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Highlights of the Collection / 1,898 records
The Unicorn in Captivity (from the Unicorn Tapestries)
Date: 1495–1505
Medium: Wool warp with wool, silk, silver, and gilt wefts
Accession Number: 37.80.6
Courtiers in a Rose Garden: A Lady and Two Gentlemen
Date: ca. 1440–50
Medium: Wool warp; wool, silk, metallic weft yarns
Accession Number: 09.137.2
Julius Caesar and Attendants (from the Nine Heroes Tapestries)
Date: ca. 1400–1410
Medium: Wool warp, wool wefts
Accession Number: 47.101.3
The Unicorn is Found (from the Unicorn Tapestries)
Date: 1495–1505
Medium: Wool warp with wool, silk, silver, and gilt wefts
Accession Number: 37.80.2
King Arthur and Attendants (acc. nos. 32.130.3a and 47.101.4 from the Nine Heroes Tapestries)
Date: ca. 1400
Medium: Wool warp, wool wefts
Accession Number: 32.130.3a; 47.101.4
The Last Supper
Designed by Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1524–46 (design), ca. 1525–28 (woven)
Medium: Wool, silk, silver-gilt thread.
Accession Number: 1975.1.1915
Tapestry with the Annunciation
Date: ca. 1410–20
Medium: Wool warp, wool with a few metallic wefts
Accession Number: 45.76
The Unicorn in Captivity (from the Unicorn Tapestries)
Date: 1495–1505
Accession Number: 37.80.6
Courtiers in a Rose Garden: A Lady and Two Gentlemen
Date: ca. 1440–50
Accession Number: 09.137.2
Julius Caesar and Attendants (from the Nine Heroes Tapestries)
Date: ca. 1400–1410
Accession Number: 47.101.3
The Unicorn is Found (from the Unicorn Tapestries)
Date: 1495–1505
Accession Number: 37.80.2
The Last Supper
Designed by Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1524–46 (design), ca. 1525–28 (woven)
Accession Number: 1975.1.1915
Tapestry with the Annunciation
Date: ca. 1410–20
Accession Number: 45.76

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