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Posts Tagged "exhibitions"

Teen Blog

The Dividing Line

Karl, TAG Member

Posted: Friday, July 26, 2013

Imran Qureshi's installation on the Met's roof is abrupt. Looking across the roof, one is confronted by something of a geological layering. In the foreground, violence and bloodshed come to mind, and behind, the Met's stone superstructure separates you from the immediacy of Central Park's seemingly dense forests. Looking down at your feet, your confidence is partially shattered by the realization that you are walking on paint. Instinctively, my feet searched for an oasis of untainted stone.

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Teen Blog

Crossing Borders

Shivanna, TAG Member

Posted: Friday, July 19, 2013

The Iris and B. Gerald Cantor Roof Garden at the Metropolitan Museum is a magnificent place to exhibit art high above Central Park. You have the warm sun, the sounds of nature, the clear blue sky, the green foliage, and a breathtaking view of the concrete jungle around you. Walking out onto the roof recently, I expected to see an immense sculpture. Instead, I was greeted by Pakistani artist Imran Qureshi's painted installation.

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Teen Blog

The Irony of Punk

Cheeky Swagger (a.k.a. Dan), TAG Member

Posted: Friday, July 12, 2013

I learned from visiting PUNK: Chaos to Couture that punk was an ironic movement and that its irony has contributed to its staying power. When punk started in the mid-1970s, it was dealing with a social landscape that had lost sight of its goals. The hippies said they wanted a revolution, but changing the world is not a passive exercise. That's where the punks came in.

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Teen Blog

Deconstructing Madame X

Maleficent Twemlow (a.k.a. Anna), TAG Member

Posted: Friday, July 5, 2013

In my drawing at left, I wanted to create a visual response of sorts to what I saw in PUNK: Chaos to Couture, namely the D.I.Y.: Hardware gallery.

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Teen Blog

Punk Undercover

Audrey, Former TAG Member and High School Intern

Posted: Monday, July 1, 2013

Shhhh! The dresses in the D.I.Y.: Hardware gallery in PUNK: Chaos to Couture are punk undercover. In contrast to the more obviously punk shirts, pants, trash-bag dresses, and tie-dye ball gowns in the rest of the exhibition, these clothes are not necessarily meant to be punk. It is obvious, however, that they are indeed influenced by punk style.

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Teen Blog

Redefining Garbage with Bricolage

Tiffany, TAG Member

Posted: Friday, June 21, 2013

The punk aesthetic of the 1970s, its underground survival throughout the 1980s, and its high-fashion revival in the 1990s have profoundly shaped what it means to be a rebellious youth. To be punk means to express one's disillusionment with the status quo and to challenge it.

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Teen Blog

Punk Meant Anything

Cheeky Swagger (a.k.a. Dan), TAG Member

Posted: Thursday, June 13, 2013

When I walked into the Metropolitan Museum's PUNK: Chaos to Couture exhibition, I was not expecting big-name designers. Punk was supposedly a movement for nobody and nothing, wasn’t it? However, upon walking into the exhibition's catacomb of glorified dissension, replete with pieces from Galliano, Dolce and Gabbana, and Prada, I soon realized that the designer clothes on display are a testament to punk's power. I didn't used to associate names like Versace and Dior with crusty-shirted tribalism and deconstructionism, but punk has so changed the landscape for artistic expression that Givenchy and Johnny Rotten can now coexist happily in the same place.

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Now at the Met

Today in Met History: December 13

Julie Tran Lê, Library Associate, The Irene Lewisohn Costume Reference Library

Posted: Tuesday, December 13, 2011

Sixty-five years ago today, on December 13, 1946, The Costume Institute's first exhibition at the Metropolitan Museum opened to the public.

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Now at the Met

The Shows Go On: Exhibitions at the Met

Ryan Wong, Former Administrative Assistant for Exhibitions, Office of the Director

Posted: Friday, November 4, 2011

When I joined the Metropolitan's Exhibitions Office, I could not have imagined the immensity of the work that goes into the exhibitions program. It can take up to five years for an exhibition to turn from a proposal into an installation and involve hundreds of workers across the Museum. In this post, I hope to answer the questions about the exhibitions process that I always had while roaming the galleries as a visitor.

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Now at the Met

Infinite Jest: A New Exhibition about an Old Tradition

Thomas P. Campbell, Director and CEO

Posted: Monday, October 3, 2011

Humor and museums are not often linked. We can be informative, inspiring, even entertaining. But funny? Perhaps not as often as we should be.

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