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Highlights of the Collection / 1,839 records
96 records
Drawings x
Wrack
William Henry Fox Talbot
(British, Dorset 1800–1877 Lacock)
Date: 1839
Medium: Photogenic drawing
Accession Number: 36.37 (25)
The Green Cushion
Irving Ramsey Wiles
(1861–1948)
Date: ca. 1895
Medium: Watercolor, graphite, and gouache on paper
Accession Number: 1994.76
Seated Woman
Antoine Watteau
(French, Valenciennes 1684–1721 Nogent-sur-Marne)
Date: 1716–1717
Medium: Black, red and white chalk
Accession Number: 1975.1.763
Cottage near the Entrance to a Wood
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1644
Medium: Pen and inks ranging from light to dark brown, brown washes, corrected in white (oxidized, partially abraded), and touches of red chalk (in added structures to the left of the main cottage).
Accession Number: 1975.1.792
Woman in a Blue Dress
Thomas Wilmer Dewing
(1851–1938)
Date: ca. 1890–1909
Medium: Pastel on brown wove paper, mounted on wood board
Accession Number: 1999.176
The Lake of Zug
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1843
Medium: Watercolor over graphite
Accession Number: 59.120
Variations in Violet and Grey—Market Place, Dieppe
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1885
Medium: Gouache and watercolor on off-white wove paper, mounted on academy board
Accession Number: 2000.512
[The Oriel Window, South Gallery, Lacock Abbey]
William Henry Fox Talbot
(British, Dorset 1800–1877 Lacock)
Date: probably 1835
Medium: Photogenic drawing negative
Accession Number: 1997.382.1
Bacchanal
Nicolas Poussin
(French, Les Andelys 1594–1665 Rome)
Date: ca. 1635–36
Medium: Pen and brown ink, brush and brown wash, over faint black chalk underdrawing
Accession Number: 1998.225
Design for a Wall Monument
Francesco di Giorgio Martini
(Italian, Siena 1439–1501 Siena)
Date: ca. 1490
Medium: Pen and brown ink, brush and brown wash, blue gouache, on vellum
Accession Number: 1975.1.376
Reflection in the Mirror
Henri Matisse
(French, Le Cateau-Cambrésis 1869–1954 Nice)
Date: early 1923
Medium: Charcoal on paper
Accession Number: 1975.1.669
Allan Melville
John Rubens Smith
(American, London 1775–1849 New York)
Date: 1810
Medium: Watercolor, gouache, and graphite on smooth surfaced off-white wove paper
Accession Number: 46.192.4
Diana and Actaeon
Bartholomeus Spranger
(Netherlandish, Antwerp 1546–1611 Prague)
Date: ca. 1590–95
Medium: Pen and brown ink, brush and brown and gray wash, white heightening, over traces of black chalk, on paper washed blue and pink
Accession Number: 1997.93
Street Scene in Paris (Coin de rue à Paris)
Félix Vallotton
(Swiss, Lausanne 1865–1925 Paris)
Date: 1895
Medium: Gouache and oil on cardboard.
Accession Number: 1975.1.736
The Betrothal of the Virgin
Giovanni Domenico Tiepolo
(Italian, Venice 1727–1804 Venice)
Date: ca. 1770
Medium: Pen and brown ink, brown wash, over black chalk.
Accession Number: 1975.1.514
Winter Scene in Moonlight
Henry Farrer
(American, London 1844–1903 New York)
Date: 1869
Medium: Watercolor and gouache on white wove paper
Accession Number: 1999.19
The Connoisseur
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: ca. 1860–65
Medium: Pen and ink, wash, watercolor, lithographic crayon, and gouache over black chalk on wove paper
Accession Number: 29.100.200
Perseus and the Origin of Coral
Claude Lorrain
(Claude Gellée) (French, Chamagne 1604/5?–1682 Rome)
Date: ca. 1671
Medium: Black chalk, sepia and black ink, sepia and gray wash heightened with white
Accession Number: 1975.1.661
A Gathering at Woods' Edge
Jean Honoré Fragonard
(French, Grasse 1732–1806 Paris)
Date: 1761–73
Medium: Red chalk
Accession Number: 1995.101
Bacchus and Ariadne
Giovanni Battista Tiepolo
(Italian, Venice 1696–1770 Madrid)
Date: ca. 1740
Medium: Pen and brown ink, brown wash, over black chalk.
Accession Number: 1975.1.443
The Last Supper, after Leonardo da Vinci
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1634–1635
Medium: Red chalk
Accession Number: 1975.1.794
A Storm
Georgia O'Keeffe
(American, Sun Prairie, Wisconsin 1887–1986 Santa Fe, New Mexico)
Date: 1922
Medium: Pastel on paper, mounted on illustration board
Accession Number: 1981.35
Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: 1530–35
Medium: Pen and brown ink, watercolor over traces of black chalk; verso: tracing in black chalk of the figures on the recto
Accession Number: 1995.12
Madame Félix Gallois
Jean Auguste Dominique Ingres
(French, Montauban 1780–1867 Paris)
Date: 1852
Medium: Graphite with touches of gold in oil to highlight jewelry, on buff wove paper.
Accession Number: 1975.1.647
Panaromic View of the Bacino di San Marco, Looking up the Giudecca Canal
Francesco Guardi
(Italian, Venice 1712–1793 Venice)
Date: 1780–93
Medium: Pen and brown ink, light brown wash, on two sheets of paper, joined.
