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4,319 records
Engravings x
Compendium: Imagines XXIIII Caesarum; Naturralli e verri retratti di Cassa d'Austria; Trentaquatro Retratti (...) Pontefici
Donato Bertelli
(Italian, active Venice, from 1558–died 1623)
Date: 1579–84
Medium: Engravings
Accession Number: 2012.233(1-3)
The Apparition
James Tissot
(French, Nantes 1836–1902 Chenecey-Buillon)
Date: ca. 1885
Medium: Mezzotint on wove paper; second state of two
Accession Number: 64.584.13
The Last Moments of Mary Queen of Scots
George Atkinson
(British, active 1860s)
Date: August 12, 1863
Medium: Etching, engraving, stipple and mezzotint
Accession Number: 24.63.1879
Miss Lydia Hone – "Her beauty hangs on the Cheek of Night, like a rich Jewell in an Ethiops Ear," Shakespear
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: November 30, 1771
Medium: Mezzotint; third state of three
Accession Number: 24.63.320
Dressing for the Masquerade – Laetitia flees from reflection to public entertainments
Attributed to Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: after 1811
Medium: Stipple engraving, printed in color
Accession Number: 53.600.1890(4)
The Country Butcher
Thomas Gosse
(British, 1765–1844)
Date: October 25, 1802
Medium: Mezzotint, printed in color and hand-colored
Accession Number: 14.1.29
The Costume of Turkey
Designed by Octavien Dalvimart
(active early 19th century)
Date: 1802
Medium: plates: colored engravings
Accession Number: 1970.565.220
The Old Entrance to the Palais de Justice, Paris
Charles Meryon
(French, 1821–1868)
Date: 1854
Medium: Etching and drypoint printed in brown ink on laid paper; second (final) state
Accession Number: 67.630.152
Children and Rocks, Central Park
Mortimer Borne
(American, Rypin, Poland 1902–1987 Nyack, New York)
Date: 1936
Medium: Drypoint
Accession Number: 67.825.29
Snowy Woods with a Moose Walking
Sears Gallagher
(American, Boston, Massachusetts 1869–1955 Boston, Massachusetts)
Date: ca. 1911–55
Medium: Etching with drypoint
Accession Number: 2001.727.80
Othello (Act II, Scene I), plate 5 from the suite of fifteen illustrations
Théodore Chassériau
(French, Le Limon, Saint-Domingue, West Indies 1819–1856 Paris)
Date: 1844
Medium: Etching, engraving, roulette, and drypoint on chine collée Second edition: Gazette des Beaux-Arts, 1900
Accession Number: 32.7.8
Maximilian Emperor of Germany &c. &c., from Portraits of Royal Personnages
after Hans Burgkmair
(German, Augsburg 1473–1531 Augsburg)
Date: 1814
Medium: Mezzotint and etching
Accession Number: 24.63.1785
Almost a Man
Written by Mrs. Sarah Annie Frost-Shields
(American, active 1870s)
Date: 1877
Medium: Engravings
Accession Number: 41.85
The Carpenter of Hesdin
James McBey
(British, Newburgh 1883–1959 Tangier)
Date: 1917
Medium: Drypoint
Accession Number: 1986.1180.1169
The School Master (Le grand Maître d'École)
Jean Jacques de Boissieu
(French, Lyons 1736–1810 Lyons)
Date: 1780
Medium: Etching with drypoint; fourth state of four
Accession Number: 2000.361.11
Othello (Act I, Scene III), Plate 3 in the suite of fifteen illustrations
Théodore Chassériau
(French, Le Limon, Saint-Domingue, West Indies 1819–1856 Paris)
Date: 1844
Medium: Etching, engraving, roulette, and drypoint on chine collée Second edition: Gazette des Beaux-Arts, 1900
Accession Number: 32.7.6
Cottonus Matheris (Cotton Mather)
Engraved, painted and published Boston by Peter Pelham
(American (born England), London 1697–1751 Boston, Massachusetts)
Date: 1728
Medium: Mezzotint; first state of three (Russell)
Accession Number: 24.90.14
Silhouette from East River
Albert E. Flanagan
(American, Newark, New Jersey 1884–1969 New York)
Date: 1930
Medium: Etching and drypoint
Accession Number: 69.623.28
The Paradise Lost of John Milton with Illustrations by John Martin
Plates designed and engraved by John Martin
(British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: 1846
Medium: Book: mezzotint illustrations
Accession Number: 49.40.2
Fulton Street, Fish Pier
Mortimer Borne
(American, Rypin, Poland 1902–1987 Nyack, New York)
Date: 1928
Medium: Drypoint
Accession Number: 67.825.61
Kleine Welten IX
Vasily Kandinsky
(French (born Russia), Moscow 1866–1944 Neuilly-sur-Seine)
Date: 1922
Medium: Drypoint
Accession Number: 31.10.11
A British Noblewoman
Anonymous, British, 18th century
Date: 1760s (?)
