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831 records
Mezzotints x
Phaeton
Benjamin Green
(British, Halesowen, Shropshire, baptized 1739–died 1798)
Date: June 2, 1777
Medium: Mezzotint; second state of two
Accession Number: 67.797.37
Fiamingo, Done from a Picture in the Collection of the Right Honorable Earl of Bessborough
Engraved by William Pether
(British, Carlisle ca. 1738–1821 Bristol)
Date: 1755–94
Medium: Mezzotint; scratch letter proof before title, first state of two
Accession Number: 1970.578.2
The Exhibition of the Royal Academy of Painting in the Year 1771
Engraved by Richard Earlom
(British, London 1743–1822 London)
Date: May 20, 1772
Medium: Mezzotint
Accession Number: 53.638.12
Isaac and Rebecca / Isac et Rebecca (Genesis 24: 65)
Samuel Angell
(British, active 1835)
Date: 1833–35
Medium: Mezzotint
Accession Number: 24.63.832(63)
Coast of Yorkshire, from Liber Studiorum, part V
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1811
Medium: Etching and mezzotint; second state
Accession Number: 83.1.71
Peat Bog, Scotland, from Liber Studiorum, part IX
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: April 23, 1812
Medium: Etching and mezzotint; fifth state
Accession Number: 51.648.50
The First of September, Morning
William Ward
(British, London 1766–1826 London)
Date: September 1, 1796
Medium: Mezzotint, hand-colored
Accession Number: 14.1.41
The Gipsies Tent
Joseph Grozer
(British, ca. 1755–1798)
Date: 1793
Medium: Mezzotint
Accession Number: 24.63.914
The Right Honorable William Pitt, Esq., Late one of His Majesty's Principal Secretaries of State
Richard Houston
(Irish, Dublin 1721/22–1775 London)
Date: 1761
Medium: Mezzotint and letterpress
Accession Number: 24.90.654
Oliver Cromwell
Engraved and published London by Peter Pelham
(American (born England), London 1697–1751 Boston, Massachusetts)
Date: 1723
Medium: Mezzotint; first state of two
Accession Number: 24.90.17
The Amorous Sportsman
Charles Howard Hodges
(British, London 1764–1837 Amsterdam)
Date: October 30, 1786
Medium: Mezzotint
Accession Number: 62.600.708
Uncle Lee
Raymond Steth
(American, Norfolk, Virginia 1917–1997 Philadelphia, Pennsylvania)
Date: ca. 1942
Medium: Color carborundum mezzotint and etching
Accession Number: 43.46.89
Rape of Europa
Richard Earlom
(British, London 1743–1822 London)
Date: 1776
Medium: Mezzotint with etching
Accession Number: 62.695.132
head long
Steven Sorman
(American, born 1948)
Date: 1992
Medium: Etching, mezzotint, drypoint, hand-colored by the artist
Accession Number: 2003.433.130
The Large Rock at the River
Allart van Everdingen
(Dutch, Alkmaar 1621–1675 Amsterdam)
Date:
Medium: Etching, drypoint, and mezzotint; fourth state of five
Accession Number: 33.56.11
William and Margaret
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: April 12, 1785
Medium: Mezzotint
Accession Number: 53.600.4454
The Sliver Age
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: January 30, 1778
Medium: Mezzotint; second state of two
Accession Number: 53.600.345
Venus Anadyomene, or Venus Rising from the Sea
Valentine Green
(British, Salford 1739–1813 London)
Date: 1772
Medium: Mezzotint
Accession Number: 68.677.19
Regrets
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: 1828
Medium: Mezzotint
Accession Number: 63.625.253
The Woman and Tambourine, from Liber Studiorum, part I
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 11, 1807
Medium: Etching and mezzotint; third state
Accession Number: 28.97.3
A Society of Patriotic Ladies at Edenton in North Carolina
Attributed to Philip Dawe
(British, 1745?–?1809)
Date: March 25, 1775
Medium: Mezzotint
Accession Number: 24.90.35
The Fall of the Clyde, from Liber Studiorum, part IV
Drawn and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: March 29, 1809
Medium: Etching and mezzotint; third state
Accession Number: 29.52.15
A Peasant Seated, Reading a Letter
Cornelis Dusart
(Dutch, Haarlem 1660–1704 Haarlem)
Date: n.d.
Medium: Mezzotint
Accession Number: 17.50.15-312
Vase, chair & trees
Robert Kipniss
(American, born New York, 1931)
Date: 1995
Medium: Mezzotint; artist proof
Accession Number: 2001.370.6
Sr. George Bridges Rodney, Rear Admiral of the Blue.
