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991 records
Mezzotints x
Portrait of Marguerite, Countess of Blessington
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: 1800–1835
Medium: Mezzotint
Accession Number: 24.63.1167
Ports of England
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 19th century
Medium: Mezzotint
Accession Number: 58.580.29
Yarmouth, Norfolk
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1830
Medium: Mezzotint; proof before published state
Accession Number: 27.4.8
Young Christ Among the Doctors
Jacob Männl
(German, 1654–1712)
Date: 1656–60
Medium: Mezzotint
Accession Number: 62.602.312
Prírucka Umelce - Grafika. Otechnikách rytiny, leptu a barevného leptu
Written by Tavik Frantisek Simon
(Czechoslovakian, Eisenstadt, 1877–1942)
Date: 1921
Medium: Etching, engraving, drypoint, mezzotint, aquatint, commercial photographic processes
Accession Number: 23.14
St. Catharine's Hill near Guilford (Liber Studiorum, part VII, plate 33)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1811
Medium: Etching and mezzotint; third state of three
Accession Number: 17.3.526
The Alternative of WIlliams-Burg
Attributed to Philip Dawe
(British, 1745?–?1809)
Date: February 16, 1775
Medium: Mezzotint
Accession Number: 24.90.31
John Penn
Robert Dunkarton
(British, 1744–1811)
Date: March 25, 1809
Medium: Mezzotint; first state
Accession Number: 41.105.21
Sir William Pepperrell
Engraved and published by Peter Pelham
(American (born England), London 1697–1751 Boston, Massachusetts)
Date: 1747
Medium: Mezzotint
Accession Number: 24.90.15
Christ and the Woman of Samaria (Liber Studiorum, part XIV, plate 71)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1819
Medium: Etching and mezzotint; fifth state of five (Finberg)
Accession Number: 28.97.71
Summer
Anonymous, British, 18th century
Date: August 12, 1783
Medium: Hand-colored mezzotint
Accession Number: 42.119.73
Nouvelle Maniere de Graver en Cuivre des Estampes Coloriées; de façon que, quoiqu'imprimées dans une Preffe ordinaire, elles confervent l'air & le Caractère du Dessin.
Written and illustrated by Jean Jacques Bylaert
(Dutch, 18th century)
Date: 1772
Medium: Engraving, etching, mezzotint?
Accession Number: Ref.1937.1179
Summer Evening
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1829
Medium: Mezzotint; proof before published state
Accession Number: 43.45.2
The Cow Shed
Designed and engraved by James Ward
(British, London 1769–1859 Chestnut, Hertfordshire)
Date: 1793
Medium: Mezzotint, hand-colored
Accession Number: 14.1.34
The Villa Sachetti
Jean François Janinet
(French, Paris 1752–1814 Paris)
Date: 1778
Medium: Mezzotint printed in color
Accession Number: 32.64.11
Inverary Pier, Loch Fyne, Morning (Liber Studiorum, part VII, plate 35)
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1, 1811
Medium: Etching, aquatint and mezzotint; fourth state of six (Finberg)
Accession Number: 17.21.59
Belle Epoque? (Fragment IV) (Cycle: Fragments)
Jirí Anderle
(Czech, born 1936)
Date: 1980
Medium: Drypoint and mezzotint
Accession Number: 1999.384.2
Ports of England
Thomas Goff Lupton
(British, London 1791–1873 London)
Date: 1828
Medium: Mezzotint
Accession Number: 58.580.33
Girl and Pigs
Richard Earlom
(British, London 1743–1822 London)
Date: 1783
Medium: Mezzotint
Accession Number: 1999.509.5
The Life Class of the Vienna Academy
Johann Jacobe
(Austrian, Vienna 1733–1797 Vienna)
Date: 1790
Medium: Mezzotint; proof state
Accession Number: 2003.477
Ophelia
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: March 1, 1866
Medium: Mezzotint, etching and stipple on chine collé; proof
Accession Number: 49.40.282
Young Anglers (Liber Studiorum, part VII, plate 32)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1, 1811
Medium: Etching and mezzotint; second state of three
Accession Number: 83.1.73
View in a Series of Caves
Johann Peter Pichler
(Austrian, Bolzano, 1765–1807)
Date: n.d.
