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Highlights of the Collection / 1,890 records
43 records
Softwood x
Damascus Room
Date: dated A.H. 1119/A.D. 1707
Medium: Wood (poplar) with gesso relief, gold and tin leaf, glazes and paint; wood (cypress, poplar, and mulberry), mother-of-pearl, marble and other stones, stucco with glass, plaster ceramic tiles, iron, brass
Accession Number: 1970.170
Crucifix
Date: ca. 1150–1200
Medium: Corpus: white oak and pine with polychromy, gilding, and applied stones; Cross: red pine, polychromy
Accession Number: 35.36a, b
Guitar
Workshop of Manuel Ramírez
(Spanish, 1864–1916)
Date: 1912
Medium: Spruce, rosewood, cedar
Accession Number: 1986.353.2
Shabti of Yuya
Date: ca. 1390–1352 B.C.
Medium: Cedar, paint, Egyptian blue
Accession Number: 30.8.57
Cabinet
Alexander Roux
(1813–1886)
Date: ca. 1866
Medium: Rosewood, tulipwood, cherry, poplar, pine
Accession Number: 68.100.1
"The Antonius" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1711
Medium: Maple, spruce, ebony
Accession Number: 34.86.1 a
High chest of drawers
Date: 1730–60
Medium: Maple, birch, white pine
Accession Number: 40.37.1
Mandolin
Angelo Mannello
(American, Morcone, Italy 1858–1922 New York)
Date: ca. 1900
Medium: Spruce, tortoiseshell, ivory, metal
Accession Number: 1972.111.1a-c
Tapestry Room from Croome Court
Room after a design by Robert Adam
(British, Kirkcaldy, Scotland 1728–1792 London)
Date: 1763–71
Medium: Plaster, pine, mahogany, bronze-gilt, marble, lapis lazuli, steel; wool and silk (22-24 warps per inch, 9-10 per centimeter)
Accession Number: 58.75.1–.22
Woodwork of a Room from the Colden House, Coldenham, New York
Date: ca. 1767
Medium: Pine
Accession Number: 40.127
Small desk with folding top (bureau brisé)
Marquetry by Alexandre-Jean Oppenordt
(Dutch, 1639–1715, active France)
Date: ca. 1685
Medium: Oak, pine, walnut veneered with ebony, rosewood, and marquetry of tortoiseshell and engraved brass; gilt bronze and steel
Accession Number: 1986.365.3
Pier table
Joseph B. Barry and Son
(1757–1838)
Date: 1810–15
Medium: Mahogany, mahogany veneer, satinwood, amboyna, pine, gilt bronze with yellow poplar
Accession Number: 1976.324
Eagle
William Rush
(1756–1833)
Date: 1809–11
Medium: Carved wood (probably Eastern white pine), gessoed and gilded, and cast iron, painted
Accession Number: 2002.21.1
Damascus Room
Date: dated A.H. 1119/A.D. 1707
Accession Number: 1970.170
Crucifix
Date: ca. 1150–1200
Accession Number: 35.36a, b
Guitar
Workshop of Manuel Ramírez
(Spanish, 1864–1916)
Date: 1912
Accession Number: 1986.353.2
Shabti of Yuya
Date: ca. 1390–1352 B.C.
Accession Number: 30.8.57
Cabinet
Alexander Roux
(1813–1886)
Date: ca. 1866
Accession Number: 68.100.1
"The Antonius" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1711
Accession Number: 34.86.1 a
High chest of drawers
Date: 1730–60
Accession Number: 40.37.1
Mandolin
Angelo Mannello
(American, Morcone, Italy 1858–1922 New York)
Date: ca. 1900
Accession Number: 1972.111.1a-c
Tapestry Room from Croome Court
Room after a design by Robert Adam
(British, Kirkcaldy, Scotland 1728–1792 London)
Date: 1763–71
Accession Number: 58.75.1–.22
Small desk with folding top (bureau brisé)
Marquetry by Alexandre-Jean Oppenordt
(Dutch, 1639–1715, active France)
Date: ca. 1685
Accession Number: 1986.365.3
Pier table
Joseph B. Barry and Son
(1757–1838)
Date: 1810–15
Accession Number: 1976.324
Eagle
William Rush
(1756–1833)
Date: 1809–11
Accession Number: 2002.21.1
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