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Albums x
Desseins Arabesques a Plusieurs Usages Inventés par J.B. Toro
Jean Bernard Toro
(French, Dijon 1672–1731 Toulon)
Date: 1716
Medium: Etching
Accession Number: 38.69.3(22)
[Album of Views of Southern California, the California Missions, and the Yellowstone]
Isaiah West Taber
(American, 1830–1912)
Date: 1890s
Medium: Albums
Accession Number: 1970.536.2
Roger's Italy
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1830
Medium: Engraving
Accession Number: 27.87.2(1-25)
[Franklin Blake Album]
John Thomson
(British, Edinburgh, Scotland 1837–1921 London)
Date: ca. 1865–70
Medium: Albumen silver prints from glass negatives; salted paper prints from glass negatives
Accession Number: 2005.100.583 (1–127)
Album 246, page 79
Date: 19th century
Medium: Commercial color lithographs
Accession Number: Burdick 246(79)
Original Designs for the Odéon, Paris and other Theatrical projects
Antoine Marie Peyre
(French, Paris 1770–1843 Paris)
Date: ca. 1818
Medium: Pen and black ink, pen and brown ink, graphite; gray, pink, blue, and brown wash.
Accession Number: 41.136.1
Sketches, Volume three
Augustus Welby Northmore Pugin
(British, London 1812–1852 Ramsgate)
Date: 1847
Medium: Ink and wash and graphite
Accession Number: 35.33.3
Diverses Pieces de Serruriers, page 5 (recto)
Jean Berain
(French, Saint-Mihiel 1640–1711 Paris)
Date: ca. 1663
Medium: Engraving
Accession Number: 2014.95(5)
Boating by a Willow Bank
Unidentified Artist
Date: 13th century
Medium: Fan mounted as an album leaf; ink and color on silk
Accession Number: 47.18.137
Liure de Statuês Propres à Tailliere en Marbres et en Pierres et Aussis en Metaille, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder
(French, Paris 1661–1752 The Hague)
Date: published 1703 or 1712
Medium: Etching
Accession Number: 30.4(89-93)
Hindus Conversing before a Shrine
Date: 17th century
Medium: Ink, opaque watercolor, and gold on paper
Accession Number: 25.83.3
Le Antichità Romane, tome IV
Giovanni Battista Piranesi
(Italian, Mogliano Veneto 1720–1778 Rome)
Date: published 1756–57
Medium: Etching
Accession Number: 41.71.1.4
Specifications for the House in Utica, N. Y. for John Munn
Alexander Jackson Davis
(American, New York 1803–1892 West Orange, New Jersey)
Date: 1854
Medium: Bound scrapbook with marbled paper boards with 28 pages and a 4 page manuscript
Accession Number: 49.30.1
Album 246, page 40
Date: 19th century
Medium: Commercial color lithographs
Accession Number: Burdick 246(40)
Album Containing Architectural, Ornament, and Figure Drawings.
