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Highlights of the Collection / 1,898 records
270 records
A.D. 1600–1800 x
Jacket
Date: ca. 1785
Medium: silk, linen
Accession Number: 1998.253.1
Self-Portrait
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1660
Medium: Oil on canvas
Accession Number: 14.40.618
Boiserie from the Hôtel de Varengeville
Date: ca. 1736–52, with later additions
Medium: Carved, painted, and gilded oak
Accession Number: 63.228.1
Captain George K. H. Coussmaker (1759–1801)
Sir Joshua Reynolds
(British, Plympton 1723–1792 London)
Date: 1782
Medium: Oil on canvas
Accession Number: 20.155.3
Architectura Curiosa Nova: Das ist, neue ergotzliche Sinn und Kunstreiche auch nutzliche Bau- und Wasser-Kunst . . .
Author: Georg Andreas Böckler
(German, Cronheim 1644–1698 Ansbach)
Date: 1664
Medium: Printed book, engraved plates
Accession Number: 254 B63
Double Virginal
Lodewijck Grouwels
(Flemish, active Middelburg, Zeeland, The Netherlands 1593–1600)
Date: 1600
Medium: Pine, spruce, various materials
Accession Number: 89.4.1196
Finial in the Form of a Parrot
Date: 17th–18th century
Medium: Brass
Accession Number: 19.135.3
Mezzetin
Antoine Watteau
(French, Valenciennes 1684–1721 Nogent-sur-Marne)
Date: ca. 1718–20
Medium: Oil on canvas
Accession Number: 34.138
Embroidered Sampler
Patty Coggeshall
(1780–1797)
Date: ca. 1792
Medium: Silk on linen, embroidered
Accession Number: 14.26
The Fortune Teller
Georges de La Tour
(French, Vic-sur-Seille 1593–1653 Lunéville)
Date: probably 1630s
Medium: Oil on canvas
Accession Number: 60.30
Side Chair
Attributed to Samuel McIntire
(1757–1811)
Date: 1794–99
Medium: Mahogany, ebony, ash, birch, white pine
Accession Number: 62.16
Dining room from Lansdowne House
After a design by Robert Adam
(British, Kirkclady, Scotland 1728–1792 London)
Date: 1766–69
Medium: Wood, plaster, stone
Accession Number: 32.12
The Crucifixion with the Virgin and Saint John
Hendrick ter Brugghen
(Dutch, The Hague? 1588–1629 Utrecht)
Date: ca. 1624–25
Medium: Oil on canvas
Accession Number: 56.228
Small desk with folding top (bureau brisé)
Marquetry by Alexandre-Jean Oppenordt
(Dutch, 1639–1715, active France)
Date: ca. 1685
Medium: Oak, pine, walnut veneered with ebony, rosewood, and marquetry of tortoiseshell and engraved brass; gilt bronze and steel
Accession Number: 1986.365.3
Le pitture e sculture di Brescia che sono esposte al pubblico con un' appendice di alcune private gallerie
Author: Luigi Chizzola
Date: 1760
Medium: Illustrated book
Accession Number: 110.5B75 C44
Natural Trumpet
Johann Wilhelm Haas
(German, Nuremberg 1649–1723 Nuremberg)
Date: late 17th century
Medium: Brass
Accession Number: 89.4.2375
Bacchus and Ariadne
Giovanni Battista Tiepolo
(Italian, Venice 1696–1770 Madrid)
Date: ca. 1740
Medium: Pen and brown ink, brown wash, over black chalk.
Accession Number: 1975.1.443
Violin
Joachim Tielke
(German, 1641–1719)
Date: ca. 1685
Medium: Wood
Accession Number: 1992.333
Powder Horn
Date: dated 1759
Medium: Cow horn
Accession Number: 37.131.4
Doublet
Date: early 1620s
Medium: silk
Accession Number: 1989.196
Satire on Art Criticism
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1644
Medium: Pen and brown ink corrected with white.
