Translucent deep honey brown; handle in opaque white.
Outsplayed rim, folded up and in, forming collar on inside of mouth; cylindrical neck with short vertical projecting ridge at top; sloping shoulder; piriform body, tapering downwards; flat bottom; handle with two prominent ribs attached to shoulder, drawn up and outwards, then turned in at a right angle, folded up to form loop above rim and then dropped onto rim and top of neck.
Decoration comprises four registers on neck and body, divided by ridges and raised horizontal lines: on neck, vertical flutes rounded at both ends; in frieze on shoulder and upper body, continuous floral spray with upturned spikes, forming circular frames for six downturned palmettes with outward facing leaves, alternating with six downturned palmettes with inward facing leaves; around middle section of body, frieze filled with net pattern, broken on one side by a tabula ansata containing a Greek inscription; on lower body, vertical flutes, rounded at top, with spikes projecting upward between flutes; on bottom, deep, small kick with central knob.
Intact, but slight indent in top of side near handle; slight dulling and pitting, patches of creamy weathering and iridescence.
Neck and upper body blown in a three-part mold, with mold marks extending to ridge below frieze with net pattern; separate cup-shaped mold for lower body and bottom.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
This artwork is meant to be viewed from right to left. Scroll left to view more.
17.194.225; 17.194.226; 81.10.224
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Glass jug
Artist:Ennion
Period:Early Imperial, Julio-Claudian
Date:1st half of 1st century CE
Culture:Roman
Medium:Glass; blown in a four-part mold
Dimensions:Other: 7 1/4 × 4 3/16 in. (18.4 × 10.6 cm) Diam. of rim: 2 3/4 in. (7 cm)
Classification:Glass
Credit Line:Gift of J. Pierpont Morgan, 1917
Accession Number:17.194.226
Signature: Signed by Ennion: ΕΝΝΙWΝ EΠΟΙΕΙ
Inscription: Inscribed in Greek: "Ennion made [me/it]"
Said to have been acquired in Constantinople (Froehner 1903, p. 164, no. 1183)
Before 1895, purchased by Julien Gréau; purchased as part of the Gréau glass collection by John Pierpont Morgan; until 1913, collection of J. Pierpont Morgan; 1913, inherited by J. Pierpont Morgan (son); acquired in 1917, gift of J.P. Morgan.
Froehner, Wilhelm. 1903. Collection Julien Gréau. Verrerie antique, émaillerie et poterie appartenant à M. John Pierpont Morgan no. 1183, pp. 163–64, pl. 217, Paris.
Conton, Luigi. 1906. "I più insigni monumenti di Ennione; recentemente scoperti nell’agro Adriese." Ateneo Veneto, 2. p. 15, Venice.
Kisa, Anton. 1908. Das Glas im Altertume, Vol. 3. p. 714, Leipzig: K. W. Hiersemann.
Richter, Gisela M. A. 1911. "The Room of Ancient Glass." Bulletin of the Metropolitan Museum of Art, 6(6) Supp.: p. 16, fig. 16.
Rostovtzeff, Michael Ivanovitch. 1914. Antichna︠i︡a Dekorativna︠i︡a Zhivopisʹ Na ︠i︡ug︠i︡e Rossīi. Vol. I: Opisanie I Issledovanie Pamiatnikov. p. 514, fig. 96, St. Petersburg: Imper. Arkheologucheska︠i︡a Kommissī︠i︡a.
Eisen, Gustavus A. and Fahim Joseph Kouchakji. 1927. Glass: Its Origin, History, Chronology, Technic and Classification to the Sixteenth Century, Vol. 1. p. 271, pl. 56, New York: W. E. Rudge.
Richter, Gisela M. A. 1930[1911]. The Room of Ancient Glass, : p. 16, fig. 16.
Harden, Donald Benjamin. 1935. "Romano-Syrian Glasses with Mould-Blown Inscriptions." The Journal of Roman Studies, 25: p. 168, pl. 23c.
Metropolitan Museum of Art. 1936[1934]. A Guide to the Collections, Part 1: Ancient and Oriental Art, 2nd edn. New York: The Metropolitan Museum of Art.
Metropolitan Museum of Art. 1936. A Special Exhibition of Glass from the Museum Collections: New York, October 13 to November 29, 1936.. p. 7, New York: The Metropolitan Museum of Art.
