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34 records
Pricking x
Preparatory Study for a Portrait of Man Singh and His Harem
Date: 1810–15
Medium: Ink and opaque watercolor on paper, pricked for transfer
Accession Number: 34.89
Pricking
Date: 19th century
Medium: Parchment
Accession Number: 10.91.56b
Design for Ticket or an Invitation
Anonymous, German, 19th century
Date: 19th century
Medium: Graphite, with touches of pen and black ink. Paper pricked in the area of the saints.
Accession Number: 44.100.1187
The Adoration of the Magi (Cartoon for an Embroidery)
Attributed to Diego Lopez de Escuriaz
(Spanish, documented at Escorial, 1587–97, died ca. 1623 (?))
Date: 1587–89
Medium: Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on blue-green paper; outlines finely pricked for transfer
Accession Number: 2008.379
View of Piazza with Basilica of San Marco
Francesco Guardi
(Italian, Venice 1712–1793 Venice)
Date: 1712–93
Medium: Pen and brown ink, brush and brown wash. Framing lines in pen and brown ink at left and right margins. Pricked for transfer
Accession Number: 12.56.15
Design for a Cartouche with the "IHS" Monogram of the Society of Jesus, Putti, Fantastick Creatures, at the Borders, a Central Scene of the Virgin and Child with a Monastic Figure, and the Family Arms of a Cardinal
Anonymous, Italian, second half of the 16th century
Date: 1550–1600
Medium: Pen and brown ink, brush and brown wash, outlines partly pricked for transfer
Accession Number: 49.19.84
Design for a Freestanding Tomb Seen in Elevation and Plan
Antonio da Sangallo, the Younger
(Italian, Florence 1484–1546 Terni)
Date: 1530–35
Medium: Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements, on off-white paper now partly darkened
Accession Number: 1998.265
Durga and Kali Approach the Gathered Armies of Chanda and Munda: Scene from the Devi Mahatmya
Date: ca. 1780
Medium: Graphite and ink on paper, pricked for transfer
Accession Number: 1995.132.1
A Seated Saint Reading from a Book
Attributed to Alesso Baldovinetti
(Italian, Florence 1425–1499 Florence)
Date: late 15th century
Medium: Brush and brown ink, brown wash, heightened with white (partly oxidized); horizontal lines in black chalk (?); pricked for transfer; oulines reinforced in brown in, perhaps in the 15th or early 16th century.
Accession Number: 1975.1.409
The Martyrdom of Saint Cecilia (Cartoon for a Fresco)
Domenichino
(Domenico Zampieri) (Italian, Bologna 1581–1641 Naples)
Date: 1612–14
Medium: Charcoal, highlighted with white chalk, on twenty-two glued sheets of blue-gray paper discolored light brown; traces of squaring grids in charcoal; outlines pricked for design transfer
Accession Number: 1998.211
The Blessed Egidius (Cartoon for a Fresco)
Lo Spagna
(Giovanni di Pietro) (Italian, Spain (?) ca. 1450–1528 Perugia)
Date: 1514–16
Medium: Charcoal or black chalk; outlines pricked and pounced for transfer
Accession Number: 2002.432
Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
(Italian, Florence ca. 1432–1498 Rome)
Date: early to mid 1480s
Medium: Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.
Accession Number: 1975.1.410
The Staircase of the Giants, Ducal Palace, Venice
Francesco Guardi
(Italian, Venice 1712–1793 Venice)
Date: 1712–93
Medium: Pen and brown ink, brush and brown wash, over red chalk. Selectively pricked holes for the construction of straight lines
Accession Number: 37.165.85
Grotesques Designs with Various Inscriptions (recto); Candelabra Grotesque and Two Putti Holding Flowers (verso)
attributed to Andrés de Melgar
(Spanish, documented S. Domingo de la Calzada, died after 1554)
Date: ca. 1545–1560
Medium: Pen and dark gray-brown ink (recto). On off-white paper. Pen and brown ink over traces of black chalk underdrawing (verso). Drawing on verso pricked on figures of putti and shells below them
Accession Number: 52.570.329
Harvest Trophy
Charles Monblond
(French, 19th century)
Date: 19th century
Medium: Pen and brown ink, brush and brown wash, black chalk, heightened with white. Pricked for transfer.
Accession Number: 63.616.15
Design for a Frame with Putti and Sirens
Anonymous, Italian, second half of the 16th century
Date: 1550–1600
Medium: Pen and brown ink, brush and brown wash, over black chalk; selectively pricked for transfer.