Giovanni Battista Mola
(Italian, Coldrerio 1585–1665 Rome)
Date: 1630–31
Medium: folio 1 - Pen and brown ink, brush and brown and blue wash. folio 2 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 3 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 4 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 5 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 6 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 7 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 8 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 9 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 10 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 10v - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 11 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 12 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 13 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 14 - Pen and brown ink, brush and pale brown wash, over black chalk construction lines and traces of black chalk. folio 15 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 16 - Pen and brown ink, over traces of black chalk (the doorway); black chalk (the figures on the pediment). folio 17 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 18 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 19 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 20 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 21 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 22 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 22v - Red chalk. folio 23 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 24 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 25 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 26 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 27 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 28 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 29 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 29v - Construction lines in black chalk. folio 30 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 31 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 32 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 33 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 33v - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 34 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 35 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 36 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 37 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 38 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 39 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. Abrasion of drawing surface. folio 40 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 41 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 42 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 43 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 44 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 45 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 45v - Graphite. folio 46 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. Some offsetting and stray marks in red chalk and graphite. folio 47 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 48 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 49 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 50 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 51 - Pen and black and brown ink, brush and brown wash, over graphite or black chalk and red chalk underdrawing. folio 52 - Pen and black and brown ink, brush and pink, blue, brown, ochre and light green wash over graphite or black chalk construction lines. folio 52v - Pen and brown ink and graphite. folio 53 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 54 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 55 - Pen and brown ink. folio 56v - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 57 - Pen and brown ink over graphite construction lines, yellow and pink wash. folio 58 - Pen and brown ink over stylus-incised construction lines. folio 58v - Pen and brown ink over stylus-incised construction lines. folio 59 - Pen and brown ink, brush and brown wash over stylus-incised construction lines with traces of red chalk. folio 60 - Pen and brown ink over stylus-incised construction lines. folio 60v - Pen and brown ink over stylus-incised construction lines. folio 61 - Pen and brown ink over stylus-incised construction lines. folio 61v - Pen and brown ink over stylus-incised construction lines. folio 62 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 63 - Pen and brown ink over stylus-incised construction lines. folio 63v - Pen and brown ink over stylus-incised construction lines. folio 64 - Pen and brown ink and graphite. folio 65 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 65v - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 66 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 66v - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite
Accession Number: 1979.62.1(1-66)
Various Moths and Butterflies
Kubo Shunman
(Japanese, 1757–1820)
Date: 19th century
Medium: Part of an album of woodblock prints (surimono); ink and color on paper
Accession Number: JP2354
Album 246, page 104
Date: 19th century
Medium: Commercial color lithographs
Accession Number: Burdick 246(104)
Bird on a Flowering Branch
Zhang Chong
(Chinese, active ca. 1570–1610)
Date:
Medium: Folding fan mounted as an album leaf; ink on gold paper
Accession Number: 13.100.85
Landscapes after old masters