Metropolitan Museum of Art. 1936. Roman Art, A Picture Book. fig. 8, New York: The Metropolitan Museum of Art.
Richter, Gisela M. A. and Christine Alexander. 1939. Augustan Art: An Exhibition Commemorating the Bimillennium of the Birth of Augustus. p. 22, fig. 49, New York: Marchbanks Press.
Harden, Donald Benjamin. 1940. "Roman Mould-Blown Glass." The Connoisseur, 106: no. 2, p. 102.
Harden, Donald Benjamin and Grace Crowfoot. 1956. "Glass and Glazes." A History of Technology: The Mediterranean Civilizations and the Middle Ages, c. 700 B.C. to c. A.D. 1500, Vol. 2, Charles Singer, Eric John Holmyard, Alfred Rupert Hall, and Trevor Williams, eds. p. 322, fig. 300, Oxford: Clarendon Press.
Forbes, Robert J. 1957. Studies in Ancient Technology, Vol. 5. p. 169, fig. 31, Leiden: Brill.
Auth, Susan H. 1976. Ancient glass at the Newark Museum from the Eugene Schaefer Collection of antiquities. no. 58, p. 65, Newark: Newark Museum.
Lehrer, Gusta. 1979. Ennion: A First Century Glassmaker. p. 7, pl. 1.4, Ramat Aviv: Haaretz Museum.
Israeli, Yael. 1983. "Ennion in Jerusalem." Journal of Glass Studies, 25: p. 67.
Donceel, R. 1987. "Un fragment de verre de l’atelier d’Ennion à Apamée." Revue des Archéologues et Historiens d’Art de Louvain, XX: p. 38, fig. 2.
Stern, E. Marianne. 1995. Roman Mold-Blown Glass: The First through Sixth Centuries. pp. 73 ns. 82c and 84c, p. 151 n. 4c, Rome: L'Erma di Bretschneider.
Barag, Dan P. 1996. "Phoenicia and mold-blowing in the early Roman period." Annales du 13e Congrès de l'Association Internationale pour l'Histoire du Verre, Pays Bas 28 août-1 septembre 1995, Gioia Meconcelli, ed. no. 7
, Lochem: Association internationale pour l'histoire du verre.
Milleker, Elizabeth J. 2000. The Year One: Art of the Ancient World East and West, Elizabeth J. Milleker, ed. no. 54, pp. 66–67, 207, New York: The Metropolitan Museum of Art.
Strouse, Jean and Joan R. Mertens. 2000. "J. Pierpont Morgan: Financier and Collector." Bulletin of the Metropolitan Museum of Art, 57(3): p. 56, fig. 66.
Lightfoot, Christopher S. and Elisabetta Valtz Fino. 2001. "In "Ars Vitraria: Glass in the Metropolitan Museum of Art": Greek and Roman Art." Bulletin of the Metropolitan Museum of Art, 59(1): p. 22.
Picón, Carlos A. 2007. Art of the Classical World in the Metropolitan Museum of Art: Greece, Cyprus, Etruria, Rome no. 398, pp. 341, 484, New York: The Metropolitan Museum of Art.
Lightfoot, Christopher S. 2014. Ennion: Master of Roman Glass. no. 1, pp. 27, 70, fig. 13, New York: The Metropolitan Museum of Art.
Lightfoot, Christopher S. 2015. "Ennion, Master of Roman Glass: Further Thoughts." Metropolitan Museum Journal, 50: pp. 104–9, figs. 2, 4.
Lightfoot, Christopher S. 2016. "Fragments of Time: Ancient Glass in the Department of Greek and Roman Art." Metropolitan Museum Journal, 51: p. 38.
Zanker, Paul, Seán Hemingway, Christopher S. Lightfoot, and Joan R. Mertens. 2019. Roman Art : A Guide through the Metropolitan Museum of Art's Collection. no. 81, pp. 16–17, 179, 197–98, fig. 7, New York: Scala Publishers.
Bayer, Andrea and Laura D. Corey. 2020. Making the Met, 1870-2020 pp. 79–80, 247, fig. 77, New York: The Metropolitan Museum of Art.
Editorial Assistant Rachel High discusses the Museum's first publication devoted to Ennion with Ennion: Master of Roman Glass curator and author, Christopher Lightfoot.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Museum's collection of Greek and Roman art comprises more than 30,000 works ranging in date from the Neolithic period to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312.
