The Metropolitan Museum has collected and exhibited work by living artists since its founding in 1870. Today, the department's holdings comprise more than twelve thousand works of art across a broad range of media from 1900 to the present.
Posted: Tuesday, September 8, 2015
Experiencing art in a gallery is like coming out of a subway station in a new neighborhood and trying to navigate the vast unfamiliarity of the cityscape ahead of you. Crisscrossing lines, variegated colors, and the overlapping patterns of light, architecture, and people draw your eye in every direction, creating an overwhelming visual experience. Though neighborhoods each have their own culture and atmosphere, their boundaries melt into each other, asking you to reorient yourself as you meander through them.
Posted: Friday, June 12, 2015
Over the course of this past season, live arts at the Met have offered audiences daring and intriguing performances. By staging events right in the galleries and commissioning new works specifically for these powerful and iconic spaces, Met Museum Presents invites audiences to connect and engage with their surroundings and to be active in the performance experience.
While reflecting on this past season, as well as looking ahead to our 2015–16 season, we've assembled this special itinerary to give visitors the opportunity to view the galleries that have inspired memorable performances and have sparked the creativity of some of today's most fearless artists.
Posted: Tuesday, April 14, 2015
Posted: Friday, January 23, 2015
Every age, and every culture, has its rebels. Often, these rebels are inspired by a societal trauma. The Great War, later known as World War I, polluted the world by fostering a "lost generation." In reflection of this evolution, Sigmund Freud advanced his science of psychoanalysis, challenging the logic of man. Albert Einstein augmented his theory of relativity, questioning the prudence of physics. In art, the rebellion manifested as Cubism.
Posted: Wednesday, January 21, 2015
Have you ever looked at a work of art and thought to yourself, "What was the artist thinking?" How about an entire style or movement? Whether you are looking for theoretical enlightenment, practical guidance, or just a little context, the writings of artists, their supporters, and critics are valuable reference materials in the study of art. As the exhibition Cubism: The Leonard A. Lauder Collection nears the end of its run, it seems only fitting to take a moment to look to the Museum's libraries to explore our own collection of source materials regarding early Modern art.
Posted: Wednesday, January 7, 2015
Over the course of summer 2014, the Met reinstalled and reopened the enfilade of galleries that showcases modern art from 1900 to 1950. Encompassing approximately 14,500 square feet of gallery space and roughly 250 objects, this project, Reimagining Modernism: 1900–1950, reinterprets and presents afresh the Metropolitan's holdings of modernist paintings, sculpture, design, photography, and works on paper. Organized at the direction of Sheena Wagstaff, Leonard A. Lauder Chairman of the Department of Modern and Contemporary Art, the project integrates European and American modernist collections for the first time in the Museum's history, along with loans in collaboration with the Departments of Photographs, Drawings and Prints, European Paintings, and The American Wing, in addition to loans from private collections.
Posted: Thursday, December 11, 2014
For the past three seasons, the Met Museum Presents Ticketed Talks program has tapped into the talent within the Museum—and why not? With the foremost scholars and researchers right under our own (very massive) roof, it became clear that audiences were keen to peek behind the art with those who know it best: the curators. It's the insider understanding we all crave when listening to a talk or panel or purchasing one of the Museum's many Audio Guides, and the reason we attach ourselves to the daily gallery tours—to hear the details, background, and compelling information to be learned from those in the know.
Posted: Friday, November 7, 2014
A person can have an individual relationship with art, but at The Metropolitan Museum of Art there is often a third party involved when strolling through the galleries: the security guard. It didn't take me long to realize how wise the guards at the Met are: Many of these men and women are extremely curious about art and how it is perceived, and therefore take advantage of being in one of the world's greatest museums during their work day.
Posted: Friday, September 26, 2014
I think I'd have really liked to have had my portrait painted by Pablo Picasso, but for reasons beyond the obvious desire to be painted by one of the most renowned artists to have ever existed. What is so tantalizing about Picasso's portraits is the expression of human psychology through his representation of the human form.
Posted: Monday, September 15, 2014
This Wednesday, September 17, join us on Twitter for Ask a Curator Day. Three curators will answer your questions about their jobs, collections, exhibitions, and more during live Twitter Q&As. You can tweet your questions to @metmuseum using the #AskaCurator hashtag both in advance and during the following sessions.