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Highlights of the Collection / 1,842 records
78 records
Gilt x Europe x
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters
(German, Erkelenz 1827–1909 Aachen)
Date: second half 16th century (panels); ca. 1865–90 (frame)
Medium: Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass.
Accession Number: 1975.1.1558
Armchair (Fauteuil à la reine) (one of a pair)
Georges Jacob
(French, 1739–1814, master 1765)
Date: ca. 1780–85
Medium: Carved and gilded walnut; embroidered silk satin
Accession Number: 58.75.25
Settee (one of a pair) (part of a set)
Attributed to Johann Michael Bauer
(German, Westheim 1710–1779 Bamberg)
Date: ca. 1763–64
Medium: Carved, painted and gilded linden wood; squab pillow in silk velvet (not original)
Accession Number: 1974.356.120a
Altar Frontal with Man of Sorrows and Saints
Date: ca. 1465
Medium: Wool, linen, and metallic thread (gilt membrane on silk) on linen
Accession Number: 1991.156
Lyre Guitar
Pons fils
Date: ca. 1805
Medium: Mahogany, spruce, gilding
Accession Number: 1998.121
Booklet with Scenes of the Passion
Date: ca. 1300 (carving); ca. 1310–20 (painting)
Medium: Elephant ivory, polychromy, and gilding
Accession Number: 1982.60.399
Processional cross
Date: ca. 1460–80
Medium: Partly gilt silver, niello, and copper with traces of gilding, over wood
Accession Number: 17.190.499
Tapestry Room from Croome Court
Room after a design by Robert Adam
(British, Kirkcaldy, Scotland 1728–1792 London)
Date: 1763–71
Medium: Plaster, pine, mahogany, bronze-gilt, marble, lapis lazuli, steel; wool and silk (22-24 warps per inch, 9-10 per centimeter)
Accession Number: 58.75.1–.22
Casket
Attributed to Michel Redlin
(German, documented 1688)
Date: ca. 1680
Medium: Amber, gold foil, gilt brass, wood, silk satin, paper
Accession Number: 2006.452a–c
Reliquary Bust of Saint Yrieix
Date: ca. 1220–40, with later grill
Medium: Silver and gilded silver with rock crystal, gems, and glass
Accession Number: 17.190.352a, b
Pietà
Date: 1375–1400
Medium: Poplar, plaster, paint, gilt
Accession Number: 48.85
Crucifix
Date: ca. 1150–1200
Medium: Corpus: white oak and pine with polychromy, gilding, and applied stones; Cross: red pine, polychromy
Accession Number: 35.36a, b
Rolltop desk
David Roentgen
(German, Herrnhaag 1743–1807 Wiesbaden, master 1780)
Date: ca. 1776–79
Medium: Oak, cherry, pine, mahogany, veneered with maple, burl woods, holly, hornbeam (all partially stained), tulipwood, mahogany, and other woods; mother-of-pearl; partially gilded and tooled leather; gilt bronze, iron, steel, brass, partially gold-lacquered brass
Accession Number: 41.82
Reliquary Casket with Scenes from the Martyrdom of Saint Thomas Becket
Date: ca. 1173–80
Medium: Silver, partial gilt, niello, garnet cabochon
Accession Number: 17.190.520
The Holy Family with Saints Anne and Joachim
Diego de Pesquera (Spanish, Castile (?), ca. 1540–after 1581, Mexico
(?), active 1563–80)
Date: 1567–68
Medium: Wood, painted and gilt
Accession Number: 45.128.5
Chasse with the Crucifixion and Christ in Majesty
Date: ca. 1180–90
Medium: Copper: engraved, chiseled, stippled, and gilt; champlevé enamel: dark, medium, and light blue; turquoise, dark and light green, yellow, red, and white; wood core, painted red on exterior
Accession Number: 17.190.514
The Visitation
Attributed to Master Heinrich of Constance
(German, active in Constance, ca. 1300)
Date: ca. 1310–20
Medium: Walnut, paint, gilding, rock-crystal cabochons inset in gilt-silver mounts
Accession Number: 17.190.724
Reliquary Shrine
Attributed to Jean de Touyl
(French, died 1349/50)
Date: second quarter 14th century
Medium: Gilt-silver, translucent enamel, paint
Accession Number: 62.96
Cape
Date: second half 16th century
Medium: silk, gilt thread
Accession Number: 06.941
Writing table (bureau plat)
Gilles Joubert
(French, ca. 1689–1775)
Date: 1759
Medium: Lacquered oak, gilt-bronze mounts, lined with modern leather
Accession Number: 1973.315.1
Ceiling
Date: 16th century
Medium: Wood; carved, painted, and gilded
Accession Number: 56.234.35
Armor of Infante Luis, Prince of Asturias (1707–1724)
Signature probably refers to Jean Drouart
(French, Paris, died before October 1715)
Date: dated 1712
Medium: Steel, blued and gilt; gilt brass, silk, cotton, metallic yarn, paper
Accession Number: 1989.3
The Unicorn is Found (from the Unicorn Tapestries)
Date: 1495–1505
Medium: Wool warp with wool, silk, silver, and gilt wefts
Accession Number: 37.80.2
Processional Cross
Date: ca. 1150–75
Medium: Silver, partially gilt on wood core, carved gems, jewels
Accession Number: 17.190.1406
Paris
Antico (Pier Jacopo Alari Bonacolsi)
(Italian, Mantua ca. 1460–1528 Gazzuolo)
Date: ca. 1500–1505
Medium: Bronze, partially gilt and silvered
Accession Number: 55.93
Saint John the Baptist
Juan Martínez Montañés
(Spanish, Alcalá la Real 1568–1649 Seville)
Date: ca. 1620–30
Medium: Polychromed wood with gilding
Accession Number: 63.40
Drop-front secretary (Secrétaire en armoire)
Jean Henri Riesener
(French, Gladebeck, near Hessen 1734–1806 Paris)
Date: 1783
Medium: Oak veneered with ebony and 17th-century Japanese lacquer; interiors veneered with tulipwood, amaranth, holly, and ebonized holly; gilt-bronze mounts; marble top; velvet (not original)
Accession Number: 20.155.11
Hunting Sword with Scabbard
Grip attributed to Joseph Deutschmann
(German, Imst 1717–1787 Passau)
Date: ca. 1740
Medium: Steel, silver-gilt, ivory, wood, leather
Accession Number: 26.145.243a, b
Commode à vantaux
David Roentgen
(German, Herrnhaag 1743–1807 Wiesbaden, master 1780)
Date: ca. 1775–79 with later alterations
Medium: Oak, pine, walnut, mahogany, and cherry veneered with hornbeam (partially stained), tulipwood, walnut, holly and maple (both partially stained), boxwood, mahogany, and other woods; red brocatelle marble; gilt bronze; iron, steel, and brass
Accession Number: 1982.60.81
The Last Supper
Designed by Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1524–46 (design), ca. 1525–28 (woven)
Medium: Wool, silk, silver-gilt thread.
