Claus Virch. The Adele and Arthur Lehman Collection. New York, 1965, p. 25, ill., attributes it to the workshop of Antonio Vivarini; relates it to Antonio's Saint Jerome altarpiece of 1441 (Kunsthistorisches Museum, Vienna); notes that the Lehmans acquired the picture in Europe, through Paul Sachs.
Burton B. Fredericksen and Federico Zeri. Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections. Cambridge, Mass., 1972, pp. 211, 406, 609.
Federico Zeri with the assistance of Elizabeth E. Gardner. Italian Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art, Venetian School. New York, 1973, p. 90, pl. 101, state that it probably dates to the first half of the 1440s.
Federico Zeri. Italian Paintings in the Walters Art Gallery. Baltimore, 1976, vol. 1, pp. 234–35.