Posted: Tuesday, July 14, 2015
Posted: Friday, April 17, 2015
In celebration of the 2015 Scholastic Art & Writing Awards exhibition, now on view in the Ruth and Harold D. Uris Center for Education, the Teen Blog will feature guest posts by Scholastic Gold Key Award writers from New York City through the close of the exhibition on May 17. This week's blogger, Endea, was awarded a Gold Key for her poem "Feelings from 365."
Posted: Thursday, March 26, 2015
Beginning in 1933, in the shadow of the Great Depression, the Museum began an initiative known as "Neighborhood Circulating Exhibitions." This experiment was a collection of traveling exhibitions, composed exclusively of Museum-owned objects, to be exhibited in the neighborhoods of "certain groups in the city's population that have not thus far had the adequate opportunity to take advantage of the Museum's services" (The Metropolitan Museum of Art Bulletin, Vol. 28, No. 11, Part 1, Nov. 1933, 183). The works were to be exhibited, at the expense of the Museum, in neighborhood spaces such as settlement houses, branches of the New York Public Library, municipal offices, and schools.
Posted: Tuesday, February 3, 2015
During several visits to the recent exhibition Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry, I marveled at how the artist's inventive compositions guided my eyes through the dramatic, active scenes these artworks portray. The many fantastic details which augment each narrative rewarded repeated viewing and inspired a sense of awe for the unity of effort required to plan and create such massive, intricate images. At times I felt a bit overwhelmed by the immensity of the tapestries—all but one of them loaned from European museums and private collections—and wondered about the tremendous physical labor it must have taken to bring them to New York and install them here at the Metropolitan Museum.
Posted: Wednesday, January 21, 2015
Have you ever looked at a work of art and thought to yourself, "What was the artist thinking?" How about an entire style or movement? Whether you are looking for theoretical enlightenment, practical guidance, or just a little context, the writings of artists, their supporters, and critics are valuable reference materials in the study of art. As the exhibition Cubism: The Leonard A. Lauder Collection nears the end of its run, it seems only fitting to take a moment to look to the Museum's libraries to explore our own collection of source materials regarding early Modern art.
Posted: Thursday, October 30, 2014
The Museum's Editorial Department presents this season's new titles that celebrate the Met's collection and special exhibitions. The following are eight spectacular publications, just off the presses.
Posted: Thursday, October 16, 2014
In 1941 the Museum decided to consolidate staff charged with maintaining contact with schools, colleges, institutions of the city, and the Department of Education into one cohesive group, entitled the Department of Education and Museum Extension. This division would encompass general guide services, adult education and lecture programs, curatorial study rooms, circulating exhibitions and lending collections, visual materials (lantern slides, photographs), and the Junior Museum.
Posted: Wednesday, October 15, 2014
A tapestry designer, painter, draftsman, and publisher of architectural treatises, Pieter Coecke van Aelst was quite literally a Renaissance man. Though he was a master of many media while active from the 1520s until his death in 1550, his contributions have been largely forgotten today. Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry, the catalogue accompanying the exhibition currently on view through January 11, 2015, covers much more than just the artist's tapestries and aims to fill the nearly fifty-year gap in the literature on this great artist. I spoke with the catalogue's author, Associate Curator Elizabeth A. H. Cleland, about the book, her interest in Coecke, and why she thinks this Northern Renaissance master has been neglected in recent scholarship.
Posted: Wednesday, August 13, 2014
As the main research library for The Metropolitan Museum of Art, The Thomas J. Watson Library focuses its collecting and services on providing materials for scholars. Among our hundreds of thousands of reference works, though, many are beautiful and significant, and sometimes they are requested by curators inside and outside the Museum for inclusion in exhibitions. Most recently, Watson's copy of the 1892 edition of Thomas Malory's fifteenth-century classic Morte d'Arthur, published by J.M. Dent with decorations by the young Aubrey Beardsley, went on display in the Met's current exhibition The Pre-Raphaelite Legacy: British Art and Design, on view through October 26. The exhibition explores the influence of the Pre-Raphaelite movement on a range of fine and practical arts—from painting, drawing, and printmaking, to textiles, ceramics, furniture, stained glass, and book design.
Posted: Wednesday, July 16, 2014