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995 records
Mezzotints x
The Death of Oedipus
William Ward
(British, London 1766–1826 London)
Date: August 26, 1785
Medium: Mezzotint
Accession Number: 59.570.360
The National Memorial to His Royal Highness The Prince Consort.
Designed by John Henry Foley
(Irish, Dublin 1818–1874 London)
Date: 1873
Medium: Mezzotint, engraving, and wood engraving
Accession Number: 47.29.2
Scene on the French Coast (Liber Studiorum, part I, plate 4)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 11, 1807
Medium: Etching and mezzotint; third state of three (Finberg)
Accession Number: 29.107.119
Ariadne
William Doughty
(British, York 1757–1782 Lisbon)
Date: 1804
Medium: Mezzotint
Accession Number: 42.119.408
Etching and Mezzotint Engraving. Lectures Delivered at Oxford by Hubert Herkomer, R.A., M.A.
Written by Sir Hubert von Herkomer
(British, Waal, Bavaria 1849–1914 Budleigh Salterton, Devon)
Date: 1892
Medium: Etching, mezzotint engraving
Accession Number: 21.36.28
Woman with a Sleeping Child in a Tavern
Wallerant Vaillant
(Dutch, Lille 1623–1677 Amsterdam)
Date: 17th century
Medium: Mezzotint; third state of three
Accession Number: 42.119.152
An Angel Carrying a Child (from A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters)
Attributed to James Basire, the elder
(British, London 1730–1802 London)
Date: 1765–69
Medium: Etching and mezzotint, printed in brown ink
Accession Number: 33.13(21)
Stoke-by-Neyland
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1830
Medium: Mezzotint; first state of four
Accession Number: 31.58.11
Pietro Ghezzi
Carlo Lasinio
(Italian, Treviso 1759–1838 Pisa)
Date: 1789
Medium: Mezzotint, printed in color with hand coloring
Accession Number: 1981.1003.6
Contemplation
William Ward
(British, London 1766–1826 London)
Date: 1786
Medium: Mezzotint
Accession Number: 53.600.1858
Man in Profile to the Right, Right Hand at His Chin (from Life-Sized Heads, First Series)
Thomas Frye
(Irish, Edenderry 1711/12–1762 London)
Date: 1760
Medium: Mezzotint
Accession Number: 59.570.368
The Cow Shed
Designed and engraved by James Ward
(British, London 1769–1859 Chestnut, Hertfordshire)
Date: 1793
Medium: Mezzotint, hand-colored
Accession Number: 14.1.34
Cupid, in the Character of a Link Boy
John Dean
(British, 1754–1798 London)
Date: 1777
Medium: Mezzotint; scratched letter proof
Accession Number: 41.105.29
Spring
Published by P. Stampa
(London)
Date: August 26, 1800
Medium: Hand-colored mezzotint
Accession Number: 67.539.92
Junction of Severn and Wye (Liber Studiorum, part VI, plate 28)
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1811
Medium: Etching, aquatint and mezzotint; first state of three
Accession Number: 28.97.28
Morning, or the Benevolent Sportsman
Joseph Grozer
(British, ca. 1755–1798)
Date: 1908
Medium: Mezzotint, printed in color (modern reissue)
Accession Number: 53.600.1866
Winter Scene (Wild Duck Hunting)
Finished by David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1839
Medium: Mezzotint with etching
Accession Number: 62.600.487
Sculptura: or the History and Art of Chalcography and Engraving in Copper
Written by John Evelyn
(British, 1620–1706 Wotton, Surrey)
Date: 1662
Medium: Etching, engraving and mezzotint
Accession Number: 22.66.2
Blackbreasted Dark Red
Charles Turner
(British, Woodstock, Oxfordshire 1774–1857 London)
Date: late 18th–19th century
Medium: Mezzotint
Accession Number: 66.634.23
The Death of Oedipus
William Ward
(British, London 1766–1826 London)
Date: August 26, 1785
Medium: Mezzotint
Accession Number: 47.53.3
The Most Reverend William Markham, Lord Archbishop of York
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: August 17, 1778
Medium: Mezzotint; second state of two
Accession Number: 53.600.148
Miss Johnston
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: January 20, 1783
Medium: Mezzotint
Accession Number: 53.600.328
Basle (Liber Studiorum, part I, plate 5)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 11, 1807
Medium: Etching and mezzotint; first state of six (Finberg)
Accession Number: 28.97.5
Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: May 12, 1814
Medium: Etching and mezzotint; first state of seven (Finberg)
Accession Number: 28.97.53
Inverary Pier, Loch Fyne, Morning (Liber Studiorum, part VII, plate 35)
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1, 1811
Medium: Etching, aquatint and mezzotint; fourth state of six (Finberg)
Accession Number: 17.21.59
The Slave Trade
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: 1791
Medium: Mezzotint; printed in color and hand colored; first state of two
Accession Number: 53.600.1868
Ports of England
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 19th century
Medium: Mezzotint
Accession Number: 58.580.26
Hagar and Ishmael
John Smith
(British, Daventry 1652/54–1742 Northampton)
Date: 1692
Medium: Mezzotint
Accession Number: 62.602.208
Lieutenant General Thomas J. Jackson and His Family ("Stonewall Jackson")
William Sartain
(American, 1843–1924)
Date: 1866
Medium: Mezzotint, etching and stipple on chine collé
Accession Number: 1971.564.251
A Summerland
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1829
Medium: Mezzotint; proof before published state
Accession Number: 40.9.5
The Death of Oedipus
William Ward
(British, London 1766–1826 London)
Date: August 26, 1785
Accession Number: 59.570.360
The National Memorial to His Royal Highness The Prince Consort.