Accession Number: 1975.1.799
Commode
André Charles Boulle
(French, Paris 1642–1732 Paris)
Date: ca. 1710–20
Medium: Walnut veneered with ebony, marquetry of engraved brass and tortoiseshell, gilt-bronze mounts, verd antique marble
Accession Number: 1982.60.82
The Young Virgin
Francisco de Zurbarán
(Spanish, Fuente de Cantos 1598–1664 Madrid)
Date: ca. 1632–33
Medium: Oil on canvas
Accession Number: 27.137
Lion (one of a pair)
Meissen Manufactory
(German, 1710–present)
Date: ca. 1732
Medium: Hard-paste porcelain
Accession Number: 1988.294.1
Bureau table
Attributed to John Townsend
(1732–1809)
Date: ca. 1765
Medium: Mahogany, chestnut, tulip poplar
Accession Number: 10.125.83
Saint Jerome as Scholar
El Greco
(Domenikos Theotokopoulos) (Greek, Iráklion (Candia) 1540/41–1614 Toledo)
Date: ca. 1610
Medium: Oil on canvas
Accession Number: 1975.1.146
Desk and bookcase
Date: 1760–90
Medium: Mahogany, chestnut, white pine, yellow pine, tulip poplar, cedar
Accession Number: 15.21.2
Marsyas
Balthasar Permoser
(German, Kammer, near Otting, Chiemgau, Bavaria 1651–1732 Dresden)
Date: ca. 1680–85
Medium: Marble on a black marble socle inlaid with light marble panels
Accession Number: 2002.468
Hugh Hall
John Singleton Copley
(American, Boston, Massachusetts 1738–1815 London)
Date: 1758
Medium: Pastel on off-white laid paper, mounted on canvas
Accession Number: 1996.279
Silk Animal Carpet
Date: second half 16th century
Medium: Silk (warp, weft, and pile); asymmetrically knotted pile
Accession Number: 14.40.721
Jacket
Date: ca. 1785
Accession Number: 1998.253.1
Self-Portrait
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1660
Accession Number: 14.40.618
Boiserie from the Hôtel de Varengeville
Date: ca. 1736–52, with later additions
Accession Number: 63.228.1
Captain George K. H. Coussmaker (1759–1801)
Sir Joshua Reynolds
(British, Plympton 1723–1792 London)
Date: 1782
Accession Number: 20.155.3
Architectura Curiosa Nova: Das ist, neue ergotzliche Sinn und Kunstreiche auch nutzliche Bau- und Wasser-Kunst . . .
Author: Georg Andreas Böckler
(German, Cronheim 1644–1698 Ansbach)
Date: 1664
Accession Number: 254 B63
Double Virginal
Lodewijck Grouwels
(Flemish, active Middelburg, Zeeland, The Netherlands 1593–1600)
Date: 1600
Accession Number: 89.4.1196
Finial in the Form of a Parrot
Date: 17th–18th century
Accession Number: 19.135.3
Mezzetin
Antoine Watteau
(French, Valenciennes 1684–1721 Nogent-sur-Marne)
Date: ca. 1718–20
Accession Number: 34.138
Embroidered Sampler
Patty Coggeshall
(1780–1797)
Date: ca. 1792
Accession Number: 14.26
The Fortune Teller
Georges de La Tour
(French, Vic-sur-Seille 1593–1653 Lunéville)
Date: probably 1630s
Accession Number: 60.30
Side Chair
Attributed to Samuel McIntire
(1757–1811)
Date: 1794–99
Accession Number: 62.16
Dining room from Lansdowne House
After a design by Robert Adam
(British, Kirkclady, Scotland 1728–1792 London)
Date: 1766–69
Accession Number: 32.12
The Crucifixion with the Virgin and Saint John
Hendrick ter Brugghen
(Dutch, The Hague? 1588–1629 Utrecht)
Date: ca. 1624–25
Accession Number: 56.228
Small desk with folding top (bureau brisé)
Marquetry by Alexandre-Jean Oppenordt
(Dutch, 1639–1715, active France)
Date: ca. 1685
Accession Number: 1986.365.3
Natural Trumpet
Johann Wilhelm Haas
(German, Nuremberg 1649–1723 Nuremberg)
Date: late 17th century
Accession Number: 89.4.2375
Bacchus and Ariadne
Giovanni Battista Tiepolo
(Italian, Venice 1696–1770 Madrid)
Date: ca. 1740
Accession Number: 1975.1.443
Violin
Joachim Tielke
(German, 1641–1719)
Date: ca. 1685
Accession Number: 1992.333
Powder Horn
Date: dated 1759
Accession Number: 37.131.4
Doublet
Date: early 1620s
Accession Number: 1989.196
Satire on Art Criticism
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1644
Accession Number: 1975.1.799
Commode
André Charles Boulle
(French, Paris 1642–1732 Paris)
Date: ca. 1710–20
Accession Number: 1982.60.82
The Young Virgin
Francisco de Zurbarán
(Spanish, Fuente de Cantos 1598–1664 Madrid)
Date: ca. 1632–33
Accession Number: 27.137
Lion (one of a pair)
Meissen Manufactory
(German, 1710–present)
Date: ca. 1732
Accession Number: 1988.294.1
Bureau table
Attributed to John Townsend
(1732–1809)
Date: ca. 1765
Accession Number: 10.125.83
Saint Jerome as Scholar
El Greco
(Domenikos Theotokopoulos) (Greek, Iráklion (Candia) 1540/41–1614 Toledo)
Date: ca. 1610
Accession Number: 1975.1.146
Desk and bookcase
Date: 1760–90
Accession Number: 15.21.2
Marsyas
Balthasar Permoser
(German, Kammer, near Otting, Chiemgau, Bavaria 1651–1732 Dresden)
Date: ca. 1680–85
Accession Number: 2002.468
Hugh Hall
John Singleton Copley
(American, Boston, Massachusetts 1738–1815 London)
Date: 1758
Accession Number: 1996.279
Silk Animal Carpet
Date: second half 16th century
Accession Number: 14.40.721
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