Quantcast
The Collection Online / 400,511 records
9,974 records
Graphite x
Design for a Bracelet
Circle of John Bridge
(British, Piddletrenthide, Dorset 1755–1834 Piddletrenthide, Dorset)
Date: 1780–1850
Medium: Ink and graphite
Accession Number: 23.68.1(28verso-a)
Suburban Landscape (Scene with Horse and Carriage)
Jean-François Raffaëlli
(French, Paris 1850–1924 Paris)
Date: ca. 1882
Medium: Graphite, watercolor, and gouache on buff, heavy wove paper
Accession Number: 1975.1.684
Mount Pilatus, Stansstad (from "Splendid Mountain Watercolours" Sketchbook)
John Singer Sargent
(American, Florence 1856–1925 London)
Date: 1870
Medium: Graphite on off-white paper
Accession Number: 50.130.146uu
Design for a Stage Set at the Opéra, Paris: Columned Exterior
Eugène Ciceri
(French, Paris 1813–1890 Fontainebleau)
Date: 1828–90
Medium: Watercolor and gouache over graphite
Accession Number: 53.668.75
Range
Donald Moffett
(American, born San Antonio, Texas 1955)
Date: 1997
Medium: Graphite and fudge on paper
Accession Number: 2013.585.2
Pitcher No 7082
Tiffany & Co.
(1837–present)
Date: possibly ca. 1883
Medium: Ink, wax pencil, and graphite on brown board
Accession Number: 1987.1047.8
Design for a Gothic Style Table
Anonymous, British, 19th century
Date: 19th century
Medium: Graphite and watercolor on tracing paper
Accession Number: 63.616.12
Symmetrical Design of Upward Growing Acanthus Scrolls
Anonymous, Italian, 17th century
Date: 17th century
Medium: Brush and brown wash, over graphite underdrawing
Accession Number: 52.570.91
Old Ship Church, Hingham, Massachusetts
Edwin Whitefield
(1816–1892)
Date:
Medium: Watercolor and graphite on off-white laid paper
Accession Number: 1985.107.1
Summer dress: Costume design for Kunstgewerbeschule, Wien
Lilly Jacker
(Austrian, Vienna ca. 1930)
Date: 1920–50
Medium: Pen and brown ink, brush and red, grey, black watercolor over traces of graphite. Inlaid on cardboard mount.
Accession Number: 62.676.10
Jewelry design
Firm of Fernand Chardon
(French, active ca. 1925)
Date: ca. 1925
Medium: Gouache over graphite outline.
Accession Number: 1980.1013.2
Design for heating register plate
Louis Comfort Tiffany
(American, New York 1848–1933 New York)
Date: late 19th–early 20th century
Medium: Pen, black ink, and graphite on light-tan smooth-surfaced lightweight artist board
Accession Number: 67.654.428
Seated Nude
Emily Winthrop Miles
(American, New York 1893–1962 Sharon, Connecticut)
Date: ca. 1945
Medium: Graphite on paper
Accession Number: 65.33.3
Farm Near Havana 1959
Emilio Sanchez
(American, born Cuba 1921–1999)
Date: 1959
Medium: Graphite and colored pencil
Accession Number: 65.713.38
Leaving Troy
Sebastiaen Vrancx
(Netherlandish, Antwerp 1573–1647 Antwerp)
Date: late 16th–mid 17th century
Medium: Pen and brown ink, brush and brown wash, over graphite. Vertical lines in red chalk
Accession Number: 49.169
Head of the Artist
Abbott H. Thayer
(American, Boston, Massachusetts 1849–1921 Dublin, New Hampshire)
Date: 1919
Medium: Graphite on tan "oatmeal" wove paper
Accession Number: 22.65
Study for "The Knatchbull Family": Sir Edward Knatchbull
John Singleton Copley
(American, Boston, Massachusetts 1738–1815 London)
Date: 1800–1802
Medium: Black chalk, white-chalk heightening, and graphite on dark blue laid paper
Accession Number: 60.44.7
Two penguins
Sergey Sudeykin
(Russian, Smolensk 1882–1946 Nyack)
Date: n.d.
