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Highlights of the Collection / 1,858 records
105 records
Textiles x
Confronted Animal Rug
Date: 14th century
Medium: Wool (warp, weft, and pile); symmetrically knotted pile
Accession Number: 1990.61
Border Fragment
Date: 1st–2nd century
Medium: Cotton, camelid hair
Accession Number: 1994.35.120
The Triumph of Fame
Date: ca. 1502–4
Medium: Wool, silk (6-7 warp threads per cm.)
Accession Number: 1998.205
Tulips panel
Candace Wheeler
(American, Delhi, New York 1827–1923 New York)
Date: 1883–87
Medium: Silk and metallic cloth appliqued with silk velvet and embroidered with silk and metallic-wrapped cotton threads
Accession Number: 28.34.2
'Lotto' Carpet
Date: late 16th century
Medium: Wool (warp, weft and pile); symmetrically knotted pile
Accession Number: 1978.24
Quilt
Date: 19th century
Medium: Cotton with wool crewel embroidery
Accession Number: 1987.63
Carpet with Triple-arch Design
Date: ca. 1575–90
Medium: Silk (warp and weft), wool (pile), cotton (pile); asymmetrically knotted pile
Accession Number: 22.100.51
Fragmentary Loom Width with Wavy-vine Pattern
Date: ca. 1565–80
Medium: Silk, metal wrapped thread; lampas (kemha)
Accession Number: 52.20.21
Sallet in the Shape of a Lion's Head
Date: ca. 1475–80
Medium: Steel, copper, gold, glass, pigment, textile
Accession Number: 23.141
The Last Supper
Designed by Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1524–46 (design), ca. 1525–28 (woven)
Medium: Wool, silk, silver-gilt thread.
Accession Number: 1975.1.1915
Carpet with Palm Trees, Ibexes, and Birds
Date: late 16th–early 17th century
Medium: Cotton (warp and weft), wool (pile); asymmetrically knotted pile
Accession Number: 17.190.858
Embroidered sampler
Rebekah S. Munro
(1780–1803)
Date: ca. 1791
Medium: Embroidered silk on linen
Accession Number: 1984.331.13
Coptic Textile Fragment with Image of a Goddess
Date: late 3rd–4th century
Medium: Linen, wool; plain weave, weft-loop pile
Accession Number: 10.130.1076
Painted Cloth (Pichwai) Depicting the Celebration of the Festival of Cows
Date: late 18th–early 19th century
Medium: Painted and printed gold and silver leaf, opaque watercolor on indigo-dyed cotton
Accession Number: 2003.177
Textile sample
La Maison Martine
Date: ca. 1911–23
Medium: Silk satin
Accession Number: 23.178.11
Textile with Animals, Birds, and Flowers
Date: late 12th–14th century
Medium: Silk embroidery on plain-weave silk
Accession Number: 1988.296
Dagger and Sheath
Date: ca. 1605–27
Medium: Steel, gold, ruby, emerald, wood, textile, glass
Accession Number: 1984.332
Silk Kashan Carpet
Date: 16th century
Medium: Silk (warp, weft and pile); asymmetrically knotted pile
Accession Number: 58.46
Panel with Peonies and Butterfly
Date: late 14th–15th century
Medium: Needleloop embroidery of silk, gold paper, and gold thread on silk satin damask
Accession Number: 1987.277
Harquebusier's Armor of Pedro II, King of Portugal (reigned 1683–1706) with Buff Coat
Armor attributed to Richard Holden
(British, London, recorded 1658–1708)
Date: ca. 1683 and later; buff coat, 17th–18th century
Medium: Steel, gold, leather, textile
Accession Number: 15.113.1–.5; 29.158.885
Woven Tapestry Fragment
Date: mid-8th century
Medium: Wool; tapestry weave
Accession Number: 50.83
Tapestry with the Annunciation
Date: ca. 1410–20
Medium: Wool warp, wool with a few metallic wefts
Accession Number: 45.76
Petticoat panel
Date: third quarter 18th century
Medium: Cotton, painted resist and mordant, dyed
Accession Number: 1992.82
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Design attributed to Giovanni Battista Lodi da Cremona
(Italian, active 1540–52)
Date: designed ca. 1540, woven ca. 1570
Medium: Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.)
Accession Number: 41.190.135
Emperor Vespasian Cured by Veronica's Veil
Date: ca. 1510
Medium: Wool, silk, and gilt-metal-strip-wrapped silk in slit, dovetailed, and double interlocking tapestry weave.
