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996 records
Mezzotints x
Holy Family
John Brett
(British, active 1829–31)
Date: 1829
Medium: Mezzotint
Accession Number: 59.500.688
The Patriotick Barber of New York, or the Captain in Suds
Attributed to Philip Dawe
(British, 1745?–?1809)
Date: February 14, 1775
Medium: Mezzotint
Accession Number: 24.90.34
Waiting For the Deer to Rise
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: 1855
Medium: Etching, engraving and mezzotint.
Accession Number: 47.30.21
The Mildmay Sea-Piece (Liber Studiorum, part VIII, plate 40)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: February 11, 1812
Medium: Etching and mezzotint; first state of four
Accession Number: 28.97.40
Sapientia Politica Symbolica ... Josephi I ... Imperatoris
Written by Franz Friedrich Thomas Engl von Wagram
Date: 1707
Medium: Mezzotint, engraving, woodcut
Accession Number: 49.36.11
The View
Written by Czeslaw Milosz (American
(born Lithuania), Seteiniai 1911–2004)
Date: 1971/1985
Medium: Mezzotints
Accession Number: 1985.1146
Plenty
Anonymous, British, 18th century
Date: 18th century
Medium: Hand-colored mezzotint
Accession Number: 67.539.84
Nouvelle Maniere de Graver en Cuivre des Estampes Coloriées; de façon que, quoiqu'imprimées dans une Preffe ordinaire, elles confervent l'air & le Caractère du Dessin.
Written and illustrated by Jean Jacques Bylaert
(Dutch, 18th century)
Date: 1772
Medium: Engraving, etching, mezzotint?
Accession Number: Ref.1937.1179
Right Honorable George John Spencer, Earl Spencer, Viscount Althorp
Robert Dunkarton
(British, 1744–1811)
Date: 1801
Medium: Mezzotint
Accession Number: 24.63.900
The Female Florists
Published by Robert Sayer
(British, Sunderland 1725–1794 Bath)
Date: January 10, 1773
Medium: Hand-colored mezzotint
Accession Number: 67.539.91
Cypress Bower
Ernest Haskell
(American, Woodstock, Connecticut 1876–1925 West Point, Maine)
Date: 1920
Medium: Mezzotint
Accession Number: 54.552.34
The Right Hon-ble Robert, Lord Viscount Molesworth
Peter Pelham (American
(born England), London 1697–1751 Boston, Massachusetts)
Date: 1721
Medium: Mezzotint; second state of two
Accession Number: 24.90.62
Spring
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1829
Medium: Mezzotint; proof before published state
Accession Number: 39.68.9
Portrait of Lady Walpole (Catherine Shorter)
John Simon
(French, Normandy ca. 1675–1751 London)
Date: before 1750
Medium: Mezzotint
Accession Number: 25.62.33r(b)
Mrs. Jane Dearing
Charles Townley
(British, 1746?–1801 or later)
Date: before 1746
Medium: Mezzotint
Accession Number: 25.62.29v
Norham Castle on the Tweed (Liber Studiorum, part XII, plate 57)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1816
Medium: Etching and mezzotint; first state of three
Accession Number: 28.97.57
The Exhibition of the Royal Academy of Painting in the Year 1771
Engraved by Richard Earlom
(British, London 1743–1822 London)
Date: May 20, 1772
Medium: Mezzotint
Accession Number: 53.638.12
Fiamingo, Done from a Picture in the Collection of the Right Honorable Earl of Bessborough
Engraved by William Pether
(British, Carlisle ca. 1738–1821 Bristol)
Date: 1755–94
Medium: Mezzotint; scratch letter proof before title, first state of two
Accession Number: 1970.578.2
Children Nutting
Edward Dayes
(British, London 1763–1804 London)
Date: July 1, 1788
Medium: Mezzotint
Accession Number: 53.600.1855
Young Anglers (Liber Studiorum, part VII, plate 32)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1, 1811
Medium: Etching and mezzotint; second state of three
Accession Number: 83.1.73
The Last Moments of Mary Queen of Scots
George Atkinson
(British, active 1860s)
Date: August 12, 1863
Medium: Etching, engraving, stipple and mezzotint
Accession Number: 24.63.1879
The Weird Sisters (Shakespeare's MacBeth, Act I)
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: August 26, 1785
Medium: Mezzotint
Accession Number: 59.570.361
Standing Boy with a Portfolio
Wallerant Vaillant
(Dutch, Lille 1623–1677 Amsterdam)
Date: mid-17th century
Medium: Mezzotint
Accession Number: 18.29.4
The Farmer's Stable
William Ward
(British, London 1766–1826 London)
Date: January 1, 1792
Medium: Mezzotint
Accession Number: 53.600.1881
The Happy Cottagers
Joseph Grozer
(British, ca. 1755–1798)
Date: 1793
Medium: Mezzotint
Accession Number: 24.63.913
Mill Near Brighton
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1829
Medium: Mezzotint; proof before published state
