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Highlights of the Collection / 1,899 records
Perseus and the Origin of Coral
Claude Lorrain
(Claude Gellée) (French, Chamagne 1604/5?–1682 Rome)
Date: ca. 1671
Medium: Black chalk, sepia and black ink, sepia and gray wash heightened with white
Accession Number: 1975.1.661
The Last Supper, after Leonardo da Vinci
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1634–1635
Medium: Red chalk
Accession Number: 1975.1.794
Road in Etten
Vincent van Gogh
(Dutch, Zundert 1853–1890 Auvers-sur-Oise)
Date: 1881
Medium: Chalk, pencil, pastel, watercolor. Underdrawing in pen and brown ink.
Accession Number: 1975.1.774
Seated Woman
Antoine Watteau
(French, Valenciennes 1684–1721 Nogent-sur-Marne)
Date: 1716–1717
Medium: Black, red and white chalk
Accession Number: 1975.1.763
Cottage near the Entrance to a Wood
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1644
Medium: Pen and inks ranging from light to dark brown, brown washes, corrected in white (oxidized, partially abraded), and touches of red chalk (in added structures to the left of the main cottage).
Accession Number: 1975.1.792
Perseus and the Origin of Coral
Claude Lorrain
(Claude Gellée) (French, Chamagne 1604/5?–1682 Rome)
Date: ca. 1671
Accession Number: 1975.1.661
The Last Supper, after Leonardo da Vinci
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1634–1635
Accession Number: 1975.1.794
Road in Etten
Vincent van Gogh
(Dutch, Zundert 1853–1890 Auvers-sur-Oise)
Date: 1881
Accession Number: 1975.1.774
Seated Woman
Antoine Watteau
(French, Valenciennes 1684–1721 Nogent-sur-Marne)
Date: 1716–1717
Accession Number: 1975.1.763
Cottage near the Entrance to a Wood
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1644
Accession Number: 1975.1.792

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