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Greek and Roman Art

Greek and Roman

The Museum's collection of Greek and Roman art comprises more than seventeen thousand works ranging in date from the Neolithic period (ca. 4500 B.C.) to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312. The geographic regions represented are Greece and Italy, but not as delimited by modern political frontiers: much of Asia Minor on the periphery of Greece was settled by Greeks; Cyprus became increasingly Hellenized in the course of its long history; and Greek colonies were established around the Mediterranean basin and on the shores of the Black Sea. For Roman art, the geographical limits coincide with the expansion of the Roman Empire. The department also exhibits the pre-Greek art of Greece and the pre-Roman art of Italy, notably of the Etruscans.

In Season

Transforming the Glass Gallery—Treasures and Talismans: Rings from the Griffin Collection

C. Griffith Mann, Michel David-Weill Curator in Charge, Department of Medieval Art and The Cloisters

Posted: Monday, May 18, 2015

Spring has finally arrived in New York, and the gardens of The Cloisters are filling out quickly, announcing their return with tender shoots and splashes of color. Inside the museum, we have opened the new exhibition Treasures and Talismans: Rings from the Griffin Collection, now on view in the Glass Gallery. This exhibition showcases a group of exceptional rings assembled by a private collector alongside works of art drawn from the holdings of The Metropolitan Museum of Art.

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Now at the Met

A Jewelry Designer's Tour of the Met

Debbie Kuo, Administrator, Department of Greek and Roman Art

Posted: Friday, May 8, 2015

The Met's collection is a world of inspiration for artists. As an administrator in the Department of Greek and Roman Art and a jewelry designer, I often stop in the galleries on my way to a meeting or sketch during my lunch break, and I am constantly looking to past centuries for new ideas.

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Now at the Met

Interview with Christopher S. Lightfoot, Author and Curator of Ennion: Master of Roman Glass

Rachel High, Editorial Assistant, Editorial Department

Posted: Tuesday, December 23, 2014

Ennion: Master of Roman Glass is the Met's first publication devoted exclusively to Ennion, whose glass products traveled across the Roman Empire in the first century A.D. I discussed the book, Ennion's work, and the connections between the ancient and modern world with the curator of the exhibition and author of the catalogue, Christopher S. Lightfoot.

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Now at the Met

Conservation Through a Gamer's Eye

Ashira Loike, Assistant Administrator, Department of Objects Conservation; and Beth Edelstein, Associate Conservator, Department of Objects Conservation

Posted: Monday, November 10, 2014

What happens when gaming students are let loose on the Met's collection? We found our answer to this question this past spring when staff from the Sherman Fairchild Center for Objects Conservation collaborated with a group of intrepid and creative students at the Rochester Institute of Technology (RIT). The students were supervised by their professor, Elizabeth Goins, in a course titled "Interactive Design for Museums," part of RIT's Museum Games & Technology Initiative. The students were tasked with communicating the inside information conservators gather from studying the materials and techniques of works of art through a fun and engaging game aimed at general audiences.

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Now at the Met

Featured Publication—The Cesnola Collection of Cypriot Art: Stone Sculpture

Rachel High, Editorial Assistant, Editorial Department

Posted: Tuesday, April 8, 2014

The Cesnola Collection of Cypriot Art: Stone Sculpture (2014) is the first comprehensive publication of 635 stone sculptures in the Met's extensive collection of ancient art from the island of Cyprus. Published online, in a historic first for the Museum, the publication is available to read, download, and search in MetPublications at no cost. A paperbound edition, complete and printed as a 436-page print-on-demand book with 949 full-color illustrations, is also available for purchase and can be ordered on Yale University Press's website.

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Now at the Met

Syrian Art at the Met

Thomas P. Campbell, Director and CEO

Posted: Wednesday, September 25, 2013

The situation in Syria is both grave and deeply troubling. In the midst of such striking human suffering, all other concerns can easily get lost in the shadows. But we must believe that there will be a time when peace returns to Syria, and when that moment arrives, it would be tragic to find that most of the country's heritage had been lost.

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Teen Blog

Pax Santi

Brooke, TAG Member; and Veronika, Teen Program Participant

Posted: Wednesday, September 18, 2013

As we walked through each gallery of the Met in order to determine the subject for our 3D sculpture, we were immediately inspired by the tranquility of Buddha Preaching the First Sermon at Sarnath in the Asian Art galleries. However, we were also intrigued by the fierceness of the Greek and Roman marble sculptures on display, and elected to combine both the head of the Roman Emperor Hadrian—currently on loan to the Museum—with the body of a lion.

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Now at the Met

The Boxer: An Ancient Masterpiece Comes to the Met

Seán Hemingway, Curator, Department of Greek and Roman Art

Posted: Monday, June 17, 2013

Since its discovery on the Quirinal Hill of Rome in 1885 near the ancient Baths of Constantine, the statue Boxer at Rest—currently on view at the Met—has astonished and delighted visitors to the Museo Nazionale Romano as a captivating masterpiece of ancient bronze sculpture.

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Teen Blog

Passport to Another World

Shivanna, TAG Member

Posted: Wednesday, February 20, 2013

When you enter the Met, you leave the buzzing streets of Manhattan behind and are transported back in time and to foreign places. As an artist, intern, frequent Met visitor, and New Yorker, I can say the Met is my favorite place to "vacation" when I need to get away from the bustling world outside.

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Teen Blog

A Rectangular-Shaped Surprise in the Greek and Roman Art Galleries

Julia D., High School Intern

Posted: Tuesday, February 5, 2013

When I think of the Greek and Roman Art galleries, the first color that comes to mind is white, thanks to the slick marble statues that fill the courtyards and halls with both a sense of calm and a buzzing chit-chatter. So I am always somewhat surprised and very delighted to stop in on this primarily black fresco. I love that it seems to be at odds with almost every other piece in the collection.

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