Quantcast
Highlights of the Collection / 1,898 records
78 records
Wood x Europe x
Guitar
Workshop of Manuel Ramírez
(Spanish, 1864–1916)
Date: 1912
Medium: Spruce, rosewood, cedar
Accession Number: 1986.353.2
Annunciation Triptych (Merode Altarpiece)
Workshop of Robert Campin
(Netherlandish, ca. 1375–1444 Tournai)
Date: ca. 1427–32
Medium: Oil on oak
Accession Number: 56.70a–c
"The Antonius" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1711
Medium: Maple, spruce, ebony
Accession Number: 34.86.1 a
The Visitation
Attributed to Master Heinrich of Constance
(German, active in Constance, ca. 1300)
Date: ca. 1310–20
Medium: Walnut, paint, gilding, rock-crystal cabochons inset in gilt-silver mounts
Accession Number: 17.190.724
Toilet set in original leather case
Fourteen identified German
(Augsburg) goldsmiths and other German artisans; Japanese (Imari) porcelain maker
Date: ca. 1743–45
Medium: Gilt silver, hard-paste porcelain, cut glass, walnut, carved and partially gilt coniferous wood, blind-tooled and partially gilt leather, partially gilt steel and iron, textiles, moiré paper, hog's bristle
Accession Number: 2005.364.1a–d–.48
Transverse Flute
Garion
(French)
Date: ca. 1720–40
Medium: Rosewood, ivory, silver
Accession Number: 2005.365
Crossbow of Count Ulrich V of Württemberg (1413–1480)
Attributed to Heinrich Heid von Winterthur
(probably Swiss, active Stuttgart, recorded 1453–1460)
Date: dated 1460
Medium: Wood (European hornbeam), horn, animal sinew, staghorn, birch bark, iron alloy, copper alloy, pigment
Accession Number: 04.3.36
Settee (one of a pair) (part of a set)
Attributed to Johann Michael Bauer
(German, Westheim 1710–1779 Bamberg)
Date: ca. 1763–64
Medium: Carved, painted and gilded linden wood; squab pillow in silk velvet (not original)
Accession Number: 1974.356.120a
Holy Face
Gerard David
(Netherlandish, Oudewater ca. 1455–1523 Bruges)
Date: ca. 1485–90
Medium: Tempera and gold leaf on parchment that has been trimmed and laid down on thin walnut
Accession Number: 1975.1.2486
Spoon holder
Design attributed to Christopher Dresser
(British, Glasgow, Scotland 1834–1904 Mulhouse)
Date: ca. 1878–81
Medium: Silver-plated brass, ebony
Accession Number: 1988.164
The Adoration of the Shepherds
Bartolo di Fredi
(Italian, active by 1353–died 1410 Siena)
Date: ca. 1374
Medium: Tempera on poplar, gilding
Accession Number: 25.120.288
Coffeepot
François Thomas Germain
(French, Paris 1726–1791 Paris, master 1748)
Date: 1757
Medium: Silver with ebony handle
Accession Number: 33.165.1
Saint Stephen
Hans Leinberger
(German, active 1510–1530)
Date: ca. 1525–30
Medium: Limewood with traces of paint
Accession Number: 1981.57.2
Rolltop desk
David Roentgen
(German, Herrnhag 1743–1807 Wiesbaden, master 1780)
Date: ca. 1776–79
Medium: Oak, cherry, pine, mahogany, veneered with maple, burl woods, holly, hornbeam (all partially stained), tulipwood, mahogany, and other woods; mother-of-pearl; partially gilded and tooled leather; gilt bronze, iron, steel, brass, partially gold-lacquered brass
Accession Number: 41.82
Shrine of the Virgin
Date: ca. 1300
Medium: Oak, linen covering, polychromy, gilding, gesso
Accession Number: 17.190.185a, b
Grand Piano
Ferdinand Hofmann
(Austrian, 1756–1829 Vienna)
Date: ca. 1790
Medium: Cherry wood, various other materials
Accession Number: 1984.34
Cittern
Joachim Tielke
(German, 1641–1719)
Date: ca. 1685
Medium: Wood, ivory, ebony and other materials
Accession Number: 1985.124
Mandora
Date: ca. 1420
Medium: boxwood, rosewood
Accession Number: 64.101.1409
Commode
André Charles Boulle
(French, Paris 1642–1732 Paris)
Date: ca. 1710–20
Medium: Walnut veneered with ebony, marquetry of engraved brass and tortoiseshell, gilt-bronze mounts, verd antique marble
Accession Number: 1982.60.82
Guitar
Attributed to Joseph de Frías
(Spanish, active Seville and Cadiz, ca. 1775–1800)
Date: ca. 1780
Medium: Spruce, rosewood, cedar, ebony, mother-of-pearl
Accession Number: 1992.279
Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus
Gerard David
(Netherlandish, Oudewater ca. 1455–1523 Bruges)
Date: ca. 1510
Medium: Oil on oak panel
Accession Number: 1975.1.119
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Probably Lombardy
(Second half 16th century)
Date: second half 16th century (panels); ca. 1865–90 (frame)
Medium: Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass.