Medium: Mezzotint
Accession Number: 42.119.117
Margarite Brooke, Lady Denham
Charles Turner
(British, Woodstock, Oxfordshire 1774–1857 London)
Date: 1811
Medium: Hand-colored mezzotint; proof before published state
Accession Number: 17.3.756-1948
Mary, Queen of Scots
John Keyse Sherwin
(British, East Dean, Sussex 1751–1790 London)
Date: April 1, 1783
Medium: Stipple engraving and etching
Accession Number: 58.549.411
Plate 77 from 'The Disasters of War' (Los Desastres de la Guerra): 'May the cord break.'' (Que se rompe la cuerda.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: after 1814-1815 (published 1863)
Medium: Etching, burnished aquatint or lavis, drypoint and burnisher
Accession Number: 22.60.25(77)
The Goose Girl
Jean-François Millet
(French, Gruchy 1814–1875 Barbizon)
Date: 1830–75
Medium: Drypoint on thin wove paper
Accession Number: 22.12
The Owl's Château
Félix-Hilaire Buhot
(French, Valognes 1847–1898 Paris)
Date: 1867–98
Medium: Etching, sulphur tint, roulette, drypoint , and aquatint; fourth and final state
Accession Number: 21.16.20
Bust of Bellona
Auguste Rodin
(French, Paris 1840–1917 Meudon)
Date: 1882–85
Medium: Drypoint
Accession Number: 64.560
Portrait of Sir Robert Walpole
John Faber, the Younger
(British, ca. 1695–1756)
Date: 1741
Medium: Mezzotint and engraving
Accession Number: 25.62.3v
Rispah, 2nd Book of Samuel, Chapter 21 (Liber Studiorum, part IX, plate 46)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: April 23, 1812
Medium: Etching and mezzotint; first state of four
Accession Number: 28.97.46
Compendium: Imagines XXIIII Caesarum; Naturralli e verri retratti di Cassa d'Austria; Trentaquatro Retratti (...) Pontefici
Donato Bertelli
(Italian, active Venice, from 1558–died 1623)
Date: 1579–84
Accession Number: 2012.233(1-3)
The Apparition
James Tissot
(French, Nantes 1836–1902 Chenecey-Buillon)
Date: ca. 1885
Accession Number: 64.584.13
The Last Moments of Mary Queen of Scots
George Atkinson
(British, active 1860s)
Date: August 12, 1863
Accession Number: 24.63.1879
Miss Lydia Hone – "Her beauty hangs on the Cheek of Night, like a rich Jewell in an Ethiops Ear," Shakespear
John Raphael Smith
(British, baptized Derby 1751–1812 Doncaster)
Date: November 30, 1771
Accession Number: 24.63.320
Dressing for the Masquerade – Laetitia flees from reflection to public entertainments
Attributed to Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: after 1811
Accession Number: 53.600.1890(4)
The Country Butcher
Thomas Gosse
(British, 1765–1844)
Date: October 25, 1802
Accession Number: 14.1.29
The Costume of Turkey
Designed by Octavien Dalvimart
(active early 19th century)
Date: 1802
Accession Number: 1970.565.220
The Old Entrance to the Palais de Justice, Paris
Charles Meryon
(French, 1821–1868)
Date: 1854
Accession Number: 67.630.152
Children and Rocks, Central Park
Mortimer Borne
(American, Rypin, Poland 1902–1987 Nyack, New York)
Date: 1936
Accession Number: 67.825.29
Snowy Woods with a Moose Walking
Sears Gallagher
(American, Boston, Massachusetts 1869–1955 Boston, Massachusetts)