Dong Qichang
(Chinese, 1555–1636)
Date: dated 1630
Medium: Album of eight leaves; ink on paper
Accession Number: 1986.266.5a–k
Vedute di Roma (Views of Rome), part II
Giovanni Battista Piranesi
(Italian, Mogliano Veneto 1720–1778 Rome)
Date: ca. 1750–78
Medium: Etching
Accession Number: 41.71.1.17
Page of Calligraphy from the Bellini Album
Date: ca. 1600
Medium: Ink, opaque watercolor, and gold on paper
Accession Number: 67.266.7.7r
Cakes and Food Made of Seaweed
Kubo Shunman
(Japanese, 1757–1820)
Date: 19th century
Medium: Part of an album of woodblock prints (surimono); ink and color on paper
Accession Number: JP2290
Native Indian Life and Character
Unknown
Date: 1860s–70s
Medium: Albums
Accession Number: 52.650
Squash
Unidentified Artist
Date:
Medium: Album leaf; ink and color on silk
Accession Number: 13.100.114
Ink Landscapes with Poems
Gong Xian
(Chinese, 1619–1689)
Date: dated 1688
Medium: Album of sixteen paintings; ink on paper
Accession Number: 1981.4.1a–o
Landscape Painting of Figure in Woodland Setting
Unidentified Artist
Date:
Medium: Album leaf; color on silk
Accession Number: 46.63.2
Box of Face Powder and Hair Ties; Specialities of Shimomura in Ryogaecho
Totoya Hokkei
(Japanese, 1780–1850)
Date: 19th century
Medium: Part of an album of woodblock prints (surimono); ink and color on paper
Accession Number: JP2384
"Akbar Hunting with Cheetahs", Folio from an Akbarnama
Painting attributed to Manohar
(active ca. 1582–1624)
Date: ca. 1604
Medium: Ink, opaque watercolor, and gold on paper
Accession Number: 30.95.174.9
Man with Captive Lion
Date: 17th century
Medium: Marbling, ink, and opaque watercolor on paper
Accession Number: DS.100
"Goose Preening its Tail", Folio from the Bellini Album
Date: ca. 1600
Medium: Ink, opaque watercolor on paper
Accession Number: 67.266.7.10v
Desseins Arabesques a Plusieurs Usages Inventés par J.B. Toro
Jean Bernard Toro
(French, Dijon 1672–1731 Toulon)
Date: 1716
Accession Number: 38.69.3(22)
[Album of Views of Southern California, the California Missions, and the Yellowstone]
Isaiah West Taber
(American, 1830–1912)
Date: 1890s
Accession Number: 1970.536.2
Roger's Italy
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1830
Accession Number: 27.87.2(1-25)
[Franklin Blake Album]
John Thomson
(British, Edinburgh, Scotland 1837–1921 London)
Date: ca. 1865–70
Accession Number: 2005.100.583 (1–127)
Album 246, page 79
Date: 19th century
Accession Number: Burdick 246(79)
Original Designs for the Odéon, Paris and other Theatrical projects
Antoine Marie Peyre
(French, Paris 1770–1843 Paris)
Date: ca. 1818
Accession Number: 41.136.1
Sketches, Volume three
Augustus Welby Northmore Pugin
(British, London 1812–1852 Ramsgate)
Date: 1847
Accession Number: 35.33.3
Diverses Pieces de Serruriers, page 5 (recto)
Jean Berain
(French, Saint-Mihiel 1640–1711 Paris)
Date: ca. 1663
Accession Number: 2014.95(5)
Boating by a Willow Bank
Unidentified Artist
Date: 13th century
Accession Number: 47.18.137
Liure de Statuês Propres à Tailliere en Marbres et en Pierres et Aussis en Metaille, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder
(French, Paris 1661–1752 The Hague)
Date: published 1703 or 1712
Accession Number: 30.4(89-93)
Hindus Conversing before a Shrine
Date: 17th century
Accession Number: 25.83.3
Le Antichità Romane, tome IV
Giovanni Battista Piranesi
(Italian, Mogliano Veneto 1720–1778 Rome)
Date: published 1756–57
Accession Number: 41.71.1.4
Specifications for the House in Utica, N. Y. for John Munn
Alexander Jackson Davis
(American, New York 1803–1892 West Orange, New Jersey)
Date: 1854
Accession Number: 49.30.1
Album 246, page 40
Date: 19th century
Accession Number: Burdick 246(40)
Album Containing Architectural, Ornament, and Figure Drawings.
Giovanni Battista Mola
(Italian, Coldrerio 1585–1665 Rome)
Date: 1630–31
Accession Number: 1979.62.1(1-66)
Various Moths and Butterflies
Kubo Shunman
(Japanese, 1757–1820)
Date: 19th century
Accession Number: JP2354
Album 246, page 104
Date: 19th century
Accession Number: Burdick 246(104)
Bird on a Flowering Branch
Zhang Chong
(Chinese, active ca. 1570–1610)
Date:
Accession Number: 13.100.85
Landscapes after old masters
Dong Qichang
(Chinese, 1555–1636)
Date: dated 1630
Accession Number: 1986.266.5a–k
Vedute di Roma (Views of Rome), part II
Giovanni Battista Piranesi
(Italian, Mogliano Veneto 1720–1778 Rome)
Date: ca. 1750–78
Accession Number: 41.71.1.17
Page of Calligraphy from the Bellini Album
Date: ca. 1600
Accession Number: 67.266.7.7r
Cakes and Food Made of Seaweed
Kubo Shunman
(Japanese, 1757–1820)
Date: 19th century
Accession Number: JP2290
Native Indian Life and Character
Unknown
Date: 1860s–70s
Accession Number: 52.650
Squash
Unidentified Artist
Date:
Accession Number: 13.100.114
Ink Landscapes with Poems
Gong Xian
(Chinese, 1619–1689)
Date: dated 1688
Accession Number: 1981.4.1a–o
Landscape Painting of Figure in Woodland Setting
Unidentified Artist
Date:
Accession Number: 46.63.2
Box of Face Powder and Hair Ties; Specialities of Shimomura in Ryogaecho
Totoya Hokkei
(Japanese, 1780–1850)
Date: 19th century
Accession Number: JP2384
"Akbar Hunting with Cheetahs", Folio from an Akbarnama
Painting attributed to Manohar
(active ca. 1582–1624)
Date: ca. 1604
Accession Number: 30.95.174.9
Man with Captive Lion
Date: 17th century
Accession Number: DS.100
"Goose Preening its Tail", Folio from the Bellini Album
Date: ca. 1600
Accession Number: 67.266.7.10v
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