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Highlights of the Collection / 1,898 records
43 records
Softwood x
Guitar
Attributed to Matteo Sellas
(German, Füssen ca. 1599–1654 Venice)
Date: ca. 1630–50
Medium: Spruce, bone, parchment, snakewood, ivory
Accession Number: 1990.103
Guitar
Attributed to Giacomo
(Jacob) Ertel (German, ca. 1646–1711 Rome)
Date: late 17th century
Medium: Spruce, ebony, fruitwood, bone, ivory, mother-of-pearl
Accession Number: 1984.225
Archlute
David Tecchler
(Austrian, Salzburg 1666–1747 Rome)
Date: ca. 1725
Medium: Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, and various other materials
Accession Number: 1988.87
ex "Kurtz" Violin
Andrea Amati
(Italian, Cremona ca. 1505–1578 Cremona)
Date: ca. 1560
Medium: Spruce, maple, ebony
Accession Number: 1999.26
Pier table
Joseph B. Barry and Son
(1757–1838)
Date: 1810–15
Medium: Mahogany, mahogany veneer, satinwood, amboyna, pine, gilt bronze with yellow poplar
Accession Number: 1976.324
Guitar
Hermann Hauser
(German, Munich 1882–1952 Reisbach)
Date: 1937
Medium: Spruce, rosewood, mahogany
Accession Number: 1986.353.1
Side Chair
Attributed to Samuel McIntire
(1757–1811)
Date: 1794–99
Medium: Mahogany, ebony, ash, birch, white pine
Accession Number: 62.16
Raven rattle
Date: 19th century
Medium: Cedar, pebbles, polychrome
Accession Number: 89.4.611
Lyre Guitar
Pons fils
Date: ca. 1805
Medium: Mahogany, spruce, gilding
Accession Number: 1998.121
Viola d'Amore
Giovanni Grancino
(Italian, Milan 1637–1709 Milan)
Date: 1701
Medium: Spruce, maple, ebony, bone
Accession Number: 2008.1
Small desk with folding top (bureau brisé)
Marquetry by Alexandre-Jean Oppenordt
(Dutch, 1639–1715, active France)
Date: ca. 1685
Medium: Oak, pine, walnut veneered with ebony, rosewood, and marquetry of tortoiseshell and engraved brass; gilt bronze and steel
Accession Number: 1986.365.3
Mandolin
Angelo Mannello
(American, Morcone, Italy 1858–1922 New York)
Date: ca. 1900
Medium: Spruce, tortoiseshell, ivory, metal
Accession Number: 1972.111.1a-c
Damascus Room
Date: dated A.H. 1119/A.D. 1707
Medium: Wood (poplar) with gesso relief, gold and tin leaf, glazes and paint; wood (cypress, poplar, and mulberry), mother-of-pearl, marble and other stones, stucco with glass, plaster ceramic tiles, iron, brass
Accession Number: 1970.170
Guitar
Attributed to Matteo Sellas
(German, Füssen ca. 1599–1654 Venice)
Date: ca. 1630–50
Accession Number: 1990.103
Guitar
Attributed to Giacomo
(Jacob) Ertel (German, ca. 1646–1711 Rome)
Date: late 17th century
Accession Number: 1984.225
Archlute
David Tecchler
(Austrian, Salzburg 1666–1747 Rome)
Date: ca. 1725
Accession Number: 1988.87
ex "Kurtz" Violin
Andrea Amati
(Italian, Cremona ca. 1505–1578 Cremona)
Date: ca. 1560
Accession Number: 1999.26
Pier table
Joseph B. Barry and Son
(1757–1838)
Date: 1810–15
Accession Number: 1976.324
Guitar
Hermann Hauser
(German, Munich 1882–1952 Reisbach)
Date: 1937
Accession Number: 1986.353.1
Side Chair
Attributed to Samuel McIntire
(1757–1811)
Date: 1794–99
Accession Number: 62.16
Raven rattle
Date: 19th century
Accession Number: 89.4.611
Lyre Guitar
Pons fils
Date: ca. 1805
Accession Number: 1998.121
Viola d'Amore
Giovanni Grancino
(Italian, Milan 1637–1709 Milan)
Date: 1701
Accession Number: 2008.1
Small desk with folding top (bureau brisé)
Marquetry by Alexandre-Jean Oppenordt
(Dutch, 1639–1715, active France)
Date: ca. 1685
Accession Number: 1986.365.3
Mandolin
Angelo Mannello
(American, Morcone, Italy 1858–1922 New York)
Date: ca. 1900
Accession Number: 1972.111.1a-c
Damascus Room
Date: dated A.H. 1119/A.D. 1707
Accession Number: 1970.170
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