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590 records
Proofs x
Priest in a Carriage from Jean de LaFontaine's Fables
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Medium: Wood engraving; proof impression
Accession Number: 53.552.34
The Bride of Lammermoor
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1882
Medium: Mezzotint with stipple and etching on chine collé; proof before letters
Accession Number: 63.648.37
Low Tide, Honfleur
Charles Adams Platt
(American, New York 1861–1933)
Date: 1887
Medium: Etching, printed in dark brown ink; proof
Accession Number: 21.36.57(3)
Portrait of a man, seated, wearing glasses
Abraham Walkowitz
(American (born Russia), Tyumen 1878–1965 Brooklyn, New York)
Date: 1900
Medium: Etching; proof
Accession Number: 1983.1225.1
Les Femmes Sçavantes, from Gravures de Boucher pour les Oeuvres de Molière [Figures de Boucher pour Molière]
Laurent Cars
(French, Lyons 1699–1771 Paris)
Date: mid–18th century
Medium: Etching; proof before letters
Accession Number: 42.24(75)
Prologue d'Amphitryon, from Gravures de Boucher pour les Oeuvres de Molière [Figures de Boucher pour Molière]
Laurent Cars
(French, Lyons 1699–1771 Paris)
Date: mid–18th century
Medium: Etching; proof before letters
Accession Number: 42.24(53)
The Sluice Gate
Graham Sutherland
(British, London 1903–1980 London)
Date: 1924
Medium: Etching; first state, second proof
Accession Number: 1993.1062
The Importunate Friend (The Parables of Our Lord and Saviour Jesus Christ)
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1864
Medium: Wood engraving; proof on India paper
Accession Number: 21.68.4(12)
Untitled
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Medium: Wood engraving; proof impression
Accession Number: 53.552.4
The Vision of Ezekiel
Giorgio Ghisi
(Italian, Mantua ca. 1520–1582 Mantua)
Date: 1554
Medium: Engraving; first state of seven (retouched proof)
Accession Number: 1994.297.3
Le Bal Paré
Antoine Jean Duclos
(French, Paris, 1742–1795)
Date: 1774
Medium: Proof with etching and engraving; second state of four (Bocher)
Accession Number: 33.56.33
Plate 5: Jonah, from The Prophets
Raffaello Schiaminossi
(Italian, 1572–1622)
Date: 1609
Medium: Etching; proof before letters
Accession Number: 55.565.4(6)
Portrait of David Hume
David Martin
(British (born Scotland), Anstruther, Fife 1736–1798 Edinburgh)
Date: 1767
Medium: Mezzotint; scratched proof, first state of two
Accession Number: 2010.5
Judge Building, 5th Avenue and 16th Street, New York
American Bank Note Company
(New York, NY)
Date: 19th century
Medium: Engraving; proof
Accession Number: 54.90.1092
The Tube Train
Cyril E. Power
(British, London 1874–1951)
Date: ca. 1934
Medium: Linoleum cut; color proof blue
Accession Number: 2005.470.9
Print
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Medium: Wood engraving; proof impression
Accession Number: 53.552.46
The White King Learning to Enclose a Camp with Wagons, from Der Weisskunig
Hans Burgkmair
(German, Augsburg 1473–1531 Augsburg)
Date: 1514–16
Medium: Woodcut; proof (Hollstein)
Accession Number: 17.72.40
The Death of Montgomery at Quebec (December 31, 1775)
W. Ketterlinus
(active ca. 1800)
Date: September 17, 1801
Medium: Engraving; open letter proof
Accession Number: 24.90.1507
Tomb of Chance "2"
Arakawa
(American, 1936–2010)
Date: 1977–81
Medium: Silkscreen (artist proof)
Accession Number: 1997.423
The Fat Boy (from Side Show)
Peter Blake
(British, born Dartford, Kent, 1932)
Date: 1974–78
Medium: Wood engraving; working proofs
Accession Number: 2011.220.2
Plate 8: Isaiah, from The Prophets
Raffaello Schiaminossi
(Italian, 1572–1622)
Date: 1609
Medium: Etching; proof before letters
Accession Number: 55.565.4(9)
The Ressurection of Christ, from Prove di Vari Rami Inediti [...]
Francesco Rosaspina
(Italian, Montescudo 1762–1841 Bologna)
Date: 19th century
Medium: Etching; proof
Accession Number: 41.97.286(19a)
St Georgsberg near Switzerland in the Tyrol, after Klein
Johann Christoph Erhard
(German, Nuremberg 1795–1822 Rome)
Date: early 19th century
Medium: Etching; proof before letters
Accession Number: 31.86.2
Flying Folly (Disparate volante), from the Disparates (Follies), or Los Proverbios, plate 5
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1846–63
Medium: Etching and aquatint; posthumous proof, before number, 1848-63
Accession Number: 32.78.3
Untitled
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Medium: Wood engraving; proof impression
Accession Number: 53.552.13
An Old Woman and a Young Woman
Possibly after Thomas Stothard
(British, London 1755–1834 London)
Date: 19th century
Medium: Engraving, proof before letters
Accession Number: 45.78.106
Landscape with Deer
Gustav Friedrich Papperitz
(German, Dresden 1813–1861 Dresden)
Date: 1854
Medium: Etching, engraving, and drypoint; five proof states
Accession Number: 2012.190.1–.5
Bearded Man in Soldier's Cap (from Sketches on the Coast Survey Plate)
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1854–55
Medium: Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of "Sketches on the Coast Survey Plate" (Kennedy no. 1) by Whistler and mounted on a board with six other related fragments. Cited by Glasgow as the earliest known impression.
