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5,356 records
Chalk x
Wooded Landscape
Anthonie Waterloo
(Dutch, Lille 1609–1690 Utrecht)
Date: 1630–90
Medium: Black chalk and brush and black ink, gray and grayish black wash, heightened with white. Verso: (by the artist?) in pen and brown ink over black chalk.
Accession Number: 1975.1.821
Adoration of the Shepherds
Hendrick Goltzius
(Netherlandish, Mühlbracht 1558–1617 Haarlem)
Date: 1600–1605
Medium: Black and red chalk with traces of yellow chalk
Accession Number: 1999.167
Design for an Elaborate Epitaph for a Husband and Wife with Two Panels surmounted by Statues of the Kneeling Donors, flanking a Cartouche with the IHS Monogram
Abraham van Diepenbeeck
(Flemish, 's Hertogenbosch 1596–1675 Antwerp)
Date: ca. 1650–1675
Medium: pen and brown ink, black chalk, red chalk, gray wash and heightened in white [oxidized]
Accession Number: 2014.658.2
Design for Panel: Allegorical Figure of Europe
Giacomo Barri
(Italian, documented Venice after 1630–1689 Venice)
Date: 1650–79
Medium: Black chalk
Accession Number: 87.12.160
The Martyrdom of Saint Paul
Taddeo Zuccaro
(Italian, Sant'Angelo in Vado 1529–1566 Rome)
Date: ca. 1557–58
Medium: Pen and brown and gray ink, brown wash, over black chalk, heightened with white, on buff paper.
Accession Number: 1975.1.553
Interior of an Octagonal Room (Stage Design?)
Tranquillo Orsi
(Italian, Venice 1771–1845 Venice)
Date: 18th century
Medium: Point of the brush and brown wash over black chalk within black chalk framing lines
Accession Number: 2014.468
Allegory of Painting with Putti
Anonymous, French, 18th century
Date: 18th century
Medium: Pen and brown ink, brown and gray wash over black chalk; verso: faint black chalk sketches
Accession Number: 1975.131.134
Office furniture design: Desk
Otto John Teegen
(American, Davenport, Iowa 1900?–1983 New York)
Date: ca. 1930
Medium: Graphite with colored chalk
Accession Number: 1986.1187.1(10)
Design for a Helmet with a Sphinx presented in 3/4 View
Giovanni Battista Foggini
(Italian, Florence 1652–1725 Florence)
Date: 1652–1725
Medium: Pen and brown ink, brush and light brown wash, over traces of black chalk
Accession Number: 52.570.225
The Discovery of the True Cross
Bernardo Strozzi
(Italian, Genoa 1581–1644 Venice)
Date: 1581–1644
Medium: Pen and brown ink, over traces of leadpoint or black chalk, on off-white laid paper; framing outlines in pen and darker brown ink
Accession Number: 1998.255
Studies for the Figure of a Centaur and a Nymph
Francesco Trevisani
(Italian, Capodistria 1656–1746 Rome)
Date: 1708–17
Medium: Black chalk, highlighted with white chalk, on blue-gray washed paper
Accession Number: 2000.439
Allegory of Fecundity (?)
Gerard de Lairesse
(Dutch, Liège 1641–1711 Amsterdam)
Date: mid 17th–early 18th century
Medium: Pen and brown ink, over a sketch in red chalk. Double framing line in pen and brown ink (possibly by the artist).
Accession Number: 2009.199
Seated Man
Anonymous, French, 18th century
Date: 18th century
Medium: Black chalk, heightened with white chalk, on brown paper
Accession Number: 87.12.149
The Draftsman
Jean Honoré Fragonard
(French, Grasse 1732–1806 Paris)
Date: 1770s
Medium: Black chalk
Accession Number: 1975.1.626
Untitled (female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Medium: Red chalk on paper
Accession Number: 1979.292.362
Portrait of Frederikke Tuxen
Peder Severin Krøyer
(Danish, Stavanger 1851–1909 Skagen)
Date: 1882
Medium: Black and white chalk, on brown paper
Accession Number: 2014.120
The Adoration of the Shepherds
Anonymous, French, 17th century
Date: 17th century
Medium: Red chalk. Framing lines in pen and black ink.
