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Highlights of the Collection / 1,898 records
43 records
Softwood x
Viola d'Amore
Giovanni Grancino
(Italian, Milan 1637–1709 Milan)
Date: 1701
Medium: Spruce, maple, ebony, bone
Accession Number: 2008.1
Cabinet
Alexander Roux
(1813–1886)
Date: ca. 1866
Medium: Rosewood, tulipwood, cherry, poplar, pine
Accession Number: 68.100.1
Desk and Bookcase
Date: ca. 1811
Medium: Mahogany, satinwood, maple, verre églomisé with cedar
Accession Number: 69.203
Eagle
William Rush
(1756–1833)
Date: 1809–11
Medium: Carved wood (probably Eastern white pine), gessoed and gilded, and cast iron, painted
Accession Number: 2002.21.1
Archlute
David Tecchler
(Austrian, Salzburg 1666–1747 Rome)
Date: ca. 1725
Medium: Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, and various other materials
Accession Number: 1988.87
Guitar
Workshop of Manuel Ramírez
(Spanish, 1864–1916)
Date: 1912
Medium: Spruce, rosewood, cedar
Accession Number: 1986.353.2
Pier table
Joseph B. Barry and Son
(1757–1838)
Date: 1810–15
Medium: Mahogany, mahogany veneer, satinwood, amboyna, pine, gilt bronze with yellow poplar
Accession Number: 1976.324
"The Francesca" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1694
Medium: Maple, spruce, ebony
Accession Number: 34.86.2 a
Woodwork of a Room from the Colden House, Coldenham, New York
Date: ca. 1767
Medium: Pine
Accession Number: 40.127
Cabinet
Attributed to Daniel Pabst
(1826–1910)
Date: ca. 1877–80
Medium: Walnut, maple, white pine, glass
Accession Number: 1985.116
Small desk with folding top (bureau brisé)
Marquetry by Alexandre-Jean Oppenordt
(Dutch, 1639–1715, active France)
Date: ca. 1685
Medium: Oak, pine, walnut veneered with ebony, rosewood, and marquetry of tortoiseshell and engraved brass; gilt bronze and steel
Accession Number: 1986.365.3
The Backgammon Players
Philip Webb
(British, Oxford 1831–1915 West Sussex)
Date: 1861
Medium: Painted pine, oil paint on leather, brass, copper
Accession Number: 26.54
Commode à vantaux
David Roentgen
(German, Herrnhag 1743–1807 Wiesbaden, master 1780)
Date: ca. 1775–79 with later alterations
Medium: Oak, pine, walnut, mahogany, and cherry veneered with hornbeam (partially stained), tulipwood, walnut, holly and maple (both partially stained), boxwood, mahogany, and other woods; red brocatelle marble; gilt bronze; iron, steel, and brass
Accession Number: 1982.60.81
Cabinet
Ébéniste: Charles-Guillaume Diehl
(French, 1811–ca. 1885)
Date: 1867
Medium: Oak veneered with cedar, walnut, ebony and ivory; silvered-bronze mounts
Accession Number: 1989.197
Tapestry Room from Croome Court
Room after a design by Robert Adam
(British, Kirkclady, Scotland 1728–1792 London)
Date: 1763–71
Medium: Plaster, pine, mahogany, bronze-gilt, marble, lapis lazuli, steel; wool and silk (22-24 warps per inch, 9-10 per centimeter)
Accession Number: 58.75.1–.22
Tête-à-tête
Attributed to John H. Belter
(1804–1863)
Date: ca. 1850–60
Medium: Rosewood, ash, pine, walnut
Accession Number: 57.130.7
"The Antonius" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1711
Medium: Maple, spruce, ebony
Accession Number: 34.86.1 a
"The Gould" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1693
Medium: Maple, spruce, ebony
Accession Number: 55.86 a-c
Cupboard
Date: 1683
Medium: Oak, maple, tulip poplar with oak and pine
Accession Number: 2010.467a–d
High chest of drawers
Date: 1730–60
Medium: Maple, birch, white pine
Accession Number: 40.37.1
Guitar
Hermann Hauser
(German, Munich 1882–1952 Reisbach)
Date: 1937
Medium: Spruce, rosewood, mahogany
Accession Number: 1986.353.1
Armchair
Attributed to Pottier and Stymus Manufacturing Company
(active ca. 1859–1910)
Date: ca. 1870–75
Medium: Rosewood, prickly juniper veneer
Accession Number: 1970.35.1
Guitar
Attributed to Giacomo
(Jacob) Ertel (German, ca. 1646–1711 Rome)
Date: late 17th century
Medium: Spruce, ebony, fruitwood, bone, ivory, mother-of-pearl
Accession Number: 1984.225
Side Chair
Attributed to Samuel McIntire
(1757–1811)
Date: 1794–99
Medium: Mahogany, ebony, ash, birch, white pine
Accession Number: 62.16
Double Virginal
Lodewijck Grouwels
(Flemish, active Middelburg, Zeeland, The Netherlands 1593–1600)
Date: 1600
Medium: Pine, spruce, various materials
Accession Number: 89.4.1196
Guitar
Date: ca. 1800
Medium: Spruce, ebony, ivory, tortoiseshell
Accession Number: 69.29
Shabti of Yuya
Date: ca. 1390–1352 B.C.
