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10,262 records
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Study of a Flag for the Landing of Columbus (from Sketchbook)
Albert Bierstadt
(American, Solingen 1830–1902 New York)
Date: ca. 1891
Medium: Graphite on wove paper with gilt edges, bound in a leather cover
Accession Number: 1995.379.3g verso
Design for ceiling light or grill-work
Designed by Frank Lloyd Wright
(American, Richland Center, Wisconsin 1867–1959 Phoenix, Arizona)
Date: ca. 1904
Medium: Graphite
Accession Number: 1981.1005.43
Palamedes Palamedesz
John Singer Sargent
(American, Florence 1856–1925 London)
Date: ca. 1871–72
Medium: Graphite and gouache on tan wove paper
Accession Number: 50.130.143q
Stylus of a Machine Used for Engraving Bank notes
Attributed to Cyrus Durand
(American, 1787–1868)
Date: 19th century
Medium: Graphite on thin cardboard
Accession Number: 2002.333.65
A Bridge over a Canal in Winschoten
Martinus Rørbye
(Danish, Drammen 1803–1848 Copenhagen)
Date: 1834
Medium: Graphite, brown and gray wash
Accession Number: 2014.485.3
Outline Sketches of Two Rowboats (from Sketchbook)
Albert Bierstadt
(American, Solingen 1830–1902 New York)
Date: ca. 1891
Medium: Graphite on wove paper with gilt edges, bound in a leather cover
Accession Number: 1995.379.3o recto
Temple of Minerva (from Sketchbook)
Mary Newbold Sargent
(1826–1906)
Date: 1904
Medium: Graphite and watercolor on paper
Accession Number: 50.130.150aa
Antique Roman Sculpture with Nude Winged Boy at the Center and Leaves and Vines
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Medium: Graphite
Accession Number: 34.78.2(72)
Chimneypiece, in Chippendale Drawings, Vol. I
Thomas Chippendale
(British, baptised Otley, West Yorkshire 1718–1779 London)
Date: ca. 1753–54
Medium: Black ink, gray ink, gray wash and graphite
Accession Number: 20.40.1(72)
Views from Kandersteg; Entrance to the Gasternthal, Kanderthal from the Hotel Gemmi (from "Splendid Mountain Watercolours" Sketchbook)
John Singer Sargent
(American, Florence 1856–1925 London)
Date: June 30, 1870
Medium: Wax crayon, graphite, and watercolor on off-white wove paper
Accession Number: 50.130.146k
Having a Good Time ("Se regodean")
Leonardo Alenza y Nieto
(Spanish, Madrid 1807–1845 Madrid)
Date: 1807–45
Medium: Pen and dark brown ink on off-white paper. Composition outlined with pen and dark brown ink on all sides. Traces of black chalk underscript in inscription. Traces of ruling in graphite along lower border of sheet
Accession Number: 39.29.16
Design for a Stage Set at the Opéra, Paris
Eugène Cicéri
(French, Paris 1813–1890 Fontainebleau)
Date: 1830–90
Medium: Watercolor and gouache over graphite
Accession Number: 53.668.86
Working Drawing for T-Cart Phaeton No. 3295
Brewster & Co.
(American, New York)
Date: 1877
Medium: Graphite with red and blue crayon
Accession Number: 23.112.3238
Design for a Crucifix
Attributed to Anonymous, French, 18th century
Date: 18th century
Medium: Red chalk over graphite, touched with pen and brown ink along bottom left
Accession Number: 55.590.9
Sketch for the Judgment of Solomon (?); verso: Dancing Mythological Figures
Christian Gottlieb Schick
(German, Stuttgart 1776–1812 Stuttgart)
Date: late 18th–early 19th century
Medium: Pen and brown ink, over a sketch in graphite; verso: black chalk.
Accession Number: 2010.163
Office furniture design: Desk
Designed by Otto John Teegen
(American, Davenport, Iowa 1900?–1983 New York)
Date: ca. 1930
Medium: Graphite with colored chalk
Accession Number: 1986.1187.2(6)
Cottage at Littleton for B.M. Chamber Esq.
Charles Edward Mallows
(British, 1864–1915)
Date: 1911
Medium: Pen and ink, over graphite, with watercolor
Accession Number: 60.724.104
Design for Top Wagon/Game Wagon, no. 339
Brewster & Co.
