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Highlights of the Collection / 1,898 records
Clarinet in B-flat
Charles Joseph Sax
(Belgian, Dinant, Belgium 1790–1865 Paris)
Date: 1830
Medium: Ivory, brass
Accession Number: 53.223
Men Shoveling Chairs (Scupstoel)
Circle of Rogier van der Weyden, possibly Vranke van der Stockt
(Netherlandish, ca. 1420–1495)
Date: 1444–50
Medium: Pen and brown ink over traces of black chalk.
Accession Number: 1975.1.848
Emperor Vespasian Cured by Veronica's Veil
Flemish, Brussels
Date: ca. 1510
Medium: Wool, silk, and gilt-metal-strip-wrapped silk in slit, dovetailed, and double interlocking tapestry weave.
Accession Number: 1975.1.1914
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Design attributed to Giovanni Battista Lodi da Cremona
(Italian, active 1540–52)
Date: designed ca. 1540, woven ca. 1570
Medium: Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.)
Accession Number: 41.190.135
Cravat end
Date: mid-18th century
Medium: Linen, bobbin lace
Accession Number: 48.41.1
The Triumph of Fame
Date: ca. 1502–4
Medium: Wool, silk (6-7 warp threads per cm.)
Accession Number: 1998.205
Clarinet in B-flat
Charles Joseph Sax
(Belgian, Dinant, Belgium 1790–1865 Paris)
Date: 1830
Accession Number: 53.223
Men Shoveling Chairs (Scupstoel)
Circle of Rogier van der Weyden, possibly Vranke van der Stockt
(Netherlandish, ca. 1420–1495)
Date: 1444–50
Accession Number: 1975.1.848
Emperor Vespasian Cured by Veronica's Veil
Flemish, Brussels
Date: ca. 1510
Accession Number: 1975.1.1914
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse
Design attributed to Giovanni Battista Lodi da Cremona
(Italian, active 1540–52)
Date: designed ca. 1540, woven ca. 1570
Accession Number: 41.190.135
Cravat end
Date: mid-18th century
Accession Number: 48.41.1
The Triumph of Fame
Date: ca. 1502–4
Accession Number: 1998.205

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