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The Evening Chime of the Clock
Suzuki Harunobu
(Japanese, 1725–1770)
Date: ca. 1766
Medium: Polychrome woodblock print; chuban; ink and color on paper
Accession Number: JP2447
Osen of the Kagiya Teahouse at Kasamori Shrine with a View of Nippori in Yanaka
Suzuki Harunobu
(Japanese, 1725–1770)
Date: ca. 1768
Medium: Polychrome woodblock print; chuban; ink and color on paper
Accession Number: JP3052
Parting of Lovers: The Morning After
Suzuki Harunobu
(Japanese, 1725–1770)
Date: ca. 1765–70
Medium: Polychrome woodblock print; chuban yoko-e; ink and color on paper
Accession Number: JP1646
Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei)
Suzuki Harunobu
(Japanese, 1725–1770)
Date: ca. 1766
Medium: Polychrome woodblock print (first edition); ink and colors on paper, medium-sized print (chuban)
Accession Number: JP698
The Evening Chime of the Clock
Suzuki Harunobu
(Japanese, 1725–1770)
Date: ca. 1766
Accession Number: JP2447
Osen of the Kagiya Teahouse at Kasamori Shrine with a View of Nippori in Yanaka
Suzuki Harunobu
(Japanese, 1725–1770)
Date: ca. 1768
Accession Number: JP3052
Parting of Lovers: The Morning After
Suzuki Harunobu
(Japanese, 1725–1770)
Date: ca. 1765–70
Accession Number: JP1646
Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei)
Suzuki Harunobu
(Japanese, 1725–1770)
Date: ca. 1766
Accession Number: JP698

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