Medium: graphite, gouache, watercolor, traces of graphite framing lines
Accession Number: 69.507.12
Design for baptismal font
Louis Comfort Tiffany
(American, New York 1848–1933 New York)
Date: late 19th–early 20th century
Medium: Watercolor, pen, and graphite drawing highlighted with gouache
Accession Number: 67.654.341
Study of a Roman Coachman
Martinus Rørbye
(Danish, Drammen 1803–1848 Copenhagen)
Date: early 19th century
Medium: Graphite and watercolor
Accession Number: 2008.371
Columbo – Frasera speciosa
Margaret Neilson Armstrong
(American, New York 1867–1944 New York)
Date: July 16, 1912
Medium: Pen and ink and graphite
Accession Number: 2010.341.1(35)
Design for a Chair with Red Upholstery against a Yellow Marbled Backdrop for Harold Brown Esq. (RI)
Ogden Codman, Jr.
(American, Boston, Massachusetts 1868–1951 Grégy-sur-Yerre)
Date: 1893–94
Medium: Watercolor over graphite
Accession Number: 51.644.76(23)
Funerary Monument with Two Male Figures (Santa Maria del Popolo, Cappella Chigi, Rome)
Anonymous, Italian, first half of the 18th century
Date: 18th century
Medium: Pen and brown ink, brush and gray wash, over graphite
Accession Number: 48.148(6)
Partial View of the Colosseum; verso: Sketch of the Temple of Minerva Medicea
Johann Christian Klengel
(German, Dresden 1751–1824 Dresden)
Date: late 18th–early 19th century
Medium: Brush and grey ink, over black chalk; verso: graphite, blue wash
Accession Number: 2008.609a, b
Scanning Sequence
Michelle Stuart
(American, born Los Angeles 1933)
Date: 1969–70
Medium: Graphite and earth on paper, painted pine containers
Accession Number: 2013.164a–d
Drawings for scenes from Vanity Fair: "Jos and Becky"
James Barret
(British, London, active 1785–1819 London)
Date: 1800–1819
Medium: Watercolor over graphite
Accession Number: 66.736.3
"Nursery Songs"
Paul Vincent Woodroffe
(British (born India), Madras 1875–1945 Eastbourne)
Date: 1907
Medium: Pen and black ink, watercolor and graphite
Accession Number: 1984.1056.2
William Zorach (1889-1966)
Marguerite Zorach
(American, Santa Rosa, California 1887–1968 New York)
Date: 1912–13
Medium: Watercolor and graphite on paper
Accession Number: 1979.224.1ab
Neah Bay: Cape Flattery (from Sketchbook X)
William Trost Richards
(American, Philadelphia, Pennsylvania 1833–1905 Newport, Rhode Island)
Date: 1885
Medium: Graphite on off-white wove paper
Accession Number: 1992.2.2e
Seated Nude
Horace Brodzky
(Australian, 1885–1969)
Date: 1918
Medium: Ink and graphite on paper
Accession Number: 2007.49.22
Design for a Bracelet
Circle of John Bridge
(British, Piddletrenthide, Dorset 1755–1834 Piddletrenthide, Dorset)
Date: 1780–1850
Accession Number: 23.68.1(28verso-a)
Suburban Landscape (Scene with Horse and Carriage)
Jean-François Raffaëlli
(French, Paris 1850–1924 Paris)
Date: ca. 1882
Accession Number: 1975.1.684
Mount Pilatus, Stansstad (from "Splendid Mountain Watercolours" Sketchbook)
John Singer Sargent
(American, Florence 1856–1925 London)
Date: 1870
Accession Number: 50.130.146uu
Design for a Stage Set at the Opéra, Paris: Columned Exterior
Eugène Ciceri
(French, Paris 1813–1890 Fontainebleau)
Date: 1828–90
Accession Number: 53.668.75
Range
Donald Moffett
(American, born San Antonio, Texas 1955)
Date: 1997
Accession Number: 2013.585.2
Pitcher No 7082
Tiffany & Co.