Accession Number: 39.68.3
The Horse Feeder
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: May 1, 1797
Medium: Mezzotint, hand-colored
Accession Number: 14.1.42
Weymouth Bay
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1830
Medium: Mezzotint; second state of six
Accession Number: 43.75.15
River Stour
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1830
Medium: Mezzotint on chine-collé; proof before published state
Accession Number: 33.25.2
The Alcove, Isleworth (Liber Studiorum, part XIII, plate 63)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1819
Medium: Etching and mezzotint; second state of four (Finberg)
Accession Number: 28.97.63
Holy Family
John Brett
(British, active 1829–31)
Date: 1829
Accession Number: 59.500.688
The Patriotick Barber of New York, or the Captain in Suds
Attributed to Philip Dawe
(British, 1745?–?1809)
Date: February 14, 1775
Accession Number: 24.90.34
Waiting For the Deer to Rise
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: 1855
Accession Number: 47.30.21
The Mildmay Sea-Piece (Liber Studiorum, part VIII, plate 40)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: February 11, 1812
Accession Number: 28.97.40
Sapientia Politica Symbolica ... Josephi I ... Imperatoris
Written by Franz Friedrich Thomas Engl von Wagram
Date: 1707
Accession Number: 49.36.11
The View
Written by Czeslaw Milosz (American
(born Lithuania), Seteiniai 1911–2004)
Date: 1971/1985
Accession Number: 1985.1146
Plenty
Anonymous, British, 18th century
Date: 18th century
Accession Number: 67.539.84
Right Honorable George John Spencer, Earl Spencer, Viscount Althorp
Robert Dunkarton
(British, 1744–1811)
Date: 1801
Accession Number: 24.63.900
The Female Florists
Published by Robert Sayer
(British, Sunderland 1725–1794 Bath)
Date: January 10, 1773
Accession Number: 67.539.91
Cypress Bower
Ernest Haskell
(American, Woodstock, Connecticut 1876–1925 West Point, Maine)
Date: 1920
Accession Number: 54.552.34
The Right Hon-ble Robert, Lord Viscount Molesworth
Peter Pelham (American
(born England), London 1697–1751 Boston, Massachusetts)
Date: 1721
Accession Number: 24.90.62
Spring
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1829
Accession Number: 39.68.9
Portrait of Lady Walpole (Catherine Shorter)
John Simon
(French, Normandy ca. 1675–1751 London)
Date: before 1750
Accession Number: 25.62.33r(b)
Mrs. Jane Dearing
Charles Townley
(British, 1746?–1801 or later)
Date: before 1746
Accession Number: 25.62.29v
Norham Castle on the Tweed (Liber Studiorum, part XII, plate 57)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1816
Accession Number: 28.97.57
The Exhibition of the Royal Academy of Painting in the Year 1771
Engraved by Richard Earlom
(British, London 1743–1822 London)
Date: May 20, 1772
Accession Number: 53.638.12
Fiamingo, Done from a Picture in the Collection of the Right Honorable Earl of Bessborough
Engraved by William Pether
(British, Carlisle ca. 1738–1821 Bristol)
Date: 1755–94
Accession Number: 1970.578.2
Children Nutting
Edward Dayes
(British, London 1763–1804 London)
Date: July 1, 1788
Accession Number: 53.600.1855
Young Anglers (Liber Studiorum, part VII, plate 32)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1, 1811
Accession Number: 83.1.73
The Last Moments of Mary Queen of Scots
George Atkinson
(British, active 1860s)
Date: August 12, 1863
Accession Number: 24.63.1879
The Weird Sisters (Shakespeare's MacBeth, Act I)
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: August 26, 1785
Accession Number: 59.570.361
Standing Boy with a Portfolio
Wallerant Vaillant
(Dutch, Lille 1623–1677 Amsterdam)
Date: mid-17th century
Accession Number: 18.29.4
The Farmer's Stable
William Ward
(British, London 1766–1826 London)
Date: January 1, 1792
Accession Number: 53.600.1881
The Happy Cottagers
Joseph Grozer
(British, ca. 1755–1798)
Date: 1793
Accession Number: 24.63.913
Mill Near Brighton
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1829
Accession Number: 39.68.3
The Horse Feeder
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: May 1, 1797
Accession Number: 14.1.42
Weymouth Bay
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1830
Accession Number: 43.75.15
River Stour
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1830
Accession Number: 33.25.2
The Alcove, Isleworth (Liber Studiorum, part XIII, plate 63)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1819
Accession Number: 28.97.63
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