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Highlights of the Collection / 1,839 records
43 records
Softwood x
The Backgammon Players
Philip Webb
(British, Oxford 1831–1915 West Sussex)
Date: 1861
Medium: Painted pine, oil paint on leather, brass, copper
Accession Number: 26.54
ex "Kurtz" Violin
Andrea Amati
(Italian, Cremona ca. 1505–1578 Cremona)
Date: ca. 1560
Medium: Spruce, maple, ebony
Accession Number: 1999.26
Archlute
David Tecchler
(Austrian, Salzburg 1666–1747 Rome)
Date: ca. 1725
Medium: Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, and various other materials
Accession Number: 1988.87
Guitar
Date: ca. 1800
Medium: Spruce, ebony, ivory, tortoiseshell
Accession Number: 69.29
Damascus Room
Date: dated A.H. 1119/A.D. 1707
Medium: Wood (poplar) with gesso relief, gold and tin leaf, glazes and paint; wood (cypress, poplar, and mulberry), mother-of-pearl, marble and other stones, stucco with glass, plaster ceramic tiles, iron, brass
Accession Number: 1970.170
Small desk with folding top (bureau brisé)
Marquetry by Alexandre-Jean Oppenordt
(Dutch, 1639–1715, active France)
Date: ca. 1685
Medium: Oak, pine, walnut veneered with ebony, rosewood, and marquetry of tortoiseshell and engraved brass; gilt bronze and steel
Accession Number: 1986.365.3
Cupboard
Date: 1683
Medium: Oak, maple, tulip poplar with oak and pine
Accession Number: 2010.467a–d
Commode à vantaux
David Roentgen
(German, Herrnhag 1743–1807 Wiesbaden, master 1780)
Date: ca. 1775–79 with later alterations
Medium: Oak, pine, walnut, mahogany, and cherry veneered with hornbeam (partially stained), tulipwood, walnut, holly and maple (both partially stained), boxwood, mahogany, and other woods; red brocatelle marble; gilt bronze; iron, steel, and brass
Accession Number: 1982.60.81
Guitar
Attributed to Matteo Sellas
(German, Füssen ca. 1599–1654 Venice)
Date: ca. 1630–50
Medium: Spruce, bone, parchment, snakewood, ivory
Accession Number: 1990.103
"The Gould" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1693
Medium: Maple, spruce, ebony
Accession Number: 55.86 a-c
Rolltop desk
David Roentgen
(German, Herrnhag 1743–1807 Wiesbaden, master 1780)
Date: ca. 1776–79
Medium: Oak, cherry, pine, mahogany, veneered with maple, burl woods, holly, hornbeam (all partially stained), tulipwood, mahogany, and other woods; mother-of-pearl; partially gilded and tooled leather; gilt bronze, iron, steel, brass, partially gold-lacquered brass
Accession Number: 41.82
Funerary Guardian Figure
Date: ca. 1919–1878 B.C.
Medium: Cedar wood, plaster, paint
Accession Number: 14.3.17
Card table
Charles-Honoré Lannuier
(1779–1819)
Date: 1817
Medium: Mahogany veneer, white pine, yellow poplar, gilded gesso, vert antique, and gilded brass
Accession Number: 1995.377.1
The Backgammon Players
Philip Webb
(British, Oxford 1831–1915 West Sussex)
Date: 1861
Accession Number: 26.54
ex "Kurtz" Violin
Andrea Amati
(Italian, Cremona ca. 1505–1578 Cremona)
Date: ca. 1560
Accession Number: 1999.26
Archlute
David Tecchler
(Austrian, Salzburg 1666–1747 Rome)
Date: ca. 1725
Accession Number: 1988.87
Guitar
Date: ca. 1800
Accession Number: 69.29
Damascus Room
Date: dated A.H. 1119/A.D. 1707
Accession Number: 1970.170
Small desk with folding top (bureau brisé)
Marquetry by Alexandre-Jean Oppenordt
(Dutch, 1639–1715, active France)
Date: ca. 1685
Accession Number: 1986.365.3
Cupboard
Date: 1683
Accession Number: 2010.467a–d
Commode à vantaux
David Roentgen
(German, Herrnhag 1743–1807 Wiesbaden, master 1780)
Date: ca. 1775–79 with later alterations
Accession Number: 1982.60.81
Guitar
Attributed to Matteo Sellas
(German, Füssen ca. 1599–1654 Venice)
Date: ca. 1630–50
Accession Number: 1990.103
"The Gould" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1693
Accession Number: 55.86 a-c
Rolltop desk
David Roentgen
(German, Herrnhag 1743–1807 Wiesbaden, master 1780)
Date: ca. 1776–79
Accession Number: 41.82
Funerary Guardian Figure
Date: ca. 1919–1878 B.C.
Accession Number: 14.3.17
Card table
Charles-Honoré Lannuier
(1779–1819)
Date: 1817
Accession Number: 1995.377.1
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