The Damsel and Orlando

Benjamin West American

Not on view

The Italian poet Ludovico Ariosto’s epic "Orlando furioso" (1516) enjoyed revived popularity in the eighteenth century. In this melodramatic scene, the costumes, the physical types, and, especially, the poses are reminiscent of the style of the Italian High Renaissance, which West greatly admired. The hero, Orlando, is shown as he learns that he has lost his place in the affections of Angelica, who now loves someone else and has dispensed with a jeweled bracelet Orlando had given her. The painter concentrated all the work’s tension in the theatrical pose of Orlando, who, in the wildness of his grief, loses his mind.

The Damsel and Orlando, Benjamin West (American, Swarthmore, Pennsylvania 1738–1820 London), Oil on canvas, American

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.