Accession Number: 1975.1.1558
Writing table (bureau plat)
Gilles Joubert
(French, ca. 1689–1775)
Date: 1759
Medium: Lacquered oak, gilt-bronze mounts, lined with modern leather
Accession Number: 1973.315.1
Pietà
Date: 1375–1400
Medium: Poplar, plaster, paint, gilt
Accession Number: 48.85
Drop-front desk (secrétaire à abattant or secrétaire en cabinet)
Attributed to Martin Carlin
(French, near Freiburg im Breisgau ca. 1730–1785 Paris)
Date: ca. 1776
Medium: Oak veneered with tulipwood, amaranth, holly, and sycamore; six Sèvres soft-paste porcelain plaques and two painted tin plaques; gilt bronze mounts; marble shelves; moiré silk
Accession Number: 1976.155.110
Musical Clock with Spinet and Organ
Veit Langenbucher
(1587–1631)
Date: ca. 1625
Medium: Ebony, various wood and metals, wire, parchment and leather
Accession Number: 2002.323 a-f
Archangel Gabriel; The Virgin Annunciate
Gerard David
(Netherlandish, Oudewater ca. 1455–1523 Bruges)
Date: ca. 1510
Medium: Oil on oak panel
Accession Number: 1975.1.120
ex "Kurtz" Violin
Andrea Amati
(Italian, Cremona ca. 1505–1578 Cremona)
Date: ca. 1560
Medium: Spruce, maple, ebony
Accession Number: 1999.26
Archlute
David Tecchler
(Austrian, Salzburg 1666–1747 Rome)
Date: ca. 1725
Medium: Spruce, ebony, ivory, tortoiseshell, mother-of-pearl, and various other materials
Accession Number: 1988.87
Boiserie from the Hôtel de Cabris, Grasse
Date: ca. 1774, with later additions
Medium: Carved, painted, and gilded oak
Accession Number: 1972.276.1
Guitar
Workshop of Manuel Ramírez
(Spanish, 1864–1916)
Date: 1912
Accession Number: 1986.353.2
Annunciation Triptych (Merode Altarpiece)
Workshop of Robert Campin
(Netherlandish, ca. 1375–1444 Tournai)
Date: ca. 1427–32
Accession Number: 56.70a–c
"The Antonius" Violin
Antonio Stradivari
(Italian, Cremona 1644–1737 Cremona)
Date: 1711
Accession Number: 34.86.1 a
The Visitation
Attributed to Master Heinrich of Constance
(German, active in Constance, ca. 1300)
Date: ca. 1310–20
Accession Number: 17.190.724
Toilet set in original leather case
Fourteen identified German
(Augsburg) goldsmiths and other German artisans; Japanese (Imari) porcelain maker
Date: ca. 1743–45
Accession Number: 2005.364.1a–d–.48
Transverse Flute
Garion
(French)
Date: ca. 1720–40
Accession Number: 2005.365
Crossbow of Count Ulrich V of Württemberg (1413–1480)
Attributed to Heinrich Heid von Winterthur
(probably Swiss, active Stuttgart, recorded 1453–1460)
Date: dated 1460
Accession Number: 04.3.36
Settee (one of a pair) (part of a set)
Attributed to Johann Michael Bauer
(German, Westheim 1710–1779 Bamberg)
Date: ca. 1763–64
Accession Number: 1974.356.120a
