Quantcast
Highlights of the Collection / 1,858 records
73 records
Italy x A.D. 1400–1600 x
Armorial dish: Supper at the House of Simon the Pharisee
workshop of Maestro Giorgio Andreoli (Italian
(Gubbio), active first half of 16th century)
Date: 1528
Medium: Maiolica (tin-glazed earthenware)
Accession Number: 1975.1.1103
A Bear Walking
Leonardo da Vinci
(Italian, Vinci 1452–1519 Amboise)
Date: early to mid 1480s
Medium: metalpoint on light buff prepared paper
Accession Number: 1975.1.369
The Farnese Table
Designed by Jacopo [Giacomo] Barozzi da Vignola
(Italian, Vignola 1507–1573 Rome)
Date: ca. 1565–73
Medium: Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers
Accession Number: 58.57a–d
Saint Anthony the Abbot in the Wilderness
Osservanza Master
(Italian, Siena, active second quarter 15th century)
Date: ca. 1435
Medium: Tempera and gold on wood
Accession Number: 1975.1.27
The Martyrdom of Saint Paul
Taddeo Zuccaro
(Italian, Sant'Angelo in Vado 1529–1566 Rome)
Date: ca. 1557–58
Medium: Pen and brown and gray ink, brown wash, over black chalk, heightened with white, on buff paper.
Accession Number: 1975.1.553
Vita di Michelagnolo Buonarroti raccolta per Ascanio Condivi da la Ripa Transone
Ascanio Condivi
(Italian, Ripatransone 1525–1574 Ripatransone)
Date: 1553
Medium: Illustrated book
Accession Number: 131.1M58 C75
Madonna and Child
Giovanni Bellini
(Italian, Venice, active by 1459–died 1516 Venice)
Date: late 1480s
Medium: Oil on wood
Accession Number: 08.183.1
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptis; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
(Italian, Vinci 1452–1519 Amboise)
Date: 1480–85
Medium: Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)
Accession Number: 17.142.1
Dish depicting a virgin and a unicorn
Date: probably ca. 1486–88
Medium: Maiolica (tin-glazed earthenware)
Accession Number: 46.85.30
Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
(Italian, Florence ca. 1432–1498 Rome)
Date: early to mid 1480s
Medium: Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.
Accession Number: 1975.1.410
A Hunting Scene
Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)
(Italian, Florence 1462–1522 Florence)
Date: ca. 1494–1500
Medium: Tempera and oil transferred to Masonite
Accession Number: 75.7.2
Burgonet
Filippo Negroli
(Italian, Milan ca. 1510–1579)
Date: dated 1543
Medium: Steel, gold, textile
Accession Number: 17.190.1720
The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia)
(Italian, Siena 1398–1482 Siena)
Date: ca. 1455–60
Medium: Tempera and gold on wood
Accession Number: 1975.1.37
Tondo mirror frame
Italian, Siena
Date: ca. 1490–1500
Medium: Poplar; carved, gilt; deep red-brown bole.
Accession Number: 1975.1.2101
Mars and Venus United by Love
Paolo Veronese (Paolo Caliari)
(Italian, Verona 1528–1588 Venice)
Date: 1570s
Medium: Oil on canvas
Accession Number: 10.189
The Last Communion of Saint Jerome
Botticelli (Alessandro di Mariano Filipepi)
(Italian, Florence 1444/45–1510 Florence)
Date: early 1490s
Medium: Tempera and gold on wood
Accession Number: 14.40.642
Trattato dell' arte della pittura, scultura et architetettura
Giovanni Paolo Lomazzo
(Italian, Milan 1538–1600 Milan)
Date: 1585
Medium: Printed book
Accession Number: 109A L83
The Rothschild Lamp
Andrea Briosco, called Riccio
(Italian, Trent 1470–1532 Padua)
Date: ca. 1510–20
Medium: Bronze
Accession Number: 2009.58
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Michelangelo Buonarroti
(Italian, Caprese 1475–1564 Rome)
Date: ca. 1510–11
Medium: Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)
Accession Number: 24.197.2
Bononiensis de architectura libri quinque quibus cuncta fere architectonicae facultatis mysteria docte, perspicue . . .
Sebastiano Serlio
(Italian, Bologna 1475–1554 Fontainebleau)
Date: 1568–69
Medium: Illustrated book
Accession Number: 120 Se6
The Meditation on the Passion
Vittore Carpaccio
(Italian, Venice 1460/66?–1525/26 Venice)
Date: ca. 1490
Medium: Oil and tempera on wood
Accession Number: 11.118
Design for a Wall Monument
Francesco di Giorgio Martini
(Italian, Siena 1439–1501 Siena)
Date: ca. 1490
Medium: Pen and brown ink, brush and brown wash, blue gouache, on vellum
Accession Number: 1975.1.376
ex "Kurtz" Violin
Andrea Amati
(Italian, Cremona ca. 1505–1578 Cremona)
Date: ca. 1560
Medium: Spruce, maple, ebony
Accession Number: 1999.26
Sallet in the Shape of a Lion's Head
Date: ca. 1475–80
Medium: Steel, copper, gold, glass, pigment, textile
Accession Number: 23.141
Pan
Andrea Briosco, called Riccio
(Italian, Trent 1470–1532 Padua)
Date: ca. 1510–20
Medium: Bronze
Accession Number: 1982.45
Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man
Circle of Lorenzo Monaco (Piero di Giovanni) (Italian, Florence (?) ca. 1370–1425 Florence
(?))
