Quantcast
Highlights of the Collection / 1,898 records
98 records
Drawings x
Approach to a Mountain Village with Horsemen on the Road
Fra Bartolomeo
(Bartolomeo di Paolo del Fattorino) (Italian, Florence 1473–1517 Florence)
Date: ca. 1501
Medium: Pen and brown ink, traces of black chalk; mounted on an album page
Accession Number: 1975.1.270
Woman in a Blue Dress
Thomas Wilmer Dewing
(1851–1938)
Date: ca. 1890–1909
Medium: Pastel on brown wove paper, mounted on wood board
Accession Number: 1999.176
The Lake of Zug
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1843
Medium: Watercolor over graphite
Accession Number: 59.120
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona
(Stefano di Giovanni) (Italian, Verona (?) 1374/75–?ca. 1438 Castel Bragher)
Date: 1435–38
Medium: Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)
Accession Number: 1996.364a, b
Brooklyn Bridge
John Marin
(American, Rutherford, New Jersey 1870–1953 Cape Split, Maine)
Date: ca. 1912
Medium: Watercolor and charcoal on paper
Accession Number: 49.70.105
The Great Statue of Amida Buddha at Kamakura, Known as the Daibutsu, from the Priest's Garden
John La Farge
(American, New York 1835–1910 Providence, Rhode Island)
Date: 1887
Medium: Watercolor and gouache on off-white wove paper
Accession Number: 66.143
Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man
Circle of Lorenzo Monaco
(Piero di Giovanni) (Italian, Florence (?) ca. 1370–1425 Florence (?))
Date: ca. 1420
Medium: Metalpoint, touches of brush and brown wash, heightened with white (partially oxidized in the figure at the lower left), on reddish violet prepared paper. Some lines retraced in pen and brown ink at a later date.
Accession Number: 1975.1.335
Perseus and the Origin of Coral
Claude Lorrain
(Claude Gellée) (French, Chamagne 1604/5?–1682 Rome)
Date: ca. 1671
Medium: Black chalk, sepia and black ink, sepia and gray wash heightened with white
Accession Number: 1975.1.661
Wrack
William Henry Fox Talbot
(British, 1800–1877)
Date: 1839
Medium: Photogenic drawing
Accession Number: 36.37 (25)
Bacchanal
Nicolas Poussin
(French, Les Andelys 1594–1665 Rome)
Date: ca. 1635–36
Medium: Pen and brown ink, brush and brown wash, over faint black chalk underdrawing
Accession Number: 1998.225
Night Creatures
Lee Krasner
(American, Brooklyn, New York 1908–1984 New York)
Date: 1965
Medium: Acrylic on paper
Accession Number: 1995.595
17r. The Huntington Avenue Streetcar; 17v. Blank
Maurice Brazil Prendergast
(American, St. John’s, Newfoundland 1858–1924 New York)
Date: 1895–1897
Medium: Watercolor over pencil
Accession Number: 1975.1.940
Bust of Pseudo-Seneca
Peter Paul Rubens
(Flemish, Siegen 1577–1640 Antwerp)
Date: 1600–1626
Medium: Pen and brown ink over black chalk heightened with white, with brush and gray ink
Accession Number: 1975.1.843
The Betrothal of the Virgin
Giovanni Domenico Tiepolo
(Italian, Venice 1727–1804 Venice)
Date: ca. 1770
Medium: Pen and brown ink, brown wash, over black chalk.
Accession Number: 1975.1.514
La table servie
Jacques Villon
(French, Damville 1875–1963 Puteaux)
Date:
Medium: Graphite and black ink, squared in graphite
Accession Number: 1975.1.753
[The Oriel Window, South Gallery, Lacock Abbey]
William Henry Fox Talbot
(British, 1800–1877)
Date: probably 1835
Medium: Photogenic drawing negative
Accession Number: 1997.382.1
Bust of a Man in a Hat Gazing Upward
Martin Schongauer
(German, Colmar ca. 1435/50–1491 Breisach)
Date: ca. 1480–90
Medium: Pen and carbon black ink, over pen and brown ink, on paper prepared with sanguine wash.