Date: ca. 1911–55
Accession Number: 2001.727.80
Othello (Act II, Scene I), plate 5 from the suite of fifteen illustrations
Théodore Chassériau
(French, Le Limon, Saint-Domingue, West Indies 1819–1856 Paris)
Date: 1844
Accession Number: 32.7.8
Maximilian Emperor of Germany &c. &c., from Portraits of Royal Personnages
after Hans Burgkmair
(German, Augsburg 1473–1531 Augsburg)
Date: 1814
Accession Number: 24.63.1785
Almost a Man
Written by Mrs. Sarah Annie Frost-Shields
(American, active 1870s)
Date: 1877
Accession Number: 41.85
The Carpenter of Hesdin
James McBey
(British, Newburgh 1883–1959 Tangier)
Date: 1917
Accession Number: 1986.1180.1169
The School Master (Le grand Maître d'École)
Jean Jacques de Boissieu
(French, Lyons 1736–1810 Lyons)
Date: 1780
Accession Number: 2000.361.11
Othello (Act I, Scene III), Plate 3 in the suite of fifteen illustrations
Théodore Chassériau
(French, Le Limon, Saint-Domingue, West Indies 1819–1856 Paris)
Date: 1844
Accession Number: 32.7.6
Cottonus Matheris (Cotton Mather)
Engraved, painted and published Boston by Peter Pelham
(American (born England), London 1697–1751 Boston, Massachusetts)
Date: 1728
Accession Number: 24.90.14
Silhouette from East River
Albert E. Flanagan
(American, Newark, New Jersey 1884–1969 New York)
Date: 1930
Accession Number: 69.623.28
The Paradise Lost of John Milton with Illustrations by John Martin
Plates designed and engraved by John Martin
(British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: 1846
Accession Number: 49.40.2
Fulton Street, Fish Pier
Mortimer Borne
(American, Rypin, Poland 1902–1987 Nyack, New York)
Date: 1928
Accession Number: 67.825.61
Kleine Welten IX
Vasily Kandinsky
(French (born Russia), Moscow 1866–1944 Neuilly-sur-Seine)
Date: 1922
Accession Number: 31.10.11
A British Noblewoman
Anonymous, British, 18th century
Date: 1760s (?)
Accession Number: 42.119.117
Margarite Brooke, Lady Denham
Charles Turner
(British, Woodstock, Oxfordshire 1774–1857 London)
Date: 1811
Accession Number: 17.3.756-1948
Mary, Queen of Scots
John Keyse Sherwin
(British, East Dean, Sussex 1751–1790 London)
Date: April 1, 1783
Accession Number: 58.549.411
Plate 77 from 'The Disasters of War' (Los Desastres de la Guerra): 'May the cord break.'' (Que se rompe la cuerda.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: after 1814-1815 (published 1863)
Accession Number: 22.60.25(77)
The Goose Girl
Jean-François Millet
(French, Gruchy 1814–1875 Barbizon)
Date: 1830–75
Accession Number: 22.12
The Owl's Château
Félix-Hilaire Buhot
(French, Valognes 1847–1898 Paris)
Date: 1867–98
Accession Number: 21.16.20
Bust of Bellona
Auguste Rodin
(French, Paris 1840–1917 Meudon)
Date: 1882–85
Accession Number: 64.560
Portrait of Sir Robert Walpole
John Faber, the Younger
(British, ca. 1695–1756)
Date: 1741
Accession Number: 25.62.3v
Rispah, 2nd Book of Samuel, Chapter 21 (Liber Studiorum, part IX, plate 46)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: April 23, 1812
Accession Number: 28.97.46
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