker's Daughter
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: February 1, 1844
Medium: Mixed method engraving on chine collé; proof before title
Accession Number: 47.30.19
The Village Festival (Fête de village dans la campagne romaine)
Jean-Baptiste Marie Pierre
(French, Paris 1714–1789 Paris)
Date: ca. 1735–40
Medium: Etching; proof state
Accession Number: 49.50.249
Male Figure Swathed in Drapery, from Prove di Vari Rami Inediti [...]
Francesco Rosaspina
(Italian, Montescudo 1762–1841 Bologna)
Date: 19th century
Medium: Etching; proof
Accession Number: 41.97.286(23g)
Systems Diagram
Terry Winters
(American, born Brooklyn, New York, 1949)
Date: 1996
Medium: Etching and aquatint (Artist proof 1/x)
Accession Number: 1998.81
The Landing of Her Majesty at the Cove (now Queenstown), Ireland, 1849 (The Queen Landing in Ireland)
George Baxter
(British, Lewes 1804–1867 London)
Date: 1850
Medium: Baxter process: aquatint key plate proof
Accession Number: 63.604.8
Goetz von Berlichingen. Goetz et Frère Martin (Goetz and Friar Martin)
Designed by Eugène Delacroix
(French, Charenton-Saint-Maurice 1798–1863 Paris)
Date: 1845
Medium: Wood engraving, proof before letters
Accession Number: 28.80.2
Interior of a Golf Club
John Rankine Barclay
(British, Edinburgh, Scotland 1884–1962/63)
Date: 20th century
Medium: Etching; proof
Accession Number: 67.670.7
Plate 12: Amos, from The Prophets
Raffaello Schiaminossi
(Italian, Borgo San Sepolcro (Sansepolcro) 1572–1622 Borgo San Sepolcro (Sansepolcro))
Date: 1609
Accession Number: 55.565.4(12)
Scene of Destruction
After
(?) John Martin (British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: ca. 1870
Accession Number: 63.648.33
View of New York from the North, 1679
George Hayward
(American (born England), ca. 1800–ca. 1872)
Date: 1867
Accession Number: 54.90.642
Two Men Fighting from Jean de LaFontaine's Fables
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Accession Number: 53.552.33
Mary, Queen of Scots
Charles Picart
(British, active ca. 1780–1837)
Date: 1818
Accession Number: 58.549.186
Landscape
Timothy West
(American, Santa Fe, New Mexico 1937–2012 Fayetteville, Arizona)
Date:
Accession Number: 1985.1013
Sketch of a Boat
Charles Adams Platt
(American, New York 1861–1933)
Date: 1881
Accession Number: 19.13.11
The Farriers
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1888
Accession Number: 17.22.23
Prologue de Psiché, from Gravures de Boucher pour les Oeuvres de Molière [Figures de Boucher pour Molière]
Laurent Cars
(French, Lyons 1699–1771 Paris)
Date: mid–18th century
Accession Number: 42.24(67)
Bowl with cover
Magnus Stephensen
(Danish, Copenhagen 1903–1984 Copenhagen)
Date: 1957
Accession Number: 61.7.50ab
Wolves Attacking Sheep from Jean de LaFontaine's Fables
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Accession Number: 53.552.26
Fritz Kreisler
Emil Orlik
(Austro-Hungarian, Prague 1870–1932 Berlin)
Date: n.d.
Accession Number: 24.12.11
Cartouche with Duck and Nymphs
Etched by Stefano della Bella
(Italian, Florence 1610–1664 Florence)
Date: 1647
Accession Number: 68.747.2
Suspicion!
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: December 1, 1868
Accession Number: 47.30.42b
The Pool of Bethesda (St. John, Chapter 5)
After William Hogarth
(British, London 1697–1764 London)
Date: ca. 1772
Accession Number: 32.35(53)
The Old Revenue Office, Whitehall (from Scenes of Old New York)
Henry Farrer
(American, London 1844–1903 New York)
Date: 1870
Accession Number: 54.90.925
Le Bal Paré
Antoine Jean Duclos
(French, Paris 1742–1795 Paris)
Date: 1774
Accession Number: 40.34.1
In the Harbor, New York
Drawn on stone by Charles Richard Parsons
(American, Brooklyn, New York 1844–1918 St. Ives, Cornwall)
Date: 1877–94
Accession Number: 54.90.796
Untitled
Reuben Kadish
(American, Chicago, Illinois 1913–1992 New York)
Date: ca. 1945
Accession Number: 2011.569.1–.3
Madison Square
Charles Frederick Mielatz
(American (born Germany), Breddin 1864–1919 New York)
Date: 1890–99
Accession Number: 54.90.912
Print
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Accession Number: 53.552.25
Untitled
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Accession Number: 53.552.9
Fools' (or Little Bulls') Folly (Disparate de tontos (or toritos), from the Disparates, plate D
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 22.63.145
The Stonebreaker's Daughter
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: February 1, 1844
Accession Number: 47.30.19
The Village Festival (Fête de village dans la campagne romaine)
Jean-Baptiste Marie Pierre
(French, Paris 1714–1789 Paris)
Date: ca. 1735–40
Accession Number: 49.50.249
Male Figure Swathed in Drapery, from Prove di Vari Rami Inediti [...]
Francesco Rosaspina
(Italian, Montescudo 1762–1841 Bologna)
Date: 19th century
Accession Number: 41.97.286(23g)
Systems Diagram
Terry Winters
(American, born Brooklyn, New York, 1949)
Date: 1996
Accession Number: 1998.81
The Landing of Her Majesty at the Cove (now Queenstown), Ireland, 1849 (The Queen Landing in Ireland)
George Baxter
(British, Lewes 1804–1867 London)
Date: 1850
Accession Number: 63.604.8
Goetz von Berlichingen. Goetz et Frère Martin (Goetz and Friar Martin)
Designed by Eugène Delacroix
(French, Charenton-Saint-Maurice 1798–1863 Paris)
Date: 1845
Accession Number: 28.80.2
Interior of a Golf Club
John Rankine Barclay
(British, Edinburgh, Scotland 1884–1962/63)
Date: 20th century
Accession Number: 67.670.7
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