Posted: Monday, October 13, 2014
This past May, I made a familiar pilgrimage to The Cloisters, the northern Manhattan branch of The Metropolitan Museum of Art in Fort Tryon Park. The Cloisters are a unique treasure of the museum world, featuring beautiful gardens, a stunning collection of medieval art, and majestic spaces. The purpose of my journey was to spend the day with Museum staff testing Google Glass. The camera within Google Glass would be the focus of our exploration on this memorable day, helping my colleagues and I to see the space in new ways.
Posted: Monday, January 6, 2014
The 2013 production The Fuentidueña Apse: A Journey from Castile to New York was screened in Spain on November 27 as part of FICAB XIII, the 13th International Film Festival of the Bidasoa. The documentary explains how the twelfth-century Romanesque apse was dismantled in 1957 from the church of San Martín in Fuentidueña, north of Madrid, transported to New York, and installed at The Cloisters between 1958 and 1961. Christopher Noey directed and produced this 28-minute documentary and I was its editor; many people within Digital Media and across the Museum contributed to the project.
Posted: Monday, October 7, 2013
We've spent a very plesant few days in Burgundy aboard the MS AmaDagio, stopping in towns such as Dijon and Beaune to see medieval treasures.
Posted: Friday, April 20, 2012
In previous posts, we discussed the origins of chess in India centuries ago. For the final post of this blog, we turn to modern-day India, where chess remains as popular as ever.
The city of Banaras (or Varanasi), in Uttar Pradesh, India, is holy to Hindus, Buddhists, and Jains. It is sometimes celebrated as the "City of Temples," of "Learning," or of "Lights." Located on the banks of the Ganges, it is also subject to relentless flooding.
Posted: Tuesday, April 17, 2012
Chess games are sometimes accurately represented in works of art, but that is not always the case. Consider, for example, this curiously theatrical photograph from the mid-nineteenth century.
Posted: Tuesday, March 6, 2012
I recently visited the Cloisters to see The Game of Kings with curator Barbara Drake Boehm. I had always admired the Lewis Chessmen and was delighted to see them up close. The clever way in which the pieces are displayed on modern reconstructions of black-and-white chessboards reminded me of a manuscript of chess problems found in the collections of the J. Paul Getty Museum.
Posted: Thursday, December 29, 2011
Long forelocks falling over the eyes, groomed manes, tails that reach to the ground, and a short, stocky frame distinguish the horses ridden by the Knights of the Lewis Chessmen. They seem to resemble today's Icelandic horses. I spoke to Heleen Heyning, a breeder of Icelandic horses at West Winds Farm in upstate New York. She immediately saw the resemblance between the Lewis horses and her own. She noted that Icelandic horses were known across Scandinavia in the Viking area and are thought to have been introduced to Iceland about the year 800. For the last thousand years—that is, since before the Lewis Chessmen were carved—there has been no crossbreeding of Icelandic horses. Therefore, the resemblance we see is not accidental.
Posted: Tuesday, December 20, 2011
Knights from the Lewis group embody the visual ideal of a knight on horseback: a mounted warrior, protected by armor and shield, and armed with a sword and a spear, or lance. The Rooks (also known as Warders), rendered as battle-ready infantry, show very similar equipment (excluding the lance).