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Highlights of the Collection / 1,898 records
270 records
A.D. 1600–1800 x
Armor of Infante Luis, Prince of Asturias (1707–1724)
Signature probably refers to Jean Drouart
(French, Paris, died before October 1715)
Date: dated 1712
Medium: Steel, blued and gilt; gilt brass, silk, cotton, metallic yarn, paper
Accession Number: 1989.3
Portrait of Nicolas Trigault in Chinese Costume
Peter Paul Rubens
(Flemish, Siegen 1577–1640 Antwerp)
Date: 1617
Medium: Black, red, and white chalk, blue pastel, and pen and brown and black ink on light brown laid paper
Accession Number: 1999.222
Ensemble
Date: ca. 1730
Medium: (a) wool; (b) silk; (a, b) metallic thread
Accession Number: 2004.411a, b
Dish with Design of Three Jars
Date: 1680–90s
Medium: Porcelain with underglaze blue and overglaze enamels (Hizen ware, Nabeshima type)
Accession Number: 1975.268.563
Embroidered sampler
Rebekah S. Munro
(1780–1803)
Date: ca. 1791
Medium: Embroidered silk on linen
Accession Number: 1984.331.13
Warwick Castle: The East Front
Canaletto
(Giovanni Antonio Canal) (Italian, Venice 1697–1768 Venice)
Date: 1752
Medium: Pen and brown ink, gray wash
Accession Number: 1975.1.297
Small desk with folding top (bureau brisé)
Marquetry by Alexandre-Jean Oppenordt
(Dutch, 1639–1715, active France)
Date: ca. 1685
Medium: Oak, pine, walnut veneered with ebony, rosewood, and marquetry of tortoiseshell and engraved brass; gilt bronze and steel
Accession Number: 1986.365.3
Stove
Attributed to the pottery of David II Pfau
(1644–1702)
Date: ca. 1684–85
Medium: Faience (tin-enameled earthenware)
Accession Number: 06.968.2
Writing table (bureau plat)
Gilles Joubert
(French, ca. 1689–1775)
Date: 1759
Medium: Lacquered oak, gilt-bronze mounts, lined with modern leather
Accession Number: 1973.315.1
Boiserie from the Hôtel de Cabris, Grasse
Date: ca. 1774, with later additions
Medium: Carved, painted, and gilded oak
Accession Number: 1972.276.1
Bacchanal: A Faun Teased by Children
Gian Lorenzo Bernini
(Italian, Naples 1598–1680 Rome)
Date: ca. 1616–17
Medium: Marble
Accession Number: 1976.92
Riding coat
Date: ca. 1760
Medium: silk, goat hair
Accession Number: 1976.147.1
Side Drum
Date: 1694–1733
Medium: Copper alloy, wood, various materials
Accession Number: 14.25.1618
Armchair (Fauteuil à la reine) (one of a pair)
Georges Jacob
(1739–1814, master 1765)
Date: ca. 1780–85
Medium: Carved and gilded walnut; embroidered silk satin
Accession Number: 58.75.25
Alto Recorder in F
Johann Benedikt Gahn
(German, Nuremberg 1674–1711 Nuremberg)
Date: ca. 1700
Medium: Ivory
Accession Number: 89.4.909
Christ Crucified between the Two Thieves: The Three Crosses
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1653
Medium: Drypoint and engraving printed on vellum; first state of five
Accession Number: 41.1.31
"The Antonius" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1711
Medium: Maple, spruce, ebony
Accession Number: 34.86.1 a
Hercules and Achelous
Attributed to the Master of the Martyrdom of St. Sebastian
(Austrian)
Date: probably mid-17th century
Medium: Ivory
Accession Number: 1982.60.129
Guitar
Attributed to Matteo Sellas
(German, Füssen ca. 1599–1654 Venice)
Date: ca. 1630–50
Medium: Spruce, bone, parchment, snakewood, ivory
Accession Number: 1990.103
Clavichord
Attributed to Christian Kintzing
(German, Neuwied 1707–1804 Neuwied)
Date: 1763
Medium: Wood, metal
Accession Number: 1986.239
Mrs. Francis Brinley and Her Son Francis
John Smibert
(American, Edinburgh, Scotland 1688–1751 Boston, Massachusetts)
Date: 1729
Medium: Oil on canvas
Accession Number: 62.79.2
Jacket
Date: ca. 1616
Medium: linen, silk, metal
Accession Number: 23.170.1
The 'Nigde' Carpet
Date: 18th century
Medium: Cotton (warp and weft), wool (pile); symmetrically knotted pile
Accession Number: 56.217
Hunting Sword with Scabbard
Grip attributed to Joseph Deutschmann
(German, Imst 1717–1787 Passau)
Date: ca. 1740
Medium: Steel, silver-gilt, ivory, wood, leather
Accession Number: 26.145.243a, b
Kosode with Design of Shells and Sea Grasses
Date: early 17th century
Medium: Embroidery and gold leaf on plain-weave silk patterned with warp floats
Accession Number: 1992.253
Goblet
Date: 17th century
Medium: Colorless (yellowish), transparent turquoise blue, and opaque brick red, yellow, and white nonlead glass. Blown, trailed, pincered, "vetro a retorti".
