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Highlights of the Collection / 1,896 records
268 records
A.D. 1600–1800 x
Dress
Date: ca. 1760
Medium: silk, linen, cotton
Accession Number: 1996.374a–c
The Lovers
Painting by Riza-yi `Abbasi
(ca. 1565–1635)
Date: dated A.H. 1039/ A.D. 1630
Medium: Opaque watercolor, ink, and gold on paper
Accession Number: 50.164
Leisure Time in an Elegant Setting
Pieter de Hooch
(Dutch, Rotterdam 1629–1684 Amsterdam)
Date: ca. 1663–65
Medium: Oil on canvas
Accession Number: 1975.1.144
Virgin and Child
Bartolomé Estebán Murillo
(Spanish, Seville 1617–1682 Seville)
Date: ca. 1670–72
Medium: Oil on canvas
Accession Number: 43.13
Mask
Inscribed by Myōchin Muneakira
(Japanese, Edo period, 1673–1745)
Date: dated 1745
Medium: Lacquered iron, silk
Accession Number: 19.115.2
Winter
Jean Antoine Houdon
(French, Versailles 1741–1828 Paris)
Date: 1787
Medium: Bronze
Accession Number: 62.55
Drop-front secretary (Secrétaire en armoire)
Jean Henri Riesener
(French, Gladebeck, near Hessen 1734–1806 Paris)
Date: 1783
Medium: Oak veneered with ebony and 17th-century Japanese lacquer; interiors veneered with tulipwood, amaranth, holly, and ebonized holly; gilt-bronze mounts; marble top; velvet (not original)
Accession Number: 20.155.11
Hardanger Fiddle
Date: 1786
Medium: Wood, mother-of-pearl, bone
Accession Number: 2008.268
Robe (Kosode) with Shells and Sea Grasses
Date: early 17th century
Medium: Embroidery and gold leaf on plain-weave silk patterned with warp floats
Accession Number: 1992.253
Hugh Hall
John Singleton Copley
(American, Boston, Massachusetts 1738–1815 London)
Date: 1758
Medium: Pastel on off-white laid paper, mounted on canvas
Accession Number: 1996.279
Mezzetin
Antoine Watteau
(French, Valenciennes 1684–1721 Nogent-sur-Marne)
Date: ca. 1718–20
Medium: Oil on canvas
Accession Number: 34.138
Pair of Flintlock Pistols of Empress Catherine the Great (1729–1796)
Johan Adolph Grecke
(Russian, Saint Petersburg, recorded 1755–90)
Date: 1786
Medium: Steel, ivory, gold, brass
Accession Number: 1986.265.1, .2
Charger
Thomas Toft
(working before 1663, died 1689)
Date: ca. 1680
Medium: Slipware
Accession Number: 24.241.2
Il Ritratto di Venezia
Domenico Martinelli
(active 1663–1669)
Date: 1684
Medium: Printed book
Accession Number: 911.1. M362
Presentation Smallsword
James Morisset
(English, London, active 1768–1800)
Date: hallmarked for 1797–98
Medium: Silver-gilt, enamel, steel, paste brilliants
Accession Number: 26.145.315a, b
Powder Horn
Date: dated 1759
Medium: Cow horn
Accession Number: 37.131.4
Rough Waves
Ogata Kōrin
(Japanese, 1658–1716)
Date: ca. 1704–9
Medium: Two-panel folding screen; ink, color, and gold leaf on paper
Accession Number: 26.117
Garden Gathering
Date: first quarter 17th century
Medium: Stonepaste; painted and polychrome glazed (cuerda seca technique)
Accession Number: 03.9c
Guitar
Attributed to Giacomo
(Jacob) Ertel (German, ca. 1646–1711 Rome)
Date: late 17th century
Medium: Spruce, ebony, fruitwood, bone, ivory, mother-of-pearl
Accession Number: 1984.225
Head of a Man
Antoine Watteau
(French, Valenciennes 1684–1721 Nogent-sur-Marne)
Date: ca. 1718
Medium: Red and black chalk
Accession Number: 37.165.107
Christ Crucified between the Two Thieves: The Three Crosses
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1653
Medium: Drypoint and engraving printed on vellum; first state of five
Accession Number: 41.1.31
Chasuble
Date: 18th century
Medium: Silk, metallic thread
Accession Number: 1984.462.1
Cupboard
Date: 1683
Medium: Oak, maple, tulip poplar with oak and pine
Accession Number: 2010.467a–d
Lucas van Uffel (died 1637)
Anthony van Dyck
(Flemish, Antwerp 1599–1641 London)
Date: ca. 1622
Medium: Oil on canvas
Accession Number: 14.40.619
Le pitture e sculture di Brescia che sono esposte al pubblico con un' appendice di alcune private gallerie
Luigi Chizzola
Date: 1760
Medium: Illustrated book
Accession Number: 110.5B75 C44
Hercules and Achelous
Attributed to the Master of the Martyrdom of St. Sebastian
(Austrian)
Date: probably mid-17th century
Medium: Ivory
Accession Number: 1982.60.129
Footed Bowl and Plate
Date: first half 18th century
Medium: Glass, opalescent white; blown, bowl with applied stem and blown applied foot, fired silver and gold decoration
Accession Number: 2000.490a, b
Horatio Gates
Gilbert Stuart
(American, North Kingston, Rhode Island 1755–1828 Boston, Massachusetts)
Date: ca. 1793–94
Medium: Oil on canvas
Accession Number: 1977.243
Satire on Art Criticism
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1644
Medium: Pen and brown ink corrected with white.