Designed by John Henry Foley
(Irish, Dublin 1818–1874 London)
Date: 1873
Accession Number: 47.29.2
Scene on the French Coast (Liber Studiorum, part I, plate 4)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 11, 1807
Accession Number: 29.107.119
Ariadne
William Doughty
(British, York 1757–1782 Lisbon)
Date: 1804
Accession Number: 42.119.408
Etching and Mezzotint Engraving. Lectures Delivered at Oxford by Hubert Herkomer, R.A., M.A.
Written by Sir Hubert von Herkomer
(British, Waal, Bavaria 1849–1914 Budleigh Salterton, Devon)
Date: 1892
Accession Number: 21.36.28
Woman with a Sleeping Child in a Tavern
Wallerant Vaillant
(Dutch, Lille 1623–1677 Amsterdam)
Date: 17th century
Accession Number: 42.119.152
An Angel Carrying a Child (from A Collection of Etchings and Engravings in Imitation of Drawings from Various Old Masters)
Attributed to James Basire, the elder
(British, London 1730–1802 London)
Date: 1765–69
Accession Number: 33.13(21)
Stoke-by-Neyland
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1830
Accession Number: 31.58.11
Pietro Ghezzi
Carlo Lasinio
(Italian, Treviso 1759–1838 Pisa)
Date: 1789
Accession Number: 1981.1003.6
Contemplation
William Ward
(British, London 1766–1826 London)
Date: 1786
Accession Number: 53.600.1858
Man in Profile to the Right, Right Hand at His Chin (from Life-Sized Heads, First Series)
Thomas Frye
(Irish, Edenderry 1711/12–1762 London)
Date: 1760
Accession Number: 59.570.368
The Cow Shed
Designed and engraved by James Ward
(British, London 1769–1859 Chestnut, Hertfordshire)
Date: 1793
Accession Number: 14.1.34
Cupid, in the Character of a Link Boy
John Dean
(British, 1754–1798 London)
Date: 1777
Accession Number: 41.105.29
Spring
Published by P. Stampa
(London)
Date: August 26, 1800
Accession Number: 67.539.92
Junction of Severn and Wye (Liber Studiorum, part VI, plate 28)
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1811
Accession Number: 28.97.28
Morning, or the Benevolent Sportsman
Joseph Grozer
(British, ca. 1755–1798)
Date: 1908
Accession Number: 53.600.1866
Winter Scene (Wild Duck Hunting)
Finished by David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1839
Accession Number: 62.600.487
Sculptura: or the History and Art of Chalcography and Engraving in Copper
Written by John Evelyn
(British, 1620–1706 Wotton, Surrey)
Date: 1662
Accession Number: 22.66.2
Blackbreasted Dark Red
Charles Turner
(British, Woodstock, Oxfordshire 1774–1857 London)
Date: late 18th–19th century
Accession Number: 66.634.23
The Death of Oedipus
William Ward
(British, London 1766–1826 London)
Date: August 26, 1785
Accession Number: 47.53.3
The Most Reverend William Markham, Lord Archbishop of York
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: August 17, 1778
Accession Number: 53.600.148
Miss Johnston
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: January 20, 1783
Accession Number: 53.600.328
Basle (Liber Studiorum, part I, plate 5)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 11, 1807
Accession Number: 28.97.5
Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: May 12, 1814
Accession Number: 28.97.53
Inverary Pier, Loch Fyne, Morning (Liber Studiorum, part VII, plate 35)
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1, 1811
Accession Number: 17.21.59
The Slave Trade
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: 1791
Accession Number: 53.600.1868
Ports of England
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 19th century
Accession Number: 58.580.26
Hagar and Ishmael
John Smith
(British, Daventry 1652/54–1742 Northampton)
Date: 1692
Accession Number: 62.602.208
Lieutenant General Thomas J. Jackson and His Family ("Stonewall Jackson")
William Sartain
(American, 1843–1924)
Date: 1866
Accession Number: 1971.564.251
A Summerland
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1829
Accession Number: 40.9.5
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