(American, New York)
Date: 1850–74
Medium: Graphite, pen, and black ink
Accession Number: 23.112.1728
Study for an Engraving of "Songs in the Opera of Flora"
Hubert François Gravelot
(French, Paris 1699–1773 Paris)
Date: 18th century
Medium: Pen and black ink, black chalk, over graphite underdrawing
Accession Number: 44.54.13
Portrait of Antonio Botta-Adorno
Jean-Baptiste-François Bosio
(French, Monaco 1764–1827 Paris)
Date: n.d.
Medium: Brush and brown wash over graphite underdrawing.
Accession Number: 49.19.92
Scalinata della Trinità dei Monti
Giovanni Paolo Panini
(Italian, Piacenza 1691–1765 Rome)
Date: ca. 1756–58
Medium: Pen and black ink, brush and gray wash, watercolor, over graphite
Accession Number: 1971.63.1
Wetterhorn, Grindelwald (from "Splendid Mountain Watercolours" Sketchbook)
John Singer Sargent
(American, Florence 1856–1925 London)
Date: 1870
Medium: Watercolor and graphite on off-white wove paper
Accession Number: 50.130.146f verso
Beach Scene
Marcel Vertès
(Ujpest, Hungary 1895–Paris 1961)
Date: 1915-61
Medium: Graphite, pen and black ink, watercolor, and gouache.
Accession Number: 1975.1.740
Nude figure on hands and knees
Auguste Rodin
(French, Paris 1840–1917 Meudon)
Date: n.d.
Medium: Graphite with wash of watercolor and gouache on cream paper
Accession Number: 13.164.1
Two Angels Flying; verso: God the Father Seated in the Clouds and a Sketch of a Figure Flying
Cosmas Damian Asam
(German, Benediktbeuern 1686–1739 Munich)
Date: ca. 1720
Medium: Red chalk, brush and brown ink; verso: red chalk, brush and brown ink, graphite, heightened with white gouache
Accession Number: 2013.450
Design for a Stage Set at the Opéra, Paris
Eugène Cicéri
(French, Paris 1813–1890 Fontainebleau)
Date: 1830–90
Medium: Watercolor over graphite
Accession Number: 53.529.18
Gottlieb Feutz, Mürren
John Singer Sargent
(American, Florence 1856–1925 London)
Date: 1870
Medium: Watercolor and graphite on off-white wove paper
Accession Number: 50.130.82b verso
Copies after Jusepe de Ribera
Nicolas Bernard Lépicié
(French, Paris 1735–1784 Paris)
Date: 18th century
Medium: Pen and black ink, gray wash, over graphite. Framing lines in pen and brown ink.
Accession Number: 1986.302.2
Senator Dolph of Oregon (Joseph Norman Dolph)
Thomas Nast
(American (born Germany), Landau 1840–1902 Guayaquil)
Date: ca. 1894
Medium: Graphite and pen and black ink on scratchboard
Accession Number: 33.173
Two Designs for Hinges
Edgar Gilstrap Simpson
(British, 1867–1945 (presumed))
Date: 1899
Medium: Graphite and gouache
Accession Number: 59.508.94(8)
Study of a Flag for the Landing of Columbus (from Sketchbook)
Albert Bierstadt
(American, Solingen 1830–1902 New York)
Date: ca. 1891
Accession Number: 1995.379.3g verso
Design for ceiling light or grill-work
Designed by Frank Lloyd Wright
(American, Richland Center, Wisconsin 1867–1959 Phoenix, Arizona)
Date: ca. 1904
Accession Number: 1981.1005.43
Palamedes Palamedesz
John Singer Sargent
(American, Florence 1856–1925 London)
Date: ca. 1871–72
Accession Number: 50.130.143q
Stylus of a Machine Used for Engraving Bank notes
Attributed to Cyrus Durand
(American, 1787–1868)
Date: 19th century
Accession Number: 2002.333.65
A Bridge over a Canal in Winschoten
Martinus Rørbye
(Danish, Drammen 1803–1848 Copenhagen)
Date: 1834
Accession Number: 2014.485.3
Outline Sketches of Two Rowboats (from Sketchbook)
Albert Bierstadt
(American, Solingen 1830–1902 New York)
Date: ca. 1891
Accession Number: 1995.379.3o recto
Temple of Minerva (from Sketchbook)
Mary Newbold Sargent
(1826–1906)
Date: 1904
Accession Number: 50.130.150aa
Antique Roman Sculpture with Nude Winged Boy at the Center and Leaves and Vines
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Accession Number: 34.78.2(72)
Chimneypiece, in Chippendale Drawings, Vol. I
Thomas Chippendale
(British, baptised Otley, West Yorkshire 1718–1779 London)
Date: ca. 1753–54
Accession Number: 20.40.1(72)
Views from Kandersteg; Entrance to the Gasternthal, Kanderthal from the Hotel Gemmi (from "Splendid Mountain Watercolours" Sketchbook)
John Singer Sargent
(American, Florence 1856–1925 London)
Date: June 30, 1870
Accession Number: 50.130.146k
Having a Good Time ("Se regodean")
Leonardo Alenza y Nieto
(Spanish, Madrid 1807–1845 Madrid)
Date: 1807–45
Accession Number: 39.29.16
Design for a Stage Set at the Opéra, Paris
Eugène Cicéri
(French, Paris 1813–1890 Fontainebleau)
Date: 1830–90
Accession Number: 53.668.86
Working Drawing for T-Cart Phaeton No. 3295
Brewster & Co.