Accession Number: 52.570.149
Hercules and Omphale
Copy after Annibale Carracci
(Italian, Bologna 1560–1609 Rome)
Date: 1560–1609
Medium: Red and black chalk; outlines partly pricked for transfer; framing outlines in black chalk
Accession Number: 87.12.82
A Seraph (Cartoon for an Embroidery)
Raffaellino del Garbo
(also known as Raffaelle de' Capponi and Raffaelle de' Carli) (Italian, Florence 1466?–1524 Florence)
Date: 1466–1524
Medium: Pen and brown ink, brush and rose wash, highlighted with white gouache, over black chalk; outlines of design and framing outlines pricked and with traces of rubbed black pouncing dust
Accession Number: 1972.118.253
Christ Child and Secondary Child Figure Bearing the Cross (recto); Fragment of Design for Ornamental Border (verso)
Anonymous, Spanish, School of Seville, 17th century
Date: 17th century
Medium: Pen and light brown ink reinforced with black chalk (recto). Border line drawn in black chalk along top and left side of sheet. On off-white paper. Composition (unknown) pricked for transfer (verso)
Accession Number: 56.235.24
The Angel of the Annunciation (Cartoon for an Embroidery)
Raffaellino del Garbo
(also known as Raffaelle de' Capponi and Raffaelle de' Carli) (Italian, Florence 1466?–1524 Florence)
Date: 1466–1524
Medium: Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk on paper washed brown; outlines of design and framing outlines pricked and with traces of rubbed black pouncing dust
Accession Number: 12.56.5a
Musical Trophy
Charles Monblond
(French, 19th century)
Date: 19th century
Medium: Graphite, pen and dark brown ink, brush and brown wash. Pricked for transfer.
Accession Number: 63.616.13
Annunciation with Beato Bernardo Tolomei di Siena
Anonymous, Italian, 19th century
Date: 1800–1900
Medium: Pen with brown and black inks, brush and brown wash, over graphite; outlines selectively pricked and incised with a stylus; verso has been blackened with black chalk.
Accession Number: 49.116.2
Standing Female Figure (St. Anne; Cartoon for a Painting)
Vittore Carpaccio
(Italian, Venice 1460/66?–1525/26 Venice)
Date: ca. 1500–5
Medium: Pen and brown ink, brush and gray-brown wash, over charcoal underdrawing; outlines pricked for transfer, on two glued sheets of paper with overlapping joins
Accession Number: 2013.641
Assumption of Mary Magdalen
Anonymous, Italian, Roman-Bolognese, 17th century
Date: 17th century
Medium: Pen and brown ink, brush with blue-green wash, over black chalk and over pricked outlines on light tan paper
Accession Number: 87.12.44
The Island of Anconetta (recto); Two Feet Wearing Pointed Shoes (verso)
Francesco Guardi
(Italian, Venice 1712–1793 Venice)
Date: 1712–93
Medium: Pen and brown ink, brush with brown and gray wash, over red chalk (recto); at upper border appear two feet wearing pointed shoes, pricked for transfer and executed in brush and brown, blue, and yellow wash (verso)
Accession Number: 37.165.84
One Half of a Design for a Vaulted and Coffered Ceiling Chapel, With Free-Standing Altar (Unfinished Sketch)
Anonymous, Italian, Piedmontese, 18th century
Date: 18th century
Medium: Pen and black ink, brush with gray, green, yellow, and red wash over black chalk? on cream laid paper. Pricked for construction of drawing
Accession Number: 65.654.130
Design for a Frieze with a Coat of Arms with a Serpent and a Landscape Scene with Women and Children
Anonymous, Italian, 18th century
Date: 18th century
Medium: Pen and ink and red chalk (partially pricked for transfer)
Accession Number: 52.570.96
Musical Trophy
Charles Monblond
(French, 19th century)
Date: 19th century
Medium: Brush and brown wash, black chalk, heightened with white. Pricked for transfer.
Accession Number: 63.616.14
Saint Catherine
Lucas Cranach the Elder
(German, Kronach 1472–1553 Weimar)
Date: late 15th–mid-16th century
Medium: Silverpoint, brush and brown ink, and indigo wash on vellum, pricked for transfer along brush lines
Accession Number: 1995.269
Putti Playing with Hoops (Cartoon for a Fresco in the Parma Cathedral)
Michelangelo Anselmi
(Italian, Siena or Lucca (?) 1492–1556 Parma)
Date: ca. 1548
Medium: Black chalk; outlines pricked for transfer
Accession Number: 2013.117
Pricking
Date: 19th century
Accession Number: 10.91.56b
Design for Ticket or an Invitation
Anonymous, German, 19th century
Date: 19th century
Accession Number: 44.100.1187
The Adoration of the Magi (Cartoon for an Embroidery)
Attributed to Diego Lopez de Escuriaz
(Spanish, documented at Escorial, 1587–97, died ca. 1623 (?))