Date: ca. 1420
Medium: Metalpoint, touches of brush and brown wash, heightened with white (partially oxidized in the figure at the lower left), on reddish violet prepared paper. Some lines retraced in pen and brown ink at a later date.
Accession Number: 1975.1.335
Armet
Stamped with the armorer's name, LIONARDO
(Italian, probably active in Milan, ca. 1440)
Date: ca. 1440
Medium: Steel, copper alloy
Accession Number: 42.50.2
Mandora
Date: ca. 1420
Medium: boxwood, rosewood
Accession Number: 64.101.1409
The Head of the Virgin in Three-Quarter View Facing Right
Leonardo da Vinci
(Italian, Vinci 1452–1519 Amboise)
Date: 1508–12
Medium: Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing outline in pen and brown ink at upper right (not by Leonardo)
Accession Number: 51.90
Armorial dish: Supper at the House of Simon the Pharisee
workshop of Maestro Giorgio Andreoli (Italian
(Gubbio), active first half of 16th century)
Date: 1528
Accession Number: 1975.1.1103
A Bear Walking
Leonardo da Vinci
(Italian, Vinci 1452–1519 Amboise)
Date: early to mid 1480s
Accession Number: 1975.1.369
The Farnese Table
Designed by Jacopo [Giacomo] Barozzi da Vignola
(Italian, Vignola 1507–1573 Rome)
Date: ca. 1565–73
Accession Number: 58.57a–d
Saint Anthony the Abbot in the Wilderness
Osservanza Master
(Italian, Siena, active second quarter 15th century)
Date: ca. 1435
Accession Number: 1975.1.27
The Martyrdom of Saint Paul
Taddeo Zuccaro
(Italian, Sant'Angelo in Vado 1529–1566 Rome)
Date: ca. 1557–58
Accession Number: 1975.1.553
Vita di Michelagnolo Buonarroti raccolta per Ascanio Condivi da la Ripa Transone
Ascanio Condivi
(Italian, Ripatransone 1525–1574 Ripatransone)
Date: 1553
Accession Number: 131.1M58 C75
Madonna and Child
Giovanni Bellini
(Italian, Venice, active by 1459–died 1516 Venice)
Date: late 1480s
Accession Number: 08.183.1
Dish depicting a virgin and a unicorn
Date: probably ca. 1486–88
Accession Number: 46.85.30
Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
(Italian, Florence ca. 1432–1498 Rome)
Date: early to mid 1480s
Accession Number: 1975.1.410
A Hunting Scene
Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)
(Italian, Florence 1462–1522 Florence)
Date: ca. 1494–1500
Accession Number: 75.7.2
Burgonet
Filippo Negroli
(Italian, Milan ca. 1510–1579)
Date: dated 1543
Accession Number: 17.190.1720
The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia)
(Italian, Siena 1398–1482 Siena)
Date: ca. 1455–60
Accession Number: 1975.1.37
Tondo mirror frame
Italian, Siena
Date: ca. 1490–1500
Accession Number: 1975.1.2101
Mars and Venus United by Love
Paolo Veronese (Paolo Caliari)
(Italian, Verona 1528–1588 Venice)
Date: 1570s
Accession Number: 10.189
The Last Communion of Saint Jerome
Botticelli (Alessandro di Mariano Filipepi)
(Italian, Florence 1444/45–1510 Florence)
Date: early 1490s
Accession Number: 14.40.642
Trattato dell' arte della pittura, scultura et architetettura
Giovanni Paolo Lomazzo
(Italian, Milan 1538–1600 Milan)
Date: 1585
Accession Number: 109A L83
The Rothschild Lamp
Andrea Briosco, called Riccio
(Italian, Trent 1470–1532 Padua)
Date: ca. 1510–20
Accession Number: 2009.58
Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Michelangelo Buonarroti
(Italian, Caprese 1475–1564 Rome)
Date: ca. 1510–11
Accession Number: 24.197.2
Bononiensis de architectura libri quinque quibus cuncta fere architectonicae facultatis mysteria docte, perspicue . . .
Sebastiano Serlio
(Italian, Bologna 1475–1554 Fontainebleau)
Date: 1568–69
Accession Number: 120 Se6
The Meditation on the Passion
Vittore Carpaccio
(Italian, Venice 1460/66?–1525/26 Venice)
Date: ca. 1490
Accession Number: 11.118
Design for a Wall Monument
Francesco di Giorgio Martini
(Italian, Siena 1439–1501 Siena)
Date: ca. 1490
Accession Number: 1975.1.376
ex "Kurtz" Violin
Andrea Amati
(Italian, Cremona ca. 1505–1578 Cremona)
Date: ca. 1560
Accession Number: 1999.26
Sallet in the Shape of a Lion's Head
Date: ca. 1475–80
Accession Number: 23.141
Pan
Andrea Briosco, called Riccio
(Italian, Trent 1470–1532 Padua)
Date: ca. 1510–20
Accession Number: 1982.45
Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man
Circle of Lorenzo Monaco (Piero di Giovanni) (Italian, Florence (?) ca. 1370–1425 Florence
(?))
Date: ca. 1420
Accession Number: 1975.1.335
Armet
Stamped with the armorer's name, LIONARDO
(Italian, probably active in Milan, ca. 1440)
Date: ca. 1440
Accession Number: 42.50.2
Mandora
Date: ca. 1420
Accession Number: 64.101.1409
The Head of the Virgin in Three-Quarter View Facing Right
Leonardo da Vinci
(Italian, Vinci 1452–1519 Amboise)
Date: 1508–12
Accession Number: 51.90
  • Results per page:
  • 30
  • 60
  • 90

Close