The Museum's collection of Islamic art ranges in date from the seventh to the nineteenth century. Its nearly twelve thousand objects reflect the great diversity and range of the cultural traditions of Islam, with works from as far westward as Spain and Morocco and as far eastward as Central Asia and India. Comprising sacred and secular objects, the collection reveals the mutual influence of artistic practices such as calligraphy, and the exchange of motifs such as vegetal ornament (the arabesque) and geometric patterning in both realms.
Posted: Wednesday, November 19, 2014
Works of art at the Met are often presented in isolation to give the viewer an opportunity to examine them closely and appreciate their artistic merit, fine craftsmanship, use of materials, and other details. Because of these objects' (near) impeccable state when exhibited, I sometimes forget they have lived entire lives before arriving at the Museum and often have passed through many hands and traveled long distances. Indeed, the life of an object is so much richer, more complicated, and more convoluted than its shining presence in a display case can convey.
While researching the objects selected for the exhibition Treasures from India: Jewels from The Al-Thani Collection (on view through January 25, 2015), I was continually inspired by these histories and fascinated by the winding paths these works had taken before their arrival in our galleries.
Posted: Monday, November 10, 2014
What happens when gaming students are let loose on the Met's collection? We found our answer to this question this past spring when staff from the Sherman Fairchild Center for Objects Conservation collaborated with a group of intrepid and creative students at the Rochester Institute of Technology (RIT). The students were supervised by their professor, Elizabeth Goins, in a course titled "Interactive Design for Museums," part of RIT's Museum Games & Technology Initiative. The students were tasked with communicating the inside information conservators gather from studying the materials and techniques of works of art through a fun and engaging game aimed at general audiences.
Posted: Friday, November 7, 2014
A person can have an individual relationship with art, but at The Metropolitan Museum of Art there is often a third party involved when strolling through the galleries: the security guard. It didn't take me long to realize how wise the guards at the Met are: Many of these men and women are extremely curious about art and how it is perceived, and therefore take advantage of being in one of the world's greatest museums during their work day.
Posted: Wednesday, September 24, 2014
It is my pleasure to introduce In Circulation readers to the Ernst Herzfeld Papers, a new resource that will be developed as part of the Digital Collections from The Metropolitan Museum of Art Libraries. Ernst Emil Herzfeld was a German archaeologist, historian, and philologist of the Near East active during the early twentieth century. The Met acquired a portion of Herzfeld's personal papers in 1943, while a larger portion went to the Smithsonian Institution and another group deposited in the Museum für Islamische Kunst, Berlin.
Posted: Tuesday, August 26, 2014
The Department of Islamic Art's fifteen galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia are some of the most visually striking in the entire Museum. Located on the second floor of the North Wing, visitors are greeted by elaborate patterns carved and painted on many objects—from ceramic bowls to tapestries and arches. Tiles tessellate in repeating patterns across the walls, and in one room the ceiling is covered with intricately carved geometric patterns. With a collection of over twelve thousand objects, these galleries illustrate the fascinating diversity of the culture of Islam.
Posted: Monday, August 11, 2014
The first time I heard the evocative sounds and exquisite poetry of classic Persian music, I was amazed by its simple and elegant beauty. I later learned the complexity and philosophical principals behind the music, and about the different genres and ancient regional traditions that still endure. After a trip to Iran to visit scholars, composers, instrument makers, and musicians, a friend introduced me to the music and life of the exceptional musician, jurist, and philosopher Nour Ali Elahi (1895–1974), also known as Ostad Elahi. The resulting new exhibition, The Sacred Lute: The Art of Ostad Elahi, examines Ostad's transformation of the art of tanbūr—his modifications to the instrument, its playing technique, and the elevation of its repertoire—as well as his innovative approach to the quest for self-knowledge and his personal transformation from a classical mystic to a modern jurist.
Posted: Friday, May 23, 2014
May is Asian-Pacific American Heritage Month, a celebration of Asians and Pacific Islanders in the United States. This month affords us the opportunity to reflect on the various achievements and traditions of so many of our neighbors, friends, and family members. The Metropolitan's permanent collection and current exhibitions offer a calm and reflective setting for appreciating the art from this part of the world.
Posted: Monday, May 12, 2014
The Islamic world is famous for its stunning tilework: lavish blue and turquoise ceramic tiles featuring an almost infinite array of geometric patterns. This tilework has adorned the walls of mosques, tombs, and the homes of the wealthy, enhancing the beauty of these spaces, for centuries.
Posted: Monday, November 18, 2013
Though we tend to associate globalization with the modern, Western-dominated world of capital goods, in reality it began long ago with textiles. The current exhibition Interwoven Globe: The Worldwide Textile Trade, 1500–1800 is the first major exhibition to explore this international exchange of design ideas through the medium of textiles.
Posted: Wednesday, September 25, 2013
The situation in Syria is both grave and deeply troubling. In the midst of such striking human suffering, all other concerns can easily get lost in the shadows. But we must believe that there will be a time when peace returns to Syria, and when that moment arrives, it would be tragic to find that most of the country's heritage had been lost.