James Watson
(Irish, Dublin ca. 1740–1790 London)
Date: 1780
Medium: Mezzotint; third state
Accession Number: 24.90.746
Morland's Winter
William Barnard
(British, 1774–1837)
Date: August 21, 1802
Medium: Mezzotint and etching, hand-colored
Accession Number: 14.1.22
The Liber Nugarum: A Series of Mezzotint Engravings
Designed by Carolina Courtenay Boyle
(British, died 1883)
Date: 19th century
Medium: Mezzotint
Accession Number: 39.63
Setters
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: March 1, 1798
Medium: Mezzotint
Accession Number: 53.600.1853
Ville de Thun, Switzerland, from Liber Studiorum, part XII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1816
Medium: Etching and mezzotint; first state
Accession Number: 28.97.59
His Royal Highness George Prince of Wales
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: 1785
Medium: Mezzotint; second state
Accession Number: 24.63.912
Phaeton
Benjamin Green
(British, Halesowen, Shropshire, baptized 1739–died 1798)
Date: June 2, 1777
Accession Number: 67.797.37
Fiamingo, Done from a Picture in the Collection of the Right Honorable Earl of Bessborough
Engraved by William Pether
(British, Carlisle ca. 1738–1821 Bristol)
Date: 1755–94
Accession Number: 1970.578.2
The Exhibition of the Royal Academy of Painting in the Year 1771
Engraved by Richard Earlom
(British, London 1743–1822 London)
Date: May 20, 1772
Accession Number: 53.638.12
Isaac and Rebecca / Isac et Rebecca (Genesis 24: 65)
Samuel Angell
(British, active 1835)
Date: 1833–35
Accession Number: 24.63.832(63)
Coast of Yorkshire, from Liber Studiorum, part V
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1811
Accession Number: 83.1.71
Peat Bog, Scotland, from Liber Studiorum, part IX
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: April 23, 1812
Accession Number: 51.648.50
The First of September, Morning
William Ward
(British, London 1766–1826 London)
Date: September 1, 1796
Accession Number: 14.1.41
The Gipsies Tent
Joseph Grozer
(British, ca. 1755–1798)
Date: 1793
Accession Number: 24.63.914
The Right Honorable William Pitt, Esq., Late one of His Majesty's Principal Secretaries of State
Richard Houston
(Irish, Dublin 1721/22–1775 London)
Date: 1761
Accession Number: 24.90.654
Oliver Cromwell
Engraved and published London by Peter Pelham
(American (born England), London 1697–1751 Boston, Massachusetts)
Date: 1723
Accession Number: 24.90.17
The Amorous Sportsman
Charles Howard Hodges
(British, London 1764–1837 Amsterdam)
Date: October 30, 1786
Accession Number: 62.600.708
Uncle Lee
Raymond Steth
(American, Norfolk, Virginia 1917–1997 Philadelphia, Pennsylvania)
Date: ca. 1942
Accession Number: 43.46.89
Rape of Europa
Richard Earlom
(British, London 1743–1822 London)
Date: 1776
Accession Number: 62.695.132
head long
Steven Sorman
(American, born 1948)
Date: 1992
Accession Number: 2003.433.130
The Large Rock at the River
Allart van Everdingen
(Dutch, Alkmaar 1621–1675 Amsterdam)
Date:
Accession Number: 33.56.11
William and Margaret
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: April 12, 1785
Accession Number: 53.600.4454
The Sliver Age
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: January 30, 1778
Accession Number: 53.600.345
Venus Anadyomene, or Venus Rising from the Sea
Valentine Green
(British, Salford 1739–1813 London)
Date: 1772
Accession Number: 68.677.19
Regrets
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: 1828
Accession Number: 63.625.253
The Woman and Tambourine, from Liber Studiorum, part I
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 11, 1807
Accession Number: 28.97.3
A Society of Patriotic Ladies at Edenton in North Carolina
Attributed to Philip Dawe
(British, 1745?–?1809)
Date: March 25, 1775
Accession Number: 24.90.35
The Fall of the Clyde, from Liber Studiorum, part IV
Drawn and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: March 29, 1809
Accession Number: 29.52.15
A Peasant Seated, Reading a Letter
Cornelis Dusart
(Dutch, Haarlem 1660–1704 Haarlem)
Date: n.d.
Accession Number: 17.50.15-312
Vase, chair & trees
Robert Kipniss
(American, born New York, 1931)
Date: 1995
Accession Number: 2001.370.6
Sr. George Bridges Rodney, Rear Admiral of the Blue.
James Watson
(Irish, Dublin ca. 1740–1790 London)
Date: 1780
Accession Number: 24.90.746
Morland's Winter
William Barnard
(British, 1774–1837)
Date: August 21, 1802
Accession Number: 14.1.22
The Liber Nugarum: A Series of Mezzotint Engravings
Designed by Carolina Courtenay Boyle
(British, died 1883)
Date: 19th century
Accession Number: 39.63
Setters
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: March 1, 1798
Accession Number: 53.600.1853
Ville de Thun, Switzerland, from Liber Studiorum, part XII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1816
Accession Number: 28.97.59
His Royal Highness George Prince of Wales
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: 1785
Accession Number: 24.63.912
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