Medium: Mezzotint
Accession Number: 41.141.2
The Right Honorable Lady Elizabeth Compton
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: February 24, 1780
Medium: Mezzotint; first state of four
Accession Number: 41.105.26
Morpeth North (Liber Studiorum, part IV, plate 21)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: March 29, 1809
Medium: Etching and mezzotint; first state of four (Finberg)
Accession Number: 28.97.21
The Angels Guarding Paradise at Night (Paradise Lost of Milton, Book 4, line 866)
Designed and engraved by John Martin
(British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: 1825
Medium: Mezzotint with etching
Accession Number: 54.578.5
Thomas Frye: Self-Portrait
Thomas Frye
(Irish, Edenderry 1711/12–1762 London)
Date: 1760
Medium: Mezzotint; second state
Accession Number: 59.570.367
The Washington Family
Edward Bell
(British, active 1794–1847)
Date: December 1, 1800
Medium: Mezzotint, hand colored
Accession Number: 29.108
Jaques and the Wounded Stag
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1830
Medium: Mezzotint touched with white chalk; proof before published state
Accession Number: 27.4.35
The Female Florists
Published by Robert Sayer
(British, Sunderland 1725–1794 Bath)
Date: January 10, 1773
Medium: Hand-colored mezzotint
Accession Number: 67.539.91
Portrait of Marguerite, Countess of Blessington
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: 1800–1835
Accession Number: 24.63.1167
Ports of England
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 19th century
Accession Number: 58.580.29
Yarmouth, Norfolk
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1830
Accession Number: 27.4.8
Young Christ Among the Doctors
Jacob Männl
(German, 1654–1712)
Date: 1656–60
Accession Number: 62.602.312
Prírucka Umelce - Grafika. Otechnikách rytiny, leptu a barevného leptu
Written by Tavik Frantisek Simon
(Czechoslovakian, Eisenstadt, 1877–1942)
Date: 1921
Accession Number: 23.14
St. Catharine's Hill near Guilford (Liber Studiorum, part VII, plate 33)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1811
Accession Number: 17.3.526
The Alternative of WIlliams-Burg
Attributed to Philip Dawe
(British, 1745?–?1809)
Date: February 16, 1775
Accession Number: 24.90.31
John Penn
Robert Dunkarton
(British, 1744–1811)
Date: March 25, 1809
Accession Number: 41.105.21
Sir William Pepperrell
Engraved and published by Peter Pelham
(American (born England), London 1697–1751 Boston, Massachusetts)
Date: 1747
Accession Number: 24.90.15
Christ and the Woman of Samaria (Liber Studiorum, part XIV, plate 71)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1819
Accession Number: 28.97.71
Summer
Anonymous, British, 18th century
Date: August 12, 1783
Accession Number: 42.119.73
Summer Evening
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1829
Accession Number: 43.45.2
The Cow Shed
Designed and engraved by James Ward
(British, London 1769–1859 Chestnut, Hertfordshire)
Date: 1793
Accession Number: 14.1.34
The Villa Sachetti
Jean François Janinet
(French, Paris 1752–1814 Paris)
Date: 1778
Accession Number: 32.64.11
Inverary Pier, Loch Fyne, Morning (Liber Studiorum, part VII, plate 35)
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1, 1811
Accession Number: 17.21.59
Belle Epoque? (Fragment IV) (Cycle: Fragments)
Jirí Anderle
(Czech, born 1936)
Date: 1980
Accession Number: 1999.384.2
Ports of England
Thomas Goff Lupton
(British, London 1791–1873 London)
Date: 1828
Accession Number: 58.580.33
Girl and Pigs
Richard Earlom
(British, London 1743–1822 London)
Date: 1783
Accession Number: 1999.509.5
The Life Class of the Vienna Academy
Johann Jacobe
(Austrian, Vienna 1733–1797 Vienna)
Date: 1790
Accession Number: 2003.477
Ophelia
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: March 1, 1866
Accession Number: 49.40.282
Young Anglers (Liber Studiorum, part VII, plate 32)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1, 1811
Accession Number: 83.1.73
View in a Series of Caves
Johann Peter Pichler
(Austrian, Bolzano, 1765–1807)
Date: n.d.
Accession Number: 41.141.2
The Right Honorable Lady Elizabeth Compton
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: February 24, 1780
Accession Number: 41.105.26
Morpeth North (Liber Studiorum, part IV, plate 21)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: March 29, 1809
Accession Number: 28.97.21
The Angels Guarding Paradise at Night (Paradise Lost of Milton, Book 4, line 866)
Designed and engraved by John Martin
(British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: 1825
Accession Number: 54.578.5
Thomas Frye: Self-Portrait
Thomas Frye
(Irish, Edenderry 1711/12–1762 London)
Date: 1760
Accession Number: 59.570.367
The Washington Family
Edward Bell
(British, active 1794–1847)
Date: December 1, 1800
Accession Number: 29.108
Jaques and the Wounded Stag
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1830
Accession Number: 27.4.35
The Female Florists
Published by Robert Sayer
(British, Sunderland 1725–1794 Bath)
Date: January 10, 1773
Accession Number: 67.539.91
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