Claude Monet. Letter to Monsieur Durand. April 28, 1904 [published in L. Venturi, "Les archives de l'impressionnisme," 1939, vol. 1, p. 393], discusses the works to be included in the exhibition "Vues de la Tamise," mentioning one called "Parliament, effect of fog," possibly this picture.
Arsène Alexandre. Claude Monet. Paris, 1921, ill. opp. p. 104.
Charles Sterling and Margaretta M. Salinger. French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. Vol. 3, XIX–XX Centuries. New York, 1967, pp. 142–43, ill., tentatively identify it as no. 31 in the 1904 Durand-Ruel exhibition.
Douglas Cooper. "The Monets in the Metropolitan Museum." Metropolitan Museum Journal 3 (1970), pp. 299, 301–2, 304–5, fig. 29.
Anthea Callen. The Impressionists in London. Exh. cat., Hayward Gallery. London, 1973, p. 47, no. 25, ill., claims that it may not have been included in the 1904 Durand-Ruel exhibition, and definitely should not be identified as no. 31, which is the version now at the High Museum, Atlanta (W1601).
John House. "The Impressionists in London." Burlington Magazine 115 (March 1973), p. 197.
John Elderfield. "Monet's Series." Art International 18 (November 15, 1974), ill. p. 28.
Grace Seiberling. Monet's Series. PhD diss., Yale University. New York, 1981, p. 375, no. 41, lists it as part of the Thames series.
Charles S. Moffett. Impressionist and Post-Impressionist Paintings in The Metropolitan Museum of Art. New York, 1985, pp. 150–51, 253, ill. (color).
Daniel Wildenstein. Claude Monet: Biographie et catalogue raisonné. Vol. 4, 1899–1926: Peintures. Lausanne, 1985, pp. 13, 19 n. 149, p. 39 n. 360, pp. 188–89, no. 1609, ill., dates it 1900–1901; claims Monet reworked it after the 1904 Durand-Ruel exhibition, at the same time changing the date from 1904 to 1903 and moving the signature from right to left; illustrates it in its original state; lists it as no. 32 in the 1904 exhibition.
John House. Monet: Nature into Art. New Haven, 1986, pp. 58–59, 204, pl. 89.
Gary Tinterow et al. The Metropolitan Museum of Art. Vol. 8, Modern Europe. New York, 1987, pp. 8, 34, colorpl. 18.
Gary Tinterow et al. Capolavori impressionisti dei musei americani. Exh. cat., Museo di Capodimonte, Naples. Milan, 1987, pp. 76–77, no. 33, ill. (color).
Grace Seiberling. Monet in London. Exh. cat., High Museum of Art. Seattle, 1988, pp. 84, 86 n. 87, p. 93 n. 32, fig. 43 (color).
Roger Hurlburt. "Free Spirits." Sun-Sentinel (Fort Lauderdale) (December 20, 1992), p. 4D.
Stephan Koja. Claude Monet. Exh. cat., Österreichische Galerie, Vienna. Munich, 1996, pp. 196, 220, no. 76, colorpl. 76.
Daniel Wildenstein. Monet. Vol. 4, Catalogue raisonné–Werkverzeichnis: Nos. 1596–1983 et les grandes décorations. 2nd ed. Cologne, 1996, pp. 716–17, no. 1609, ill. (color).
Daniel Wildenstein. Monet or the Triumph of Impressionism. Vol. 1, 2nd ed. Cologne, 1996, ill. p. 346 (color).
Caroline Durand-Ruel. "Quand les Havemeyers aimaient la peinture française." Connaissance des arts no. 544 (November 1997), p. 108.
Eric M. Zafran. "Monet in the United States: The Early Years." Claude Monet–A Hymn to Light. Exh. cat., Hiroshima Prefectural Art Museum. 2004, pp. 116, 194, 224, no. 43, ill. p. 117 (color).
Eric M. Zafran in Claude Monet (1840–1926): A Tribute to Daniel Wildenstein and Katia Granoff. Exh. cat., Wildenstein & Co., Inc. New York, 2007, p. 133.
Joseph Baillio and Cora Michael in Claude Monet (1840–1926): A Tribute to Daniel Wildenstein and Katia Granoff. Exh. cat., Wildenstein & Co., Inc. New York, 2007, p. 170.
Susan Alyson Stein in The Masterpieces of French Painting from The Metropolitan Museum of Art: 1800–1920. Exh. cat., Museum of Fine Arts, Houston. New York, 2007, pp. 130–31, 242, no. 93, ill. (color and black and white).
Susan Alyson Stein in Masterpieces of European Painting, 1800–1920, in The Metropolitan Museum of Art. New York, 2007, pp. 145, 285, no. 134, ill. (color and black and white).