Accession Number: 1975.1.1206
Musette de Cour
Unknown
Date: ca. 1700
Medium: Leather, ivory, silk, wood, silver, iron
Accession Number: 2003.63a–d
Transverse Flute in D-flat
Date: 1760–90
Medium: Hard-paste porcelain, gold-plated brass
Accession Number: 43.34 a-g
Tapestry Room from Croome Court
Room after a design by Robert Adam
(British, Kirkclady, Scotland 1728–1792 London)
Date: 1763–71
Medium: Plaster, pine, mahogany, bronze-gilt, marble, lapis lazuli, steel; wool and silk (22-24 warps per inch, 9-10 per centimeter)
Accession Number: 58.75.1–.22
Settee (one of a pair) (part of a set)
Attributed to Johann Michael Bauer
(German, Westheim 1710–1779 Bamberg)
Date: ca. 1763–64
Medium: Carved, painted and gilded linden wood; squab pillow in silk velvet (not original)
Accession Number: 1974.356.120a
Armor of Infante Luis, Prince of Asturias (1707–1724)
Signature probably refers to Jean Drouart
(French, Paris, died before October 1715)
Date: dated 1712
Accession Number: 1989.3
Portrait of Nicolas Trigault in Chinese Costume
Peter Paul Rubens
(Flemish, Siegen 1577–1640 Antwerp)
Date: 1617
Accession Number: 1999.222
Ensemble
Date: ca. 1730
Accession Number: 2004.411a, b
Dish with Design of Three Jars
Date: 1680–90s
Accession Number: 1975.268.563
Embroidered sampler
Rebekah S. Munro
(1780–1803)
Date: ca. 1791
Accession Number: 1984.331.13
Warwick Castle: The East Front
Canaletto
(Giovanni Antonio Canal) (Italian, Venice 1697–1768 Venice)
Date: 1752
Accession Number: 1975.1.297
Small desk with folding top (bureau brisé)
Marquetry by Alexandre-Jean Oppenordt
(Dutch, 1639–1715, active France)
Date: ca. 1685
Accession Number: 1986.365.3
Stove
Attributed to the pottery of David II Pfau
(1644–1702)
Date: ca. 1684–85
Accession Number: 06.968.2
Writing table (bureau plat)
Gilles Joubert
(French, ca. 1689–1775)
Date: 1759
Accession Number: 1973.315.1
Boiserie from the Hôtel de Cabris, Grasse
Date: ca. 1774, with later additions
Accession Number: 1972.276.1
Bacchanal: A Faun Teased by Children
Gian Lorenzo Bernini
(Italian, Naples 1598–1680 Rome)
Date: ca. 1616–17
Accession Number: 1976.92
Riding coat
Date: ca. 1760
Accession Number: 1976.147.1
Side Drum
Date: 1694–1733
Accession Number: 14.25.1618
Armchair (Fauteuil à la reine) (one of a pair)
Georges Jacob
(1739–1814, master 1765)
Date: ca. 1780–85
Accession Number: 58.75.25
Alto Recorder in F
Johann Benedikt Gahn
(German, Nuremberg 1674–1711 Nuremberg)
Date: ca. 1700
Accession Number: 89.4.909
Christ Crucified between the Two Thieves: The Three Crosses
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1653
Accession Number: 41.1.31
"The Antonius" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1711
Accession Number: 34.86.1 a
Hercules and Achelous
Attributed to the Master of the Martyrdom of St. Sebastian
(Austrian)
Date: probably mid-17th century
Accession Number: 1982.60.129
Guitar
Attributed to Matteo Sellas
(German, Füssen ca. 1599–1654 Venice)
Date: ca. 1630–50
Accession Number: 1990.103
Clavichord
Attributed to Christian Kintzing
(German, Neuwied 1707–1804 Neuwied)
Date: 1763
Accession Number: 1986.239
Mrs. Francis Brinley and Her Son Francis
John Smibert
(American, Edinburgh, Scotland 1688–1751 Boston, Massachusetts)
Date: 1729
Accession Number: 62.79.2
Jacket
Date: ca. 1616
Accession Number: 23.170.1
The 'Nigde' Carpet
Date: 18th century
Accession Number: 56.217
Hunting Sword with Scabbard
Grip attributed to Joseph Deutschmann
(German, Imst 1717–1787 Passau)
Date: ca. 1740
Accession Number: 26.145.243a, b
Kosode with Design of Shells and Sea Grasses
Date: early 17th century
Accession Number: 1992.253
Goblet
Date: 17th century
Accession Number: 1975.1.1206
Musette de Cour
Unknown
Date: ca. 1700
Accession Number: 2003.63a–d
Transverse Flute in D-flat
Date: 1760–90
Accession Number: 43.34 a-g
Tapestry Room from Croome Court
Room after a design by Robert Adam
(British, Kirkclady, Scotland 1728–1792 London)
Date: 1763–71
Accession Number: 58.75.1–.22
Settee (one of a pair) (part of a set)
Attributed to Johann Michael Bauer
(German, Westheim 1710–1779 Bamberg)
Date: ca. 1763–64
Accession Number: 1974.356.120a
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