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Highlights of the Collection / 1,839 records
43 records
Softwood x
Guitar
Attributed to Matteo Sellas
(German, Füssen ca. 1599–1654 Venice)
Date: ca. 1630–50
Medium: Spruce, bone, parchment, snakewood, ivory
Accession Number: 1990.103
ex "Kurtz" Violin
Andrea Amati
(Italian, Cremona ca. 1505–1578 Cremona)
Date: ca. 1560
Medium: Spruce, maple, ebony
Accession Number: 1999.26
Guitar
Workshop of Manuel Ramírez
(Spanish, 1864–1916)
Date: 1912
Medium: Spruce, rosewood, cedar
Accession Number: 1986.353.2
Desk and bookcase
Date: 1760–90
Medium: Mahogany, chestnut, white pine, yellow pine, tulip poplar, cedar
Accession Number: 15.21.2
Cupboard
Date: 1683
Medium: Oak, maple, tulip poplar with oak and pine
Accession Number: 2010.467a–d
Raven rattle
Date: 19th century
Medium: Cedar, pebbles, polychrome
Accession Number: 89.4.611
Cabinet
Alexander Roux
(1813–1886)
Date: ca. 1866
Medium: Rosewood, tulipwood, cherry, poplar, pine
Accession Number: 68.100.1
Side Chair
Attributed to Samuel McIntire
(1757–1811)
Date: 1794–99
Medium: Mahogany, ebony, ash, birch, white pine
Accession Number: 62.16
High chest of drawers
Date: 1730–60
Medium: Maple, birch, white pine
Accession Number: 40.37.1
The Backgammon Players
Philip Webb
(British, Oxford 1831–1915 West Sussex)
Date: 1861
Medium: Painted pine, oil paint on leather, brass, copper
Accession Number: 26.54
"The Francesca" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1694
Medium: Maple, spruce, ebony
Accession Number: 34.86.2 a
High chest of drawers
Date: 1762–65
Medium: Mahogany, mahogany veneer, tulip poplar, yellow pine, white cedar
Accession Number: 18.110.4
Small desk with folding top (bureau brisé)
Marquetry by Alexandre-Jean Oppenordt
(Dutch, 1639–1715, active France)
Date: ca. 1685
Medium: Oak, pine, walnut veneered with ebony, rosewood, and marquetry of tortoiseshell and engraved brass; gilt bronze and steel
Accession Number: 1986.365.3
Guitar
Attributed to Giacomo (Jacob) Ertel
(German, ca. 1646–1711 Rome)
Date: late 17th century
Medium: Spruce, ebony, fruitwood, bone, ivory, mother-of-pearl
Accession Number: 1984.225
Guitar
Hermann Hauser
(German, Munich 1882–1952 Reisbach)
Date: 1937
Medium: Spruce, rosewood, mahogany
Accession Number: 1986.353.1
"The Gould" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1693
Medium: Maple, spruce, ebony
Accession Number: 55.86 a-c
Violoncello
Jean Baptiste Vuillaume
(French, Mirecourt 1798–1875 Paris)
Date: mid-19th century
Medium: Spruce and maple
Accession Number: 1984.114.1
Guitar
Date: ca. 1800
Medium: Spruce, ebony, ivory, tortoiseshell
Accession Number: 69.29
Tapestry Room from Croome Court
Room after a design by Robert Adam
(British, Kirkcaldy, Scotland 1728–1792 London)
Date: 1763–71
Medium: Plaster, pine, mahogany, bronze-gilt, marble, lapis lazuli, steel; wool and silk (22-24 warps per inch, 9-10 per centimeter)
Accession Number: 58.75.1–.22
Archlute
David Tecchler
(Austrian, Salzburg 1666–1747 Rome)
Date: ca. 1725
Medium: Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, and various other materials
Accession Number: 1988.87
Rolltop desk
David Roentgen
(German, Herrnhaag 1743–1807 Wiesbaden, master 1780)
Date: ca. 1776–79
Medium: Oak, cherry, pine, mahogany, veneered with maple, burl woods, holly, hornbeam (all partially stained), tulipwood, mahogany, and other woods; mother-of-pearl; partially gilded and tooled leather; gilt bronze, iron, steel, brass, partially gold-lacquered brass
Accession Number: 41.82
Funerary Guardian Figure
Date: ca. 1919–1878 B.C.