Accession Number: 1975.1.872
War
Jackson Pollock
(American, Cody, Wyoming 1912–1956 East Hampton, New York )
Date: 1947
Medium: Ink and colored pencils on paper
Accession Number: 1982.147.25
The Last Supper, after Leonardo da Vinci
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1634–1635
Medium: Red chalk
Accession Number: 1975.1.794
Road in Etten
Vincent van Gogh
(Dutch, Zundert 1853–1890 Auvers-sur-Oise)
Date: 1881
Medium: Chalk, pencil, pastel, watercolor. Underdrawing in pen and brown ink.
Accession Number: 1975.1.774
Bingham Copper Mining Pit—Utah / Reclamation Project
Robert Smithson
(American, Passaic, New Jersey 1938–1973 Amarillo, Texas)
Date: 1973
Medium: Photostat and plastic overlay with wax pencil
Accession Number: 2001.293
Queen Esther Approaching the Palace of Ahasuerus
Claude Lorrain
(Claude Gellée) (French, Chamagne 1604/5?–1682 Rome)
Date: 1658
Medium: Pen and brown ink; brown wash over black chalk; heightened with white
Accession Number: 1997.156
Boys in a Dory
Winslow Homer
(American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine)
Date: 1873
Medium: Watercolor washes and gouache over graphite underdrawing on medium rough textured white wove paper
Accession Number: 2001.608.1
Warwick Castle: The East Front
Canaletto
(Giovanni Antonio Canal) (Italian, Venice 1697–1768 Venice)
Date: 1752
Medium: Pen and brown ink, gray wash
Accession Number: 1975.1.297
Pool Parlor
Jacob Lawrence
(American, Atlantic City, New Jersey 1917–2000 Seattle, Washington )
Date: 1942
Medium: Watercolor and gouache on paper
Accession Number: 42.167
View of Heidelberg
Jan Brueghel the Elder
(Netherlandish, Brussels 1568–1625 Antwerp)
Date: ca. 1588–89
Medium: Pen and brown ink, brush and blue and brown washes, heightened with white; framing lines in pen and brown ink
Accession Number: 1995.15
The Block
Romare Bearden
(American, Charlotte, North Carolina 1911–1988 New York)
Date: 1971
Medium: Cut and pasted printed, colored and metallic papers, photostats, graphite, ink marker, gouache, watercolor, and ink on Masonite
Accession Number: 1978.61.1-.6
Satire on Art Criticism
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1644
Medium: Pen and brown ink corrected with white.
Accession Number: 1975.1.799
Hugh Hall
John Singleton Copley
(American, Boston, Massachusetts 1738–1815 London)
Date: 1758
Medium: Pastel on off-white laid paper, mounted on canvas
Accession Number: 1996.279
Seated Woman, Back View
Egon Schiele
(Austrian, Tulln 1890–1918 Vienna)
Date: 1917
Medium: Watercolor, gouache, and graphite on paper
Accession Number: 1984.433.294
Approach to a Mountain Village with Horsemen on the Road
Fra Bartolomeo
(Bartolomeo di Paolo del Fattorino) (Italian, Florence 1473–1517 Florence)
Date: ca. 1501
Accession Number: 1975.1.270
Woman in a Blue Dress
Thomas Wilmer Dewing
(1851–1938)
Date: ca. 1890–1909
Accession Number: 1999.176
The Lake of Zug
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1843
Accession Number: 59.120
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona
(Stefano di Giovanni) (Italian, Verona (?) 1374/75–?ca. 1438 Castel Bragher)
Date: 1435–38
Accession Number: 1996.364a, b
Brooklyn Bridge
John Marin
(American, Rutherford, New Jersey 1870–1953 Cape Split, Maine)
Date: ca. 1912
Accession Number: 49.70.105
The Great Statue of Amida Buddha at Kamakura, Known as the Daibutsu, from the Priest's Garden
John La Farge
(American, New York 1835–1910 Providence, Rhode Island)
Date: 1887
Accession Number: 66.143
Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man
Circle of Lorenzo Monaco
(Piero di Giovanni) (Italian, Florence (?) ca. 1370–1425 Florence (?))
