Posted: Tuesday, May 6, 2014
One might not consider engraving to be a particularly "colorful" medium. Made by impressing paper with an incised metal plate primed with a single color of ink—typically black—an engraving lacks the spectrum of chromatic options of other arts, like painting. But it can often be surprising, upon close inspection, just how much tonal nuance engraved pictures can contain.
Posted: Tuesday, February 11, 2014
The Department of Drawings and Prints houses more than 1.2 million prints, dating from the Middle Ages through the present, and the collection is continually expanding. One recent and interesting addition is a rare print by the fifteenth-century German engraver and goldsmith Israhel van Meckenem depicting six religious scenes in roundels.
Posted: Thursday, December 5, 2013
If a picture is worth a thousand words, a comparison is worth at least two thousand.
The exhibition Artists and Amateurs, Etching in Eighteenth-Century France (on view through January 5) offers many thought-provoking pairings illuminating aspects of artistic process and individual style. An etching, which is printed from ink held in sunken lines on a copper plate, can be reworked between printings, resulting in distinct states. Such is the case with a print depicting soldiers trudging through a bleak landscape, off to join their regiment. An extremely rare first state is etched by the hand of Antoine Watteau, renowned painter of fêtes galantes. His delicate sinuous line imbues his figures with a grace more balletic than warlike.