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Highlights of the Collection / 1,898 records
245 records
Metal x Europe x
The Backgammon Players
Philip Webb
(British, Oxford 1831–1915 West Sussex)
Date: 1861
Medium: Painted pine, oil paint on leather, brass, copper
Accession Number: 26.54
Tapestry Room from Croome Court
Room after a design by Robert Adam
(British, Kirkclady, Scotland 1728–1792 London)
Date: 1763–71
Medium: Plaster, pine, mahogany, bronze-gilt, marble, lapis lazuli, steel; wool and silk (22-24 warps per inch, 9-10 per centimeter)
Accession Number: 58.75.1–.22
Saint Anthony the Abbot in the Wilderness
Osservanza Master
(Italian, Siena, active second quarter 15th century)
Date: ca. 1435
Medium: Tempera and gold on wood
Accession Number: 1975.1.27
Mechanical table
Jean-François Oeben
(1721–1763)
Date: ca. 1761–63
Medium: Oak veneered with mahogany, kingwood, and tulipwood, with marquetry of mahogany, rosewood, holly, and various other woods; gilt-bronze mounts; imitation Japanese lacquer; replaced silk
Accession Number: 1982.60.61
Gold snake ring
Date: ca. 330–300 B.C.
Medium: Gold
Accession Number: 06.1217.2
The Backgammon Players
Philip Webb
(British, Oxford 1831–1915 West Sussex)
Date: 1861
Accession Number: 26.54
Tapestry Room from Croome Court
Room after a design by Robert Adam
(British, Kirkclady, Scotland 1728–1792 London)
Date: 1763–71
Accession Number: 58.75.1–.22
Saint Anthony the Abbot in the Wilderness
Osservanza Master
(Italian, Siena, active second quarter 15th century)
Date: ca. 1435
Accession Number: 1975.1.27
Mechanical table
Jean-François Oeben
(1721–1763)
Date: ca. 1761–63
Accession Number: 1982.60.61
Gold snake ring
Date: ca. 330–300 B.C.
Accession Number: 06.1217.2
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