Date: ca. 1420
Accession Number: 1975.1.335
Perseus and the Origin of Coral
Claude Lorrain
(Claude Gellée) (French, Chamagne 1604/5?–1682 Rome)
Date: ca. 1671
Accession Number: 1975.1.661
Wrack
William Henry Fox Talbot
(British, 1800–1877)
Date: 1839
Accession Number: 36.37 (25)
Bacchanal
Nicolas Poussin
(French, Les Andelys 1594–1665 Rome)
Date: ca. 1635–36
Accession Number: 1998.225
Night Creatures
Lee Krasner
(American, Brooklyn, New York 1908–1984 New York)
Date: 1965
Accession Number: 1995.595
17r. The Huntington Avenue Streetcar; 17v. Blank
Maurice Brazil Prendergast
(American, St. John’s, Newfoundland 1858–1924 New York)
Date: 1895–1897
Accession Number: 1975.1.940
Bust of Pseudo-Seneca
Peter Paul Rubens
(Flemish, Siegen 1577–1640 Antwerp)
Date: 1600–1626
Accession Number: 1975.1.843
The Betrothal of the Virgin
Giovanni Domenico Tiepolo
(Italian, Venice 1727–1804 Venice)
Date: ca. 1770
Accession Number: 1975.1.514
La table servie
Jacques Villon
(French, Damville 1875–1963 Puteaux)
Date:
Accession Number: 1975.1.753
[The Oriel Window, South Gallery, Lacock Abbey]
William Henry Fox Talbot
(British, 1800–1877)
Date: probably 1835
Accession Number: 1997.382.1
Bust of a Man in a Hat Gazing Upward
Martin Schongauer
(German, Colmar ca. 1435/50–1491 Breisach)
Date: ca. 1480–90
Accession Number: 1975.1.872
War
Jackson Pollock
(American, Cody, Wyoming 1912–1956 East Hampton, New York )
Date: 1947
Accession Number: 1982.147.25
The Last Supper, after Leonardo da Vinci
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1634–1635
Accession Number: 1975.1.794
Road in Etten
Vincent van Gogh
(Dutch, Zundert 1853–1890 Auvers-sur-Oise)
Date: 1881
Accession Number: 1975.1.774
Bingham Copper Mining Pit—Utah / Reclamation Project
Robert Smithson
(American, Passaic, New Jersey 1938–1973 Amarillo, Texas)
Date: 1973
Accession Number: 2001.293
Queen Esther Approaching the Palace of Ahasuerus
Claude Lorrain
(Claude Gellée) (French, Chamagne 1604/5?–1682 Rome)
Date: 1658
Accession Number: 1997.156
Boys in a Dory
Winslow Homer
(American, Boston, Massachusetts 1836–1910 Prouts Neck, Maine)
Date: 1873
Accession Number: 2001.608.1
Warwick Castle: The East Front
Canaletto
(Giovanni Antonio Canal) (Italian, Venice 1697–1768 Venice)
Date: 1752
Accession Number: 1975.1.297
Pool Parlor
Jacob Lawrence
(American, Atlantic City, New Jersey 1917–2000 Seattle, Washington )
Date: 1942
Accession Number: 42.167
View of Heidelberg
Jan Brueghel the Elder
(Netherlandish, Brussels 1568–1625 Antwerp)
Date: ca. 1588–89
Accession Number: 1995.15
The Block
Romare Bearden
(American, Charlotte, North Carolina 1911–1988 New York)
Date: 1971
Accession Number: 1978.61.1-.6
Satire on Art Criticism
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1644
Accession Number: 1975.1.799
Hugh Hall
John Singleton Copley
(American, Boston, Massachusetts 1738–1815 London)
Date: 1758
Accession Number: 1996.279
Seated Woman, Back View
Egon Schiele
(Austrian, Tulln 1890–1918 Vienna)
Date: 1917
Accession Number: 1984.433.294
  • Results per page:
  • 30
  • 60
  • 90

Close