Accession Number: 80.3.230
Christ Crucified, Attended by the Virgin, Saint Mary Magdalen, and Saint John the Evangelist
Lazzaro Tavarone
(Italian, Genoa 1556–1641 Genoa)
Date: 1556–1641
Medium: Pen and brown ink, pale brown wash, over black chalk, on gray-green paper. Squared in black chalk
Accession Number: 1973.345
Study of Drapery (Probably After the Antique )
Circle of Domenico Beccafumi
(Italian, Cortine in Valdibiana Montaperti 1484–1551 Siena)
Date: 1520–40
Medium: Red chalk
Accession Number: 80.3.165
The Leopards' Cage at the Menagerie
Giovanni Domenico Tiepolo
(Italian, Venice 1727–1804 Venice)
Date: mid-18th–early 19th century
Medium: Pen and brown ink, brown wash, over black chalk
Accession Number: 1975.1.516
Design for a Sarcophagus on a Pedestal
Anonymous, French, 16th century
Date: 16th century
Medium: Black chalk, pen and brown ink, brush and brown wash
Accession Number: 49.19.21
A Standing and a Lying Goat Near a Small Tree
Pieter Gerardus van Os
(Dutch, The Hague 1776–1836 The Hague)
Date: early 19th century
Medium: Black chalk
Accession Number: 2013.1131.4
The Dead Christ Mourned by Saint Mary Magdalen (recto); The Holy Family with an Attendant (verso)
Giuseppe Cades
(Italian, Rome 1750–1799 Rome)
Date: 1778-1787
Medium: Pen and brown ink, on beige paper (recto); black chalk (verso)
Accession Number: 87.12.157
St. Peter's, drum, plans at two levels (recto) blank (verso)
Drawn by Anonymous, French, 16th century
Date: early to mid-16th century
Medium: Dark brown ink, black chalk, and incised lines
Accession Number: 49.92.62
Untitled (Female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Medium: Red chalk on paper
Accession Number: 1979.292.128
Seated Nude Leaning on Her Left Hand
Aristide Maillol
(French, Banyuls-sur-Mer 1861–1944 Perpignan )
Date: before 1922
Medium: Black chalk on gray laid paper, mounted on paper
Accession Number: 1984.433.252
Studies for the Nave and Narthex of San Giovanni in Laterano, Rome (recto and verso)
Francesco Borromini
(Italian, Bissone near Lugano 1599–1667 Rome)
Date: ca.1646–55
Medium: Black chalk (recto); pen and brown ink and black chalk (verso)
Accession Number: 2013.204
Untitled (Female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Medium: Red chalk on paper
Accession Number: 1979.292.213
Ornamental Design with Fruit and Flowers (recto); Flower Stalk with Leaves (verso)
Alexis Peyrotte
(French, Mazan 1699–1769 Paris)
Date: 18th century
Medium: Black chalk with pastel on blue paper (recto); black chalk (verso)
Accession Number: 61.557.3
Frame Design with Antique Design, and other sketches
Anonymous, Italian, 17th century
Date: 17th century
Medium: Red chalk and graphite
Accession Number: 53.529.7
Wooded Landscape
Anthonie Waterloo
(Dutch, Lille 1609–1690 Utrecht)
Date: 1630–90
Accession Number: 1975.1.821
Adoration of the Shepherds
Hendrick Goltzius
(Netherlandish, Mühlbracht 1558–1617 Haarlem)
Date: 1600–1605
Accession Number: 1999.167
Design for an Elaborate Epitaph for a Husband and Wife with Two Panels surmounted by Statues of the Kneeling Donors, flanking a Cartouche with the IHS Monogram
Abraham van Diepenbeeck
(Flemish, 's Hertogenbosch 1596–1675 Antwerp)
Date: ca. 1650–1675
Accession Number: 2014.658.2
Design for Panel: Allegorical Figure of Europe
Giacomo Barri
(Italian, documented Venice after 1630–1689 Venice)
Date: 1650–79
Accession Number: 87.12.160
The Martyrdom of Saint Paul
Taddeo Zuccaro
(Italian, Sant'Angelo in Vado 1529–1566 Rome)
Date: ca. 1557–58
Accession Number: 1975.1.553
Interior of an Octagonal Room (Stage Design?)