Accession Number: 1975.1.799
Alto Recorder in F
Johann Benedikt Gahn
(German, Nuremberg 1674–1711 Nuremberg)
Date: ca. 1700
Medium: Ivory
Accession Number: 89.4.909
Dress
Date: ca. 1760
Accession Number: 1996.374a–c
The Lovers
Painting by Riza-yi `Abbasi
(ca. 1565–1635)
Date: dated A.H. 1039/ A.D. 1630
Accession Number: 50.164
Leisure Time in an Elegant Setting
Pieter de Hooch
(Dutch, Rotterdam 1629–1684 Amsterdam)
Date: ca. 1663–65
Accession Number: 1975.1.144
Virgin and Child
Bartolomé Estebán Murillo
(Spanish, Seville 1617–1682 Seville)
Date: ca. 1670–72
Accession Number: 43.13
Mask
Inscribed by Myōchin Muneakira
(Japanese, Edo period, 1673–1745)
Date: dated 1745
Accession Number: 19.115.2
Winter
Jean Antoine Houdon
(French, Versailles 1741–1828 Paris)
Date: 1787
Accession Number: 62.55
Drop-front secretary (Secrétaire en armoire)
Jean Henri Riesener
(French, Gladebeck, near Hessen 1734–1806 Paris)
Date: 1783
Accession Number: 20.155.11
Hardanger Fiddle
Date: 1786
Accession Number: 2008.268
Robe (Kosode) with Shells and Sea Grasses
Date: early 17th century
Accession Number: 1992.253
Hugh Hall
John Singleton Copley
(American, Boston, Massachusetts 1738–1815 London)
Date: 1758
Accession Number: 1996.279
Mezzetin
Antoine Watteau
(French, Valenciennes 1684–1721 Nogent-sur-Marne)
Date: ca. 1718–20
Accession Number: 34.138
Pair of Flintlock Pistols of Empress Catherine the Great (1729–1796)
Johan Adolph Grecke
(Russian, Saint Petersburg, recorded 1755–90)
Date: 1786
Accession Number: 1986.265.1, .2
Charger
Thomas Toft
(working before 1663, died 1689)
Date: ca. 1680
Accession Number: 24.241.2
Il Ritratto di Venezia
Domenico Martinelli
(active 1663–1669)
Date: 1684
Accession Number: 911.1. M362
Presentation Smallsword
James Morisset
(English, London, active 1768–1800)
Date: hallmarked for 1797–98
Accession Number: 26.145.315a, b
Powder Horn
Date: dated 1759
Accession Number: 37.131.4
Rough Waves
Ogata Kōrin
(Japanese, 1658–1716)
Date: ca. 1704–9
Accession Number: 26.117
Garden Gathering
Date: first quarter 17th century
Accession Number: 03.9c
Guitar
Attributed to Giacomo
(Jacob) Ertel (German, ca. 1646–1711 Rome)
Date: late 17th century
Accession Number: 1984.225
Head of a Man
Antoine Watteau
(French, Valenciennes 1684–1721 Nogent-sur-Marne)
Date: ca. 1718
Accession Number: 37.165.107
Christ Crucified between the Two Thieves: The Three Crosses
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1653
Accession Number: 41.1.31
Chasuble
Date: 18th century
Accession Number: 1984.462.1
Cupboard
Date: 1683
Accession Number: 2010.467a–d
Lucas van Uffel (died 1637)
Anthony van Dyck
(Flemish, Antwerp 1599–1641 London)
Date: ca. 1622
Accession Number: 14.40.619
Hercules and Achelous
Attributed to the Master of the Martyrdom of St. Sebastian
(Austrian)
Date: probably mid-17th century
Accession Number: 1982.60.129
Footed Bowl and Plate
Date: first half 18th century
Accession Number: 2000.490a, b
Horatio Gates
Gilbert Stuart
(American, North Kingston, Rhode Island 1755–1828 Boston, Massachusetts)
Date: ca. 1793–94
Accession Number: 1977.243
Satire on Art Criticism
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1644
Accession Number: 1975.1.799
Alto Recorder in F
Johann Benedikt Gahn
(German, Nuremberg 1674–1711 Nuremberg)
Date: ca. 1700
Accession Number: 89.4.909
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