(1837–present)
Date: possibly ca. 1883
Accession Number: 1987.1047.8
Design for a Gothic Style Table
Anonymous, British, 19th century
Date: 19th century
Accession Number: 63.616.12
Symmetrical Design of Upward Growing Acanthus Scrolls
Anonymous, Italian, 17th century
Date: 17th century
Accession Number: 52.570.91
Old Ship Church, Hingham, Massachusetts
Edwin Whitefield
(1816–1892)
Date:
Accession Number: 1985.107.1
Summer dress: Costume design for Kunstgewerbeschule, Wien
Lilly Jacker
(Austrian, Vienna ca. 1930)
Date: 1920–50
Accession Number: 62.676.10
Jewelry design
Firm of Fernand Chardon
(French, active ca. 1925)
Date: ca. 1925
Accession Number: 1980.1013.2
Design for heating register plate
Louis Comfort Tiffany
(American, New York 1848–1933 New York)
Date: late 19th–early 20th century
Accession Number: 67.654.428
Seated Nude
Emily Winthrop Miles
(American, New York 1893–1962 Sharon, Connecticut)
Date: ca. 1945
Accession Number: 65.33.3
Farm Near Havana 1959
Emilio Sanchez
(American, born Cuba 1921–1999)
Date: 1959
Accession Number: 65.713.38
Leaving Troy
Sebastiaen Vrancx
(Netherlandish, Antwerp 1573–1647 Antwerp)
Date: late 16th–mid 17th century
Accession Number: 49.169
Head of the Artist
Abbott H. Thayer
(American, Boston, Massachusetts 1849–1921 Dublin, New Hampshire)
Date: 1919
Accession Number: 22.65
Study for "The Knatchbull Family": Sir Edward Knatchbull
John Singleton Copley
(American, Boston, Massachusetts 1738–1815 London)
Date: 1800–1802
Accession Number: 60.44.7
Two penguins
Sergey Sudeykin
(Russian, Smolensk 1882–1946 Nyack)
Date: n.d.
Accession Number: 69.507.12
Design for baptismal font
Louis Comfort Tiffany
(American, New York 1848–1933 New York)
Date: late 19th–early 20th century
Accession Number: 67.654.341
Study of a Roman Coachman
Martinus Rørbye
(Danish, Drammen 1803–1848 Copenhagen)
Date: early 19th century
Accession Number: 2008.371
Columbo – Frasera speciosa
Margaret Neilson Armstrong
(American, New York 1867–1944 New York)
Date: July 16, 1912
Accession Number: 2010.341.1(35)
Design for a Chair with Red Upholstery against a Yellow Marbled Backdrop for Harold Brown Esq. (RI)
Ogden Codman, Jr.
(American, Boston, Massachusetts 1868–1951 Grégy-sur-Yerre)
Date: 1893–94
Accession Number: 51.644.76(23)
Funerary Monument with Two Male Figures (Santa Maria del Popolo, Cappella Chigi, Rome)
Anonymous, Italian, first half of the 18th century
Date: 18th century
Accession Number: 48.148(6)
Partial View of the Colosseum; verso: Sketch of the Temple of Minerva Medicea
Johann Christian Klengel
(German, Dresden 1751–1824 Dresden)
Date: late 18th–early 19th century
Accession Number: 2008.609a, b
Scanning Sequence
Michelle Stuart
(American, born Los Angeles 1933)
Date: 1969–70
Accession Number: 2013.164a–d
Drawings for scenes from Vanity Fair: "Jos and Becky"
James Barret
(British, London, active 1785–1819 London)
Date: 1800–1819
Accession Number: 66.736.3
"Nursery Songs"
Paul Vincent Woodroffe
(British (born India), Madras 1875–1945 Eastbourne)
Date: 1907
Accession Number: 1984.1056.2
William Zorach (1889-1966)
Marguerite Zorach
(American, Santa Rosa, California 1887–1968 New York)
Date: 1912–13
Accession Number: 1979.224.1ab
Neah Bay: Cape Flattery (from Sketchbook X)
William Trost Richards
(American, Philadelphia, Pennsylvania 1833–1905 Newport, Rhode Island)
Date: 1885
Accession Number: 1992.2.2e
Seated Nude
Horace Brodzky
(Australian, 1885–1969)
Date: 1918
Accession Number: 2007.49.22
  • Results per page:
  • 30
  • 60
  • 90

Close