Head of a youth, probably Apollo

Ptolemaic or Roman Period

On view at The Met Fifth Avenue in Gallery 137

Many artworks of the Roman Period in Egypt represent the taste of wealthy urban merchant and rich farming classes of Roman Egypt. Wide trade of luxury works is evident, and Greco-Roman style dominates.

Since Egyptian pharaohs had first authorized Greek trading colonies and employed Greek mercenaries in the seventh century BC., there was a considerable Greek presence in Egypt. With Alexander's conquest, Macedonian Greek Ptolemies ruled as successors to the pharaohs, and Ptolemaic Greek and eastern Mediterranean soldiery was heavily settled in parts of Egypt. Although the Ptolemaic kings maintained traditional Egyptian religious and political forms, elite society, of mixed Greek and Egyptian descent, aspired to Greek culture in many respects. With the replacement of a Ptolemaic pharaoh in Memphis and Alexandria by a Roman emperor in Rome, the status of Greek culture and art, if anything, increased. However, multiple cultural influences were t play, and their reconciliation differed, depending on the identity of the patron and on whether personal, public, religious, or funerary purposes were in question.

This head probably represents the youthful god Apollo. The hairstyle is an archaistic adaptation of that seen in early classical Greek depictions of young boys and girls, whose long hair was tied up until they reached the age when it was customary to cut their locks.
A "Greek" atmosphere was fashionable in the wealthy homes and gardens of late Roman Republican and early Imperial Period villas, and eclectic archaistic youthful figures like this one were part of the evocation.

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