Medium: Cedar, paint, Egyptian blue
Accession Number: 30.8.57
Guitar
Attributed to Joseph de Frías
(Spanish, active Seville and Cadiz, ca. 1775–1800)
Date: ca. 1780
Medium: Spruce, rosewood, cedar, ebony, mother-of-pearl
Accession Number: 1992.279
ex "Kurtz" Violin
Andrea Amati
(Italian, Cremona ca. 1505–1578 Cremona)
Date: ca. 1560
Medium: Spruce, maple, ebony
Accession Number: 1999.26
Raven rattle
Date: 19th century
Medium: Cedar, pebbles, polychrome
Accession Number: 89.4.611
Viola d'Amore
Giovanni Grancino
(Italian, Milan 1637–1709 Milan)
Date: 1701
Accession Number: 2008.1
Cabinet
Alexander Roux
(1813–1886)
Date: ca. 1866
Accession Number: 68.100.1
Desk and Bookcase
Date: ca. 1811
Accession Number: 69.203
Eagle
William Rush
(1756–1833)
Date: 1809–11
Accession Number: 2002.21.1
Archlute
David Tecchler
(Austrian, Salzburg 1666–1747 Rome)
Date: ca. 1725
Accession Number: 1988.87
Guitar
Workshop of Manuel Ramírez
(Spanish, 1864–1916)
Date: 1912
Accession Number: 1986.353.2
Pier table
Joseph B. Barry and Son
(1757–1838)
Date: 1810–15
Accession Number: 1976.324
"The Francesca" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1694
Accession Number: 34.86.2 a
Cabinet
Attributed to Daniel Pabst
(1826–1910)
Date: ca. 1877–80
Accession Number: 1985.116
Small desk with folding top (bureau brisé)
Marquetry by Alexandre-Jean Oppenordt
(Dutch, 1639–1715, active France)
Date: ca. 1685
Accession Number: 1986.365.3
The Backgammon Players
Philip Webb
(British, Oxford 1831–1915 West Sussex)
Date: 1861
Accession Number: 26.54
Commode à vantaux
David Roentgen
(German, Herrnhag 1743–1807 Wiesbaden, master 1780)
Date: ca. 1775–79 with later alterations
Accession Number: 1982.60.81
Cabinet
Ébéniste: Charles-Guillaume Diehl
(French, 1811–ca. 1885)
Date: 1867
Accession Number: 1989.197
Tapestry Room from Croome Court
Room after a design by Robert Adam
(British, Kirkclady, Scotland 1728–1792 London)
Date: 1763–71
Accession Number: 58.75.1–.22
Tête-à-tête
Attributed to John H. Belter
(1804–1863)
Date: ca. 1850–60
Accession Number: 57.130.7
"The Antonius" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1711
Accession Number: 34.86.1 a
"The Gould" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1693
Accession Number: 55.86 a-c
Cupboard
Date: 1683
Accession Number: 2010.467a–d
High chest of drawers
Date: 1730–60
Accession Number: 40.37.1
Guitar
Hermann Hauser
(German, Munich 1882–1952 Reisbach)
Date: 1937
Accession Number: 1986.353.1
Armchair
Attributed to Pottier and Stymus Manufacturing Company
(active ca. 1859–1910)
Date: ca. 1870–75
Accession Number: 1970.35.1
Guitar
Attributed to Giacomo
(Jacob) Ertel (German, ca. 1646–1711 Rome)
Date: late 17th century
Accession Number: 1984.225
Side Chair
Attributed to Samuel McIntire
(1757–1811)
Date: 1794–99
Accession Number: 62.16
Double Virginal
Lodewijck Grouwels
(Flemish, active Middelburg, Zeeland, The Netherlands 1593–1600)
Date: 1600
Accession Number: 89.4.1196
Guitar
Date: ca. 1800
Accession Number: 69.29
Shabti of Yuya
Date: ca. 1390–1352 B.C.
Accession Number: 30.8.57
Guitar
Attributed to Joseph de Frías
(Spanish, active Seville and Cadiz, ca. 1775–1800)
Date: ca. 1780
Accession Number: 1992.279
ex "Kurtz" Violin
Andrea Amati
(Italian, Cremona ca. 1505–1578 Cremona)
Date: ca. 1560
Accession Number: 1999.26
Raven rattle
Date: 19th century
Accession Number: 89.4.611
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