Accession Number: 1975.1.1915
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters
(German, Erkelenz 1827–1909 Aachen)
Date: second half 16th century (panels); ca. 1865–90 (frame)
Accession Number: 1975.1.1558
Armchair (Fauteuil à la reine) (one of a pair)
Georges Jacob
(French, 1739–1814, master 1765)
Date: ca. 1780–85
Accession Number: 58.75.25
Settee (one of a pair) (part of a set)
Attributed to Johann Michael Bauer
(German, Westheim 1710–1779 Bamberg)
Date: ca. 1763–64
Accession Number: 1974.356.120a
Altar Frontal with Man of Sorrows and Saints
Date: ca. 1465
Accession Number: 1991.156
Lyre Guitar
Pons fils
Date: ca. 1805
Accession Number: 1998.121
Booklet with Scenes of the Passion
Date: ca. 1300 (carving); ca. 1310–20 (painting)
Accession Number: 1982.60.399
Processional cross
Date: ca. 1460–80
Accession Number: 17.190.499
Tapestry Room from Croome Court
Room after a design by Robert Adam
(British, Kirkcaldy, Scotland 1728–1792 London)
Date: 1763–71
Accession Number: 58.75.1–.22
Casket
Attributed to Michel Redlin
(German, documented 1688)
Date: ca. 1680
Accession Number: 2006.452a–c
Reliquary Bust of Saint Yrieix
Date: ca. 1220–40, with later grill
Accession Number: 17.190.352a, b
Pietà
Date: 1375–1400
Accession Number: 48.85
Crucifix
Date: ca. 1150–1200
Accession Number: 35.36a, b
Rolltop desk
David Roentgen
(German, Herrnhaag 1743–1807 Wiesbaden, master 1780)
Date: ca. 1776–79
Accession Number: 41.82
The Holy Family with Saints Anne and Joachim
Diego de Pesquera (Spanish, Castile (?), ca. 1540–after 1581, Mexico
(?), active 1563–80)
Date: 1567–68
Accession Number: 45.128.5
Chasse with the Crucifixion and Christ in Majesty
Date: ca. 1180–90
Accession Number: 17.190.514
The Visitation
Attributed to Master Heinrich of Constance
(German, active in Constance, ca. 1300)
Date: ca. 1310–20
Accession Number: 17.190.724
Reliquary Shrine
Attributed to Jean de Touyl
(French, died 1349/50)
Date: second quarter 14th century
Accession Number: 62.96
Cape
Date: second half 16th century
Accession Number: 06.941
Writing table (bureau plat)
Gilles Joubert
(French, ca. 1689–1775)
Date: 1759
Accession Number: 1973.315.1
Ceiling
Date: 16th century
Accession Number: 56.234.35
Armor of Infante Luis, Prince of Asturias (1707–1724)
Signature probably refers to Jean Drouart
(French, Paris, died before October 1715)
Date: dated 1712
Accession Number: 1989.3
The Unicorn is Found (from the Unicorn Tapestries)
Date: 1495–1505
Accession Number: 37.80.2
Processional Cross
Date: ca. 1150–75
Accession Number: 17.190.1406
Paris
Antico (Pier Jacopo Alari Bonacolsi)
(Italian, Mantua ca. 1460–1528 Gazzuolo)
Date: ca. 1500–1505
Accession Number: 55.93
Saint John the Baptist
Juan Martínez Montañés
(Spanish, Alcalá la Real 1568–1649 Seville)
Date: ca. 1620–30
Accession Number: 63.40
Drop-front secretary (Secrétaire en armoire)
Jean Henri Riesener
(French, Gladebeck, near Hessen 1734–1806 Paris)
Date: 1783
Accession Number: 20.155.11
Hunting Sword with Scabbard
Grip attributed to Joseph Deutschmann
(German, Imst 1717–1787 Passau)
Date: ca. 1740
Accession Number: 26.145.243a, b
Commode à vantaux
David Roentgen
(German, Herrnhaag 1743–1807 Wiesbaden, master 1780)
Date: ca. 1775–79 with later alterations
Accession Number: 1982.60.81
The Last Supper
Designed by Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1524–46 (design), ca. 1525–28 (woven)
Accession Number: 1975.1.1915
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