Holy Face
Gerard David
(Netherlandish, Oudewater ca. 1455–1523 Bruges)
Date: ca. 1485–90
Accession Number: 1975.1.2486
Spoon holder
Design attributed to Christopher Dresser
(British, Glasgow, Scotland 1834–1904 Mulhouse)
Date: ca. 1878–81
Accession Number: 1988.164
The Adoration of the Shepherds
Bartolo di Fredi
(Italian, active by 1353–died 1410 Siena)
Date: ca. 1374
Accession Number: 25.120.288
Coffeepot
François Thomas Germain
(French, Paris 1726–1791 Paris, master 1748)
Date: 1757
Accession Number: 33.165.1
Saint Stephen
Hans Leinberger
(German, active 1510–1530)
Date: ca. 1525–30
Accession Number: 1981.57.2
Rolltop desk
David Roentgen
(German, Herrnhag 1743–1807 Wiesbaden, master 1780)
Date: ca. 1776–79
Accession Number: 41.82
Shrine of the Virgin
Date: ca. 1300
Accession Number: 17.190.185a, b
Grand Piano
Ferdinand Hofmann
(Austrian, 1756–1829 Vienna)
Date: ca. 1790
Accession Number: 1984.34
Cittern
Joachim Tielke
(German, 1641–1719)
Date: ca. 1685
Accession Number: 1985.124
Mandora
Date: ca. 1420
Accession Number: 64.101.1409
Commode
André Charles Boulle
(French, Paris 1642–1732 Paris)
Date: ca. 1710–20
Accession Number: 1982.60.82
Guitar
Attributed to Joseph de Frías
(Spanish, active Seville and Cadiz, ca. 1775–1800)
Date: ca. 1780
Accession Number: 1992.279
Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus
Gerard David
(Netherlandish, Oudewater ca. 1455–1523 Bruges)
Date: ca. 1510
Accession Number: 1975.1.119
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Probably Lombardy
(Second half 16th century)
Date: second half 16th century (panels); ca. 1865–90 (frame)
Accession Number: 1975.1.1558
Writing table (bureau plat)
Gilles Joubert
(French, ca. 1689–1775)
Date: 1759
Accession Number: 1973.315.1
Pietà
Date: 1375–1400
Accession Number: 48.85
Drop-front desk (secrétaire à abattant or secrétaire en cabinet)
Attributed to Martin Carlin
(French, near Freiburg im Breisgau ca. 1730–1785 Paris)
Date: ca. 1776
Accession Number: 1976.155.110
Musical Clock with Spinet and Organ
Veit Langenbucher
(1587–1631)
Date: ca. 1625
Accession Number: 2002.323 a-f
Archangel Gabriel; The Virgin Annunciate
Gerard David
(Netherlandish, Oudewater ca. 1455–1523 Bruges)
Date: ca. 1510
Accession Number: 1975.1.120
ex "Kurtz" Violin
Andrea Amati
(Italian, Cremona ca. 1505–1578 Cremona)
Date: ca. 1560
Accession Number: 1999.26
Archlute
David Tecchler
(Austrian, Salzburg 1666–1747 Rome)
Date: ca. 1725
Accession Number: 1988.87
Boiserie from the Hôtel de Cabris, Grasse
Date: ca. 1774, with later additions
Accession Number: 1972.276.1
  • Results per page:
  • 30
  • 60
  • 90

Close