Accession Number: 1975.1.1914
The Unicorn in Captivity (from the Unicorn Tapestries)
Date: 1495–1505
Medium: Wool warp with wool, silk, silver, and gilt wefts
Accession Number: 37.80.6
Floral Tent Panel
Date: ca. 1635
Medium: Silk, gold; cut velvet, painted
Accession Number: 1981.321
Fragment
Date: mid-16th century
Medium: Silk, metal wrapped thread; lampas (kemha)
Accession Number: 52.20.22
"Music"
Savonnerie Manufactory
(Manufactory, established 1626; Manufacture Royale, established 1663)
Date: ca. 1685–97
Medium: Wool (Ghiordes knot, 90 knots per square in.)
Accession Number: 52.118
Julius Caesar and Attendants (from the Nine Heroes Tapestries)
Date: ca. 1400–1410
Medium: Wool warp, wool wefts
Accession Number: 47.101.3
Confronted Animal Rug
Date: 14th century
Accession Number: 1990.61
Border Fragment
Date: 1st–2nd century
Accession Number: 1994.35.120
The Triumph of Fame
Date: ca. 1502–4
Accession Number: 1998.205
Tulips panel
Candace Wheeler
(American, Delhi, New York 1827–1923 New York)
Date: 1883–87
Accession Number: 28.34.2
'Lotto' Carpet
Date: late 16th century
Accession Number: 1978.24
Quilt
Date: 19th century
Accession Number: 1987.63
Carpet with Triple-arch Design
Date: ca. 1575–90
Accession Number: 22.100.51
Fragmentary Loom Width with Wavy-vine Pattern
Date: ca. 1565–80
Accession Number: 52.20.21
Sallet in the Shape of a Lion's Head
Date: ca. 1475–80
Accession Number: 23.141
The Last Supper
Designed by Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1524–46 (design), ca. 1525–28 (woven)
Accession Number: 1975.1.1915
Carpet with Palm Trees, Ibexes, and Birds
Date: late 16th–early 17th century
Accession Number: 17.190.858
Embroidered sampler
Rebekah S. Munro
(1780–1803)
Date: ca. 1791
Accession Number: 1984.331.13
Coptic Textile Fragment with Image of a Goddess
Date: late 3rd–4th century
Accession Number: 10.130.1076
Painted Cloth (Pichwai) Depicting the Celebration of the Festival of Cows
Date: late 18th–early 19th century
Accession Number: 2003.177
Textile sample
La Maison Martine
Date: ca. 1911–23
Accession Number: 23.178.11
Textile with Animals, Birds, and Flowers
Date: late 12th–14th century
Accession Number: 1988.296
Dagger and Sheath
Date: ca. 1605–27
Accession Number: 1984.332
Silk Kashan Carpet
Date: 16th century
Accession Number: 58.46
Panel with Peonies and Butterfly
Date: late 14th–15th century
Accession Number: 1987.277
Harquebusier's Armor of Pedro II, King of Portugal (reigned 1683–1706) with Buff Coat
Armor attributed to Richard Holden
(British, London, recorded 1658–1708)
Date: ca. 1683 and later; buff coat, 17th–18th century
Accession Number: 15.113.1–.5; 29.158.885
Woven Tapestry Fragment
Date: mid-8th century
Accession Number: 50.83
Tapestry with the Annunciation
Date: ca. 1410–20
Accession Number: 45.76
Petticoat panel
Date: third quarter 18th century
Accession Number: 1992.82
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Design attributed to Giovanni Battista Lodi da Cremona
(Italian, active 1540–52)
Date: designed ca. 1540, woven ca. 1570
Accession Number: 41.190.135
Emperor Vespasian Cured by Veronica's Veil
Date: ca. 1510
Accession Number: 1975.1.1914
The Unicorn in Captivity (from the Unicorn Tapestries)
Date: 1495–1505
Accession Number: 37.80.6
Floral Tent Panel
Date: ca. 1635
Accession Number: 1981.321
Fragment
Date: mid-16th century
Accession Number: 52.20.22
"Music"
Savonnerie Manufactory
(Manufactory, established 1626; Manufacture Royale, established 1663)
Date: ca. 1685–97
Accession Number: 52.118
Julius Caesar and Attendants (from the Nine Heroes Tapestries)
Date: ca. 1400–1410
Accession Number: 47.101.3
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