Accession Number: 1970.121.33
Girl Holding Up Her Necklace (from Life-Sized Heads, First Series)
Thomas Frye
(Irish, Edenderry 1711/12–1762 London)
Date: 1760
Medium: Mezzotint; proof before letters
Accession Number: 66.695.1
The Apotheosis of Emperor Maximilian II
Jost Amman
(Swiss, Zurich before 1539–1591 Nuremberg)
Date: 16th century
Medium: Etching on two sheets; proof state
Accession Number: 1998.67
Priest in a Carriage from Jean de LaFontaine's Fables
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Accession Number: 53.552.34
The Bride of Lammermoor
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1882
Accession Number: 63.648.37
Low Tide, Honfleur
Charles Adams Platt
(American, New York 1861–1933)
Date: 1887
Accession Number: 21.36.57(3)
Portrait of a man, seated, wearing glasses
Abraham Walkowitz
(American (born Russia), Tyumen 1878–1965 Brooklyn, New York)
Date: 1900
Accession Number: 1983.1225.1
Les Femmes Sçavantes, from Gravures de Boucher pour les Oeuvres de Molière [Figures de Boucher pour Molière]
Laurent Cars
(French, Lyons 1699–1771 Paris)
Date: mid–18th century
Accession Number: 42.24(75)
Prologue d'Amphitryon, from Gravures de Boucher pour les Oeuvres de Molière [Figures de Boucher pour Molière]
Laurent Cars
(French, Lyons 1699–1771 Paris)
Date: mid–18th century
Accession Number: 42.24(53)
The Sluice Gate
Graham Sutherland
(British, London 1903–1980 London)
Date: 1924
Accession Number: 1993.1062
The Importunate Friend (The Parables of Our Lord and Saviour Jesus Christ)
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1864
Accession Number: 21.68.4(12)
Untitled
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Accession Number: 53.552.4
The Vision of Ezekiel
Giorgio Ghisi
(Italian, Mantua ca. 1520–1582 Mantua)
Date: 1554
Accession Number: 1994.297.3
Le Bal Paré
Antoine Jean Duclos
(French, Paris, 1742–1795)
Date: 1774
Accession Number: 33.56.33
Plate 5: Jonah, from The Prophets
Raffaello Schiaminossi
(Italian, 1572–1622)
Date: 1609
Accession Number: 55.565.4(6)
Portrait of David Hume
David Martin
(British (born Scotland), Anstruther, Fife 1736–1798 Edinburgh)
Date: 1767
Accession Number: 2010.5
Judge Building, 5th Avenue and 16th Street, New York
American Bank Note Company
(New York, NY)
Date: 19th century
Accession Number: 54.90.1092
The Tube Train
Cyril E. Power
(British, London 1874–1951)
Date: ca. 1934
Accession Number: 2005.470.9
Print
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Accession Number: 53.552.46
The White King Learning to Enclose a Camp with Wagons, from Der Weisskunig
Hans Burgkmair
(German, Augsburg 1473–1531 Augsburg)
Date: 1514–16
Accession Number: 17.72.40
The Death of Montgomery at Quebec (December 31, 1775)
W. Ketterlinus
(active ca. 1800)
Date: September 17, 1801
Accession Number: 24.90.1507
Tomb of Chance "2"
Arakawa
(American, 1936–2010)
Date: 1977–81
Accession Number: 1997.423
The Fat Boy (from Side Show)
Peter Blake
(British, born Dartford, Kent, 1932)
Date: 1974–78
Accession Number: 2011.220.2
Plate 8: Isaiah, from The Prophets
Raffaello Schiaminossi
(Italian, 1572–1622)
Date: 1609
Accession Number: 55.565.4(9)
The Ressurection of Christ, from Prove di Vari Rami Inediti [...]
Francesco Rosaspina
(Italian, Montescudo 1762–1841 Bologna)
Date: 19th century
Accession Number: 41.97.286(19a)
St Georgsberg near Switzerland in the Tyrol, after Klein
Johann Christoph Erhard
(German, Nuremberg 1795–1822 Rome)
Date: early 19th century
Accession Number: 31.86.2
Flying Folly (Disparate volante), from the Disparates (Follies), or Los Proverbios, plate 5
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1846–63
Accession Number: 32.78.3
Untitled
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Accession Number: 53.552.13
An Old Woman and a Young Woman
Possibly after Thomas Stothard
(British, London 1755–1834 London)
Date: 19th century
Accession Number: 45.78.106
Landscape with Deer
Gustav Friedrich Papperitz
(German, Dresden 1813–1861 Dresden)
Date: 1854
Accession Number: 2012.190.1–.5
Bearded Man in Soldier's Cap (from Sketches on the Coast Survey Plate)
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1854–55
Accession Number: 1970.121.33
Girl Holding Up Her Necklace (from Life-Sized Heads, First Series)
Thomas Frye
(Irish, Edenderry 1711/12–1762 London)
Date: 1760
Accession Number: 66.695.1
The Apotheosis of Emperor Maximilian II
Jost Amman
(Swiss, Zurich before 1539–1591 Nuremberg)
Date: 16th century
Accession Number: 1998.67
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