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Posts Tagged "Islamic"

Now at the Met

Celebrating the Living Traditions of the Islamic World: Meet Artist in Residence Peter Hristoff

Jackie Terrassa, Managing Museum Educator for Gallery and Studio Programs, Education

Posted: Friday, September 18, 2015

Last winter, the Education Department and the Department of Islamic Art began to research and plan an extended fifteen-month residency with visual artist Peter Hristoff. Over this time Peter has worked with staff in both departments to co-plan programs that engage a wide variety of Met visitors—from those interested in hearing an artist's views on works in the collection to events that invite participants to create art themselves. Born in Istanbul to a family of Bulgarian artists and strongly influenced by Turkish art, Hristoff is now drawing from his own research of the Met's collection to develop a variety of programs that will connect many different audiences with works of art across the Museum, including those to be featured in the upcoming exhibition The Great Age of the Seljuqs, opening in April 2016.

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Now at the Met

Jewelry and Power: Notes from a Friday Focus Lecture

Helen D. Goldenberg, Associate for Administration, Department of Islamic Art

Posted: Wednesday, January 28, 2015

On Friday, January 9, the Department of Islamic Art, in conjunction with the Education Department, hosted guest lecturer Michael Spink to speak at a Friday Focus event. Spink's lecture, Jewelry and Power: Gold and Gems in Mughal India, illuminated the history of jewelry in the Mughal Empire and gave background information on the breathtaking gems that were displayed in the recently closed exhibition Treasures from India: Jewels from the Al-Thani Collection.

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Now at the Met

Shaffron and Sultanate: Horse Armor for Indo-Islamic Royalty

Rachel Parikh, Mellon Curatorial Fellow, Department of Arms and Armor

Posted: Thursday, January 15, 2015

The Department of Arms and Armor's current exhibition, Arms and Armor: Notable Acquisitions, 2003–2014 (through December 6), not only features notable European works, but also highlights superior non-Western ones. For example, there is a particular piece of armor associated with Indo-Islamic royalty. It was not made for an emperor, however, but for a horse.

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Now at the Met

Building History: The Making of the Met's New Moroccan Court

Thomas P. Campbell, Director and CEO

Posted: Tuesday, March 22, 2011

In its earliest decades, the Met's mission was centered on the idea that exposure to great works of art could elevate both the public's aesthetic sensibilities and what America, as an emerging manufacturing power, actually produced. I cannot help but think about this 140-year-old sentiment today as I watch fourteen Moroccan craftsmen in our galleries building a courtyard to accompany the magnificent works of art in our Islamic collection. What an extraordinary challenge to create something both historic and new, steeped in the traditions of the past, but crafted in fresh and modern circumstances: the gentle arabesque of hand-carving shown under LED lights.

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