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991 records
Mezzotints x
Maximilian Emperor of Germany &c. &c., from Portraits of Royal Personnages
after Hans Burgkmair
(German, Augsburg 1473–1531 Augsburg)
Date: 1814
Medium: Mezzotint and etching
Accession Number: 24.63.1785
The Character of the Perfect & Upright Man: his peaceful end described; and our duty to observe it laid down: In a discourse on Psalm XXXVII. 37
Written by Mather Byles
(American, Boston, Massachusetts 1707–1788 Boston, Massachusetts)
Date: 1729
Medium: Mezzotint and woodcut
Accession Number: 24.90.1811
Yarmouth, Norfolk
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1830
Medium: Mezzotint touched with white chalk; proof before published state
Accession Number: 27.4.9
A Dell, Helmingham Park, Suffolk
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1830
Medium: Mezzotint touched with white chalk; proof before published state
Accession Number: 39.68.14
The Farmer's Stable
William Ward
(British, London 1766–1826 London)
Date: January 1, 1792
Medium: Mezzotint, hand-colored
Accession Number: 14.1.24
The Beauty Unmask'd
After Henry Robert Morland
(British, London (?) 1716?–1797 London)
Date: 1779
Medium: Mezzotint
Accession Number: 67.539.96
Hampstead Heath
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1829
Medium: Mezzotint on chine-collé; proof before published state
Accession Number: 38.23.1
High Life
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: October 17, 1873
Medium: Etching and mezzotint
Accession Number: 1974.672.18
River Wye (Liber Studiorum, part X, plate 48)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: May 23, 1812
Medium: Etching and mezzotint; first state of five
Accession Number: 28.97.48
Scene in the Campagna (Liber Studiorum, part VIII, plate 38)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: February 1, 1812
Medium: Etching and mezzotint; first state of two (Finberg)
Accession Number: 28.97.38
Calm (Liber Studiorum, part IX, plate 44)
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: April 23, 1812
Medium: Etching, aquatint and mezzotint; third state of seven (Finberg)
Accession Number: 28.97.44
Mary, Queen of Scots under confinement
James Ward
(British, London 1769–1859 Chestnut, Hertfordshire)
Date: January 1, 1793
Medium: Mezzotint
Accession Number: 24.63.311
A Bacchante [facsimile]
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: 1900–1923
Medium: Facsimile of a colored mezzotint
Accession Number: 23.60.17
A Lock on the Stour
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1830
Medium: Mezzotint; proof before published state
Accession Number: 27.4.17
The Mildmay Sea-Piece (Liber Studiorum, part XIII, plate 40)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: February 11, 1812
Medium: Etching and mezzotint; third state of four
Accession Number: 29.52.17
Head of a Negro
Wallerant Vaillant
(Dutch, Lille 1623–1677 Amsterdam)
Date: mid 17th century
Medium: Mezzotint
Accession Number: 56.605.2
A Mill
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1829
Medium: Mezzotint on chine-collé; proof before published state
Accession Number: 38.23.3
Maria Elisabetha de Bourbon, Princeps de Parma, Archidux Austriae
Johann Philipp Haid
(German, Augsburg 1730–1806 Augsburg)
Date: n.d.
Medium: Mezzotint
Accession Number: 67.539.218
Autumnal Sunset
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1831
Medium: Mezzotint; first state of six
Accession Number: 1986.1180.1933
Great Britain Cutting off Her Colonies
Anonymous, British, 18th century
Date: second half 18th century
Medium: Mezzotint
Accession Number: 24.90.1399
The Frontispiece to Liber Studiorum
Designed, etched and engraved by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: May 1812
Medium: Etching and mezzotint; first state of five (Finberg)
Accession Number: 28.97.1
Westminster Evening
Joseph Pennell
(American, Philadelphia, Pennsylvania 1857–1926 New York)
Date: 1909
Medium: Mezzotint
Accession Number: 1981.1297.16
The Royal Academy of Arts
Engraved by Richard Earlom
(British, London 1743–1822 London)
Date: August 2, 1773
Medium: Mezzotint
Accession Number: 62.600.685
Portrait of Grinling Gibbons
John Smith
(British, Daventry 1652/54–1742 Northampton)
Date: 1690
Medium: Mezzotint
Accession Number: 25.62.28r(a)
Miss Brown, in the Character of Clara in Sheridan's "Duenna"
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: August 21, 1778
Medium: Mezzotint; first state of two
Accession Number: 67.503.18
Hagar and Ishmael
John Smith
(British, Daventry 1652/54–1742 Northampton)
Date: 1692
Medium: Mezzotint
Accession Number: 62.602.208
A Priestess of Bacchus [Anne Catley]
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: July 2, 1779
Medium: Mezzotint; first state of two
Accession Number: 62.602.204
Gloucester Eventide
Samuel L. Margolies
(American, New York 1897–1974 Fort Pierce, Florida (?))