Date: 1587–89
Accession Number: 2008.379
View of Piazza with Basilica of San Marco
Francesco Guardi
(Italian, Venice 1712–1793 Venice)
Date: 1712–93
Accession Number: 12.56.15
Design for a Freestanding Tomb Seen in Elevation and Plan
Antonio da Sangallo, the Younger
(Italian, Florence 1484–1546 Terni)
Date: 1530–35
Accession Number: 1998.265
A Seated Saint Reading from a Book
Attributed to Alesso Baldovinetti
(Italian, Florence 1425–1499 Florence)
Date: late 15th century
Accession Number: 1975.1.409
The Martyrdom of Saint Cecilia (Cartoon for a Fresco)
Domenichino
(Domenico Zampieri) (Italian, Bologna 1581–1641 Naples)
Date: 1612–14
Accession Number: 1998.211
The Blessed Egidius (Cartoon for a Fresco)
Lo Spagna
(Giovanni di Pietro) (Italian, Spain (?) ca. 1450–1528 Perugia)
Date: 1514–16
Accession Number: 2002.432
Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
(Italian, Florence ca. 1432–1498 Rome)
Date: early to mid 1480s
Accession Number: 1975.1.410
The Staircase of the Giants, Ducal Palace, Venice
Francesco Guardi
(Italian, Venice 1712–1793 Venice)
Date: 1712–93
Accession Number: 37.165.85
Grotesques Designs with Various Inscriptions (recto); Candelabra Grotesque and Two Putti Holding Flowers (verso)
attributed to Andrés de Melgar
(Spanish, documented S. Domingo de la Calzada, died after 1554)
Date: ca. 1545–1560
Accession Number: 52.570.329
Harvest Trophy
Charles Monblond
(French, 19th century)
Date: 19th century
Accession Number: 63.616.15
Design for a Frame with Putti and Sirens
Anonymous, Italian, second half of the 16th century
Date: 1550–1600
Accession Number: 52.570.149
Hercules and Omphale
Copy after Annibale Carracci
(Italian, Bologna 1560–1609 Rome)
Date: 1560–1609
Accession Number: 87.12.82
A Seraph (Cartoon for an Embroidery)
Raffaellino del Garbo
(also known as Raffaelle de' Capponi and Raffaelle de' Carli) (Italian, Florence 1466?–1524 Florence)
Date: 1466–1524
Accession Number: 1972.118.253
Christ Child and Secondary Child Figure Bearing the Cross (recto); Fragment of Design for Ornamental Border (verso)
Anonymous, Spanish, School of Seville, 17th century
Date: 17th century
Accession Number: 56.235.24
The Angel of the Annunciation (Cartoon for an Embroidery)
Raffaellino del Garbo
(also known as Raffaelle de' Capponi and Raffaelle de' Carli) (Italian, Florence 1466?–1524 Florence)
Date: 1466–1524
Accession Number: 12.56.5a
Musical Trophy
Charles Monblond
(French, 19th century)
Date: 19th century
Accession Number: 63.616.13
Annunciation with Beato Bernardo Tolomei di Siena
Anonymous, Italian, 19th century
Date: 1800–1900
Accession Number: 49.116.2
Standing Female Figure (St. Anne; Cartoon for a Painting)
Vittore Carpaccio
(Italian, Venice 1460/66?–1525/26 Venice)
Date: ca. 1500–5
Accession Number: 2013.641
Assumption of Mary Magdalen
Anonymous, Italian, Roman-Bolognese, 17th century
Date: 17th century
Accession Number: 87.12.44
The Island of Anconetta (recto); Two Feet Wearing Pointed Shoes (verso)
Francesco Guardi
(Italian, Venice 1712–1793 Venice)
Date: 1712–93
Accession Number: 37.165.84
One Half of a Design for a Vaulted and Coffered Ceiling Chapel, With Free-Standing Altar (Unfinished Sketch)
Anonymous, Italian, Piedmontese, 18th century
Date: 18th century
Accession Number: 65.654.130
Design for a Frieze with a Coat of Arms with a Serpent and a Landscape Scene with Women and Children
Anonymous, Italian, 18th century
Date: 18th century
Accession Number: 52.570.96
Musical Trophy
Charles Monblond
(French, 19th century)
Date: 19th century
Accession Number: 63.616.14
Saint Catherine
Lucas Cranach the Elder
(German, Kronach 1472–1553 Weimar)
Date: late 15th–mid-16th century
Accession Number: 1995.269
Putti Playing with Hoops (Cartoon for a Fresco in the Parma Cathedral)
Michelangelo Anselmi
(Italian, Siena or Lucca (?) 1492–1556 Parma)
Date: ca. 1548
Accession Number: 2013.117
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