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4,603 records
Intaglio prints x
Beauty's Costume: A series of female figures in the dresses of all times and nations
Written by Leitch Ritchie
(British, Greenock, Scotland 1800–1865 London)
Date: 1836
Medium: plates: engravings
Accession Number: 53.686.3
Für's Haus. Herbst
Adrian Ludwig Richter
(German, Dresden 1803–1884 Dresden)
Date: 1861
Medium: Wood engravings
Accession Number: 23.6.6
Journal of Design and Manufactures, with Forty-five Fabric Patterns Inserted, and Nearly One Hundred Engravings, vol. III
Chapman and Hall
(London)
Date: March to August 1850
Medium: Wood engravings, and printed pages with samples of textiles attached
Accession Number: 63.568.70(3)
The Fair Penitent – Laetitia in penitence finds relief and protection from her Parents
Attributed to Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: after 1811
Medium: Stipple engraving, printed in color
Accession Number: 53.600.1890(6)
[L'Administrateur Colonial], from les Réincarnations de Père Ubu
Georges Rouault
(French, Paris 1871–1958 Paris)
Date: 1928
Medium: Etching, drypoint, roulette, burnishing
Accession Number: 32.113(19)
Amiens
John Taylor Arms
(American, Washington, D.C. 1887–1953 New York)
Date: 1926
Medium: Intaglio
Accession Number: 42.21.32
Hooverville on the Hudson
Mortimer Borne
(American, Rypin, Poland 1902–1987 Nyack, New York)
Date: 1934
Medium: Drypoint
Accession Number: 67.825.31
The Hammock
James Tissot
(French, Nantes 1836–1902 Chenecey-Buillon)
Date: 1880
Medium: Etching and drypoint on laid paper; only state
Accession Number: 2007.49.578
Rowers
Sears Gallagher
(American, Boston, Massachusetts 1869–1955 Boston, Massachusetts)
Date: ca. 1911–55
Medium: Etching with drypoint
Accession Number: 2001.727.82
A Misty Morning
Charles Adams Platt
(American, New York 1861–1933)
Date: 1888
Medium: Etching and drypoint; published state
Accession Number: 17.77.12
Othello (Act IV, Scene III), plate 8 from the suite of fifteen illustrations
Théodore Chassériau
(French, Le Limon, Saint-Domingue, West Indies 1819–1856 Paris)
Date: 1844
Medium: Etching, engraving, and drypoint on chine collée. First edition of 1844
Accession Number: 64.599.2
The Bible Looking Glass
Written and illustrated by John Warner Barber
(American, Windsor, Connecticut 1798–1885 New Haven, Connecticut)
Date: 1874
Medium: Engravings
Accession Number: 57.622.2
Children Playing with a Dog (Enfants jouant avec un Chien)
Jean Jacques de Boissieu
(French, Lyons 1736–1810 Lyons)
Date: 1789
Medium: Etching with drypoint and roulette; fifth state of six (Perez)
Accession Number: 2000.361.14
Japanese Woman in Winter Clothing
Emil Orlik
(Austro-Hungarian, Prague 1870–1932 Berlin)
Date: n.d.
Medium: Etching and drypoint, proof
Accession Number: 24.12.16
Othello (Act II, Scene I), plate 5 from the suite of fifteen illustrations
Théodore Chassériau
(French, Le Limon, Saint-Domingue, West Indies 1819–1856 Paris)
Date: 1844
Medium: Etching, engraving, roulette, and drypoint on chine collée Second edition: Gazette des Beaux-Arts, 1900
Accession Number: 32.7.8
Maximilian Emperor of Germany &c. &c., from Portraits of Royal Personnages
after Hans Burgkmair
(German, Augsburg 1473–1531 Augsburg)
Date: 1814
Medium: Mezzotint and etching
Accession Number: 24.63.1785
The Character of the Perfect & Upright Man: his peaceful end described; and our duty to observe it laid down: In a discourse on Psalm XXXVII. 37
Written by Mather Byles
(American, Boston, Massachusetts 1707–1788 Boston, Massachusetts)
Date: 1729
Medium: Mezzotint and woodcut
Accession Number: 24.90.1811
Landscape
Willem de Zwart
(Dutch, The Hague 1862–1931 The Hague)
Date: late 19th–early 20th century
Medium: Etching, drypoint, and plate tone printed on japan vellum
Accession Number: 27.10.117
Dyckman Street
Mortimer Borne
(American, Rypin, Poland 1902–1987 Nyack, New York)
Date: 1931
Medium: Drypoint
Accession Number: 67.825.13
Drawbridge
Milton Avery
(American, Altmar, New York 1885–1965 New York)
Date: 1936
Medium: Drypoint
Accession Number: 1984.1181.2
Yarmouth, Norfolk
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1830
Medium: Mezzotint touched with white chalk; proof before published state
Accession Number: 27.4.9
Winter in Paris, or Paris in the Snow
Félix-Hilaire Buhot
(French, Valognes 1847–1898 Paris)
Date: 1879
Medium: Etching, drypoint, aquatint, sulphur tint, soft ground, and roulette; fifth state of five
Accession Number: 17.21.5
A Dell, Helmingham Park, Suffolk
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1830
Medium: Mezzotint touched with white chalk; proof before published state
Accession Number: 39.68.14
Landscape from Prints '63 Portfolio , Cooper Union Art School
Gail Wexler
(American)
Date: 1963
Medium: Intaglio print in brown paper portfolio
Accession Number: 63.583.2
The Holy Family
Albrecht Dürer
(German, Nuremberg 1471–1528 Nuremberg)
Date: 1512
Medium: Drypoint
Accession Number: 19.73.50
The Farmer's Stable
William Ward
(British, London 1766–1826 London)
Date: January 1, 1792