Tranquillo Orsi
(Italian, Venice 1771–1845 Venice)
Date: 18th century
Accession Number: 2014.468
Allegory of Painting with Putti
Anonymous, French, 18th century
Date: 18th century
Accession Number: 1975.131.134
Office furniture design: Desk
Otto John Teegen
(American, Davenport, Iowa 1900?–1983 New York)
Date: ca. 1930
Accession Number: 1986.1187.1(10)
Design for a Helmet with a Sphinx presented in 3/4 View
Giovanni Battista Foggini
(Italian, Florence 1652–1725 Florence)
Date: 1652–1725
Accession Number: 52.570.225
The Discovery of the True Cross
Bernardo Strozzi
(Italian, Genoa 1581–1644 Venice)
Date: 1581–1644
Accession Number: 1998.255
Studies for the Figure of a Centaur and a Nymph
Francesco Trevisani
(Italian, Capodistria 1656–1746 Rome)
Date: 1708–17
Accession Number: 2000.439
Allegory of Fecundity (?)
Gerard de Lairesse
(Dutch, Liège 1641–1711 Amsterdam)
Date: mid 17th–early 18th century
Accession Number: 2009.199
Seated Man
Anonymous, French, 18th century
Date: 18th century
Accession Number: 87.12.149
The Draftsman
Jean Honoré Fragonard
(French, Grasse 1732–1806 Paris)
Date: 1770s
Accession Number: 1975.1.626
Untitled (female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Accession Number: 1979.292.362
Portrait of Frederikke Tuxen
Peder Severin Krøyer
(Danish, Stavanger 1851–1909 Skagen)
Date: 1882
Accession Number: 2014.120
The Adoration of the Shepherds
Anonymous, French, 17th century
Date: 17th century
Accession Number: 80.3.230
Christ Crucified, Attended by the Virgin, Saint Mary Magdalen, and Saint John the Evangelist
Lazzaro Tavarone
(Italian, Genoa 1556–1641 Genoa)
Date: 1556–1641
Accession Number: 1973.345
Study of Drapery (Probably After the Antique )
Circle of Domenico Beccafumi
(Italian, Cortine in Valdibiana Montaperti 1484–1551 Siena)
Date: 1520–40
Accession Number: 80.3.165
The Leopards' Cage at the Menagerie
Giovanni Domenico Tiepolo
(Italian, Venice 1727–1804 Venice)
Date: mid-18th–early 19th century
Accession Number: 1975.1.516
Design for a Sarcophagus on a Pedestal
Anonymous, French, 16th century
Date: 16th century
Accession Number: 49.19.21
A Standing and a Lying Goat Near a Small Tree
Pieter Gerardus van Os
(Dutch, The Hague 1776–1836 The Hague)
Date: early 19th century
Accession Number: 2013.1131.4
The Dead Christ Mourned by Saint Mary Magdalen (recto); The Holy Family with an Attendant (verso)
Giuseppe Cades
(Italian, Rome 1750–1799 Rome)
Date: 1778-1787
Accession Number: 87.12.157
St. Peter's, drum, plans at two levels (recto) blank (verso)
Drawn by Anonymous, French, 16th century
Date: early to mid-16th century
Accession Number: 49.92.62
Untitled (Female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Accession Number: 1979.292.128
Seated Nude Leaning on Her Left Hand
Aristide Maillol
(French, Banyuls-sur-Mer 1861–1944 Perpignan )
Date: before 1922
Accession Number: 1984.433.252
Studies for the Nave and Narthex of San Giovanni in Laterano, Rome (recto and verso)
Francesco Borromini
(Italian, Bissone near Lugano 1599–1667 Rome)
Date: ca.1646–55
Accession Number: 2013.204
Untitled (Female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Accession Number: 1979.292.213
Ornamental Design with Fruit and Flowers (recto); Flower Stalk with Leaves (verso)
Alexis Peyrotte
(French, Mazan 1699–1769 Paris)
Date: 18th century
Accession Number: 61.557.3
Frame Design with Antique Design, and other sketches
Anonymous, Italian, 17th century
Date: 17th century
Accession Number: 53.529.7
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