Medium: Cedar wood, plaster, paint
Accession Number: 14.3.17
Damascus Room
Date: dated A.H. 1119/A.D. 1707
Medium: Wood (poplar) with gesso relief, gold and tin leaf, glazes and paint; wood (cypress, poplar, and mulberry), mother-of-pearl, marble and other stones, stucco with glass, plaster ceramic tiles, iron, brass
Accession Number: 1970.170
"The Antonius" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1711
Medium: Maple, spruce, ebony
Accession Number: 34.86.1 a
Viola d'Amore
Giovanni Grancino
(Italian, Milan 1637–1709 Milan)
Date: 1701
Medium: Spruce, maple, ebony, bone
Accession Number: 2008.1
Eagle
William Rush
(1756–1833)
Date: 1809–11
Medium: Carved wood (probably Eastern white pine), gessoed and gilded, and cast iron, painted
Accession Number: 2002.21.1
Commode à vantaux
David Roentgen
(German, Herrnhaag 1743–1807 Wiesbaden, master 1780)
Date: ca. 1775–79 with later alterations
Medium: Oak, pine, walnut, mahogany, and cherry veneered with hornbeam (partially stained), tulipwood, walnut, holly and maple (both partially stained), boxwood, mahogany, and other woods; red brocatelle marble; gilt bronze; iron, steel, and brass
Accession Number: 1982.60.81
Pier table
Joseph B. Barry and Son
(1757–1838)
Date: 1810–15
Medium: Mahogany, mahogany veneer, satinwood, amboyna, pine, gilt bronze with yellow poplar
Accession Number: 1976.324
Woodwork of a Room from the Colden House, Coldenham, New York
Date: ca. 1767
Medium: Pine
Accession Number: 40.127
Crucifix
Date: ca. 1150–1200
Medium: Corpus: white oak and pine with polychromy, gilding, and applied stones; Cross: red pine, polychromy
Accession Number: 35.36a, b
Guitar
Attributed to Matteo Sellas
(German, Füssen ca. 1599–1654 Venice)
Date: ca. 1630–50
Accession Number: 1990.103
ex "Kurtz" Violin
Andrea Amati
(Italian, Cremona ca. 1505–1578 Cremona)
Date: ca. 1560
Accession Number: 1999.26
Guitar
Workshop of Manuel Ramírez
(Spanish, 1864–1916)
Date: 1912
Accession Number: 1986.353.2
Desk and bookcase
Date: 1760–90
Accession Number: 15.21.2
Cupboard
Date: 1683
Accession Number: 2010.467a–d
Raven rattle
Date: 19th century
Accession Number: 89.4.611
Cabinet
Alexander Roux
(1813–1886)
Date: ca. 1866
Accession Number: 68.100.1
Side Chair
Attributed to Samuel McIntire
(1757–1811)
Date: 1794–99
Accession Number: 62.16
High chest of drawers
Date: 1730–60
Accession Number: 40.37.1
The Backgammon Players
Philip Webb
(British, Oxford 1831–1915 West Sussex)
Date: 1861
Accession Number: 26.54
"The Francesca" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1694
Accession Number: 34.86.2 a
High chest of drawers
Date: 1762–65
Accession Number: 18.110.4
Small desk with folding top (bureau brisé)
Marquetry by Alexandre-Jean Oppenordt
(Dutch, 1639–1715, active France)
Date: ca. 1685
Accession Number: 1986.365.3
Guitar
Attributed to Giacomo (Jacob) Ertel
(German, ca. 1646–1711 Rome)
Date: late 17th century
Accession Number: 1984.225
Guitar
Hermann Hauser
(German, Munich 1882–1952 Reisbach)
Date: 1937
Accession Number: 1986.353.1
"The Gould" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1693
Accession Number: 55.86 a-c
Violoncello
Jean Baptiste Vuillaume
(French, Mirecourt 1798–1875 Paris)
Date: mid-19th century
Accession Number: 1984.114.1
Guitar
Date: ca. 1800
Accession Number: 69.29
Tapestry Room from Croome Court
Room after a design by Robert Adam
(British, Kirkcaldy, Scotland 1728–1792 London)
Date: 1763–71
Accession Number: 58.75.1–.22
Archlute
David Tecchler
(Austrian, Salzburg 1666–1747 Rome)
Date: ca. 1725
Accession Number: 1988.87
Rolltop desk
David Roentgen
(German, Herrnhaag 1743–1807 Wiesbaden, master 1780)
Date: ca. 1776–79
Accession Number: 41.82
Funerary Guardian Figure
Date: ca. 1919–1878 B.C.
Accession Number: 14.3.17
Damascus Room
Date: dated A.H. 1119/A.D. 1707
Accession Number: 1970.170
"The Antonius" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1711
Accession Number: 34.86.1 a
Viola d'Amore
Giovanni Grancino
(Italian, Milan 1637–1709 Milan)
Date: 1701
Accession Number: 2008.1
Eagle
William Rush
(1756–1833)
Date: 1809–11
Accession Number: 2002.21.1
Commode à vantaux
David Roentgen
(German, Herrnhaag 1743–1807 Wiesbaden, master 1780)
Date: ca. 1775–79 with later alterations
Accession Number: 1982.60.81
Pier table
Joseph B. Barry and Son
(1757–1838)
Date: 1810–15
Accession Number: 1976.324
Crucifix
Date: ca. 1150–1200
Accession Number: 35.36a, b
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