Accession Number: 1975.1.342
Warwick Castle: The East Front
Canaletto
(Giovanni Antonio Canal) (Italian, Venice 1697–1768 Venice)
Date: 1752
Medium: Pen and brown ink, gray wash
Accession Number: 1975.1.297
Study for "Les Poseuses"
Georges Seurat
(French, Paris 1859–1891 Paris)
Date: 1886
Medium: Conté crayon on laid paper.
Accession Number: 1975.1.704
La table servie
Jacques Villon
(French, Damville 1875–1963 Puteaux)
Date: 1912
Medium: Graphite and black ink, squared in graphite
Accession Number: 1975.1.753
Eastern Coast of Rügen Island with Shepherd
Caspar David Friedrich
(German, Greifswald 1774–1840 Dresden)
Date: ca. 1805–6
Medium: Sepia colored ink, sepia colored wash, white gouache and graphite on off-white wove paper
Accession Number: 2002.260
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Michelangelo Buonarroti
(Italian, Caprese 1475–1564 Rome)
Date: ca. 1510–11
Medium: Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)
Accession Number: 24.197.2
Wrack
William Henry Fox Talbot
(British, Dorset 1800–1877 Lacock)
Date: 1839
Accession Number: 36.37 (25)
The Green Cushion
Irving Ramsey Wiles
(1861–1948)
Date: ca. 1895
Accession Number: 1994.76
Seated Woman
Antoine Watteau
(French, Valenciennes 1684–1721 Nogent-sur-Marne)
Date: 1716–1717
Accession Number: 1975.1.763
Cottage near the Entrance to a Wood
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1644
Accession Number: 1975.1.792
Woman in a Blue Dress
Thomas Wilmer Dewing
(1851–1938)
Date: ca. 1890–1909
Accession Number: 1999.176
The Lake of Zug
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1843
Accession Number: 59.120
Variations in Violet and Grey—Market Place, Dieppe
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1885
Accession Number: 2000.512
[The Oriel Window, South Gallery, Lacock Abbey]
William Henry Fox Talbot
(British, Dorset 1800–1877 Lacock)
Date: probably 1835
Accession Number: 1997.382.1
Bacchanal
Nicolas Poussin
(French, Les Andelys 1594–1665 Rome)
Date: ca. 1635–36
Accession Number: 1998.225
Design for a Wall Monument
Francesco di Giorgio Martini
(Italian, Siena 1439–1501 Siena)
Date: ca. 1490
Accession Number: 1975.1.376
Reflection in the Mirror
Henri Matisse
(French, Le Cateau-Cambrésis 1869–1954 Nice)
Date: early 1923
Accession Number: 1975.1.669
Allan Melville
John Rubens Smith
(American, London 1775–1849 New York)
Date: 1810
Accession Number: 46.192.4
Diana and Actaeon
Bartholomeus Spranger
(Netherlandish, Antwerp 1546–1611 Prague)
Date: ca. 1590–95
Accession Number: 1997.93
Street Scene in Paris (Coin de rue à Paris)
Félix Vallotton
(Swiss, Lausanne 1865–1925 Paris)
Date: 1895
Accession Number: 1975.1.736
The Betrothal of the Virgin
Giovanni Domenico Tiepolo
(Italian, Venice 1727–1804 Venice)
Date: ca. 1770
Accession Number: 1975.1.514
Winter Scene in Moonlight
Henry Farrer
(American, London 1844–1903 New York)
Date: 1869
Accession Number: 1999.19
The Connoisseur
Honoré Daumier
(French, Marseilles 1808–1879 Valmondois)
Date: ca. 1860–65
Accession Number: 29.100.200
Perseus and the Origin of Coral
Claude Lorrain
(Claude Gellée) (French, Chamagne 1604/5?–1682 Rome)
Date: ca. 1671
Accession Number: 1975.1.661
A Gathering at Woods' Edge
Jean Honoré Fragonard
(French, Grasse 1732–1806 Paris)
Date: 1761–73
Accession Number: 1995.101
Bacchus and Ariadne
Giovanni Battista Tiepolo
(Italian, Venice 1696–1770 Madrid)
Date: ca. 1740
Accession Number: 1975.1.443
The Last Supper, after Leonardo da Vinci
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1634–1635
Accession Number: 1975.1.794
A Storm
Georgia O'Keeffe
(American, Sun Prairie, Wisconsin 1887–1986 Santa Fe, New Mexico)
Date: 1922
Accession Number: 1981.35
Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: 1530–35
Accession Number: 1995.12
Madame Félix Gallois
Jean Auguste Dominique Ingres
(French, Montauban 1780–1867 Paris)
Date: 1852
Accession Number: 1975.1.647
Panaromic View of the Bacino di San Marco, Looking up the Giudecca Canal
Francesco Guardi
(Italian, Venice 1712–1793 Venice)
Date: 1780–93
Accession Number: 1975.1.342
Warwick Castle: The East Front
Canaletto
(Giovanni Antonio Canal) (Italian, Venice 1697–1768 Venice)
Date: 1752
Accession Number: 1975.1.297
Study for "Les Poseuses"
Georges Seurat
(French, Paris 1859–1891 Paris)
Date: 1886
Accession Number: 1975.1.704
La table servie
Jacques Villon
(French, Damville 1875–1963 Puteaux)
Date: 1912
Accession Number: 1975.1.753
Eastern Coast of Rügen Island with Shepherd
Caspar David Friedrich
(German, Greifswald 1774–1840 Dresden)
Date: ca. 1805–6
Accession Number: 2002.260
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Michelangelo Buonarroti
(Italian, Caprese 1475–1564 Rome)
Date: ca. 1510–11
Accession Number: 24.197.2
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