Medium: Mezzotint, hand-colored
Accession Number: 14.1.24
The Beauty Unmask'd
After Henry Robert Morland
(British, London (?) 1716?–1797 London)
Date: 1779
Medium: Mezzotint
Accession Number: 67.539.96
Hampstead Heath
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1829
Medium: Mezzotint on chine-collé; proof before published state
Accession Number: 38.23.1
High Life
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: October 17, 1873
Medium: Etching and mezzotint
Accession Number: 1974.672.18
Portrait of Henri Becque (from L'Estampe originale, Album II)
Auguste Rodin
(French, Paris 1840–1917 Meudon)
Date: 1893
Medium: Drypoint on laid paper
Accession Number: 22.82.1-19
Beauty's Costume: A series of female figures in the dresses of all times and nations
Written by Leitch Ritchie
(British, Greenock, Scotland 1800–1865 London)
Date: 1836
Accession Number: 53.686.3
Für's Haus. Herbst
Adrian Ludwig Richter
(German, Dresden 1803–1884 Dresden)
Date: 1861
Accession Number: 23.6.6
Journal of Design and Manufactures, with Forty-five Fabric Patterns Inserted, and Nearly One Hundred Engravings, vol. III
Chapman and Hall
(London)
Date: March to August 1850
Accession Number: 63.568.70(3)
The Fair Penitent – Laetitia in penitence finds relief and protection from her Parents
Attributed to Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: after 1811
Accession Number: 53.600.1890(6)
[L'Administrateur Colonial], from les Réincarnations de Père Ubu
Georges Rouault
(French, Paris 1871–1958 Paris)
Date: 1928
Accession Number: 32.113(19)
Amiens
John Taylor Arms
(American, Washington, D.C. 1887–1953 New York)
Date: 1926
Accession Number: 42.21.32
Hooverville on the Hudson
Mortimer Borne
(American, Rypin, Poland 1902–1987 Nyack, New York)
Date: 1934
Accession Number: 67.825.31
The Hammock
James Tissot
(French, Nantes 1836–1902 Chenecey-Buillon)
Date: 1880
Accession Number: 2007.49.578
Rowers
Sears Gallagher
(American, Boston, Massachusetts 1869–1955 Boston, Massachusetts)
Date: ca. 1911–55
Accession Number: 2001.727.82
A Misty Morning
Charles Adams Platt
(American, New York 1861–1933)
Date: 1888
Accession Number: 17.77.12
Othello (Act IV, Scene III), plate 8 from the suite of fifteen illustrations
Théodore Chassériau
(French, Le Limon, Saint-Domingue, West Indies 1819–1856 Paris)
Date: 1844
Accession Number: 64.599.2
The Bible Looking Glass
Written and illustrated by John Warner Barber
(American, Windsor, Connecticut 1798–1885 New Haven, Connecticut)
Date: 1874
Accession Number: 57.622.2
Children Playing with a Dog (Enfants jouant avec un Chien)
Jean Jacques de Boissieu
(French, Lyons 1736–1810 Lyons)
Date: 1789
Accession Number: 2000.361.14
Japanese Woman in Winter Clothing
Emil Orlik
(Austro-Hungarian, Prague 1870–1932 Berlin)
Date: n.d.
Accession Number: 24.12.16
Othello (Act II, Scene I), plate 5 from the suite of fifteen illustrations
Théodore Chassériau
(French, Le Limon, Saint-Domingue, West Indies 1819–1856 Paris)
Date: 1844
Accession Number: 32.7.8
Maximilian Emperor of Germany &c. &c., from Portraits of Royal Personnages
after Hans Burgkmair
(German, Augsburg 1473–1531 Augsburg)
Date: 1814
Accession Number: 24.63.1785
The Character of the Perfect & Upright Man: his peaceful end described; and our duty to observe it laid down: In a discourse on Psalm XXXVII. 37
Written by Mather Byles
(American, Boston, Massachusetts 1707–1788 Boston, Massachusetts)
Date: 1729
Accession Number: 24.90.1811
Landscape
Willem de Zwart
(Dutch, The Hague 1862–1931 The Hague)
Date: late 19th–early 20th century
Accession Number: 27.10.117
Dyckman Street
Mortimer Borne
(American, Rypin, Poland 1902–1987 Nyack, New York)
Date: 1931
Accession Number: 67.825.13
Drawbridge
Milton Avery
(American, Altmar, New York 1885–1965 New York)
Date: 1936
Accession Number: 1984.1181.2
Yarmouth, Norfolk
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1830
Accession Number: 27.4.9
Winter in Paris, or Paris in the Snow
Félix-Hilaire Buhot
(French, Valognes 1847–1898 Paris)
Date: 1879
Accession Number: 17.21.5
A Dell, Helmingham Park, Suffolk
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1830
Accession Number: 39.68.14
Landscape from Prints '63 Portfolio , Cooper Union Art School
Gail Wexler
(American)
Date: 1963
Accession Number: 63.583.2
The Holy Family
Albrecht Dürer
(German, Nuremberg 1471–1528 Nuremberg)
Date: 1512
Accession Number: 19.73.50
The Farmer's Stable
William Ward
(British, London 1766–1826 London)
Date: January 1, 1792
Accession Number: 14.1.24
The Beauty Unmask'd
After Henry Robert Morland
(British, London (?) 1716?–1797 London)
Date: 1779
Accession Number: 67.539.96
Hampstead Heath
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1829
Accession Number: 38.23.1
High Life
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: October 17, 1873
Accession Number: 1974.672.18
Portrait of Henri Becque (from L'Estampe originale, Album II)
Auguste Rodin
(French, Paris 1840–1917 Meudon)
Date: 1893
Accession Number: 22.82.1-19
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