Dial 80 (March 1926), ill. before p. 179 (color), as "Interior".
Louisa Dresser in The Dial and the Dial Collection. Exh. cat., Worcester Art Museum. Worcester, Mass., 1959, pp. 58–59, no. 4, ill.
Nicholas Joost. Scofield Thayer and The Dial: An Illustrated History. Carbondale, Ill., 1964, unpaginated, ill.
Jean and Henry Dauberville. Bonnard: Catalogue raisonné de l'œuvre peint. Vol. 2, 1906–1919. Paris, 1968, p. 343, no. 811, ill., as "La Toilette".
Nicholas Joost. "The Dial Collection: Tastes and Trends of the 'Twenties." Apollo 94 (December 1971), p. 488.
Michael Brenson. "Met Museum Given Major Private Collection." New York Times (August 25, 1982), p. A1.
Lisa M. Messinger in "Notable Acquisitions 1984–1985." Metropolitan Museum of Art Bulletin 42 (1985), pp. 44–45, ill. (color), identifies Marthe, Bonnard's future wife, as probably the woman reflected in the mirror; notes that Bonnard painted several similar compositions from 1907 to 1915.
Terence Measham in 20th Century Masters from The Metropolitan Museum of Art, New York. Exh. cat., Australian National Gallery. Canberra, 1986, p. 27, ill. (color).
Kay Larson. "The Met Goes Modern: Bill Lieberman's Brave New Wing." New York Magazine 19 (December 15, 1986), p. 46.
Anette Kruszynski in Pierre Bonnard: Das Glück zu malen. Exh. cat., Kunstsammlung Nordrhein-Westfalen. Düsseldorf, 1993, pp. 38–39.
Ulrich Krempel in Pierre Bonnard: Das Glück zu malen. Exh. cat., Kunstsammlung Nordrhein-Westfalen. Düsseldorf, 1993, pp. 156, 181, no. 17, ill. p. 158 (color).
Albert Kostenevich. Bonnard and the Nabis from the Collections of Russian Museums. Bournemouth, England, 1996, pp. 47, 65, calls it "The Toilette" and "The Dressing Room"; erroneously locates it still in the Worcester Art Museum.
Hidenori Kurita in Pierre Bonnard. Ed. Hidenori Kurita et al. Exh. cat., Aichi Prefectural Museum of Art. Nagoya, 1997, p. 249, under no. 76, ill. p. 178, calls it "Dressing Room"; notes its similarity to "Interior" (1913; Sotheby's, New York, November 5, 2003, no. 19; D755).
Charlotte Eyerman in Old Masters, Impressionists, and Moderns: French Masterworks from the State Pushkin Museum, Moscow. Exh. cat., Museum of Fine Arts, Houston. New Haven, 2002, p. 196 n. 4.
Impressionist & Modern Art. Part One. Sotheby's, New York. November 5, 2003, p. 66, under no. 19, call it "Cabinet de toilette"; identify this scene and that of "Interior" (1913; D755) as the bedroom of Bonnard's villa, "Ma Roulotte," near Vernonnet.
Sabine Rewald in The Masterpieces of French Painting from The Metropolitan Museum of Art: 1800–1920. Exh. cat., Museum of Fine Arts, Houston. New York, 2007, pp. 164, 181, no. 122, ill. (color and bw), identifies this scene as a dressing room in Bonnard's house at Saint-Germain-en-Laye, near Paris, where he lived during World War I, and the figure in the mirror as probably Marthe.
Sabine Rewald in Masterpieces of European Painting, 1800–1920, in The Metropolitan Museum of Art. New York, 2007, pp. 194, 214–15, no. 179, ill. (color and bw).
Marina Ferretti-Bocquillon in Bonnard en Normandie. Exh. cat., Musée des Impressionnismes Giverny. Paris, 2011, p. 12, fig. 3 (color), calls it "La Toilette".
Marina Ferretti-Bocquillon in Pierre Bonnard. Ed. Ulf Küster. Exh. cat., Fondation Beyeler. Basel, 2012, p. 116, fig. 5 (color), calls it "La Toilette".