Posted: Thursday, May 15, 2014
The upcoming Met Museum Presents talk Journeys to Divinity, along with the current exhibition Tibet and India: Buddhist Traditions and Transformations, touch on how imagery functions to convey complex social and religious meanings—a concept occurring today in a myriad of contexts, as the Internet penetrates deeper into our communal experience. Gonkar Gyatso considers just such media in his construction Dissected Buddha, which draws from fragments of pop culture, mass media, and advertising in a way that appeals to a broad audience and breaks down both language and geographic boundaries.
Posted: Wednesday, March 12, 2014
A rapidly evolving contemporary art movement has emerged both in Tibet and across the world in conjunction with the Tibetan diaspora, offering a wide range of perspectives on Buddhism and modern Buddhist practice. Two contemporary Tibetan artists currently featured in the exhibition Tibet and India: Buddhist Traditions and Transformations, Tenzing Rigdol and Gonkar Gyatso, both address Buddhist themes, but their intended audiences are global in scope, and their works are primarily vehicles of artistic expression and vision rather than objects of devotion. Nonetheless, merely presenting a Buddha or bodhisattva in a work of art charges it with a certain meaning, regardless of artistic intent. Buddhist ideas, traditional texts, and the current monastic tradition ground these images historically in a religious context, even if a contemporary viewer might not necessarily read them as "Buddhist art."