The Museum's collection of Greek and Roman art comprises more than seventeen thousand works ranging in date from the Neolithic period (ca. 4500 B.C.) to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312. The geographic regions represented are Greece and Italy, but not as delimited by modern political frontiers: much of Asia Minor on the periphery of Greece was settled by Greeks; Cyprus became increasingly Hellenized in the course of its long history; and Greek colonies were established around the Mediterranean basin and on the shores of the Black Sea. For Roman art, the geographical limits coincide with the expansion of the Roman Empire. The department also exhibits the pre-Greek art of Greece and the pre-Roman art of Italy, notably of the Etruscans.
Posted: Tuesday, December 23, 2014
Ennion: Master of Roman Glass is the Met's first publication devoted exclusively to Ennion, whose glass products traveled across the Roman Empire in the first century A.D. I discussed the book, Ennion's work, and the connections between the ancient and modern world with the curator of the exhibition and author of the catalogue, Christopher S. Lightfoot.
Posted: Monday, November 10, 2014
What happens when gaming students are let loose on the Met's collection? We found our answer to this question this past spring when staff from the Sherman Fairchild Center for Objects Conservation collaborated with a group of intrepid and creative students at the Rochester Institute of Technology (RIT). The students were supervised by their professor, Elizabeth Goins, in a course titled "Interactive Design for Museums," part of RIT's Museum Games & Technology Initiative. The students were tasked with communicating the inside information conservators gather from studying the materials and techniques of works of art through a fun and engaging game aimed at general audiences.
Posted: Tuesday, April 8, 2014
The Cesnola Collection of Cypriot Art: Stone Sculpture (2014) is the first comprehensive publication of 635 stone sculptures in the Met's extensive collection of ancient art from the island of Cyprus. Published online, in a historic first for the Museum, the publication is available to read, download, and search in MetPublications at no cost. A paperbound edition, complete and printed as a 436-page print-on-demand book with 949 full-color illustrations, is also available for purchase and can be ordered on Yale University Press's website.
Posted: Wednesday, September 25, 2013
The situation in Syria is both grave and deeply troubling. In the midst of such striking human suffering, all other concerns can easily get lost in the shadows. But we must believe that there will be a time when peace returns to Syria, and when that moment arrives, it would be tragic to find that most of the country's heritage had been lost.
Posted: Wednesday, September 18, 2013
As we walked through each gallery of the Met in order to determine the subject for our 3D sculpture, we were immediately inspired by the tranquility of Buddha Preaching the First Sermon at Sarnath in the Asian Art galleries. However, we were also intrigued by the fierceness of the Greek and Roman marble sculptures on display, and elected to combine both the head of the Roman Emperor Hadrian—currently on loan to the Museum—with the body of a lion.
Posted: Monday, June 17, 2013
Since its discovery on the Quirinal Hill of Rome in 1885 near the ancient Baths of Constantine, the statue Boxer at Rest—currently on view at the Met—has astonished and delighted visitors to the Museo Nazionale Romano as a captivating masterpiece of ancient bronze sculpture.
Posted: Wednesday, February 20, 2013
When you enter the Met, you leave the buzzing streets of Manhattan behind and are transported back in time and to foreign places. As an artist, intern, frequent Met visitor, and New Yorker, I can say the Met is my favorite place to "vacation" when I need to get away from the bustling world outside.
Posted: Tuesday, February 5, 2013
When I think of the Greek and Roman Art galleries, the first color that comes to mind is white, thanks to the slick marble statues that fill the courtyards and halls with both a sense of calm and a buzzing chit-chatter. So I am always somewhat surprised and very delighted to stop in on this primarily black fresco. I love that it seems to be at odds with almost every other piece in the collection.
Posted: Tuesday, October 9, 2012
Posted: Wednesday, June 1, 2011
The "Mask of Agamemnon" is one of the most famous gold artifacts from the Greek Bronze Age. Found at Mycenae in 1876 by the distinguished archaeologist Heinrich Schliemann, it was one of several gold funeral masks found laid over the faces of the dead buried in the shaft graves of a royal cemetery.