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660 records
Mezzotints x
Portrait of Mme. Anne-Henriette de France
François Xavier Vispré
(French, Besançon 1730–1790 London)
Date: 1750
Medium: Mezzotint
Accession Number: 2009.468.6
Two Dancers in Costume
Jacob Gole
(Dutch, 1660–?1737)
Date: n.d.
Medium: Mezzotint
Accession Number: 47.41.1
Anne Page and Slender, from the Merry Wives of Windsor
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: 1829
Medium: Mezzotint
Accession Number: 24.63.305
St. Peter
Jacques Fabien Gautier Dagoty
(French, Marseille 1716–1785 Paris)
Date: 1730–85
Medium: Color mezzotint
Accession Number: 60.620.146
A View of a Prison of the Composition of Mr. Blondel done at Rome
Georges François Blondel
(French, 1730–after 1791)
Date: 1765
Medium: Mezzotint
Accession Number: 69.669.3
Hedging and Ditching, from Liber Studiorum, part X
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: May 23, 1812
Medium: Etching and mezzotint; first state
Accession Number: 28.97.47
The Source of the Arvaron in the Valley of Chamouni, Savoy, from Liber Studiorum, part XII
Etched and engraved by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1816
Medium: Etching and mezzotint; first state
Accession Number: 28.97.60
Window at dusk
Robert Kipniss
(American, born New York, 1931)
Date: 1997
Medium: Mezzotint
Accession Number: 2001.370.3
Thomas Prince, A. M.
Peter Pelham
(American (born England), London 1697–1751 Boston, Massachusetts)
Date: May 1750
Medium: Mezzotint
Accession Number: 24.90.22
Venus and Cupid
Allart van Everdingen
(Dutch, Alkmaar 1621–1675 Amsterdam)
Date:
Medium: Mezzotint
Accession Number: 1970.599.38
His Grace James Duke, Marquis and Earl of Ormond
Peter Pelham
(American (born England), London 1697–1751 Boston, Massachusetts)
Date: ca. 1723–26
Medium: Mezzotint; second state of two
Accession Number: 17.3.756-1232
Autumn
Anonymous, British, 18th century
Date: August 12, 1783
Medium: Hand-colored mezzotint
Accession Number: 42.119.74
Fifth Plague of Egypt, from Liber Studiorum, part III
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 10, 1808
Medium: Etching and mezzotint; third state
Accession Number: 51.648.21
Judith and Holofernes
Wallerant Vaillant
(Dutch, Lille 1623–1677 Amsterdam)
Date: 17th century
Medium: Mezzotint
Accession Number: 51.501.4601
Their Appointed Rounds
John Sloan
(American, Lock Haven, Pennsylvania 1871–1951 Hanover, New Hampshire)
Date: 1938
Medium: Etching and mezzotint; second state of two
Accession Number: 1995.411.154
A Summerland
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1833
Medium: Mezzotint; between states g and h, proof before letters
Accession Number: 33.25.9
The Opening of the Seventh Seal (Book of Revelations, 8:8-9)
Designed, engraved by John Martin
(British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: 1837
Medium: Mezzotint with etching
Accession Number: 49.40.94
Reverse Golem Portfolio
David Musgrave
(British, born 1973)
Date: 2012
Medium: A portfolio of five etchings and one mezzotint
Accession Number: 2013.169.1–.6
Scene of Destruction
After
(?) John Martin (British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: ca. 1870
Medium: Mezzotint and etching, proof
Accession Number: 63.648.33
Basle, from Liber Studiorum, part I
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 11, 1807
Medium: Etching and mezzotint; first state
Accession Number: 28.97.5
Ports of England
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 19th century
Medium: Mezzotint
Accession Number: 58.580.25
The Zephyr
After Pierre Paul Prud'hon
(French, Cluny 1758–1823 Paris)
Date: 1829
Medium: Mezzotint with etching; printed in black, pink and blue inks
Accession Number: 60.620.184
The Soldier's Widow, or School Boys' Collection
Robert Dunkarton
(British, 1744–1811)
Date: August 2, 1800
Medium: Mezzotint, colored
Accession Number: 12.86.3
Portrait of Johannes Locke (John Locke)
John Smith
(British, Daventry 1652/54–1742 Northampton)
Date: 1721
Medium: Mezzotint; second state
Accession Number: 25.62.31r(b)
Fiamingo, Done from a Picture in the Collection of the Right Honorable Earl of Bessborough
Engraved by William Pether
(British, Carlisle ca. 1738–1821 Bristol)
Date: 1755–94
Medium: Mezzotint; scratch letter proof before title, first state of two
Accession Number: 1970.578.2
Self Portrait
Henri-Charles Guérard
(French, Paris 1846–1897 Paris)
Date: c. 1890
Medium: Etching with roulette and mezzotint
Accession Number: 2013.940
The Concert
Wallerant Vaillant
(Dutch, Lille 1623–1677 Amsterdam)
Date: 17th century
Medium: Mezzotint; second state of two
Accession Number: 51.501.1818
Martello Towers near Bexhill, Sussex, from Liber Studiorum, part VII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1811
Medium: Etching and mezzotint; first state
Accession Number: 28.97.34
Entrance of Calais Harbour, from Liber Studiorum, part XI
Etched and engraved by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1816
Medium: Etching and mezzotint; first state
Accession Number: 28.97.55
Mezzotint in Indigo
Robert Motherwell
(American, Aberdeen, Washington 1915–1991 Provincetown, Massachusetts)
Date: 1969
Medium: Mezzotint
Accession Number: 68.713.2
Portrait of Mme. Anne-Henriette de France
François Xavier Vispré
(French, Besançon 1730–1790 London)
Date: 1750
Accession Number: 2009.468.6
Two Dancers in Costume
Jacob Gole
(Dutch, 1660–?1737)
Date: n.d.