(American, New York)
Date: 1877
Accession Number: 23.112.3238
Design for a Crucifix
Attributed to Anonymous, French, 18th century
Date: 18th century
Accession Number: 55.590.9
Sketch for the Judgment of Solomon (?); verso: Dancing Mythological Figures
Christian Gottlieb Schick
(German, Stuttgart 1776–1812 Stuttgart)
Date: late 18th–early 19th century
Accession Number: 2010.163
Office furniture design: Desk
Designed by Otto John Teegen
(American, Davenport, Iowa 1900?–1983 New York)
Date: ca. 1930
Accession Number: 1986.1187.2(6)
Cottage at Littleton for B.M. Chamber Esq.
Charles Edward Mallows
(British, 1864–1915)
Date: 1911
Accession Number: 60.724.104
Design for Top Wagon/Game Wagon, no. 339
Brewster & Co.
(American, New York)
Date: 1850–74
Accession Number: 23.112.1728
Study for an Engraving of "Songs in the Opera of Flora"
Hubert François Gravelot
(French, Paris 1699–1773 Paris)
Date: 18th century
Accession Number: 44.54.13
Portrait of Antonio Botta-Adorno
Jean-Baptiste-François Bosio
(French, Monaco 1764–1827 Paris)
Date: n.d.
Accession Number: 49.19.92
Scalinata della Trinità dei Monti
Giovanni Paolo Panini
(Italian, Piacenza 1691–1765 Rome)
Date: ca. 1756–58
Accession Number: 1971.63.1
Wetterhorn, Grindelwald (from "Splendid Mountain Watercolours" Sketchbook)
John Singer Sargent
(American, Florence 1856–1925 London)
Date: 1870
Accession Number: 50.130.146f verso
Beach Scene
Marcel Vertès
(Ujpest, Hungary 1895–Paris 1961)
Date: 1915-61
Accession Number: 1975.1.740
Nude figure on hands and knees
Auguste Rodin
(French, Paris 1840–1917 Meudon)
Date: n.d.
Accession Number: 13.164.1
Two Angels Flying; verso: God the Father Seated in the Clouds and a Sketch of a Figure Flying
Cosmas Damian Asam
(German, Benediktbeuern 1686–1739 Munich)
Date: ca. 1720
Accession Number: 2013.450
Design for a Stage Set at the Opéra, Paris
Eugène Cicéri
(French, Paris 1813–1890 Fontainebleau)
Date: 1830–90
Accession Number: 53.529.18
Gottlieb Feutz, Mürren
John Singer Sargent
(American, Florence 1856–1925 London)
Date: 1870
Accession Number: 50.130.82b verso
Copies after Jusepe de Ribera
Nicolas Bernard Lépicié
(French, Paris 1735–1784 Paris)
Date: 18th century
Accession Number: 1986.302.2
Senator Dolph of Oregon (Joseph Norman Dolph)
Thomas Nast
(American (born Germany), Landau 1840–1902 Guayaquil)
Date: ca. 1894
Accession Number: 33.173
Two Designs for Hinges
Edgar Gilstrap Simpson
(British, 1867–1945 (presumed))
Date: 1899
Accession Number: 59.508.94(8)
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