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The Annunciation

Hans Memling Netherlandish
1480–89
On view at The Met Fifth Avenue in Gallery 953
Memling modeled this Annunciation on the left wing of Rogier van der Weyden’s Saint Columba Altarpiece (now in Munich), but his innovative rendition portrays the Virgin swooning and supported by two angels, rather than kneeling. Like other fifteenth-century Flemish painters working in the wake of Jan van Eyck, Hans Memling cloaked religious imagery in the pictorial language of everyday life, paying close attention to naturalistic detail. This Annunciation takes place in a comfortably appointed bedchamber, though many of the domestic furnishings have symbolic connotations. The carafe of water, through which light passes uncorrupted, and the vase of lilies are symbols of the Virgin's purity, while the empty candleholder signifies her imminent role as bearer of Christ, light of the world. Gabriel's priestly garb alludes to the ritual of the Mass and, therefore, the incarnation of Christ. A soft glowing light falls on the Virgin and suffuses the room, elevating the scene from the realm of the ordinary and signaling the sacred nature of the drama.

Artwork Details

Object Information
  • Title: The Annunciation
  • Artist: Hans Memling (Netherlandish, Seligenstadt, active by 1465–died 1494 Bruges)
  • Date: 1480–89
  • Medium: Oil on panel, transferred to canvas
  • Dimensions: 30 1/8 x 21 1/2 in. (76.5 x 54.6 cm)
  • Classification: Paintings
  • Credit Line: Robert Lehman Collection, 1975
  • Object Number: 1975.1.113
  • Curatorial Department: The Robert Lehman Collection

Audio

Cover Image for 4725. The Annunciation, Part 1

4725. The Annunciation, Part 1

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The Annunciation, Hans Memling Netherlandish, Oil on wood
The Annunciation
Hans Memling
ca. 1465–70
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Portrait of a Young Man, Hans Memling Netherlandish, Oil on oak panel
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Virgin and Child, Hans Memling Netherlandish, Oil on oak panel, Netherlandish
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Portrait of an Old Man, Hans Memling Netherlandish, Oil on wood
Portrait of an Old Man
Hans Memling
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