Accession Number: 47.41.1
Anne Page and Slender, from the Merry Wives of Windsor
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: 1829
Accession Number: 24.63.305
St. Peter
Jacques Fabien Gautier Dagoty
(French, Marseille 1716–1785 Paris)
Date: 1730–85
Accession Number: 60.620.146
A View of a Prison of the Composition of Mr. Blondel done at Rome
Georges François Blondel
(French, 1730–after 1791)
Date: 1765
Accession Number: 69.669.3
Hedging and Ditching, from Liber Studiorum, part X
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: May 23, 1812
Accession Number: 28.97.47
The Source of the Arvaron in the Valley of Chamouni, Savoy, from Liber Studiorum, part XII
Etched and engraved by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1816
Accession Number: 28.97.60
Window at dusk
Robert Kipniss
(American, born New York, 1931)
Date: 1997
Accession Number: 2001.370.3
Thomas Prince, A. M.
Peter Pelham
(American (born England), London 1697–1751 Boston, Massachusetts)
Date: May 1750
Accession Number: 24.90.22
Venus and Cupid
Allart van Everdingen
(Dutch, Alkmaar 1621–1675 Amsterdam)
Date:
Accession Number: 1970.599.38
His Grace James Duke, Marquis and Earl of Ormond
Peter Pelham
(American (born England), London 1697–1751 Boston, Massachusetts)
Date: ca. 1723–26
Accession Number: 17.3.756-1232
Autumn
Anonymous, British, 18th century
Date: August 12, 1783
Accession Number: 42.119.74
Fifth Plague of Egypt, from Liber Studiorum, part III
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 10, 1808
Accession Number: 51.648.21
Judith and Holofernes
Wallerant Vaillant
(Dutch, Lille 1623–1677 Amsterdam)
Date: 17th century
Accession Number: 51.501.4601
Their Appointed Rounds
John Sloan
(American, Lock Haven, Pennsylvania 1871–1951 Hanover, New Hampshire)
Date: 1938
Accession Number: 1995.411.154
A Summerland
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1833
Accession Number: 33.25.9
The Opening of the Seventh Seal (Book of Revelations, 8:8-9)
Designed, engraved by John Martin
(British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: 1837
Accession Number: 49.40.94
Reverse Golem Portfolio
David Musgrave
(British, born 1973)
Date: 2012
Accession Number: 2013.169.1–.6
Scene of Destruction
After
(?) John Martin (British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: ca. 1870
Accession Number: 63.648.33
Basle, from Liber Studiorum, part I
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 11, 1807
Accession Number: 28.97.5
Ports of England
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 19th century
Accession Number: 58.580.25
The Zephyr
After Pierre Paul Prud'hon
(French, Cluny 1758–1823 Paris)
Date: 1829
Accession Number: 60.620.184
The Soldier's Widow, or School Boys' Collection
Robert Dunkarton
(British, 1744–1811)
Date: August 2, 1800
Accession Number: 12.86.3
Portrait of Johannes Locke (John Locke)
John Smith
(British, Daventry 1652/54–1742 Northampton)
Date: 1721
Accession Number: 25.62.31r(b)
Fiamingo, Done from a Picture in the Collection of the Right Honorable Earl of Bessborough
Engraved by William Pether
(British, Carlisle ca. 1738–1821 Bristol)
Date: 1755–94
Accession Number: 1970.578.2
Self Portrait
Henri-Charles Guérard
(French, Paris 1846–1897 Paris)
Date: c. 1890
Accession Number: 2013.940
The Concert
Wallerant Vaillant
(Dutch, Lille 1623–1677 Amsterdam)
Date: 17th century
Accession Number: 51.501.1818
Martello Towers near Bexhill, Sussex, from Liber Studiorum, part VII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1811
Accession Number: 28.97.34
Entrance of Calais Harbour, from Liber Studiorum, part XI
Etched and engraved by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1816
Accession Number: 28.97.55
Mezzotint in Indigo
Robert Motherwell
(American, Aberdeen, Washington 1915–1991 Provincetown, Massachusetts)
Date: 1969
Accession Number: 68.713.2
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