Many artists and poets of the East and West alike have striven to capture the transitory and fleeting image of swelling waves. Kōrin’s rendition—one of Japan’s most striking representations of this amorphous, ungraspable form—has a strangely menacing feel, due no doubt to the long, tentacle-like fingers of foam, punctured here and there by openings. Outlined in ink using the ancient Chinese technique of drawing with two brushes held together in one hand, the clawlike waves are peculiarly reminiscent of dragons’ talons. The immediate inspiration for the screen may have been images by Sesson Shūkei (ca. 1504–ca. 1589), whose extant works include a number of dynamic and mysterious renderings of waves.
The screen bears a seal reading “Dōsū,” the name Kōrin adopted in 1704. Recent research suggests that the screen was executed between 1704 and 1709, when Kōrin was residing in Edo (now Tokyo).
Kumagai Kyukyodo , Kyoto (until 1926; sold to G. Kitanaka); [ G. Kitanaka , Kyoto, 1926; sold to MMA]
New York. Japan House Gallery. "Rimpa, Masterworks of the Japanese Decorative School," September 13, 1971–November 14, 1971.
Tokyo National Museum. "Rimpa: Outstanding Works of the Korin School," October 10, 1972–December 3, 1972.
Fukuoka Art Museum. "Nihon no bi : Rimpa: Sōtatsi, Kōrin, Hoitsu kara gendai made," October 7, 1989–November 5, 1989.
New York. The Metropolitan Museum of Art. "The Resonant Image: Tradition in Japanese Art (Part Two)," April 27–September 27, 1998.
New York. The Metropolitan Museum of Art. "Art in Early Japan," 1999–2000.
New York. The Metropolitan Museum of Art. "Arts of Japan," August 19, 2000–February 5, 2001.
New York. The Metropolitan Museum of Art. "A Sense of Place: Landscape in Japanese Art," May 8–September 8, 2002.
New York. The Metropolitan Museum of Art. "Great Waves: Chinese Themes in the Arts of Korea and Japan I," March 1–September 21, 2003.
New York. The Metropolitan Museum of Art. "Masterpieces from the Permanent Collection," July 2–November 29, 2005.
New York. The Metropolitan Museum of Art. "Flowing Streams: Scenes from Japanese Arts and Life," December 21, 2006–June 3, 2007.
Tokyo National Museum. "Celebrating the 350th Anniversary of Ogata Korin's Birth, Treasures by Rinpa Masters: Inheritance and Innovation," October 7, 2008–November 16, 2008.
New York. The Metropolitan Museum of Art. "Designing Nature: The Rinpa Aesthetic in Japanese Art," May 26, 2012–January 13, 2013.
New York. Japan Society Gallery. "Silver Winds: the Art of Sakai Hoitsu (1761–1828) and His Circle," September 28, 2012–January 6, 2013.
New York. The Metropolitan Museum of Art. "Discovering Japanese Art: American Collectors and the Met," February 14 - September 27, 2015.
Akiyama Terukazu 秋山光和, Shimada Shūjirō 島田修二郎, and Yamane Yūzō 山根有三, eds. Zaigai Nihon no shihō 在外日本の至宝 (Japanese art: selections from Western collections): Rinpa. vol. 5, Tokyo: Mainichi Shinbunsha, 1979, pl. 57.
Howard, Kathleen, ed. The Metropolitan Museum of Art Guide. New York: The Metropolitan Museum of Art, 1983, p. 244, fig. 11.
The Metropolitan Museum of Art: Asia. New York: The Metropolitan Museum of Art, 1987, pp. 38–40, pl. 17.
Tokyo Kokuritsu Bunkazai Kenkyūjo 東京国立文化財研究所, ed. Nyūyōku Metoroporitan Bijutsukan, kaiga, chōkoku ニューヨークメトロポリタン美術館,絵画・彫刻 (Painting and sculpture of the Metropolitan Museum of Art, New York) Kaigai shozai Nihon bijutsuhin chōsa hōkoku 海外所在日本美術品調查報告 (Catalogue of Japanese art in foreign collections) 1. Tokyo: Kobunkazai Kagaku Kenkyūkai, 1991, p. 98, cat. no. 290.
Howard, Kathleen, ed. The Metropolitan Museum of Art Guide. 2nd ed., New York: The Metropolitan Museum of Art, 1994, p. 97, fig. 11.
Carpenter, John T. Designing Nature: The Rinpa Aesthetic in Japanese Art. Exh. cat. New York: The Metropolitan Museum of Art, 2012, pp. 108–9, cat. no. 34.
The Metropolitan Museum of Art. The Metropolitan Museum of Art Guide. New York: The Metropolitan Museum of Art, 2012, p. 107.
McKelway, Matthew P. Silver Wind: The Arts of Sakai Hōitsu (1761–1828). Exh. cat. New York: Japan Society, 2012, pp. 64–66, cat. no. 8.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's collection of Asian art—more than 35,000 objects, ranging in date from the third millennium B.C. to the twenty-first century—is one of the largest and most comprehensive in the world.