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The American Wing


Ever since its establishment in 1870 the Museum has acquired important examples of American Art. A separate "American Wing" building to display the domestic arts of the seventeenth–early nineteenth centuries opened in 1924; paintings galleries and an enclosed sculpture court were added in 1980.

Now at the Met

The Ashcan School, The Eight, and the New York Art World

Sylvia Yount, Lawrence A. Fleischman Curator in Charge, The American Wing

Posted: Tuesday, May 26, 2015

There's something new to see in gallery 772: a more expansive look at the work of the early-twentieth-century urban realists known as the Ashcan School. Robert Henri, William Glackens, George Luks, Everett Shinn, and John Sloan explored many dimensions of modern life in paintings, drawings, and prints, and now—for the first time in The American Wing—you can see their work across various media in one gallery.

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Digital Underground

Paintings Uncovered

Betty Quinn, Former MediaLab Intern, Digital Media

Posted: Tuesday, May 12, 2015

Paintings Uncovered is an interactive interface that allows users to explore the hidden layers found beneath a painting's surface. Painters frequently paint over paintings for various reasons—even sometimes with a completely different subject. One reason for this may be that the original painting didn't sell, so the artist reused the canvas to create an entirely new painting. Examining the underlying surfaces of paintings through powerful technology provides valuable information about the artworks.

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Met Museum Presents Blog

The Civilians Explore The American Wing in The Way They Live

Micharne Cloughley, Writer in Residence, The Civilians

Posted: Tuesday, May 5, 2015

Even during a casual stroll through The American Wing, the volume of stories, history, and historical context of the artworks found in this department's collection is staggering. Encompassing art from the seventeenth century through to the 1930s, and across the mediums of painting, sculpture, decorative arts, and period rooms, there are thousands of potential plays that could come from these galleries.

As a theater company, The Civilians creates work from a central investigation, often through conducting interviews. For the final performance of our Met residency, The Way They Live, premiering May 15 and 16 in the Grace Rainey Rogers Auditorium, we were invited to explore The American Wing. This meant we could turn those casual strolls through the Met's American Wing into interviews held with both the staff and the public, which would then be brought together to create a broader conversation between present-day America and the artworks. There were many compelling questions that could guide this conversation between the people who fill the Museum and the art itself, but the most obvious question was also the strongest—we wanted to talk about what it means to be American.

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Now at the Met

Now on View: Drawings by Bill Traylor, Pioneer of Outsider Art, in The American Wing

Sylvia Yount, Lawrence A. Fleischman Curator in Charge, The American Wing

Posted: Friday, March 13, 2015

"[Traylor] was beautiful to see—so right with himself and at peace—as the rich imagery of his long life welled up into his drawings and paintings."

—Charles Shannon, 1985

A few weeks ago in gallery 749—where we've been featuring a range of nineteenth-century American folk art—we installed eight drawings from the late 1930s by the acclaimed pioneer of so-called outsider art, Bill Traylor (1853/54–1949). This is the first time in twenty years that these works have been seen at the Met—and the very first in The American Wing.

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Teen Blog

America Today: Works Hard, Plays Hard

Hallie, Guest Blogger

Posted: Friday, January 30, 2015

Thomas Hart Benton's America Today Mural Rediscovered is a bold exhibition. The imagery on the ten canvas panels begs for surround sound. The husky black train barrels forward, its smokestack billows, and its whistle shouts, "Woo-woo!" The airplane's propellers whir. And women in provocative, swishy dresses dance to popular jazz songs of the 1920s. (Twerking's got nothing on these gals.)

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Now at the Met

The Sword Awarded to Revolutionary War Hero Colonel Marinus Willett

Betsy Kornhauser, Alice Pratt Brown Curator of American Paintings and Sculpture, The American Wing

Posted: Tuesday, December 16, 2014

The current exhibition Arms and Armor: Notable Acquisitions, 2003–2014 features a magnificent and historically important sword that was presented to the Revolutionary War hero Colonel Marinus Willett (1740–1830). In about 1791, American artist Ralph Earl (1751–1801) painted a full-length portrait of Willett (currently hanging in gallery 753 in The American Wing) that commemorates his extraordinary service during the War. Earl made a point of including a detailed rendition of the sword, which is shown hanging from Willett's waist.

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Teen Blog

Creating Thanksgiving Traditions

Karina Krainchich, College Intern

Posted: Wednesday, November 26, 2014

Happy Thanksgiving from Teen Programs at the Met! There are a number of artworks in the Museum that depict this time of year; one example is this painting by Anna Mary Robertson Moses, better known as Grandma Moses. The people in this rural scene are preparing for Thanksgiving by catching a turkey. Their energy while chasing the turkeys and their brightly colored jackets add warmth to this charming scene. This family's Thanksgiving preparations are a reminder of our own holiday traditions.

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Now at the Met

Cowboys in China: The American West in Bronze, 1850–1925 at the Nanjing Museum

Thayer Tolles, Marica F. Vilcek Curator of American Paintings and Sculpture, The American Wing

Posted: Friday, October 31, 2014

After the exhibition The American West in Bronze, 1850–1925 closed at the Met on April 13, 2014, it traveled to the Denver Art Museum, where it was on view through August 31. While Colorado is located in the heart of the American West, the show's current venue, the Nanjing Museum in China, represents an exciting new frontier for these sculptures. This is certainly not the first exhibition of American art to travel to China, but it is the first focused on bronze statuettes—including forty-four works by twenty-two artists, with the roster of lenders comprising public and private collections in and around New York and Denver. Although fewer objects are included in the Nanjing Museum presentation than in either the New York or Denver venues, the organizing structure remains the same: Old West themes representing American Indians, cowboys and settlers, and animals of the plains and mountains.

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Teen Blog

Interviewing Sculptures at the Met

Floraine, Former High School Intern

Posted: Friday, July 25, 2014

As I travel through the galleries of The Metropolitan Museum of Art, one question always lingers in my mind: If these inanimate objects were able to speak, what would they say? I have taken on the task of "interviewing" three sculptures to break their silence and give us more insight into their lives and stories.

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American West in Bronze Exhibition Blog

Final Reflections on The American West in Bronze, 1850–1925

Thayer Tolles, Marica F. Vilcek Curator of American Paintings and Sculpture, The American Wing

Posted: Tuesday, April 15, 2014

The special exhibition The American West in Bronze, 1850–1925 closed at The Metropolitan Museum of Art on Sunday, April 13. Nearly one thousand people visited the galleries on the last day, bringing the total number of visitors to over 108,000 people since the exhibition opened on December 18, 2013. For the next few days, we will be working closely with art handlers, registrars, and conservators to see that the sixty-five sculptures and three paintings are safely de-installed and packed for transport, most of them to the exhibition's second venue at the Denver Art Museum, where it will be on view May 11 through August 31, 2014. The post-closing period also involves thanking lenders and sponsors; sorting out research used for the exhibition and its accompanying catalogue; and writing final reports. I look forward to traveling to Nanjing, China, for the September 29 opening of the exhibition at its third venue, the Nanjing Museum, where it will remain on view through January 18, 2015. Meanwhile, back here at the Met, we will be shifting gears from western bronze sculpture to Rediscovering Thomas Hart Benton's America Today Mural, which will open September 30, 2014.

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