Date: 1915–54
Medium: Mezzotint, second state
Accession Number: 54.647.46
A Tyger
John Murphy
(British, Ireland ca. 1748–after 1820, active London)
Date: published 1791
Medium: Mezzotint
Accession Number: 37.17.33
Set of the 24 illustrations for Milton's Paradise Lost
John Martin
(British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: 1826–27
Medium: Mezzotint
Accession Number: 31.42
Maximilian Emperor of Germany &c. &c., from Portraits of Royal Personnages
after Hans Burgkmair
(German, Augsburg 1473–1531 Augsburg)
Date: 1814
Accession Number: 24.63.1785
The Character of the Perfect & Upright Man: his peaceful end described; and our duty to observe it laid down: In a discourse on Psalm XXXVII. 37
Written by Mather Byles
(American, Boston, Massachusetts 1707–1788 Boston, Massachusetts)
Date: 1729
Accession Number: 24.90.1811
Yarmouth, Norfolk
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1830
Accession Number: 27.4.9
A Dell, Helmingham Park, Suffolk
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1830
Accession Number: 39.68.14
The Farmer's Stable
William Ward
(British, London 1766–1826 London)
Date: January 1, 1792
Accession Number: 14.1.24
The Beauty Unmask'd
After Henry Robert Morland
(British, London (?) 1716?–1797 London)
Date: 1779
Accession Number: 67.539.96
Hampstead Heath
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1829
Accession Number: 38.23.1
High Life
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: October 17, 1873
Accession Number: 1974.672.18
River Wye (Liber Studiorum, part X, plate 48)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: May 23, 1812
Accession Number: 28.97.48
Scene in the Campagna (Liber Studiorum, part VIII, plate 38)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: February 1, 1812
Accession Number: 28.97.38
Calm (Liber Studiorum, part IX, plate 44)
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: April 23, 1812
Accession Number: 28.97.44
Mary, Queen of Scots under confinement
James Ward
(British, London 1769–1859 Chestnut, Hertfordshire)
Date: January 1, 1793
Accession Number: 24.63.311
A Bacchante [facsimile]
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: 1900–1923
Accession Number: 23.60.17
A Lock on the Stour
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1830
Accession Number: 27.4.17
The Mildmay Sea-Piece (Liber Studiorum, part XIII, plate 40)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: February 11, 1812
Accession Number: 29.52.17
Head of a Negro
Wallerant Vaillant
(Dutch, Lille 1623–1677 Amsterdam)
Date: mid 17th century
Accession Number: 56.605.2
A Mill
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1829
Accession Number: 38.23.3
Maria Elisabetha de Bourbon, Princeps de Parma, Archidux Austriae
Johann Philipp Haid
(German, Augsburg 1730–1806 Augsburg)
Date: n.d.
Accession Number: 67.539.218
Autumnal Sunset
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1831
Accession Number: 1986.1180.1933
Great Britain Cutting off Her Colonies
Anonymous, British, 18th century
Date: second half 18th century
Accession Number: 24.90.1399
The Frontispiece to Liber Studiorum
Designed, etched and engraved by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: May 1812
Accession Number: 28.97.1
Westminster Evening
Joseph Pennell
(American, Philadelphia, Pennsylvania 1857–1926 New York)
Date: 1909
Accession Number: 1981.1297.16
The Royal Academy of Arts
Engraved by Richard Earlom
(British, London 1743–1822 London)
Date: August 2, 1773
Accession Number: 62.600.685
Portrait of Grinling Gibbons
John Smith
(British, Daventry 1652/54–1742 Northampton)
Date: 1690
Accession Number: 25.62.28r(a)
Miss Brown, in the Character of Clara in Sheridan's "Duenna"
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: August 21, 1778
Accession Number: 67.503.18
Hagar and Ishmael
John Smith
(British, Daventry 1652/54–1742 Northampton)
Date: 1692
Accession Number: 62.602.208
A Priestess of Bacchus [Anne Catley]
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: July 2, 1779
Accession Number: 62.602.204
Gloucester Eventide
Samuel L. Margolies
(American, New York 1897–1974 Fort Pierce, Florida (?))
Date: 1915–54
Accession Number: 54.647.46
A Tyger
John Murphy
(British, Ireland ca. 1748–after 1820, active London)
Date: published 1791
Accession Number: 37.17.33
Set of the 24 illustrations for Milton's Paradise Lost
John Martin
(British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: 1826–27
Accession Number: 31.42
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